Exploring Aerosol: A Masterclass Workshop with Wongi ‘Freak’ Wilson

Watch This Space, in partnership with Toi Ōtautahi and with support from Te Manatū Taonga – The Ministry for Culture and Heritage, are excited to present Exploring Aerosol, a masterclass workshop hosted by renowned artist Wongi ‘Freak’ Wilson!

Part of a larger series of workshops aimed at artistic up-skilling and targeting both practicing and emerging creatives, Exploring Aerosol will present the potentials of spray paint as a medium for the streets and the studio. Aerosol has long been established as the iconic tool of graffiti and urban art, allowing a practicality and a particular aesthetic that means, despite growing environmental concerns and increasingly diverse and multi-faceted approaches, this status endures within the culture and public perceptions. Importantly, aerosol has been harnessed by artists as both for painting walls as well as a studio tool.

Exploring Aerosol will be held at the beautiful Woolshed at Te Ana Marina in Lyttelton and will be hosted by one of Ōtautahi and Aotearoa’s most celebrated and skilled aerosol artists, Wongi ‘Freak’ Wilson. Wongi, a member of the famed DTR Crew, is highly respected for his ability with a can, from clean, crisp, poppy effects to amazing realism on huge scales. In this workshop, Wongi will delve into the backbone of aerosol as a tool for graffiti and then into a diverse range of techniques.

Exploring Aerosol will offer a hands-on experience led by one of our most experienced urban artists – this is not to be missed!

With limited spaces available, places will be allocated via an application process, with application forms available from hello@watchthisspace.org.nz or via the Toi Ōtautahi website. Applications open Monday, 23rd May, and must be received by Friday, 3rd June. Email hello@watchthisspace.org.nz with any enquiries.

Exploring Aerosol – A Masterclass Workshop, 10:30am – 3:30pm, Saturday, June 18th, 2022 at The Woolshed, Te Ana Marina, Lyttelton.

Welcome to 7 Oaks…

In collaboration with Life in Vacant Spaces, Watch This Space recently worked with the 7 Oaks community at Hassals Lane to create a welcoming mural on the beautiful site. 7 Oaks is a diverse community who have made the old school site in Waltham home, the space a wondrous environment of creativity and nature.

After a consultation process with the community, a participatory mural concept was developed to reflect the 7 Oaks space and to send a warm welcome to visitors as they enter the site. In a simple typographic concept, a variety of leaves, many drawn from the site’s own plush greenery, were roller stencilled by people of all ages inside the text, ensuring a sense of engagement and legacy for multiple generations (the youngest artist was just two years old!). The understated, but bold outcome echoed the colourful surroundings and the community spirit of cooperation.

Truly a team effort, the mural would never have eventuated without the many hands and minds who contributed; Elisha from LiVS (and her predecessor Rachael), Marian, Lily, Ollie, John and the many more members of the 7 Oaks community, Mike and Nick for their technical and practical assistance, and most importantly, the tireless Lydia from LiVS – team work makes the dream work!

 

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Are you interested in a mural project? Email hello@watchthisspace.org.nz and let’s see how we can help!

Tune! with Jessie Rawcliffe

Jessie Rawcliffe is our next contributor to Tune! our ever-growing playlist of the music that inspires our favourite creatives. Jessie has built a reputation for her stunning works, often portrait-based, and constructed with intricate, painstaking detail. Her painting of Pōneke based tattooist and artist Richard Warnock is a finalist in The 2022 Adam Portraiture Award, a biennial competition and exhibition held at the New Zealand Portrait Gallery in Wellington. The Adam Portraiture Award is considered Aotearoa’s most prestigious painted portrait award. The first time she has been selected for the exhibition, Jessie’s painting is one of 45 works on public display from 26 May to 14 August.

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Music has been an ever present part of my life – it’s affected the people and aesthetics I’ve been exposed to and has been a way of connecting with others. It’s fair to say that it’s influenced what and how I make.

There’s plenty of music I love that won’t get played while I paint. I’m looking to get into a dissociative state. Having to change album is a massive buzz kill and I’m haunted by that stupid sound my UE Boom makes when it turns itself off.

As problematic as Spotify is, I heavily rely on autoplay from the first thing I pick to give me a few hours of agreeable background noise. I’m only partially listening.

Each of these artists lead in a direction I like going.

