And that Was… December 2021

December was kind of like a microcosm of the year 2021 – lots of uncertainty and doubt, but still enough to keep us occupied and perhaps an optimism underlined by the hard-earned resilience of the last 24 months. This month’s And That Was… is a little shorter than normal, largely because we put together the whopper 2021 recap and co-ordinating that many responses is hard work! But that doesn’t mean we should not acknowledge some of the cool stuff we saw and did in December 2021, the sign-off to a year that was… unforgettable?

BOXed Quarter additions…

Nick Lowry’s massive Eel and Bone piece is one of a collection of new works at the BOXed Quarter to sign off 2021

New work at the BOXed Quarter added to the already impressive collection, with new pieces by teethlikescrewdrivers, Bols and Bloom n Grow Gal, as well as a massive, three-panel high production by Nick Lowry, a new, neon-tinged landmark for Madras Street traffic…

Stitch-o-Mat Bouquet in New Brighton

We loved finding these beautiful cross-stitched floral arrangements in New Brighton, weaved through a netting board, they are beguiling, intricate, and ramshackle – the perfect combination…

ZZAN

The Watch This Space team enjoys the food and atmosphere of ZZAN!

ZZAN Korean Fried Chicken on Manchester Street is not only great because it has huge servings of good food – it also has the coolest decor in the city – the graffiti aesthetic is so good Watch This Space had to have our Xmas gathering there!

New TOGO works at Fiksate

Wellington based artist and adventurer TOGO is a definite favourite here – from his daring graffiti that breaks expectations around style and aesthetics, to his incredible, but often less visible studio and gallery work – so we loved seeing some new pieces at Fiksate – continuing his experimental techniques to create abstract works that draw on urban chaos and chance, they are simultaneously elegant and energetic.

It’s not about the gifts…

Some of the new books the author compiled throughout December. Now it is time to find the opportunity to read them!

December is both my birthday month and Christmas, and while I know its about the time spent with loved ones, it is also nice to know my collection of art books is always likely to grow come the last month of the year – and 2021 was a fine example, with new reads now piled high on my dresser!

And That Was… December 2021 and 2021 wrapped! Join us in 2022 for more lists, interviews and articles – and let us know what and who you would like to see featured in our online content this year!

Spread the word about what's happening in the Christchurch urban art scene:

And That Was… 2021

I think we all expected to be able to look back at 2021 and say, well at least it was better than 2020, but let’s be honest, it was pretty much a replay: more viruses, more lockdowns, more political shenanigans, and a heap of new entries into the encyclopaedia of frustrating human experiences. This year, when we reached out to our favourite artists, some familiar, others new friends, we wanted to keep the questions a little more open-ended than previous years, recognition of the challenging times and also giving more room for reflection. The responses echoed that intent, with a wide-ranging focus, lots of shout-outs and importantly, acknowledgements that even through all the stress and chaos of 2021, Ōtautahi’s urban creative community continues to grow, thrive and evolve… So, even if it is through gritted teeth, here’s to 2021, a year of resilience…

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Dcypher (@dcypher_dtrcbs)

What has had the biggest influence on you in 2021?

My kids have been super influential in my general outlook on things over the past year, but as far as painting is concerned I’m constantly influenced by everything I see. Obviously the pandemic has had a massive influence on people from all walks of life on an international scale and has given artists time to hone in on particular aspects of their process during lock down. I’ve been lucky enough to have spent some time in my studio over the past 12 months.

Who do you think has been making the most interesting art this year?

Internationally, I’m constantly finding new artists doing incredible work and taking their art in different directions. Bond has been doing amazing wall paintings with the integration of various outcomes in VR augmented reality, RFID devices and experimenting with crazy tools and paint contraptions, it definitely makes him one of the most interesting artists of 2021 in my opinion. Locally, Ghostcat’s work is top notch! He’s constantly stepping it up.

What would you say had been your personal highlight in 2021?

One of Dcypher’s paintings at South Sea Spray in early 2021

My personal highlight of 2021 was South Sea Spray by a long shot. It was the best festival I’ve ever had the honor to attend! There were highlights within the highlight; awesome line-up, the hospitality, the sights, and plenty of hyped locals!

Teethlikescrewdrivers (@teethlikescrewdrivers)

teethlikescrewdrivers takes stock of his Paste-Up Project installation in early October…

What has been the biggest influence on you in 2021?

The collective minds of SlapCity continue to be a huge influence on me personally. It has been amazing to see this random group of people hang out and support each other in so many ways. Our original intention was to push sticker and paste-ups as a legitimate artistic medium here in Aotearoa and abroad, and I feel we are doing just that. Collectively we have had members run their own independent art shows as well as feature in them. We have been part of organising and collaborating in paste-up and sticker shows across the globe. We have seen our work on public installations, featured on blogs and have been interviewed by The Press about what we do.

Who do you think has been making the most interesting art this year?

Interesting is an interesting word! I am a huge fan of subversive stuff, so @fokawolf will always reign supreme there. I have continued to be in love with @eter_91’s typography and have a special place in my heart for @mambotattooer’s line work. Cannot forget our Ghostcat. His Welcome to Christchurch – The Garden City sign is one of the most beautiful things I’ve seen. Stoked to see his book project get the funding it rightly deserves.

Ghostcat’s miniature Welcome to Christchurch sign was a favorite of teethlikescrewdrivers in 2021…

What would you say has been your personal highlight?

Just being able to see my stuff up and about. Having the opportunity to take over one of Phantom Billstickers’ bollards on Manchester Street as part of #thepasteupproject was right up there. It was so great to upscale my work and think of it as a whole piece rather than just individual pencils. I was really stoked with how it came out. Being part of @helloiamtheshow‘s PB n Jam was amazing. I never thought that people would want to buy stuff with my pencil on it. Who knew?

teethlikescrewdrivers’ work at PB n Jam at The BOXed Quarter in August featured found objects adorned with his iconic pencils…

What one thing would you have changed from 2021?

Gigs. I wish I could have seen more gigs.

Vesil

What has been the biggest influence on you in 2021?

