murals – Watch This Space

Postcard from Mexico

Mexico is a hotbed of colourful culture – from the heritage of Aztec history, the muralist movement, the folkloric expressions, energetic graffiti and more recently, the emergence of a contemporary mural style infused with all of these influences… Last year we were lucky enough to spend some time in Mexico, visiting Mexico City and Puerto Vallarta and capturing some arty goodness. It can’t be understated how massive Mexico City is, bustling and colourful, the juxtaposition of traditional graffiti, fun street art, murals and public art a reflection of the city’s diversity. With only a couple of days to explore, much of the art we found was in the Condesa area where we stayed, but we also were able to witness a huge amount of art as we travelled outside the city to the impressive pyramids of Teotihuacán, murals, slogan typography and of course the frescoes of the ancient Aztec city itself. Puerto Vallarta is renowned as a bright, vibrant destination, and the collection of murals throughout the city most certainly adds to that profile – often displaying elements of local culture and history…

It’s impossible to not read this Radiohead lyric in a certain cadence… Mexico City

Where will our next Postcard come from? Stay tuned!

Flare Ōtautahi Street Art Festival 2025 – What, where, when and how to get involved!

The Flare Ōtautahi Street Art Festival kicks off on Thursday, 27th February – and it is bringing 10 days of epic street art goodness! With a massive offering of things to do and see, let’s get everything you need to know in one place!

Headline Artists:

Jacob Yikes – Distinction Hotel – Spark Lane side, just off Cathedral Square

Berst – Spark Lane – opposite Jacob Yikes

Jessie Rawcliffe – 566 Colombo Street (on the exterior of Samurai Bowl)

Haser – Ara Campus, Madras Street

Fluro – 282 Cashel Street (Barbadoes Street end)

YSEK7 – 65 Worcester Street (opposite the eastern exterior of the Christchurch Art Gallery)

Nick Lowry – 173 Gloucester Street (Manchester Street end)

Additional Artworks:

Drez (Australia) – 267 St Asaph Street (opposite the Boxed Quarter)

Ling (Australia) – Exterior of Child Sister Cafe, Manchester Street

FSA x DTR x BRS Crew Wall – 490 Colombo Street, Sydenham

Rinley’s Wall – 47 Wordsworth Street, Sydenham

Ikarus x Dcypher – Spark Lane, Distinction Hotel

Additional Activations and Events:

FSA x Flare Pop-Up Exhibition – 10am – 5pm, 1-9 March, 181 High Street

Tattoo Pop-Up with Chez – 1-2 March, 181 High Street – DM @mkeltattooart for bookings

Watch This Space Street Art Tours – 11am & 2pm, 1, 2, 6, 8 & 9 March, departing from The Drifter – book via website/Humanitix

Flare x Watch This Space x Dulux x Duckewe Mural Jam/Mākete/Skate Day – 10am – 4pm, 8 March, Te Pae Green

Watch This Space Artist Panel Talk – 6:30pm, 7 March, Dux Central – tickets via Humanitix

Blackbook Sessions – see Flare website for details

Stencil Workshop – 6pm, 6 March, The Rambler – tickets via Humanitix

Wahine Graffiti Jam – 9 March, 608 Colombo Street

Making a Place of Play

Gapfiller’s Dance-O-Mat, a relocatable urban dance floor, is one of the city’s most enduring post-quake place-making icons – a status cemented when the now King and Queen Consort, Charles and Camilla, cut some shapes on the floor when they visited the city in 2012. When the Dance-O-Mat needed a new home, GapFiller found the vacant space next to Paddy McNaughton’s Irish Pub on Manchester Street. The process of installing the dance floor was undertaken and soon, the washing machine discotheque was sending rhythms out across the city and limbs were moving (some more elegantly than others).

The Dance-O-Mat’s new setting was a typical Ōtautahi lot, vacant but for rocky shingle, weeds and bright graffiti painted on the surrounding walls. Now with support from GapFiller, Resene Paints, the Christchurch Hip Hop Summit and a range of artists, the paint covered walls have been given a facelift to match the Dance-O-Mat’s activation. The first addition was a simple black and white declaration of the site as a Gapfiller ‘Place of Play’ – part of the urban play initiative. The mural, completed by Nick Lowry and Bols, simply deploys the graphic Place of Play logo, designed by Ariki Creative, running along the upper section of the Northern wall, boldly declaring the site as a destination. The painting spanning 18 metres in length and starting more than three metres up the wall, was completed in just two days, and set the tone for further activations.