MF DOOM – A.T.H.F (Aqua Teen Hunger Force)

Minor Threat – Betray

Idles – Colossus

Unknown Mortal Orchestra – Swim and Sleep (Like a Shark) 

[Video contains mature content]

Night Lunch – Haunted Mill

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Follow Jessie on Instagram and check out our expanding playlist in our other editions of Tune! right here on our blog…

And That Was… April 2022

This edition of And That Was… was almost forgotten, such was the nature of April 2022. With March a hectic month, there was a feeling April would be quieter, but the reality was anything but relaxed. Months fly by these days, a combination of busy schedules and the constantly evolving Covid situation. April kicked off with a whirlwind trip to Tāmaki Makaurau for Ghostcat’s collaborative The Main Line exhibition at Limn Gallery, and as you might expect, a range of other adventures and encounters. On the home front, we have been launching a few new initiatives that will all become a bit clearer over the coming weeks… In the meantime, here are a few of the highlights from April!

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The Main Line opening @ Limn Gallery

We boarded a flight to Auckland on the 7th of April for the opening of The Main Line, a show featuring 28 custom-built miniature trains, produced by Christchurch’s own Ghostcat, each decorated by a graffiti artist paying homage to the iconic Spacerunner carriage (artists included Dyle 52, Askew, Phat1, Berst, Morpork, Lurq, Ikarus, Dcypher, Yikes, Freak, Vents and more). The opening was packed with names from the Aotearoa graffiti scene, reminiscing over a beloved part of the local culture’s history, making for an auspicious occasion.

Street Treats in Tāmaki Makaurau

With The Main Line opening on a Friday night, the rest of the weekend was left for exploring and the chance to navigate Aotearoa’s biggest urban centre. From the Mercury Plaza to legal walls in Avondale and many spaces in between, it was a treat to stumble upon works by some real heavy hitters and discover some new forces as well. A personal highlight was stencil don Component’s beautiful ballerina in Ponsonby…

Race A2D at The Avondale Pavilion

Another highlight of the trip to Auckland was the chance to catch Race A2D painting at Te Tūtahi Auaha – The Avondale Pavilion – the process documented by the man himself Dr Berst. The Pavilion is a fantastic concept that has become a key tool in the documentation of Aotearoa’s urban art culture. I might even appear in the background of the YouTube video a few times!

Slap City Billboard Takeover

The Slap City collective keep finding amazing spots and this empty billboard is a personal favourite – it might not be as central as some of their other locations, but it has an undeniable charm, echoed in Vez’s sppon drawer and played on by teethlikescrewdriver’s massive pencil. 10/10 would visit again.

Artist Talk with Jacob Yikes @ Fiksate

Jacob Yikes’ Even in Darkness exhibition was an April highlight in itself, a bold body of work that was candid and honest while still mysterious and evocative, but the chance to sit down and discuss the process with the artist with an enthusiastic live audience at Fiksate was a perfect way to end the month. The lengthy talk was an honest insight into the artist’s practice and the influences found in Even in Darkness.

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What made your list for April?Let us know in the comments… And if you have any events coming up, let us know by emailing hello@watchthisspace.org.nz

 

And That Was… March 2022 with Selina Faimalo and Kophie

This month’s And That Was… is a special edition – dedicated to the impact of the Flare Street Art Festival across March (the festival opened on the 2nd and eventually came to a close on the 20th, an extended run). Who better to break down the highlights than Flare project manager Selina Faimalo, who gamely took on the challenges of such a multi-faceted event, and headline artist and pop-up gallery curator, Kophie Su’a-Hulsbosch (aka Meep). From the amazing murals to the additional elements of tours, exhibitions, panel talks and more, Selina and Kophie break down what made Flare such a success!

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The Flare Ōtautahi Street Art Festival was a conglomeration of large murals, a pop-up exhibition, graffiti art, guided tours and art talks.

The ARCC collective wanted the festival to be a collaborative event, with artists involved in the curation of the event and to incorporate traditional graffiti as well as street art. Dcypher, Ikarus and of course, Kophie, were eager to jump on board to have the most authentic festival possible. It is amazing to break down Flare by the numbers:

Flare became a 20 day festival with a total of 44 artists participating, including seven headlining artists, as well as a three-artist collaborative 3D mural and a three-artist projection installation, a ‘Wahine Takeover’ at the BOXed Quarter with four female artists,  an exhibition featuring 21 urban artists, and a two-part graffiti jam with 35 artists. Flare saw the completion of 44 new artworks across the SALT District. More than 1200 visited Flare Central on High Street, with many taking home art from the pop-up exhibition, while 136 people joined the guided tours (and more just tagged along!).