I’d say the obvious one would be Covid, being in and out of lockdowns. It definitely has given time to reassess what’s important and what I’m striving for as I’m sure it has with others. Friends have also influenced me over this year, watching them succeed and accomplish their goals has been a real incentive to get off my ass and do the same. Getting out of the city which is something I’ve tried to do a bit over the year. The exploring of different spots, catching up with old and new friends and coming back with a new insight than the one you left with, as well as at least one good story to go with it.

A fresh perspective, 2021

Who do you think has been making the most interesting art this year?

Harry King would definitely be someone who springs to mind. I’m always really impressed by the sheer volume of work he consistently produces that’s always at a high standard. The same can be said for Tepid who too is pumping out a lot, across a variety of mediums. A couple of other honourable mentions go out to PK, Revos and Fiasko.

What would you say has been your personal highlight?

My personal highlight would be, aside from the freezing cold and running out of beer, freight hopping up the country.

Travelling the country freight-hopping was a highlight for Vesil in 2021…

What one thing would you have changed from 2021?

Worry less and explore more.

Ghostcat (@ghostcat_mb)

Image from Fiksate Gallery

What has been the biggest influence on you in 2021?

Christchurch. The city has had the biggest influence on me as I’ve seen it from a different perspective with regard to my journey this year. Learning about people’s connections to places that are no longer there, exploring places I’d never been. There’s so much to take in.

Who do you think has been making the most interesting art this year?

Jacob Yikes continues to blow my melon year in year out. His work is always so insanely good! The details and the way it takes you on a trip to another place.

Jacob Yikes’ Only here to pay some bills and maybe fill a cart with cat food

What would you say has been your personal highlight?

My highlight was without a doubt was Shadowtown, my first ever solo show at Fiksate earlier this year. That was one of my highlights of my entire life! Putting my work out there and getting the response I did was amazing, so much love!

Ghostcat at his show Shadowtown in early 2021 [Photo credit Charlie Rose Creative]
What one thing would you have changed from 2021?

I wouldn’t have changed a thing as every action throughout 2021 has led me here. It’s had its challenges, but it all comes to together.

Jessie Rawcliffe (@jessie.er)

What has had the biggest influence on you in 2021?

The fact that you’ve sent these questions means it’s been an entire year since the last time. Once again, I initially struggled to remember anything definitive from the last 12 months, then it slowly came back. Your yearly questionnaire is strangely therapeutic as it’s a great reminder that I have in fact made and seen some shit…But to answer the question, being employed. The flexibility and time I thought I’d be giving up, that I assumed would be detrimental to my creativity, never came to fruition. Or at least it was completely counterbalanced by the reduced anxiety of finally having some financial stability. Realising that I don’t thrive being my own boss was a huge influence on my painting. Not needing to sell work to live has made me more selective about being in shows and I’ve been able to make whatever I want with less parameters. The irony being that when you make stuff for yourself without caring about how it will be received by others, people tend to respond positively, or at least the people whose opinions you actually care about do.

Who do you think has been making the most interesting art this year?

I’ve gotten a bit obsessed with @post_vandalism on Instagram. It’s a collection of works curated by Stefano Bardsley, thematically linked by their connection to graffiti, vandalism and their removal. I almost thought that the whole intersection between graff and fine art had been done to death, but I keep seeing stuff that holds my attention.

Ed Bats’ Italio OD, 2021 [Photo from Ed Bats’ Instagram]
Honorable mention to Ghostcat Mike Beer as well. His solo show was an amazing reflection of his obsession for detail, and the little collaborations within it made it extra special.

Jessie Rawcliffe’s collaboration with Ghostcat for Shadowtown in early 2021

What would you say has been your personal highlight?

Getting to paint a couple of walls this year was a huge step and something I’ve wanted to do for ages. I’m at that point where I’m pretty certain about what I’m capable of, but during both the Berlin Wall and NZ Opera pieces I had moments of ‘ah this looks like shit wtf am I doing’. Me, up a ladder, with a too small paint brush, rookie.

The Marriage of Figaro mural Jessie Rawcliffe painted in mid 2021 in collaboration with the NZ Opera

What one thing would you have changed from 2021?

I lost momentum in the middle of the year and took on miscellaneous freelance design projects (because if you stop moving you die right?) when I should have just kept painting.

Bloom n Grow Gal (@bloomngrowgal)

Bloom n Grow Gal painting in the BOXed Quarter to close out 2021

What has had the biggest influence on you in 2021?

A huge influence on me this year would have to be the Green Lane community. I was so lucky that this was the first group of people I met when I came to Ōtautahi. Hanging out and drawing during the markets inspired me to start my pop-up art shows. Something I had enjoyed doing at university, I then had the opportunity and support to start it again here! I’ve made some truly amazing friends, found my creative drive and flare thanks to these guys. There will always be a big spot in my heart for Green Lane.

Who do you think has been making the most interesting art this year?

I have been so incredibly lucky to work and meet with extremely talented artists this year. To just pick one is hard! I have really loved what Harry King has been doing. I only met him and discovered his work this year at one of the Art Walls shows at The Welder. King did a series of four paintings for the show, one in particular really caught my eye. I honestly think my Grizzly’s bread intake increased over the period of time King’s work featured there. I had to get it, the painting of the cowgirl now hangs in my room, alongside a load of other epic pieces of work I have collected this year. King is also an amazing tattoo artist at Absolution in the Art Centre. I’ve loved seeing him develop this art of his work too.

One of Harry King’s works from Art Walls at The Welder, 2021

What would you say has been your personal highlight?

These are the hardest questions ever, so mean! Haha… it’s so hard to just pick one. I think it’s going to have to be the three shows I put on this year, More the Show, PB n Jam the Show & Even More the Show (I know that’s technically three, I loved them all equally and can’t pick) All those emails, all the organising, all the art hanging into the early hours of the next day. Working and discovering all these incredible people in Ōtautahi. As well as having made some amazing friendships through the process I have an incredibly amazing art wall now at home full of pieces I have brought from the shows. It also really pushed me to discover something I was really passionate about.

Even More the Show at Clubhouse Creative, one of three shows Bloom n Grow Gal opened in 2021…

What one thing would you have changed from 2021?

