Postcard from Sydney, Australia

Sydney is a big city. You can feel it when you arrive, and especially when you explore the central city. The buildings are impressive, the sprawl is wide and the energy is palpable. Sydney might not be held in the same regard as Melbourne in terms of street art reputation, but it undeniably still has a significant part in the history of Australian urban art culture. Earlier this year, we took a relaxing weekend in Sydney, exploring various parts of the city on foot and via train – taking in graffiti, murals, interventions and more. Below is a selection of some of our favourite finds, including some Fintan Magee, a brand new DANK (painted the first day we arrived at Pro Art Supplies), Thierry Noir and Jeremy Novy and a heap of local talent…

And That Was… February 2024

You might have noticed we have had a little break from the And That Was… series – don’t worry, it wasn’t for any other reason than the need for a well-earned rest after a busy 2023! We have been working into 2024 and some things just had to have a bit of a back seat (we are a small team after all!). We are stoked to welcome And That Was… back for 2024 – after all, it is our favourite way to celebrate all things street related – from street art big and small, graffiti, events, experiences and everything in between. So, let’s kick off the first And That Was… for 2024 with the following selections!

The Spiderverse appears in New Brighton

Let’s begin with a FSPPT, a THWAP, a KAPOW and THWIP! The revolving rear wall of the old Couplands Building in New Brighton got a Summer make-over with this spectacular production by DTR crew members Ikarus, Dcypher and the crew’s newest member Drows. With traditional pieces in gold, purples and pinks by Ikarus (L) and Drows (R), the wall was built around the Spiderman Spiderverse imagery by Dcypher – unified by a smoky, atmospheric backdrop, blocks of comic book panel details and shattered stone. This is most definitely NOT the Madame Web of graffiti productions.

Farewell to a few old friends…

While we normally celebrate the new and fresh, it is also worth acknowledging those things we have seen disappear – sometimes painfully in full view. February saw the demolition of a number of familiar murals across central Otautahi – FinDAC’s Kaitiaki and TELMO MIEL’s Hector’s Dive, both on the exterior of the Hereford Street YMCA building, and Jacob Yikes’ Blue painting on the carpark at the rear of the old Rydges Hotel building overlooking Cathedral Square. Of course, losing such works is inevitable, but still sad – the important thing is to ensure we see new works appear in their place…

A tribute to Mahsa Amini

Completed in February, Kophie Su’a-Hulsbosch’s mural depicting Iranian woman Mahsa Amini has added a powerful message to the hoarding wall outside the Arts Centre on Worcester Boulevard. With the portrait centred in front of poppy flowers (symbolic of matyrdom and Iran) and the words Woman, Life and Freedom either side, the work is pays tribute to Amini, who lost her life while detained by Iranian police for not wearing a hijab in public. The mural was produced with Dr Hero Modares of the Kia Ora Academy and members of the local Iranian community, with support from the Christchurch City Council and ChristchurchNZ.

BOXed Quarter action…

We were stoked to see a selection of talented artists add some new pieces to the panels of St Asaph Street’s BOXed Quarter in February. Nick Lowry, Dcypher, Masked Artist, Morks, Dove, Hambone and PK all created works on the 3m x 3m square surfaces, bringing a fresh vibe to an area filled with impressive works! To check out more of the creations, get down to the BOXed Quarter and wander through – just a warning though, you will probably want to grab a bite to eat from one (or more) of the awesome eateries inside… (Image: Hambone (bottom) and Morks (top) at the BOXed Quarter)

Jen_Heads’ Bisan Owda

The city has been awash with art and messages calling for ceasefire in Gaza – illustrating the important role of public space to share and confront social issues – in this case, ensuring the world does not forget about the harrowing and horrific situation in Palestine. One of the most striking pieces is Jen_Head’s portrait paste-up of Palestinian journalist and filmmaker Bisan Owda reporting from Gaza, accompanied by images of her social media posts from the ground, a reminder of the realities of the situation…

And that’s our list for February – what would you add? Let us know…

The Little Street Art Festival – A Little Recap

After several years of developing, planning and piecing together the logistics, Watch This Space was proud to finally bring the Little Street Art Festival to life in Otautahi Christchurch in late 2023!