Overall, we had so many wins, including Koryu taking home Kathmandu’s People’s Choice Award (voted by FLARE attendees) and the heartwarming development of Olive the cat, star of SwiftMantis’ mural, finding a home when she was adopted from the Cat’s Protection League!

Koryu’s amazing A Hum – The Beginning and the End was voted People’s Choice winner for Flare 2022. Photo supplied by Flare Festival
Swiftmantis’ Olive was a very popular piece and when the feline was finally adopted, the story got its happy ending… Photo supplied by Flare Festival

In addition, these were our personal highlights…

 

Wāhine Takeover 

Jessie Rawcliffe’s stunning piece as part of the BOXed Quarter Wahine Takeover… Photo supplied by Flare Festival

Kophie and I are the founders of The Conscious Club and until very recently we were based at The BOXed Quarter, an amazing part of SALT District with a variety of murals by different artists.

The Wāhine Takeover was added to the programme as when we were organising the graffiti jam, it became obvious that women graffiti artists are few and far between in Ōtautahi. Kophie took the initiative of choosing four wāhine to paint at the BOXed Quarter, adding a point of difference to the area and a diverse range of new artworks. The selected artists were Jen Heads from Fiksate Gallery, Lucia Kux from Berlin, who has a background in graffiti and is a tattoo apprentice, McChesney-Kelly Adams from Lyttelton, who specializes in realism and also has a tattoo apprenticeship and Jessie Rawcliffe, who specialises in highly detailed portraiture.

The Pop-Up Exhibition 

Kophie was the driving force behind the pop-up exhibition at Flare Central

As well as being one of the headlining artists, Kophie also curated the Flare Central pop-up gallery. The exhibition was primarily a representation of Ōtautahi graffiti and street artists as well as art work from our headlining artists. The curation of the gallery was to be a homage to graffiti art as the art form that began street art and large-scale murals and adds vibrancy and culture to the city.

Offline Collective x Fiksate 

An image from the Offline Collective X Fiksate collaboration

Offline Collective and Fiksate Gallery merged their creative outputs, mixing the work of local artists Dr. Suits and Jen Heads with Offline Collective’s renowned animated moving images. Overlaying visuals and interrupting the usually static images of both artists in two installations, the concepts were brought to animated life in an empty High Street space.

This installation was epic, exploring the murals at night and peering through the window on High St whilst eating an ice cream from Utopia (or even a few wines deep) was mesmerizing ! It was like seeing a Jen Head hologram from 2043!

Tours

We were so lucky with our selection of walls being so close together in the SALT District that all the murals were located within five minutes walk of each other.

Watch This Space facilitating the guided tours was absolutely amazing, Reuben’s passion and knowledge about the urban art scene had attendees hooked!! It created a sense of pride for residents learning about already existing art that they once just glossed over.

The great thing is, if you missed out you can still book in guided tour with Watch This Space!

Artist Panel

The Watch This Space: Flare Artist Panel was another highlight. One of the biggest struggles with Flare was hosting a festival in red light setting, as well as being in the peak of everyone catching COVID! (including me, LOL!), with a limit on gatherings of 100. We were so grateful to have access to equipment through WORD Christchurch to live stream this so those isolating and all across Aotearoa could tune in!

We had all our headlining artists on the panel apart from Elliot Francis Stewart and Wongi who couldn’t make it, so it was really great to hear the diverse stories; their backgrounds and their journeys to where they are now.

Graffiti Jams

Dcypher and Fuego, Graffiti Jam Part One. Photo supplied by Flare Festival
Yikes (left) and Dcypher, Ysek, Chile One and Ikarus (right) for the Graffiti Jam Part Two along Billens Lane… Photo supplied by Flare Festival

As the festival was extended (we had a few artists down with COVID!), we ended up having two graffiti jams!

We had 20 Artists painting at Graffiti Jam Part One and 15 artists at Graffiti Jam Part Two, and it was so much fun to get the community together to paint legally and incorporate traditional graffiti into Flare. We even had North Island heavyweight Fuego, who happened to be in town at the right time, get a piece in!