I would change being on my phone just as much as I have been this year…even the past two years. Ever since this global pandemic started I have realised my screen time has increased by an embarrassing amount. I noticed after doing this my mood would be low and my desire to create minimal. Although I feel like some of my work produced was slightly fuelled by the pandemic, I definitely want to go into 2022 with less screen time… Live Laugh Love and all that.

Ikarus (@highdoctornick)

What has had the biggest influence on you in 2021?

I don’t know if I’m heavily influenced by outside factors tbh. I try to just do what I do. My crew, DTR, inspire me n so do the super active graffiti guys

Who do you think has been making the most interesting art this year?

Ghostcat has definitely been on his grind, seeing his energy towards pursuing art full time is infectious and it’s hard not to love the builds he does. Vesal FOK owned the streets in Christchurch this year, hands down nobody put in more work than him.

Vesal was one of Ikarus’ favourites for 2021

The big TMD show up north looked awesome too. Special mentions to Race n Hoaks from A2D crew, they aren’t Christchurch guys but the work I’ve seen of theirs is super cool n I’ve definitely been interested in seeing what those guys come up with week to week.

The TMD crew roll call from the TMD: An Aotearoa Graffiti Story at the Dowse Gallery in Lower Hutt

What would you say has been your personal highlight?

It’s hard to beat South Sea Spray, even though that was all the way at the start of the year. Everything about it was just too next level. Also organising the wall n line up for the Christchurch Hip Hop Summit n getting a nice line up of different generations of Christchurch graffiti guys together.

The DTR Crew collab at South Sea Spray in early 2021, featuring Yikes, Dcypher and Ikarus [photo supplied by Brian ‘Rowee’ Rowe]
What one thing would you have changed from 2021?

The mandate. Fuck that shit. I’m not against vaccines but I am against the way this whole shit is unravelling.

Jacob Yikes (@jacobyikes)

A Pool Full of Deep Ends, a new work from Jacob Yikes in 2021

What has had the biggest influence on you in 2021?

I’m not really sure to be honest, the last 2 years have been pretty chaotic and I’ve yet to really reflect on all of it but yeah, I struggle to narrow it down as I think everything good and bad influences everything I do in terms of my art.

Who do you think has been making the most interesting art this year?

I think I would have to say that Ghostcat takes the prize for that one this year, he’s on another level with his miniature works, some really impressive stuff for sure.

Ghostcat’s Volcano and Lava Bar build from Shadowtown [Photo credit Charlie Rose Creative]
What would you say has been your personal highlight?

In terms of personal highlights relating to painting I would say that some of the projects that myself and my crew have been a part of this year have been a lot of fun and we have some pretty rad projects lined up for early 2022 And yeah another would be the fact that I’m nearing completion on a large body of work that I have been working on for the last few years and I’m pretty excited to exhibit those paintings middle of next year.

What one thing would you have changed from 2021?

Haha, I’m not sure if I would change anything. That probably seems kind of weird and yeah obviously Covid is a pain, but yeah, I’m not one to get strung out on shit I can’t change

Jonny Waters (@jonnywatersart)

What has had the biggest influence on you in 2021?

Finding someone I truly love and adore. Art wise – Probably shedding a few more layers of caring about what others think about what I make and abstraction.

DOOR/SCOPE was part of Jonny Water’s push into abstraction in 2021

Who do you think has been making the most interesting art this year?

Vesil, OXY and the FOK crew & Fiasko

What would you say has been your personal highlight?

Producing Ōtepoti Hip-Hop Hustle and organising another banger Graff Jam for Ombrellos in Dunedin.

What one thing would you have changed from 2021?

Painted more with the TiC homies.

Jenna Ingram (@jen_heads)

What has had the biggest influence on you in 2021?

The people. The Christchurch crews – music, art, hospo, retail. We are very lucky here! Some are artists I’ve admired and looked up to since 2006/7 and now work with, some I am now great friends with, some who have inspired me and some who have helped me out a lot. Some are amazing Fiksate supporters that we are honored to know and call friends too. It’s all about the people for me.

Who do you think has been making the most interesting art this year?

Lots of great art this year. Ghostcat. Jessie Rawcliffe. SlapCity Crew. Misery. Jess Johnson. Dr. Suits. Chimp. Askew One. Jasmine Gonzalez. Pener. The Dreamgirls (Xoë Hall, Gina Keil, Miriama Grace-Smith). Studio Soph. Laurie Steer. The DTR Riverside mural is pretty outstanding!

Birds of a Feather, one of the works from Chimp’s show Social Woes at Fiksate in October 2021

What would you say has been your personal highlight? 

Ghostcat‘s ‘Shadow Town’ exhibition, Askew One & Jasmine Gonzalez‘s ‘Continuum’ exhibition, Askew One‘s mural that Nath organised. Chimp‘s ‘Social Woes’ exhibition. Ghostcat’s miniature Fiksate Gallery. Dr. Suits and Porta completing an amazing mural for Graffiato in Taupo. Getting a kitten. 

Dr Suits and Porta add some detail to Dr Suits’ mural at Graffiato (Image via Graffiato Taupo Street Art)

What one thing would you have changed from 2021? 

Can’t change the past man! So nothing! What’s done is done. Learn from it and move on.

Jacob Root/Distranged Design (@distrangeddesign)

What has had the biggest influence on you in 2021? 

I think the way the world currently is has given me a greater influence to become the best version of myself, not only in art but in all areas of my life. But yeah, I think it’s pushed my work more because I want to constantly be creating and it puts me in my own wee world.

A Thorn in the Roses was released as a fundraiser for Movember by Distranged Design

Who do you think has been making the most interesting art this year?

In my opinion I’ve loved seeing the work Daniel Arsham has been creating, it’s all just so different and the collaborations he’s been a part of have been insane!

What would you say has been your personal highlight?

I think the collaborations I’ve done, and those I have also organized that are in the pipeline are my proudest moments, it makes this career even more fun when you can work with others and bounce off ideas with like-minded creatives.

United, a Distranged Design collaboration with Hannah Jensen (@hannahjensenart) from 2021

What one thing would you have changed from 2021?

I’d love to have been able to travel, but that wasn’t possible! I’ve got something cool planned next year which I can’t wait for though!

Meep (@kophie_loaf)

What has had the biggest influence on you in 2021?

Probably living through heaps of major world events at once, haha! Also seeing how much online and social media has played a part during these times and making people nuts.