If the Place of Play mural served a practical purpose, the next wave of creative work was brighter and exemplified the Place of Play intentions. On the first weekend of October, the 2022 Christchurch Hip Hop Summit kicked off with graffiti jams – including at the Dance-O-Mat site, where a selection of local graffiti artists refreshed the walls with characters and pieces. The activity, bolstered by DJs playing music, drew sizeable crowds (and dancers), making the most of the (almost) summery weather. Across from the graffiti artists, members of Slap City decorated the dedicated paste-up wall (which already featured a bold ‘Dance-O-Mat’ painting in red and yellow by teethlikescrewdrivers) with paper-based additions big, small and everywhere in between.

The flurry of activity was a perfect introduction for a site that now celebrates various creative outlets, a new must-see destination in the heart of Ōtautahi. The Dance-O-Mat is back and it looks fantastic!

And That Was… March 2022 with Selina Faimalo and Kophie

This month’s And That Was… is a special edition – dedicated to the impact of the Flare Street Art Festival across March (the festival opened on the 2nd and eventually came to a close on the 20th, an extended run). Who better to break down the highlights than Flare project manager Selina Faimalo, who gamely took on the challenges of such a multi-faceted event, and headline artist and pop-up gallery curator, Kophie Su’a-Hulsbosch (aka Meep). From the amazing murals to the additional elements of tours, exhibitions, panel talks and more, Selina and Kophie break down what made Flare such a success!

____________________________________________

The Flare Ōtautahi Street Art Festival was a conglomeration of large murals, a pop-up exhibition, graffiti art, guided tours and art talks.

The ARCC collective wanted the festival to be a collaborative event, with artists involved in the curation of the event and to incorporate traditional graffiti as well as street art. Dcypher, Ikarus and of course, Kophie, were eager to jump on board to have the most authentic festival possible. It is amazing to break down Flare by the numbers:

Flare became a 20 day festival with a total of 44 artists participating, including seven headlining artists, as well as a three-artist collaborative 3D mural and a three-artist projection installation, a ‘Wahine Takeover’ at the BOXed Quarter with four female artists, an exhibition featuring 21 urban artists, and a two-part graffiti jam with 35 artists. Flare saw the completion of 44 new artworks across the SALT District. More than 1200 visited Flare Central on High Street, with many taking home art from the pop-up exhibition, while 136 people joined the guided tours (and more just tagged along!).

Overall, we had so many wins, including Koryu taking home Kathmandu’s People’s Choice Award (voted by FLARE attendees) and the heartwarming development of Olive the cat, star of SwiftMantis’ mural, finding a home when she was adopted from the Cat’s Protection League!

Koryu’s amazing A Hum – The Beginning and the End was voted People’s Choice winner for Flare 2022. Photo supplied by Flare Festival

Swiftmantis’ Olive was a very popular piece and when the feline was finally adopted, the story got its happy ending… Photo supplied by Flare Festival

In addition, these were our personal highlights…

Wāhine Takeover

Jessie Rawcliffe’s stunning piece as part of the BOXed Quarter Wahine Takeover… Photo supplied by Flare Festival

Kophie and I are the founders of The Conscious Club and until very recently we were based at The BOXed Quarter, an amazing part of SALT District with a variety of murals by different artists.

The Wāhine Takeover was added to the programme as when we were organising the graffiti jam, it became obvious that women graffiti artists are few and far between in Ōtautahi. Kophie took the initiative of choosing four wāhine to paint at the BOXed Quarter, adding a point of difference to the area and a diverse range of new artworks. The selected artists were Jen Heads from Fiksate Gallery, Lucia Kux from Berlin, who has a background in graffiti and is a tattoo apprentice, McChesney-Kelly Adams from Lyttelton, who specializes in realism and also has a tattoo apprenticeship and Jessie Rawcliffe, who specialises in highly detailed portraiture.

The Pop-Up Exhibition

As well as being one of the headlining artists, Kophie also curated the Flare Central pop-up gallery. The exhibition was primarily a representation of Ōtautahi graffiti and street artists as well as art work from our headlining artists. The curation of the gallery was to be a homage to graffiti art as the art form that began street art and large-scale murals and adds vibrancy and culture to the city.