Dcypher and Ikarus had been such a huge part of helping put Flare together and they facilitated both graffiti jams. They have a mana in Ōtautahi that brought everyone together and had a great time.

Both laneways are special in their own way and walking down each one takes you on a journey of a range of styles like walking into a gallery on the streets.

We honestly couldn’t be happier with how the festival turned out. Even though we were in peak Omicron and in the red traffic light setting, it all came together through an epic community and residents supporting the arts! Fingers crossed we can do it all again next year, and actually hold the street party!

Wongi Freak Wilson produced this explosive piece for Flare, a fitting work for a the festival and its busy activations. Photo supplied by Flare Festival

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Follow Flare Street Art Festival on social media and keep an eye on the website for future announcements!

Postcard from Tāmaki Makaurau Auckland

Tāmaki Makaurau Auckland is a strange beast. It is the only mega-city in Aotearoa,  and when you touch down from Ōtautahi it is hard to comprehend the sheer spread of the northern metropolis. While you can easily navigate Christchurch’s inner city in 15 minutes, Auckland’s urban centre seemingly sprawls on forever, with each area displaying a distinct identity. Our quick trip to Tāmaki meant we didn’t get to endlessly explore the diversity of the city, but we did get to see a fair bit of art. Of course, there is no chance we could have achieved a full coverage of the city, but what we saw, we loved. Auckland has the longest and largest history of Aotearoa graffiti and street art, so spotting a legendary figure’s name or character, whether fresh or faded, is always a possibility, but still exciting for a nerd like me, while you can always find a new name that is on the come up as well. It also has a truly urban feel, where you can get lost down alleyways, led by the trace of some preceding presence who was compelled to leave their mark. It is a real city, and it’s streets are always talking…

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Where should our next postcard cover? Let us know at hello@watchthisspace.org.nz

 

Showtime!

Tāmaki Makaurau Auckland proved the place to be on April 8th, with two exhibition openings drawing crowds. We happened to be around and managed to catch both The Main Line, a collaboration between Ōtautahi artist Ghostcat and 27 Aotearoa graffiti artists that served as a love letter to the iconic Spacerunner train carriage, and Shiny Things, a collaboration between Hannah Maurice and Tanja McMillan (known to many as Misery) that created a beguiling world inside The Mercury Plaza gallery space on Cross Street (just behind the famed Karangahape Road). While very different shows, one grounded in history, the other mythology, both were well worth the attention…

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The Main Line – Ghostcat x Aotearoa Graffiti Artists, Limn Gallery, Tāmaki Makaurau Auckland, 8th April, 2022

Inside Ponsonby Road’s Limn Gallery, a two metre long replica of a Spacerunner, one of New Zealand’s, and New Zealand graffiti’s most iconic train carriages, takes centre stage. Carefully laid out on top and along the walls either side are even smaller versions of the carriages, rusted and covered in tiny recreations of the graffiti that would fly by when the Spacerunners were still in circulation around Aotearoa. The tiny carriages were built by Ghostcat in his typically detailed style, before artists spanning the country and generations, contributed designs, from Opto, Vents, Lurq, Morpork and Phat 1 to Wayst, Togo, Meep, Vesil and Siar267…

Shiny Things – Hannah Maurice and Tanja McMillan, The Mercury Plaza, Tāmaki Makaurau Auckland, 8th April, 2022

The Mercury Plaza, home to a collective of creatives, where visitors can find food, art, clothing and, if they fancy it, get a tattoo. On April 8th, The Mercury Plaza welcomed guests to the opening of Shiny Things, a collaborative world building by Hannah Maurice and Tanja McMillan (Misery); an exploration of the sacred female and the conscious/unconscious that employs a range of approaches to engage the senses. From McMillan’s paintings to installations that seemingly serve as shrines, an air of ceremony palpable. Opening night was busy, with a moving karakia adding to the resonance of the works that reveled in dance, ritual, myth and dreams…

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Do you have a show coming up and want to let us know? Email hello@watchthisspace.org.nz and fill us in with the details!