The festival was conceived as a platform for alternative approaches to street art, especially smaller scale and materially diverse practices. As such, serves as a point of difference from established mural festivals and provides artists who either don’t fit the profile of large-scale muralism or want to push to new directions with their work. For the inaugural festival, we gathered nine local creatives, a mixture of established names and newer artists and helped them take their work to the streets – Jacob Yikes, Ghostcat, Ikarus, Jessie Rawcliffe, Bloom, Dark Ballad, teethlikescrewdrivers, Nathan Ingram and Kophie a.k.a Meep, all contributing whimsical, meaningful and striking pieces. The installations ranged from paintings to sculptural pieces, interactive and participatory approaches and ephemeral interventions. With over 50 individuals pieces scattered throughout the city, the festival encouraged exploration and new ways of looking. In addition to the featured artworks, the festival also presented a programme of free events, including walking tours, an artist panel discussion, treasure hunts, workshops and activations (including Tink’s installation at festival sponsor Westfield Riccarton). We were blown away with the response to the festival and we can’t wait to bring the Little Street Art Festival back soon! For more information, check out our website: https://www.littlestreetartfestival.co.nz/ – but for now – check out some of our favourite pictures captured by festival photographer Centuri Chan

Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jessie Rawcliffe
Jessie Rawcliffe
Jessie Rawcliffe
Jessie Rawcliffe
Jessie Rawcliffe
Jessie Rawcliffe
Jessie Rawcliffe
Jessie Rawcliffe
Jessie Rawcliffe
Jessie Rawcliffe
Bloom
Bloom
Bloom
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Jacob Yikes & Ghostcat
Kophie a.k.a. Meep
Kophie a.k.a. Meep
Kophie a.k.a. Meep
Kophie a.k.a. Meep
Kophie a.k.a. Meep
Ikarus
Ikarus
Ikarus
Ikarus
Dark Ballad
Dark Ballad
Dark Ballad
Dark Ballad
Dark Ballad
Nathan Ingram
Nathan Ingram
Nathan Ingram
Nathan Ingram
Nathan Ingram
Nathan Ingram
Nathan Ingram
Nathan Ingram
Nathan Ingram

A massive thank you our sponsors: Westfield Riccarton, Antony & Mates, Phantom Billstickers, Christchurch City Council, Toi Otautahi, Creative Communities and all our Boosted donors!

SHOWTIME! Clones – Klaudia Bartos and Friends

Friday November 4th saw the opening of a unique exhibition as Klaudia Bartos brought together an array of Otautahi creatives to give fresh takes on her clay faces that have populated the city over the last year.

Bartos’ small faces provided the canvas for more than 25 local artists, each adding their signature (or surprising) flair to the intriguing characters. Staged at the Masked Artist Gallery in the BOXed Quarter, the cluster of creations a survey of characters and suggested mind states, from references to classic cinema and pop culture, to blossoming elements of the natural world and more abstract configurations. A celebration of community and individualism!

Clones features work by Glen Cutin, Melike Gungor, PK, Jessie Rawcliffe, Peaz, Nick Lowry, Melanie McKerchar, Devon Jones, Sarah Lund, Apex the Artist, Bet, Louann Sidon, RATS, Olivia Isabel Smith, Dark Ballad, Smeagol, Hode, Jay Skelton, Hambone, Jimirah, Reubin Caldwell, Neil Swiggs, Hannah Martin, Masked Artist, Amy Couling, Wynn Smith, and Catherine Brougham.

And That Was… November 2023

OK, so this is a little late – OK, so this is a lot late. Sorry, but better late than never, right? Right? Anyway, let’s just ignore the tardiness and get on with it, because, there was plenty to enjoy throughout November – headlined by our very own Little Street Art Festival finally coming to life (what did we say about better being late than never?) alongside a slew of other favourites… What did we love? Read on and find out…

The Little Street Art Festival

After several years of planning, we were as proud as punch to finally bring The Little Street Art Festival to life in late November! A celebration of the powerful potential of smaller-scaled street art and it’s material diversity, the festival featured eight projects by nine local artists spread across the central city – from paintings to sculptures and even interactive treasure hunts. Additionally, we hosted guided tours, an artist panel, workshops and activations – thank you to all who took part and supported this event – we look forward to seeing how far we can take this unique concept and we are already looking forward to 2024! For more information, visit littlestreetartfestival.co.nz. [Photo credit: Centuri Chan]

Shadows Surgeon’s Cutting Up The Dark

We were lucky enough to be in the audience for the premiere of Shadows Surgeon’s incredible documentary Cutting Up The Dark at Wigram’s Silky Otter Cinema – surrounded by a who’s who of local graffiti artists, many featured in the film. A roving exploration of graffiti across Te Waipounamu, from abandoned hot spots to fresh productions captured in action, the film reflects the director’s stunning photography and willingness to explore – an amazing watch that re-frames our beautiful motu! Visit https://www.cuttingupthedark.com/ for streaming options!