Offline Collective x Fiksate

Offline Collective and Fiksate Gallery merged their creative outputs, mixing the work of local artists Dr. Suits and Jen Heads with Offline Collective’s renowned animated moving images. Overlaying visuals and interrupting the usually static images of both artists in two installations, the concepts were brought to animated life in an empty High Street space.

This installation was epic, exploring the murals at night and peering through the window on High St whilst eating an ice cream from Utopia (or even a few wines deep) was mesmerizing ! It was like seeing a Jen Head hologram from 2043!

Tours

We were so lucky with our selection of walls being so close together in the SALT District that all the murals were located within five minutes walk of each other.

Watch This Space facilitating the guided tours was absolutely amazing, Reuben’s passion and knowledge about the urban art scene had attendees hooked!! It created a sense of pride for residents learning about already existing art that they once just glossed over.

The great thing is, if you missed out you can still book in guided tour with Watch This Space!

Artist Panel

The Watch This Space: Flare Artist Panel was another highlight. One of the biggest struggles with Flare was hosting a festival in red light setting, as well as being in the peak of everyone catching COVID! (including me, LOL!), with a limit on gatherings of 100. We were so grateful to have access to equipment through WORD Christchurch to live stream this so those isolating and all across Aotearoa could tune in!

We had all our headlining artists on the panel apart from Elliot Francis Stewart and Wongi who couldn’t make it, so it was really great to hear the diverse stories; their backgrounds and their journeys to where they are now.

Graffiti Jams

Dcypher and Fuego, Graffiti Jam Part One. Photo supplied by Flare Festival

Yikes (left) and Dcypher, Ysek, Chile One and Ikarus (right) for the Graffiti Jam Part Two along Billens Lane… Photo supplied by Flare Festival

As the festival was extended (we had a few artists down with COVID!), we ended up having two graffiti jams!

We had 20 Artists painting at Graffiti Jam Part One and 15 artists at Graffiti Jam Part Two, and it was so much fun to get the community together to paint legally and incorporate traditional graffiti into Flare. We even had North Island heavyweight Fuego, who happened to be in town at the right time, get a piece in!

Dcypher and Ikarus had been such a huge part of helping put Flare together and they facilitated both graffiti jams. They have a mana in Ōtautahi that brought everyone together and had a great time.

Both laneways are special in their own way and walking down each one takes you on a journey of a range of styles like walking into a gallery on the streets.

We honestly couldn’t be happier with how the festival turned out. Even though we were in peak Omicron and in the red traffic light setting, it all came together through an epic community and residents supporting the arts! Fingers crossed we can do it all again next year, and actually hold the street party!

Wongi Freak Wilson produced this explosive piece for Flare, a fitting work for a the festival and its busy activations. Photo supplied by Flare Festival

____________________________________________

Follow Flare Street Art Festival on social media and keep an eye on the website for future announcements!

Postcard from Tāmaki Makaurau Auckland

Tāmaki Makaurau Auckland is a strange beast. It is the only mega-city in Aotearoa, and when you touch down from Ōtautahi it is hard to comprehend the sheer spread of the northern metropolis. While you can easily navigate Christchurch’s inner city in 15 minutes, Auckland’s urban centre seemingly sprawls on forever, with each area displaying a distinct identity. Our quick trip to Tāmaki meant we didn’t get to endlessly explore the diversity of the city, but we did get to see a fair bit of art. Of course, there is no chance we could have achieved a full coverage of the city, but what we saw, we loved. Auckland has the longest and largest history of Aotearoa graffiti and street art, so spotting a legendary figure’s name or character, whether fresh or faded, is always a possibility, but still exciting for a nerd like me, while you can always find a new name that is on the come up as well. It also has a truly urban feel, where you can get lost down alleyways, led by the trace of some preceding presence who was compelled to leave their mark. It is a real city, and it’s streets are always talking…

____________________________________________

The Mercury Plaza and Sunset Tattoo, with a piece by Askew One above…

And Askew One going way back on Ponsonby Road

Misery’s sculpture in K Road just outside St Kevin’s Arcade is a pretty fit…

The Whakaako Mural Collective’s Once a Panther, Always a Panther

A visit to the Avondale Pavilion awaiting Race A2D’s touch…

____________________________________________

Where should our next postcard cover? Let us know at [email protected]

Burn So Bright – Flare Street Art Festival Recap

Almost five years since Street Prints Ōtautahi, Christchurch’s last significant street art mural festival, Flare Street Art Festival provided a welcome shot in the arm for a city with an established reputation as an urban art destination. The brainchild of ARCC, a urban activation collective of local business people and place makers, Flare burst into life with a roster of seven headline artists painting huge murals and a flurry of additional activities.