Meeps work confronted the issues facing us all through 2021

Who do you think has been making the most interesting art this year?

I follow so many different areas of art, fashion, graffiti, fine art, illustration etc., so I can’t really pin-point anything. But I will say that I am so proud of my friend McChesney (@mkaartist) for finally getting a tattoo apprenticeship, she has wanted it for the longest time, and I am sooo happy for her, she’s going to be so famous one day.

What would you say has been your personal highlight?

Probably the anti-racism Stand Up Event I organised alongside The Conscious Club and getting to be a part of the Hip Hop Summit was a great way to end the year. I have also had a lot of opportunities this year that I am very grateful for.

Meep takes stock of her character for the Christchurch Hip Hop Summit graffiti event

What one thing would you have changed from 2021?

I have had a lot of ups and downs the past 2 years, losing two of my family members and dealing with heaps of other life stuff while simultaneously living through huge world events. It’s been the hardest couple years of my life, so it can only go up from here hopefully! Haha!

Harry King (@atribecalledhaz)

What has had the biggest influence on you in 2021?

Liv O’Callaghan (@livocallaghan) – she’s taken me under her wing and is showing me the ropes of the tattoo ship.

Who do you think has been making the most interesting art this year?

I’d have to say Josh Bradshaw’s barbed wire roses for the last Art Walls of the year.

Josh Bradshaw’s tiny roses made from recovered barbed wire were some of Harry King’s favourite pieces from 2021

What would you say has been your personal highlight?

Starting my tattoo apprenticeship.

What one thing would you have changed from 2021?

More Memphis Meltdowns!

Josh Bradshaw (@joshbradshaw_art_)

Photo credit: Mitch Barnard

What has had the biggest influence on you in 2021?

Biggest influence on me in 2021 has been my new job that I started working at in April. They have all sorts of woodworking machinery, laser cutters, sand blasting and metal engraving machines as well as a spray booth. It’s basically a McDonald’s playground for anyone that likes to make stuff. Being able to use all the gear for my own artwork unlocks a whole other realm of works that weren’t possible for me before.

Who do you think has been making the most interesting art this year?

Not me that’s for damn sure. Probs some random person overseas that has been shadow banned by the Zuck man on Instagram for no reason so that no one even sees their work anymore anyway.  But Levi Hawken and Dr Suits are steady favourites of mine locally speaking.

One of Levi Hawken’s concrete casts. Hawken is a favourite of Josh Bradshaw.

What would you say has been your personal highlight?

A personal highlight was finally making my little barbed wire rose series (I picked a dozen but not for you) that I thought of ages ago but couldn’t get around to making it for most of the year. Felt good to not have that idea in my brain anymore. Also bought myself a sick old book press which is cool.

What one thing would you have changed from 2021?

I dunno, maybe something about not making NFT’s trendy/ a hype beast, wait in line for an ugly cartoon of a monkey that matches your limited edition dunks so you can get into a club in Hollywood type of deal this year. It’s just not it.

Sofiya Romanenko (@chchasti)

What has had the biggest influence on you in 2021?

The Instagram’s tight grip on me has been as strong as ever this year, but in a far more productive way than before. I love to hate it and hate to love it, the broken window into the world of great talent from all of the corners of the world the tendrils of the internet can reach, which inspires me to degrade my artistic abilities on the daily, whilst simultaneously lighting enough fire under my ass to produce my own work.

Another thing, the influence of which this year cannot be understated, is skateboarding. Delving into the thick of it and finding how closely it is intertwined with everything I loved for years made it feel like I found the missing link between my long line of interests and helped me gain a whole new perspective on them, contributing greatly to my work.

Who do you think has been making the most interesting art this year?

I feel that with me being very new to the art scene I’m just barely scratching the surface of what this country has to offer, especially given a bit of stagnancy brought upon us all due to the pandemic, but among the many local artists I’ve been following this year my two favourites are: Miiekes, whose wild trash art lies near and dear to my rotten heart – I’ve been a fan of pretty much every piece she put out in 2021; and Cammy (@__cammy_h__), whose photography evokes just the right level of discomfort in its lonesome stillness – something I very much enjoy to channel through my own art as well.

Image from @__cammy_h__

Among foreign names I can mention Jerry Hsu, Trevor Hernandez, Kludge, Jason Gringler, and pretty much everyone in the post_vandalism Instagram account.

What would you say has been your personal highlight?

It’s pretty tough to pin-point a particular highlight in a year that has become my life’s highlight in itself. I’ve gone through a lot of exciting and important changes in 2021, which finally made me feel like I’m exactly where I need to be, but I guess the common thread among all of these changes is finding the path to “myself”. Or rather, whatever I want this mysterious self to be.

What one thing would you have changed from 2021?

The only change I would’ve made is started taking antidepressants sooner – could’ve saved myself a lot of miserable days.

 

Lost Boy (@lostboy_chch)

Image from @lostboy_chch

What has had the biggest influence on you in 2021?

In one word the biggest influence on me in 2021 has been: Life. My normal everyday life that occurs between wake and sleep. The people I meet, things I do, words I speak. Sometimes ideas enter into my mind and swim. I try to fish them, but can only catch so much in a day.

Who do you think has been making the most interesting art this year?

I have found throughout 2021 the works by the following humans have caused interest to pique in my mushy ape brain: JR, Banksy, beeple, Ron Hauge.

What would you say has been your personal highlight?

Personal highlight of this year… Becoming a regular member of SlapCity. Having a space to come together and splurge onto paper, stickers, and anything else, this is good. Creativity is shared by osmosis in them.

The Slap City crew on a mission. Image from @slapcity_chch

What one thing would you have changed from 2021?

Throughout 2021 I should have had more fruit.

Phew. The questions have been answered. Made my brain whirl for a while, now its stopped. I can finally rest.

Mark Catley (@mark_catley)

Bloom n Grow Gal and Mark Catley’s Three-Eyed Freaky Girl

What has had the biggest influence on you in 2021?

Covid and my little one, Alba. I had a lot of ideas and WIP’s this year, but with the whole Covid cloud over everything I’ve really just felt drained. So I’ve just tried to hang out with my 2 year old Alba and enjoy life.