Clones – A Show by Klaudia Bartos and Friends

Friday November 3rd saw the opening of Clones, a collaborative show created by Klaudia Bartos at Masked Artist Gallery in the Boxed Quarter. Taking her small clay face sculptures as the grounding for a collection of her friends to create new forms, the show was based around ‘clones’ of Bartos’ original pieces. A line up of diverse talents, the creations were striking, intriguing, humorous, clever and heartfelt. We were especially fond of Jessie Rawcliffe’s red skull piece, but so was someone else, who snapped it up straight away…

Dcypher’s Cybernetic City

Fittingly painted at the St Asaph Street entrance to Cotters Lane, where his nostalgic Kodak mural resides, Dcypher’s recent futuristic production is a clear contrast to the more historically-minded sepia work with a cybernetic vision of our entangled existence with digital technology. Deploying blues and pinks to highlight the neon effect, the work is yet another example of the talent of an aerosol master…

KURUPT Cleans Up The City

We loved these stencils popping up around the city, a playful poke at the buff and ‘cleaning up’ the city. Simple and clearly a celebration of the traditions of stencil art, the repeated piece also remembers that a sense of humour has always been a key component of post-graffiti street art’s commentary.

So, these were our favourites from November – what about you? Feel free to take a while to think it over, just like we did!

Spotlight – Jen_Heads sparkles…

The latest projection in our Spotlight series is a truly mesmerising addition – a rotation of fiery, glowing and ruminative icons by local artist Jen_Heads, brought to energetic life by Sam Emerson from Offline Collective. Jenna Ingram’s Jen_Heads have become a recurring form in her work, appearing on canvas, paper, and walls, now given life through the Spotlight collaboration.

The dazzling Jen_Heads animation embodies the profound connection between humanity and the natural
world. The work is a fresh imagining of Ingram’s titular urban icon, a form of endless possibility. The animation evolves through four stages, as the artist explains: “the initial two heads symbolize the essence of human nature with the heads pulsing like a heartbeat, seamlessly transitioning into our harmonious integration with the natural world, as depicted in the flora and fauna heads.” The shift from energetic flames of purple to serene green provides a sense of relieving calm, reward for a more attuned
relationship with the organic environment. Ingram continues: “the concluding pair of heads
signifies the spiritual dimension of our existence, reflecting our deep-rooted ties to ancient
wisdom and ancestral heritage. This artistic representation underscores the fundamental unity
that binds us all together.” Standing in front of the evolving animation, one is struck by the sense of humanity and elemental connections.

Ōtautahi artist Jenna Lynn Ingram, also known as Jen_Heads, holds a Bachelor of Fine Arts from
the University of Canterbury, where her interest in the urban landscape as a site of influence
blossomed. In the wake of the Christchurch Earthquakes, her work shifted to the streets, a
transition that led her to form Aotearoa’s leading urban art gallery Fiksate Gallery. Ingram’s work
has been exhibited and collected throughout Aotearoa and she has been featured in festivals
and exhibitions such as Spectrum (2014) and SHIFT: Urban Art Takeover (2023).

Offline Collective is a visual creative agency based in Ōtautahi, Aotearoa.
Offline is engaged in a range of creative endeavours, constantly exploring new possibilities
through the lens of technology. Offline Collective’s work ranges from live touring visuals and art
installations, to graphic and motion design, combining diverse creative fields to unlock new
ideas.

Spotlight – Urban Art Projections is a collaboration between Watch This Space and ChristchurchNZ, providing a fresh approach to urban creativity for talented local artists. Connecting visual artists with digital creatives, Spotlight explores the potential of projection works, illuminating the exterior of Te Pae Christchurch Convention Centre.