Flare was built around the selection of massive new murals that would transform the SALT District and surrounding environs, landmarks that showed an impressive diversity, each artist flexing their unique styles, interests and intentions with creative freedom.

The largest mural, on the side of the newly renovated Cotters Lane building, was completed by Koryu, a Japanese artist who has been based in Aotearoa since the 2020 lockdown, living in Geraldine but travelling across the country to paint murals. While relatively new to urban art, picking up a spray can just three years ago after visiting Melbourne, Koryu’s impressive depiction of fierce Niō warriors, guardian statues of Buddhist temples in Japan shows his quick development. The circular motif in the middle of the image suggesting the infinite quality of existence, the warriors themselves representing the beginning and end of all things (the open and closed mouths symbolic of the in and out breath, the first and last characters of the alphabet). The huge work, over 160 square metres, was a massive undertaking, filled with detailed musculature and gestural painting and aware of the shared experiences of Christchurch earthquakes and the Tohuku earthquake and tsunami in Japan in 2011 when both regions were struck by devastating natural disasters, making this work, a gift of guardians, even more resonant.

Nearby, overlooking Manchester Street, local artist Wongi ‘Freak’ Wilson displayed his technical skill with a vibrant depiction of a woman wearing rose-tinted glasses and chewing bubble gum. The pink gum exploding into a cloud of pop culture references, a baseball cap, a paint roller, headphones and more bursting out of the cloud. The combination of realism and pop-esque cartoon work a summation of Wongi’s style. The upbeat energy of the work infecting an area that still bares the scars of the city’s ongoing .

Tucked down Memory Lane, behind the imposing SALT Mural by Paul Walters and Dcypher in Evolution Square, Gisborne artist Kell Sunshine added a rolling, lyrical mural, a beautiful contrast to the architectural and pared-back piece around the corner. Floral forms blooming and unfurling around the phrase ‘Take a walk on the wild side’, Sunshine’s mural reminds us of the need to break from convention and embrace our ‘wild side’ – a literal depiction of nature amidst the urban jungle. The 70s vibe is relaxed and the somewhat secluded placement allows for the viewer to stop and absorb the message before returning to the bustle of the city.

On St Asaph Street, homegrown talent Meep produced the largest work of her career, with a stylised self-portrait against a bright orange backdrop. The massive image shows the artist, with a backpack filled with paint, a roller and a blackbook, walking along the tracks (a traditional graffiti hot-spot and suggested by the large roller piece behind the artist), headphones plugged into a television-headed representation of hip-hop music – her constant companion (the homage to hip-hop cemented with the Kangol bucket hat and the MF Doom and Wu Tang Clan t-shirts). The strong representation of a female graffiti writer illuminating an often marginalised presence in a predominantly male sub-culture.

On the corner of Manchester and Welles Street, local legend Ikarus of the DTR Crew recounted his own experiences in graffiti through the lens of an AR video game (a cartoon version of the artist shown in full AR goggle mode in the corner). The levels of the game move through the stages of graffiti, from tags to throw-ups and finally ascending to masterpieces, the obstacles and intricacies thrown in as well. The shout-out to traditional graffiti an important inclusion in a forum where the culture is often excluded in favour of birds and buildings. The shout out to the legendary Jungle acknowledging the legacy of those who have come before and the important role of mentorship through example.

In the rear of the Little High car park on St Asaph Street, Palmerston North artist Swiftmantis continued his series of ‘Stray Stories’ with a huge depiction of black cat Olive, her green eyes surveying the surrounding area. The amazing detail reveals the feline’s character, her tattered ear a sign of her survival. Currently with the Cats Protection League of Christchurch. Olive, perhaps now the city’s most famous cat, is still looking for her forever home, the work serving to highlight her situation and to celebrate the work done by the Protection League. The image has already stopped hundreds in their tracks, wowed at the production and enamoured with the beautiful, majestic animal.