Who do you think has been making the most interesting art this year?

I really love Askew One’s Innovate mural. It’s the most different thing I’ve seen around the streets this year. But everyone’s work is just getting better and better. All the new 3D / 2D art works are super cool and even my mum likes them, lol. I’m also amazed by the talent of Jessie Rawcliffe.

Askews Innovate mural at ARA

What would you say has been your personal highlight?

I had a lot of fun working with Rollickin Gelato at the start of the year…and it’s cool to see giant action figures up on the walls inside a shop.

Mark Catleys Wampa at Rollickin Gelato, one of several paste-up additions he made to the beloved gelato store

What one thing would you have changed from 2021?

That Covid was gone for good… and that I could get my head around NFT’s and start selling them for bitcoin.

Bols (@bolsamatic)

What has had the biggest influence on you in 2021?

There have been a few key influences this year, even if I take the obvious pandemic-sized elephant out of the room. Getting older and taking on certain responsibilities as a father and a partner has been a big thing. There have also been so many people who have been influential, spending time with talented artists and rad folks has been undeniably impactful…

Who do you think has been making the most interesting art this year?

Seeing Askew One paint his mural at ARA and working with Benjamin Work when he painted the floor work at the Canterbury Museum were highlights in terms of process and conceptualisation. Locally, Ghostcat has had an amazing year, the guy is always buzzing with ideas and to top it off he is just one of the best humans alive!

Ghostcat and Bols Soggy City Ciggies from mid 2021

What would you say has been your personal highlight?

Working on the Paste-Up Project and seeing the first installation by teethlikescrewdrivers was awesome, working on Benjamin‘s project was a highlight as well, observing someone I have admired for a long time in a celebrated location was pretty neat. The TMD show at the Dowse was phenomenal (writing a review of the show for Art New Zealand was fantastic as well). In terms of my own art, it is fresh, but I really liked the piece I painted at the Boxed Quarter right at the end of the year.

The floor-to-wall mural has become a striking element inside the Museum, while also adding a range of fascinating discourses.
Benjamin Works Motutapu II inside the Canterbury Museum

What one thing would you have changed from 2021?

I would have liked it to have felt longer, which sounds strange in hindsight, but the reality is that so much of the year was lost that it almost seems like we deserve some extra time…

Thanks to all the artists who contributed to this recap – as a city with so much talent, 2022 is sure to be exciting! Let us know what you loved from 2021 and what you are looking forward to in 2022 in the comments!

Spread the word about what's happening in the Christchurch urban art scene:

And That Was… November 2021

Personally, the arts have provided a feeling of comfort throughout the challenges of 2020 and 2021, but November 2021 was a reminder of the struggle faced by the arts, not just in the midst of the Covid pandemic and all of it’s associated barriers, but more generally, the stark reality of the need to scratch and claw to survive. Many events and projects are produced on a shoestring budget and the realities of life as a creative are sobering, many balancing other careers and making time by burning the proverbial candle. Watching an Arts Foundation panel discussion featuring some of Aotearoa’s most renowned artists brought this reality into clear sight, sharpened and tempered by the determination of those from our community to continue to stage events and the audiences that provide support. So while the art life is hard, requiring a seismic shift in how we instill new attitudes towards the arts nationally, it is always so warming to know that the arts community is nothing if not durable and determined. November was a case in point, plenty of highs and unfortunately some lows, but all underlined by a sense of the need to keep on keeping on…

Chimp – Social Woes @ Fiksate

Wellington artist Chimp returned to Ōtautahi Christchurch and to Fiksate Gallery with Social Woes in November, with a body of work exploring the impact of social media on our state of mind and social networks and behaviour. Pushing his work towards increasingly fragmented compositions, Chimp has made some bold progressions stylistically while grappling with very contemporary issues…

Chimp finally got the chance to relax after a busy opening at Fiksate for his show Social Woes

Berlin Wall – Community Event @ Rauora Park

The installation of the Berlin Wall segments in Rauora Park in late 2019 was completed with relatively little publicity, many unaware of the historical significance of the concrete forms that appeared like painted monoliths from Kubrick’s 2001: A Space Odyssey. In response, a collective of German expats, led by the amazing Alex Falk and Deutsch in Christchurch, staged Kia Ora Berlin, an event celebrating and exploring the history of the Wall’s deconstruction. Following an official ceremonial portion, the crowd were let loose on a scale wall produced by local artist Nick Lowry, with hoards of kids getting wild with spray paint, brushes and pens. The swell of activity lasted for an hour, until all the supplies were exhausted, a reminder of the power, and attraction of writing on walls, a reality heightened by the displayed photographs of the real wall on display nearby.

Nick Lowry’s Berlin Wall replica is painted by guests at the Kia Ora Berlin event

Farewell to The Giant Cans

Not far from the Rauora Park location of the Berlin Wall event, the Giant Cans at the Place Making at One Central site were enjoying a last hurrah, with a graffiti art workshop led by the DTR crew. A unique and participatory urban element, the Cans have hosted hundreds (if not thousands) of visitors, and literally layers of paintings, messages and scrawlings, since their installation in 2018. Now deconstructed, the cans are seeking a new home. Fingers crossed these iconic forms, originally created for the Spectrum Festivals at the YMCA, can return soon…

The Giant Cans begin their deconstruction from the Place Making at One Central…

Daken’s Emporium @ 413 Local

Although I didn’t make it along to opening night of Daken’s Emporium, I was glad I headed down to 413 Local on Tuam Street to check out the impressive output of customised toys and other goodies, from Daken and several guest contributors. Charming in their lo-fi DIY nature, it was packed with nerdy, playful and earnest references to films, comics and cartoons (most definitely after my own heart)…

A small selection of the creations on display for Daken’s Emporium

Arts Foundation State of the Arts Panel

The only event not to occur in Christchurch to make the list this month, the Arts Foundation‘s State of the Arts Panel was live-streamed late November and featured the impressive line-up of Dr Fiona Pardington, Shayne Carter, Oscar Kightley, Simon O’Neill and Moana Ete. Moderated by Miriama Kamo, the panel reflected on the state of the arts in Aotearoa in 2021. A lively and passionate discussion, it raised the striking reality that the arts, and artists, remain under-funded and under-valued. While the panel made clear the challenges, the passion of the speakers vitally reflected the need for collectivism, for digging in and for fighting for the cause…