Watch This Space presents the Flare Street Art Festival Artist Panel

Watch This Space, in partnership with the Flare Street Art Festival, was proud to present the first ever Flare Street Art Festival Artist Panel; a chance to sit down in conversation with five of the headline artists from the festival and reflect on their work in Christchurch, their careers, their influences and aspirations. The conversation, hosted at 12 Bar on March 11th, 2022, provided some great insights into contemporary urban art in Aotearoa, it’s evolution and the motivations of the artists who are transforming city walls brick by brick. With a mix of local artists (Ikarus and Meep) and visiting creatives (Kell Sunshine, Koryu and Swiftmantis), there was a sense of diversity among the panel and experiences spanning many years and settings, making it a great deep dive into graffiti, street art, muralism and more. Check out the full discussion below…

Thank you to Ikarus, Kell Sunshine, Meep, Koryu and Swiftmantis for their participation, the support from Selina Faimalo, Dcypher and the Flare crew, Matt, Kendra and the team at 12 Bar, the WORD Festival for the live streaming gear and to Corban Tupou for the technical expertise, we could not have done without you! 

Burn So Bright – Flare Street Art Festival Recap

Almost five years since Street Prints Ōtautahi, Christchurch’s last significant street art mural festival, Flare Street Art Festival provided a welcome shot in the arm for a city with an established reputation as an urban art destination. The brainchild of ARCC, a urban activation collective of local business people and place makers, Flare burst into life with a roster of seven headline artists painting huge murals and a flurry of additional activities.

Flare was built around the selection of massive new murals that would transform the SALT District and surrounding environs, landmarks that showed an impressive diversity, each artist flexing their unique styles, interests and intentions with creative freedom.

Koryu’s massive mural

The largest mural, on the side of the newly renovated Cotters Lane building, was completed by Koryu, a Japanese artist who has been based in Aotearoa since the 2020 lockdown, living in Geraldine but travelling across the country to paint murals. While relatively new to urban art, picking up a spray can just three years ago after visiting Melbourne, Koryu’s impressive depiction of fierce Niō warriors, guardian statues of Buddhist temples in Japan shows his quick development. The circular motif in the middle of the image suggesting the infinite quality of existence, the warriors themselves representing the beginning and end of all things (the open and closed mouths symbolic of the in and out breath, the first and last characters of the alphabet). The huge work, over 160 square metres, was a massive undertaking, filled with detailed musculature and gestural painting and aware of the shared experiences of Christchurch earthquakes and the Tohuku earthquake and tsunami in Japan in 2011 when both regions were struck by devastating natural disasters, making this work, a gift of guardians, even more resonant.

Wongi ‘Freak’ Wilson

Nearby, overlooking Manchester Street, local artist Wongi ‘Freak’ Wilson displayed his technical skill with a vibrant depiction of a woman wearing rose-tinted glasses and chewing bubble gum. The pink gum exploding into a cloud of pop culture references, a baseball cap, a paint roller, headphones and more bursting out of the cloud. The combination of realism and pop-esque cartoon work a summation of Wongi’s style. The upbeat energy of the work infecting an area that still bares the scars of the city’s ongoing .

Detail of Kell Sunshine’s mural

Tucked down Memory Lane, behind the imposing SALT Mural by Paul Walters and Dcypher in Evolution Square, Gisborne artist Kell Sunshine added a rolling, lyrical mural, a beautiful contrast to the architectural and pared-back piece around the corner. Floral forms blooming and unfurling around the phrase ‘Take a walk on the wild side’, Sunshine’s mural reminds us of the need to break from convention and embrace our ‘wild side’ – a literal depiction of nature amidst the urban jungle. The 70s vibe is relaxed and the somewhat secluded placement allows for the viewer to stop and absorb the message before returning to the bustle of the city.

Meep on St Asaph Street

On St Asaph Street, homegrown talent Meep produced the largest work of her career, with a stylised self-portrait against a bright orange backdrop. The massive image shows the artist, with a backpack filled with paint, a roller and a blackbook, walking along the tracks (a traditional graffiti hot-spot and suggested by the large roller piece behind the artist), headphones plugged into a television-headed representation of hip-hop music – her constant companion (the homage to hip-hop cemented with the Kangol bucket hat and the MF Doom and Wu Tang Clan t-shirts). The strong representation of a female graffiti writer illuminating an often marginalised presence in a predominantly male sub-culture.

Ikarus on Manchester Street

On the corner of Manchester and Welles Street, local legend Ikarus of the DTR Crew recounted his own experiences in graffiti through the lens of an AR video game (a cartoon version of the artist shown in full AR goggle mode in the corner). The levels of the game move through the stages of graffiti, from tags to throw-ups and finally ascending to masterpieces, the obstacles and intricacies thrown in as well. The shout-out to traditional graffiti an important inclusion in a forum where the culture is often excluded in favour of birds and buildings. The shout out to the legendary Jungle acknowledging the legacy of those who have come before and the important role of mentorship through example.