Elliot Francis Stewart’s mural closed the festival

The final work, located on Manchester Street, was delayed when Elliot Francis Stewart was unable to make his way to Ōtautahi until the final (or at least the final official) day of the festival. Renowned as a supremely talented illustrator, Stewart drew inspiration from Christchurch’s ‘Garden City’ moniker to depict a sweetly nostalgic scene of a shovel and bucket in a garden. The electric colour scheme of blue, yellow and magenta highlights the intricate detail, the leaves, bark and even tiny lizards occupying the serene setting. It is a show stopper that draws you in, your eyes led across the incredible detail of the wall.

While these murals were the central focus of Flare, there was plenty more going on across the extended two week programme. Just prior to the official launch, Dcypher, Ghostcat and Dr Suits installed an anti-war 3D mural – an oversized Molotow pen fixed to the wall appearing to be the tool used to scrawl over the image of a tank in bright pink – a peace sign and the declaration ‘Make Art Not War’ defacing the symbol of military force. Just around the corner, Flare made use of a High Street shop as a pop-up gallery, featuring local and visiting artists, an array of art and apparel available. The pop-up served as the central hub for the festival, with artists hanging out and passers-by drawn in (our Watch This Space guided tours also departed from the pop-up space, while the Watch This Space Artist Panel was held at 12 Bar on St Asaph Street). An unassuming High Street space hosting a projection work, a collaboration between Fiksate Gallery and the Offline Collective, added a dynamic night-time presence to the festival. The BOXed Quarter’s collection grew with the ‘Wahine Takeover’; Jessie Rawcliffe, Jen-Heads, Berlin and MKA adding fresh paintings to the panels. The final Saturday of the festival saw over two dozen artists take over the lane ways surrounding popular bar Smash Palace with a graffiti jam, artists from different cities and generations lifting the veil from graffiti’s often mysterious presence as visitors could watch the paint being sprayed on the wall. Finally, on the last weekend, Billens Lane, next to Little High, received a make-over with fresh hoardings painted by Jacob Yikes, Dcypher, YSEK, Chile One, Ikarus, Tepid and Bols, adding further diversity to the collection of Flare works.

With over 40 new works of art painted across the city, and over 30 artists involved across the festival, Flare served to connect the dots as an event that was for the city and the culture. This is an important element of such an event, recognising the need to support local talent and provide opportunities of varying scales, to raise the profile of urban art and foster the seeds of the city’s creative foundations. Of course, with new incarnations will come new challenges, from finding fresh walls to the massive task of finding money, but Flare has made a promising start, and we are already looking forward to 2023!

Flare Festival- A Photo Essay by Centuri Chan

Flare Festival may have come and gone, but it’s legacy lives on – an array of amazing new murals and a bolt of energy in the local urban art scene putting graffiti and street art back in the limelight. The flurry of activity that saw a pop-up gallery, guided tours, panel talks, mural painting, graffiti jams and live painting sessions was a lot to take in – luckily we had our man, Centuri Chan, on hand to capture some of the magic…

____________________________________________

Jessie Rawcliffe painting at the BOXed Quarter Wahine Takeover…

Koryu takes on the festival’s biggest wall

Palmerston North’s Swiftmantis works on the stunning feline portrait Olive

Dcypher X Dr Suits X Ghostcat – Make Art Not War

Elliot Francis Stewart’s amazing work meant the festyival lasted even longer

Ikarus’ graffiti game played through the levels of the culture

Kophie’s massive Hip Hop tribute was a highlight

Centuri Chan is an Otautahi-based creative, photographer, tour guide, designer and LEGO builder…

The Flare Street Art Festival, March 2-12, 2022

Christchurch’s street art reputation is, in many ways, built on the legacy of festival events. The likes of From the Ground Up, Rise, Spectrum and Street Prints Ōtautahi established the city as a destination for artists to find opportunities and for a new audience to experience amazing examples of urban art in a setting that was forced to re-imagine it’s creative profile and identity. It has now been five years since the last significant festival was staged in Ōtautahi, but with the emergence of the Flare Street Art Festival, Christchurch is braced to once more flex it’s status as Aotearoa’s leading urban art city. We sat down with Selina Faimalo, project manager for Flare, to discuss the challenges of developing a street art festival in 2022, what Flare promises, and who we should be excited about…

____________________________________________

The Flare Street Art Festival is just days away, how are you feeling? Are the nerves jangling or is it just excitement?