And That Was… October 2023

October is a transitional month. Technically it is Spring, but there isn’t quite the feeling that Summer is just about here. Rain is as likely as sunshine. It seems the most fitting month to represent Otautahi in some ways, enjoyably unpredictable. So what tickled our fancy over the October weeks? Well, there was a bit to enjoy – projections, murals, little bits and pieces – all sorts, just like the weather. Let’s get a bit more specific shall we? Here are five things we enjoyed:

Mark Catley’s “Battle of the Undies

Sure, we may be showing our bias as 80s kids, but if you remember the Masters of the Universe toys that had chests that would flick between various stages of battle scars, these paste ups by Mark Catlery will bring nostalgic joy rushing back…

Dcypher goes cosmic…

We are constantly amazed at the prodigious work ethic and technical skill of Dcypher – this new Colombo Street mural is evidence of both – the science fiction cum fantasy scene combines a range of flourishing details to astound passersby, but the speed with which it was painted is equally impressive – we truly have a master in our midst.

Jen_Heads at Te Pae

The latest addition to the Spotlight – Urban Art Projections series is a fiery and mesmerising collaboration between the titular artist and Sam Emerson from Offline Collective – rotating through illuminated iterations of Jenna Ingram’s urban icon, it is well worth the visit once the sun goes down!

Ghostcat’s Leave No Trace Trail

Firstly, apologies for the blurry photo, but honestly, one of the best aspects of Ghostcat’s latest addition to his Leave No Trace trail is its subtle placement deep inside City Mall. Paying homage to the iconic Hack Circle, a legend of the city’s youth culture, the small recreation sits as a nodding wink to those who survey their surroundings and a reminder of the ways things change.

Paint the Town Blank…

We don’t know the artist but we couldn’t exclude this cheeky little stencil work – it’s influences are clear, but it is still a playful reminder that white-washed walls are, quite frankly, boring.

And That Was… September 2023

September. The month Daylight Savings kicks in and a more optimistic air becomes more pervasive. The changing of the clocks allows us all to feel like we can get more done, that we can become more sociable and upbeat. Sure, this may not be universally true, but it is kind of real, right? It definitely felt like that. But it was also apparent that for this more upbeat attitude, the weather was keen to keep us on our toes, from wet downpours to howling winds, a number of the events and projects we loved this past month were affected by unpredictable weather. From significant projects and popular events, September provided a number of treats, and here they are:

Kophie Su’a-Hulsbosch and Janine WilliamsWāhine Toa Mural

We were privileged to work on this significant project, supporting two immensely talented artists, Ōtautahi’s Kophie Su’a-Hulsbosch and Tāmaki Makaurau’s Janine Williams, in spotlighting the legacies of five wāhine toa who left indelible influences on this city and country. This landmark mural, depicting author and peace activist Elsie Locke, Olympian Neroli Fairhall, singer, broadcaster and champion for Māori culture and language Airini Nga Roimata Grennell Gopas, Māori welfare and health activist Erihapeti Rehu-Murchie and conservationist and Ngāi Tahu leader Wharetutu te Aroha Stirling, was launched on the occasion of the 130th anniversary of the Suffrage movement in Aotearoa, a reminder of the importance of honouring those who laid the path for our future generations of women to succeed and change the world. Thank you to ChristchurchNZ for the support!

Christchurch Hip Hop Summit x DTR Crew Graffiti Jam

No crew in Aotearoa can match the productions of our own local legends the DTR Crew – a fact evidenced by their work at the Dance-O-Mat for the Christchurch Hip Hop Summit – a stunning work that is all the more incredible when we acknowledge the conditions under which it was created, with torrential rain howling around the artists. But bad weather is no match for the DTR Crew, with a stunning creation, evoking the Lonestar State, and featuring Wongi ‘Freak’ Wilson’s incredible portrait of musician That Mexican OT, transforming the site.