What did we miss? Let us know what you would have added to this month’s list and stay tuned for more And That Was… entries in the coming months

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Tune! with Mark Catley

The next contributor to Tune!, our evolving playlist to make art to, is Mark Catley. With his strongly pop culture inspired paste-ups (from Star Wars to Masters of The Universe and David Bowie) and his alter-ego as DJ Hairdresser on Fire, it is little surprise that music is such a central influence on Catley’s creative practice. But perhaps even more interesting is his late stage initiation into the magic of music, including a humorous story about the RPM speed of a vinyl. The variety of selections has been a striking feature of this series and Mark’s picks are further evidence of this trend, from The Smiths (Hairdresser on Fire is a Morrissey reference) to ABBA and Captain Kirk himself, William Shatner, as well a few other surprises. So join us as we find out what tunes make Mark Catley tick…

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Music.
To a lot of people, music is just background noise.  Something to have on quietly while you go about your daily life. For others. Music really matters. I fall into the second category. Without music, I doubt I would be alive today.

Music has been there for every special moment in my life. Connecting all the mundane moments in life to the truly magical events or even just reminding me of the various heartbreaks. Like most artists I tend to work with music surrounding me. I also try and pick a song title to name a lot of my art, where suitable.

I didn’t listen to music growing up. If we had the radio on, it would have been the Christian station, Radio Rhema. Even then I really only listened to the Old Testament bible stories told by robots (I mean who else does an eight year-old kid get to read them stories from 2000 years ago?) So when the other kids at school would talk about music I would more often or not just pretend I knew who or what they were talking about. It got to the point where I once had to make up a poem for some class competition about a local radio station. The teacher obviously could see I had no idea what the subject was and so just glued the entry form, poem side down with the brightly, coloured picture facing outwards. I remember feeling really bummed out about that.

But hey, life got worse…

The Seeds Were Sown: Tears for Fears – Sowing the Seeds of Love

The first musical object I ever owned was a 7” vinyl single I won from the Christchurch Star in the 1980’s. It was the Tears for Fears single Sowing the Seeds of Love. I had no idea what the song or who the band was but I was so ecstatic to own my very own record that it didn’t matter!
It’s a big, bombastic, throw-everything-into-the-pot, 80’s single. It also features an amazing over-the-top music video which won many awards.
The funny thing was, as me and my sister never played music on Dad’s stereo, we had no idea there were different speeds for different size records.
Every day after school I would rush home to play the one item of music that was mine… at the wrong speed of 33rpm instead of 45rpm! It wasn’t until a friend flicked the switch on the turntable that I got to hear it at the correct speed. Funny thing is, to this day I still think the correct speed sounds too fast!

Living the Siamese Dream: The Smashing Pumpkins – Hummer

Once I discovered my own music at high school I was in deep.
I found out you could get CD’s from the local library and borrowed Siamese Dream by The Smashing Pumpkins. I would then copy the CD onto a tape and play it on repeat. This album just blew my newly forming teen mind. Those dreamy guitars, those crazy vocals! I was hooked.
The Pumpkins were also the first proper big gig I ever went to. It was May 1996 and I was still at high school, so I sent my dad along to wait in line and get the ticket. None of this fancy online buying tickets. I was always grateful my Dad was able to do that. I also once spent a lonely Christmas day in London pretty much by myself with a cheap bottle of wine and a borrowed copy of Siamese Dream. (Best Xmas ever? Maybe not… but still pretty good).

Litter on the Breeze: Suede – Trash

I’ve always felt more in tune with the English way of life and their style of music and moods. Give me a nice rainy day over a bright, scorching hot sun any time. Trash by Suede sums the band up perfectly and is so 90’s it hurts. But I love that pain. (when I first started making my street art and other work, I worked under the name Trash Design. I was told to change that to something else, so I just went with my boring real name. I’ve since been given another way cool handle to use, Bossk-Cat, but it seems too late to try and change now!)

I haven’t got a stitch to wear: The Smiths – This Charming Man

Sure, lead singer Morrissey has turned into an utter twat over the last seven or so years (I won’t say anymore on that subject), but The Smiths as a band have an almost flawless body of work. I did have fun pasting up various The Smiths singles posters around Christchurch years ago. There can’t be many other cities that can say that. This Charming Man is always guaranteed to get me up dancing.

I’m picking up good vibrations: The Beach Boys – Good Vibrations

Like most nerdy music lads, I got into the Beach Boys years ago. I could link in some deep cut, but really, if you listen to Good Vibrations and don’t feel happy, something must be seriously wrong with you. I had the joy of watching my daughter (Alba, who is two-and-a-half) dancing with sprigs of parsley in each hand to this song recently. I must have been at least 17 before I did that.

ABBA- S.O.S.

My late father did like some ABBA and I found a cheap copy of ABBA Gold on cassette tape. I would drive around in my blue VW Beetle playing it in my car tape deck for a laugh in the late 90’s. But I started to genuinely like the tunes. Hell, I even gave a 10-minute talk on how amazing
ABBA was at a Polytech presentation in the late 90s. They really are a perfect ‘pop’ band. It’s interesting to see the band is about to release a new album, their first in 40 years, and it’s not just some cash tie-in. I mean, this band turned down $1 billion dollars to reform in 2000! Anyway…it’s hard to choose a favourite from ABBA. So let’s just go with S.O.S.

Everyone you know someday will die: The Flaming Lips – Do You Realize??

Death…it’s going to get us all one day. It’s hard to remain in the now and just enjoy the people in our lives. This track by the Flaming Lips always brings a tear to my eye. Just another of those ‘perfect pop songs’ by a band just doing what they do. I also had the pleasure of dancing with the Lips up on stage back in London circa 2003. I was dressed as a parrot. I have a photo of me and the band taken by Beth Orton somewhere (I still can’t believe that I had the cheek to ask Beth Orton to take a photo of us all!).