I’m really excited to see it all, well nearly all, coming together! Obviously, I’m still a bit nervous because things can change between now and then, as we know, but we’re pretty fool-proof under the red traffic light setting. We’ve adapted.

What are some of the significant changes you have had to make?

We originally planned to have a large celebration of street art culture, hip-hop and urban art at the end of the festival. We were going to close down High Street and have a big market and festival with live music, dancing, skateboarding, food trucks, urban stallholders and a pop-up gallery, all sorts of things. That part of the festival had to be cancelled, so instead we’re doing micro events over the ten days; we’re going to have street art tours with Watch This Space, which we were always going to have, they can still go ahead. There will be tours on each weekend of the festival. We’ve still got a pop-up gallery and kind of hang out space, that will be open during the days. Fiksate and Offline Collective are collaborating and going to do some street art projections in some vacant spaces in the SALT District. We have the panel discussion with the artists, that is also with Watch This Space, with some of the headlining artists at 12 Bar, which will be an awesome way to interact with the artists and get to know a bit more about them. It’s going to be live-streamed as well, which is really cool as we can’t host as many people as we wanted to…

It still is a really good program. I think it is important for street art and mural festivals to provide chances to engage with different elements…

Absolutely.

The festival or market day would have been amazing, but I guess there’s a silver lining in that you can now perfect it for next year and grow the festival as a recurring event…

Totally, it might be a bit of a blessing in disguise. I’ve spent about eight months on the process of organizing this festival, so I think it gave us a lot more time to re-evaluate things and put that energy into different things. Obviously, it’s unfortunate that we had to cancel those elements, because we have musicians and vendors were relying on that income from the event. Cancelling those individuals and businesses was really sad, because you have already committed and turned down other bookings… It’s been tough for all in the events industry.

Wongi ‘Freak’ Wilson is one of the headline artists for the Flare Street Art Festival

Bringing together the wider urban art community is really important. As you said, there are the headline artists, but that’s not the whole picture, you’ve got other artists too, like the Fiksate team, the artists with work in the pop-up gallery and some smaller live painting events as well. There is a much wider array of people than the names on the posters…

It was important to involve as many Christchurch artists as possible, to make it inclusive and diverse, including, the “OGs” as well as the younger generations, as well as making sure there are female artists represented, who are not always as predominant in the street art scene.

Can you give us a little bit of background on ARCC, who are the organization behind Flare?

ARCC is a group of business leaders and place-makers, who just want to make a bunch of cool stuff happen in the city and revitalise what’s happening here. George Shaw from OiYOU! is a part of ARCC and is obviously a big advocate for street art and he recognised that a lot of the murals from the Rise and Spectrum festivals are not there anymore, as the city is being rebuilt the visual aspect of street art is not there as much, it’s being built in front of or covered, so he just wanted to bring that back, putting it on new buildings and filling these blank walls with street art again and retaking that status as a street art capital, we were obviously in the Lonely Planet as one of the street art capitals of New Zealand and the world…

A lot of that recognition came from the festival events, because you’re seeing a lot of work appear in a short time, there is a rush in activity that captures the attention. So, Flare becomes an important way of re-claiming that title. How did you come to be the project manager for Flare?

I’m actually a trustee of the SALT District, so I already knew about ARCC because a lot of the team are on the SALT District board as well and they had mentioned it. I was going along to the street art meetings and they were talking about it and I’d already been in touch with George anyway because I’d mentioned to him ages ago that I really wanted to do some type of hip-hop street art event and I wanted to know how you would make that happen. He said let’s keep in touch, maybe there will be something that we can do. I also run the Conscious Club with Kophie (Su’a Hulsbosch), we do social and environmental events in Christchurch, we’ve been doing it for the last two years, in which we weaved creativity into the majority of our events. We have held exhibitions together and shared creative working space with her for a while now. I’m not part of the street art community, but I’m a massive fan of street art culture and hip-hop in particular. I really wanted to do a hip-hop event, I talked with Red from the Hip Hop Summit about all the different things that we could do. George’s plan was to run Flare, but he had another exciting project come up. The timing wasn’t great for him to project manage Flare, so he asked if I would be interested in project managing it with his help and guidance, along with the rest of the team at ARCC helping out as well. As business leaders they have great connections to building owners to help make this happen. One of the biggest challenges of a festival like this is getting a building owner to agree to getting their wall painted without knowing what it will be, so without those connections and networks I don’t think it would be possible!