Christchurch Hip Hop Summit Graffiti Art Panel Discussion

We were lucky enough to host the graffiti panel discussion at the Christchurch Hip Hop Summit’s series of talks – a great opportunity to hear from four artists about their insights and experiences in the world of graffiti art. With a panel consisting of Ikarus, Drows, Meep and Local Elements, we touched on gender in graffiti, colour blindness, the centrality of style across hip hop, exploring cultural identity through graffiti and more topics. (Image from Christchurch Hip Hop Summit)

Spotlight – Urban Art Projections

September saw two stunning works featured in the Spotlight series – Bloom’s Wall of Blooms and Jimirah Baliza’s Get a Grip – both very different creations, but both beautiful ephemeral additions to city after dark and testimony to the talented female creatives who call Ōtautahi home! While Bloom’s linear bouquet provided a serene encounter, Baliza’s candyfloss pink claw game riffed on the nostalgia of childhood. Spotlight has been an amazing opportunity to afford artists a new format to showcase their work, one that has unlocked plenty of future potential! (Image: Jimirah Baliza’s Get a Grip)

Cheap Thrills Market @ Lyttelton

We loved the pop culture goodness at Dead Video’s Cheap Thrills Market in Lyttelton in mid September – from film to anime, cartoon, collectibles and gaming, it was a treasure trove of memories and must-haves. I even managed to pick up a signed One Man Gang 8×10 (IYKYK)…

These were our highlights for September – but what did we miss? Let us know your favourites in the comments!

Street Treats, Vol. 8

It has been a while since our last Street Treats volume (sorry about that, we’ve had a bit on…), but that means we have a pretty decent archive of the smaller things that make our city streets exciting – so we look forward to a slew of volumes coming thick and fast over the next few months! We think it is vital that the small details are given a platform, not least as we get closer and closer to the launch of our first ever Little Street Art Festival in November. It is the smaller things, the more subversive things, the thoughtful things and the rebellious things that make a city come to life. These things serve as a barometer of the multitude of voices surrounding us, not the authorised and endorsed, but the dissenting and adventurous. This is the driving energy of these Street Treats series, the desire to celebrate the full spectrum of urban art’s creative impulses. So we are proud to present this series of works, straight from our city to you…

This volume features work from Irons, KP, Dove, Tepid, bz.streetart, The Losers, Bloom, Bols, Astro, Dark Ballad, Klaudia, HonHonn, and tributes to DSOLV.

Spotlight 2.0 – Jimirah Baliza’s Get a Grip

The fourth installation of this female-centric Spotlight series, Ōtautahi artist and designer Jimirah Baliza’s Get a Grip, is a playful invitation to passers-by; an invitation to pause and immerse ourselves in a scene that transcends our immediate experience. The animated depiction of a retro arcade claw machine embodies the unpredictable nature of life, reminding us that it is often filled with both anticipation and uncertainty, ups and downs, near misses and satisfying successes. Anyone who has played such a game knows the hope, the excitement, the calculation, the frustration, and ultimately either the disappointment or the elation of the challenge. Drawing on this universal connection, Baliza presents a whimsical moment of candy floss pink and baby blue nostalgia, transporting us back to a time of innocence and wonder, where the act of winning a prize was a heart-pounding adventure.

Get a Grip plays through the experience of the game on a loop of attempts, at first failing, the prize slipping from the metal claw, but eventually succeeding, creating a crescendo of joy following the spilled first attempts. The smile as the ‘prize’ toddles off from the machine. The prizes themselves, cheerful animal characters, serve as smiling participants in the challenge. They become echoes of community, networks of support with the ability to uplift each other. We are encouraged to keep on, to go again, to get our rewards and to revel in that success.  

Jimirah Baliza is an Ōtautahi Christchurch-based independent graphic designer, illustrator and artist. Raised in Manila, Baliza is a creative problem solver at heart, with a passion for working with entrepreneurs, local businesses, community groups and organisations, enhancing their visual communications and their ability to engage, empower and educate across print, screen and space. Get a Grip was once again supported by local legend Nicholas Keyse. Pushing the limits of graphics technology while incorporating traditional techniques, Keyse founded Immersive Reality Ltd after working extensively in the print and digital design industry. Showcasing his work in exhibitions, Keyse held a solo exhibition at the Centre of Contemporary Arts’ Lux Gallery in Christchurch in 2019. Co-founder and curator of record label Subtle Recordings, he is also well-known for his prolific production of music posters with which he hopes to continue to inspire future creatives.

Spotlight – Urban Art Projections is proudly presented by Watch This Space in collaboration with ChristchurchNZ. This iteration of Spotlight proudly shines a light on the diverse work of four talented female Ōtautahi artists – exploring new possibilities for urban creativity and adding a surprising twist to the city after dark! The Spotlight 2.0 project was completed with support from the Hine te Hiringa – Empower Women Utilising FIFA Women’s World Cup 2023 Fund to help celebrate and empower women.