Cause you are gonna: William Shatner – You’ll Have Time

William Shatner released an amazing album titled Has Been back in 2004.
It was produced and arranged by Ben Folds with most of the tracks written by Folds and Shatner. It’s an album that shouldn’t work, but it just does.
Shatner’s over the top delivery is just perfect and a lot of the songs are really heartbreaking. One song is about finding his wife drowned in the pool and another is about trying to reconnect with his estranged daughter.
They get me every time.
But today I want you to hear this track from Bill. People either love it or hate it. I suppose we don’t like being told we are going to die. I would also often clear people from the CD store I managed with this track… Ahh, the looks the locals in Merivale gave me. Priceless.

Bad dreams in the night: Kate Bush – Wuthering Heights

With the arrival of my daughter, Alba, I wanted to make sure I play more music made by strong females. I do tend to be male-centric with my listening. Not entirely sure why. I suppose it’s who I relate to with the lyrics and singing style. But Kate Bush is here, for all her uniqueness. She played the music game her way and got away with it.
Her first ever released single was Wuthering Heights which to this day is still her most famous track. She wrote the song after catching the ending of the 1967 BBC adaptation of the 1847 novel. She was only 18 at the time and recorded the vocals in one take. Only toured twice 1979 and 2014 and sporadically puts albums out when she feels they are ready.
I could easily select any of Kate’s work, but will just stick with her first offering.

It’s not always music…

More often than not, I work alone and sometimes you just get sick of tunes and music and need a break from everything. The following are my go-to for a ‘no music playlist’:

Casablanca – Full soundtrack with film bites

Max Richter – 8 Hours Sleep Score 

Steve Roach – Structures From Silence
This 29min ambient track is just sublime. It’s like a direct shot straight to the brain of pure “weightlessness”.  I often fall asleep to this track.

And finally some audio books:

The two Alan Partridge books read by Alan Partridge, I, Partridge and Nomad are hilarious.
The Sandman by Neil Gaiman is not only one of the greatest stories EVER, but now it has also been made into an audio book with a star-studded cast. Listen to it, before the Netflix show begins next year…

Follow Mark on Instagram and Facebook and keep an eye out for the next issue of Tune!

 

 

 

 

 

 

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And That Was… October 2021

Despite the challenges of Covid through the second half of the year, Christchurch has continued to present activities to keep us busy and engaged – from new murals to exhibitions and projects. Likewise, other cities have worked hard to keep events going, albeit under trying and ultimately stressful realities. But one of the great things about urban art is its ability to thrive no matter the circumstances, it is a sign of our endurance and existence, so it is fitting that many of the entries in this month’s And That Was… are reflective of that potential, even if they are commissioned projects or organised events…

Even More: The Show @ Clubhouse Creative

The latest incarnation of Lydia Thomas’ More: The Show, Even More: The Show took place in a new location (making use of the awesome spaciousness of Southwark Street’s Clubhouse Creative) and featured a number of new artists, some Watch this Space favourites, others new names for us to get excited about. With a diverse range of talented local female creatives, and packed into the massive warehouse space in a visual feast, the pop-up was popular and energetic and yet another bow for the Hello I Am project…

Ghosts on Every Corner gets a Boost…

Image courtesy of Jenna Ingram at Fiksate

It was so good to see the Ghosts on Every Corner team reach their Boosted campaign goal! Ghostcat and the Fiksate team have been working away at getting this art trail and book project off the ground and the support for their Boosted campaign was incredible as they reached their goal with a few hours to spare! Bring on the mini art and normal-sized book!

The Ocean is in our Hands – Blue Cradle x Popx x OK Creates

Local oceanographic non-profit trust Blue Cradle along with Richie Pops Baker and OK Creates are the forces behind this new mural on Colombo Street. The work celebrates the incredible diversity and supportive qualities of the ocean, while also serving as a reminder that we need to ensure its health and care. It is an impressive and meaningful addition to a busy part of town!

The Paste-Up Project x teethlikescrewdrivers

Watch This Space, along with Phantom Billstickers, have been busy creating The Paste-Up Project, a new platform for one of urban art’s most enduring forms. Turning a central city bollard into a supported platform for paper-based art, the project adds diversity to the city’s urban art profile. Teethlikescrewdrivers was first up, and we love his Connection, Community and Collaboration installation, which ties together some of the key elements of urban art!

Dr Suits @ Graffiato Street Art Festival

Image courtesy of the artist and Fiksate

our buddy Dr Suits was among the guest artists at Taupo’s renowned Graffiato festival over Labour Weekend. With a truncated roster due to Auckland’s Covid restrictions, Aotearoa’s longest running urban art festival was a slightly different proposition in 2021, but Dr Suits (with assistance from man himself Porta) flew the flag for Ōtautahi, producing a striking and bold work that suggests some new directions for his public output…

What have we missed? What were your highlights for October? Let us know in the comment section…

 

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Tune! with Bloom n Grow Gal

Bloom n Grow Gal’s affection for music was clear from our first conversation. The more we chatted and the more I have come to know about her work and process, the connection became even more apparent. When I suggested she write a list of her favourite songs for Tune! she was immediately excited. When I received her list, it was accompanied by an admission” “I’m not sure if I have done this correctly…” and explanation that she could have added a heap more musical influences. But as I started to read, it was, in her inimitable style, clear that she had got it spot on – connecting songs to her memories and lived experience (I was transported to my own recollections as I listened to The Strokes and Temper Trap) and illustrating that many of us are captivated by the connection between art and music from a young age and that it endures as we grow…
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Music plays a huge part in my life, it always has. It sets a mood and helps create the environment. As far back as I can remember birthday and Christmas wishlists would consist of tapes, CDs and records and of course cassette players then portable CD players then iPods. Mum and Dad both have impressive record collections and I always remember spending hours and hours flicking through them and putting out my favourite artworks and lining them up. Looking back now, I think my first realisation of the relationship between art and music was in these records. The Beatles, ABBA, The Clash, Pink Floyd, Led Zeppelin, they all had incredibly cool record sleeves and music. I collected so many CDs, every paycheck I would be down to the local music shop buying all my favourites! I was always so envious of friends that had Sky TV, just have the music channels on whenever they wanted. This is bringing back so many moments! Where do I even start…or stop!
For me, music and my art represent moments in my life, the journeys I was on, or the beginning of something. This was incredibly hard to get down on paper because I get so much feeling and energy from music I don’t even know where to start! The DJ Anne Mac who I listened to on BBC Radio one throughout my teens and adult life recently had her final show and something she said in it just got me thinking about how I feel when a song comes on that I just connect with: “If you like the music you gotta get up and dance, just do it…” If it’s not dancing, it’s drawing, or wheat-pasting, or sewing… Create, Dance, Move!
Song: Mr. Scruff – Get A Move On
I think I was about 16-17 years old, me and a friend had gotten Mr. Scruff tickets. I’d loved the artwork behind Mr. Scruff as it had always connected with me. I was doing my art A levels and hating every moment, everything had to look like Van Gogh. I just wanted to be doing my own thing, I didn’t want to be sat trying to paint sunflowers exactly like Van Gogh. The Mr. Scruff concert was so awesome, I still remember it to this day. I think it was my first time getting properly high on weed. Mr. Scruff has these visuals that played on the screens and I remember just being so amazing at the connection with the music and the animations and how fun they were. just over ten years later, I got to do something similar at P.B. n Jam – The Show. I got to have my illustrations on a screen alongside music!