Local legend Ikarus of the DTR Crew is another Flare headliner for 2022

There’s a fine art to that side and you probably had to learn on the fly a little bit! You want wall spaces that are visible and attractive, but you also want to ensure that that building owners are supportive of artistic credibility and freedom. You have to find that balance of great walls with the right people, right?

Yeah, we’re telling artists they will have creative freedom, but obviously it can’t be anything offensive or inappropriate, and when we say inappropriate, like when we spoke to John Hutchinson of Team Hutchinson Ford, about painting his wall, he said as long as you don’t paint a Holden! It was little things like that, I just wouldn’t think about. In general I would say building owners can be a little bit conservative, and like to play it safe, might not want certain things on their walls, so it’s a balancing act of letting some know and showing them designs and then we will be surprising some!

I’m a big believer that part of the job of street artists is to bring the audience along, rather than being dictated to creatively to fit a popular trend that supposedly speaks for everybody. The reality is that we are incredibly diverse as a population, made up of individual voices, so why not let murals be a voice of an individual and in doing so, present a little bit of a challenge to the public audience to come with the artist rather than the artist having to go to the audience? What other skills that you maybe didn’t expect to draw on were needed to bring Flare to life?

I guess navigating the street art scene is something I didn’t know a lot about. I’m quickly learning it is tricky! Obviously, graffiti comes from the streets, which means there an element of rebel and conflict. Having people involved in the festival like DTR crew and Kophie, has helped with those situations. The panels along the Smash Palace pathway will be painted with local graffiti artists, and I don’t think that was my call as to which artists would be involved in that, so I asked Dcypher and Ikarus to facilitate that part of it, so they have led that part because they can navigate the relationships within the graffiti community. Even curating the headlining artists, that was tricky. George actually curated that aspect, but I was part of the conversation, and I don’t think I would have thought about who you should choose in case their work gets tagged over because they’re not respected in the street art community. That is a huge thing that I’ve learnt a lot about recently, if you put the wrong person on a wall, then it’s likely going to get continuously tagged over because they don’t have that respect or that mana in the community…

Kophie Su’a Hulsbosch is the third Christchurch-based headliner for Flare 2022

In terms of the final headlining artist roster, from Christchurch we have Kophie, Wongi ‘Freak’ Wilson and Ikarus, and from out of town are Elliot Francis Stewart from Auckland, Kell Sunshine from Gisbourne, Swiftmantis from Palmerston North and Koryu, who is kind of itinerant, kind of travelling around NZ, right?

Yeah, well, he’s based in Geraldine…

That street art mecca!

Yeah! He is based in Geraldine, but he travels a lot, he is originally from Japan.

Gisbourne’s Kell Sunshine is one of the visiting artists headlining Flare 2022

So out of that list, who are you excited to see?

Out of all seven? I mean, I’m going to say Kophie, big respect to the wahine! Being a woman in general is hard and being a woman street artist is even harder and I think she has really stepped up. she has been doing it for over ten years now and I think this is her time to leave a mark in her own city. She’s done commissioned murals but this time she gets to paint what she wants to paint and she’s so talented.

I’m a big fan of Kophie too, she is super talented and its great to see her given this platform. Anyone else?

I would say Koryu, I think his mural will be very cool! I’ve seen his design as well, so that’s why I’m really excited to see what he’s doing. I’ve been watching him this summer, watching every mural that he’s painted and it’s incredible.

He’s relatively new to it as well, right? But he’s developed a style that is both very distinctively his, and I think also speaks to his heritage, but also something that you can understand why the public gravitate towards the detail. It’s graphic and pictorial, you can easily see a crowd going, wow! He also just seems like a lovely guy! There is some amazing footage from South Sea Spray where he won the ‘People’s Choice’ award and he did a break dance because he’s a b-boy as well…

I know, he’s so amazing! That’s one thing I’m really sad about, as part of the festival we were going to have hip-hop and break dancing, and it would have been really cool to have a headline artist paint and dance!