Olive by Swiftmantis

In the rear of the Little High car park on St Asaph Street, Palmerston North artist Swiftmantis continued his series of ‘Stray Stories’ with a huge depiction of black cat Olive, her green eyes surveying the surrounding area. The amazing detail reveals the feline’s character, her tattered ear a sign of her survival. Currently with the Cats Protection League of Christchurch. Olive, perhaps now the city’s most famous cat, is still looking for her forever home, the work serving to highlight her situation and to celebrate the work done by the Protection League. The image has already stopped hundreds in their tracks, wowed at the production and enamoured with the beautiful, majestic animal.

Elliot Francis Stewart’s mural closed the festival

The final work, located on Manchester Street, was delayed when Elliot Francis Stewart was unable to make his way to Ōtautahi until the final (or at least the final official) day of the festival. Renowned as a supremely talented illustrator, Stewart drew inspiration from Christchurch’s ‘Garden City’ moniker to depict a sweetly nostalgic scene of a shovel and bucket in a garden. The electric colour scheme of blue, yellow and magenta highlights the intricate detail, the leaves, bark and even tiny lizards occupying the serene setting. It is a show stopper that draws you in, your eyes led across the incredible detail of the wall.

FUEGOS joined the Graffiti Jam

While these murals were the central focus of Flare, there was plenty more going on across the extended two week programme. Just prior to the official launch, Dcypher, Ghostcat and Dr Suits installed an anti-war 3D mural – an oversized Molotow pen fixed to the wall appearing to be the tool used to scrawl over the image of a tank in bright pink – a peace sign and the declaration ‘Make Art Not War’ defacing the symbol of military force. Just around the corner, Flare made use of a High Street shop as a pop-up gallery, featuring local and visiting artists, an array of art and apparel available.  The pop-up served as the central hub for the festival, with artists hanging out and passers-by drawn in (our Watch This Space guided tours also departed from the pop-up space, while the Watch This Space Artist Panel was held at 12 Bar on St Asaph Street). An unassuming High Street space hosting a projection work, a collaboration between Fiksate Gallery and the Offline Collective, added a dynamic night-time presence to the festival. The BOXed Quarter’s collection grew with the ‘Wahine Takeover’; Jessie Rawcliffe, Jen-Heads, Berlin and MKA adding fresh paintings to the panels. The final Saturday of the festival saw over two dozen artists take over the lane ways surrounding popular bar Smash Palace with a graffiti jam, artists from different cities and generations lifting the veil from graffiti’s often mysterious presence as visitors could watch the paint being sprayed on the wall. Finally, on the last weekend, Billens Lane, next to Little High, received a make-over with fresh hoardings painted by Jacob Yikes, Dcypher, YSEK, Chile One, Ikarus, Tepid and Bols, adding further diversity to the collection of Flare works.

YSEK and Chile One on Billens Lane

With over 40 new works of art painted across the city, and over 30 artists involved across the festival, Flare served to connect the dots as an event that was for the city and the culture. This is an important element of such an event, recognising the need to support local talent and provide opportunities of varying scales, to raise the profile of urban art and foster the seeds of the city’s creative foundations. Of course, with new incarnations will come new challenges, from finding fresh walls to the massive task of finding money, but Flare has made a promising start, and we are already looking forward to 2023!

Showtime! Jacob Yikes – Even in Darkness, Fiksate Gallery, April 1st, 2022

Jacob Yikes latest body of work, Even in Darkness, was unveiled at Fiksate Gallery on Friday, April 1st. The first solo show for the artist since 2018’s Bad Company (held at Fiksate’s former Gloucester Street premises), a reflection of the long road these paintings followed to realisation. A stunning collection of gestural, detailed, evocative and deeply resonant works, the crowd were enthralled by the incredibly honest, yet mysterious paintings. Drawn from the personal exploration of psychedelics to expand his consciousness and break his sense of ego, the paintings are an otherworldy experience…

All photos courtesy of Fiksate Gallery.

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Even in Darkness runs until April 30th at Fiksate Gallery, 54 Hawdon Street, Sydenham