Japanese artist, Koryu, now residing in Aotearoa, is another headline artist

Maybe he could still do that at the panel discussion!

I think so, just break it out!

So, the Flare Street Art Festival begins on the 2nd of March, when the headline artists start painting, but how can people find out more? How can people get involved in the various events?

They can head onto Facebook for the Flare Street Art Festival or the website which is flare.nz. The full program is on the website and if you want to book tickets to any event, you can do that online. I recommend having a look online because that will be have the right information, it is the digital age, we can update things!

____________________________________________

The Flare Street Art Festival is located across the SALT District with a range of activities – follow Flare on social media or visit their website for more information and booking options. Flare runs from the 2nd March until the 12th March, 2022.

A Nice Trip to the Beach…

We are excited to announce a summer series of New Brighton guided street art tours! Watch This Space has already established central Christchurch street art tours, with hundreds of guests joining us to explore the art within the four avenues since 2019. Now, in conjunction with the New Brighton Outdoor Art Foundation, our tours will journey out to one of the city’s most vibrant suburban settings, the beautiful seaside village of New Brighton.

Although New Brighton has faced a litany of challenges over the years, from the economic downturn with the arrival of mega malls, to the damage of the Christchurch earthquakes, art has been an undeniable presence – brightening walls with evolving works that have often reflected the indomitable community spirit of the area! While today, the beautiful Pier is accompanied by the bustling children’s playground and the popular He Puna Taimoana hot pools (and a brand new surf life saving club to boot), since 2012, the dilapidated walls and empty spaces have been filled with art. From the 2012 event Mural Madness to the 2020 New Brighton Outdoor Art Festival – art has been at the heart of so many aspects of the village’s revitalisation. The art found in New Brighton is not as pristine and curated as the central city, where there is an increasing sense of input from power brokers, instead it is more organic and experimental, and at times challenging, with traditional graffiti a prominent part of the artistic profile with legal walls and collaborative productions. But that makes it all the more interesting and authentic – it is the art of action!

Welcome to Orua Paeroa, by the Fiksate crew and the New Brighton Community

With free tours spread across January and February, now is the time to book in and explore New Brighton! Perfect for locals who want to celebrate their neighbourhood or for visitors who will find a ‘new’ New Brighton, our tours are available for all ages!

Email [email protected] for booking options and we will see you at the beach!

Tour dates:

12pm, Saturday, January 22nd (almost fill, less than 3 places available!)

6pm, Thursday, January 27th

12pm, Sunday, January 30th

6pm, Thursday, February 3rd

12pm, Saturday, February 5th

12pm, Sunday, February 20th

The New Brighton street art tours are an initiative between Watch This Space, the New Brighton Outdoor Art Foundation and ChristchurchNZ.

Nick Lowry, teethlikescrewdrivers, Bloom n Grow Gal and Bols @ the BOXed Quarter

After a week of rain fall and grey skies, the sun returned just in time for a group of local artists to add to the already impressive collection of art on the many panels of the BOXed Quarter on St Asaph Street. Nick Lowry, teethlikescrewdrivers, Bloom n Grow Gal and Bols each brought their own styles to various panels throughout the complex, joining works by Wongi ‘Freak’ Wilson, Joel Hart, Meep, Chile One, Newen, YSEK, Mark Catley and more. Inside, Bols stencilled a multi-layered grey-scale text piece, reading ‘The kids round here live just like shadows’, a line taken from Bruce Springsteen’s epic Jungleland, while Bloom n Grow Gal’s flowers took root on nearby panels, boldly outlined and oversized. On Madras Street, teethlikescrewdrivers played off the existing buff patches to create a colourful swatch of squares and line-work pencils, bright colours buzzing against the rich ochre background. Around the corner, Nick Lowry went big, with a three-panel high piece featuring the evocative image of an eel wrapped around a bone, the background a shift of green tones. Reaching the top of the building, Lowry’s work is visible from far down Madras Street, a new beacon of the BOXed Quarter’s vibrant walls.

Let us know about your favourite new works around Otautahi by commenting on our social media, or send us an email at [email protected]!