Song: The Temper Trap – Sweet Disposition
I remember listening to this song on my iPod mini on a bus, going from Barcelona Airport to the centre of Barcelona. I remember the colours of the sunset sky, how tired I was, but how beautiful and exciting it was. It was around the time I really started getting into point and click film cameras. Growing up mum and dad had documented our whole childhood on film. I just loved flicking through the albums, looking at the colours, the graininess, and the imperfections and blurs created by the risk of having one chance and one moment. I loved the spontaneous nature of the picture, the single chance you had to get it right. But then, even if it wasn’t quite right, there was always something nice about the picture. Although I wouldn’t say I am a photographer, I love taking photos on films. I love the unknown surprises that come with it. It’s like a metaphor for life, you don’t know how it’s going to turn out but you’ve got to try to find out (that might have sounded better in my head!).

Song: The Strokes – Someday
The Strokes have honestly been with me through so much; so many late nights at university getting the final bit of my projects finished. Their music carries me through the night and early hours of the morning and motivates me to get things finished. In between drawing I can always get up and have a boogie too. Their music just makes me want to use all the colours on every corner of every page. So yeah, The Strokes are my go-to for an artist deadline!

Song: Radiohead – Reckoner
Reckoner brings back some mixed feelings. It was a song and a band that got played a lot in my university years. Throughout university, I always doubted myself, and I was extremely hard on myself. I thought everything I was creating and had no purpose. I look back now and see how everything I was doing was just me developing as a person, you need to make mistakes or you never learn. Radiohead reminds me of just that.

Song: Elliot Smith – Needle In The Hay
I first heard Elliot Smith featured in the Wes Anderson film The Royal Tenenbaums. This song always reminds me of Wes Anderson films. I love their colour palettes, the film sets and the clothes.

Song: The Beatles – Lucy In The Sky With Diamonds
I feel like it wouldn’t really be my art and music list without having a Beatles song in there. It was honestly hard to pick just one song because two albums covers I would always pull out from my parent’s collection were Sgt. Pepper’s Lonely Hearts Club Band and Yellow Submarine. I loved all the people on the cover of the Sgt Pepper’s album, and the flowers at the front. I still think to this day it’s one of my favourites. I loved the collage effect. Collage is something I always love the look of, but don’t think I quite have it. But then, if I think about my paste-ups, that in itself is a kind-of collage, so maybe I am being a little hard on myself again! I loved the movie Yellow Submarine too and my favourite part was when Lucy In The Sky With Diamonds played. I always use to sing it as “Lydia in the sky with diamonds”… I just love the colours!!!

Song: Jorge Ben Jor – Take It Easy My Brother Charles

Honestly, it was so hard to get down six songs! I am constantly changing up my music and returning to old favourites at the same time. A song that is getting me through this lockdown is Jorge Ben Jor’s Take It Easy My Brother Charles. It is full of joy and colour, it gets me out of bed in the morning ready to draw some flowers. Actually I think I am going back to drawing more flowers now!

Follow Bloom n Grow Gal on Instagram and Hello I Am on Facebook to keep up with all of BGG’s activities, from art to exhibitions…

Check out our other issues of Tune! for the ever-growing playlist our artist friends are creating!

 

 

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Street Treats, Vol. 6

It has been a while since our last Street Treats edition, in part due to the lock-down situation, but even as we all play catch up on the livelihoods that were put on hold, the streets were a fascinating site to explore with the range of expressions and interventions to be found. This volume of Street Treats features a cacophony of diverse forms, and rather than dealing with explicitly political messaging, they are affirmative and declarative and playful, inherently meaningful concepts in a time where it is easy to feel invisible and somewhat powerless. Graffiti is a strong presence, bursts of colourful existential expression, bound by certain conventions but constantly searching for ways to stand out. The examples here run the gamut of styles and modes of production (some are legal, others not so much), but importantly they speak to the game and represent both a here and now and the countless numbers that have come before, a lineage of urban commentary. The repetition of other, non-signature forms lives up to the concept of post-graffiti, like characters, pencils, flowers and rocket ships, these symbols are both as mysterious as calligraphic tags, and yet also familiar and therefore more approachable. They share the idea of proclamation in the public realm, but are perhaps satisfied with intrigue rather than alienation. Why do so many find it more challenging when someone boldly writes their name than the positioning of an iconographic proxy to do the same job? Is a name a more confrontational and confident vessel for expression? Regardless of your take, the effect is the same; the city speaks, quietly, loudly, in whispers or in defiantly boisterous screams…

Stay tuned for more Street Treats soon!

If you have any corrections for the credits above, let us know in the comments!

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And That Was… September 2021 – with Cape of Storms

To recap September we caught up with Cape of Storms, our favourite street collage paster-upperer! You will know Cape’s paste-ups, even if you don’t realise it, they utilise vintage cooking books, kitsch knitting images and more retro finds to create whimsical juxtapositions that are at once funny and mysterious, adding that sense of wondrous inquisition as they appear across the city, revealing the absurdity of life. As I suspect it was for many of us, Cape of Storms’ September was hectic, catching up on a life that was put on pause… So, what was keeping Cape of Storms busy? Read on and find out…

September was a blur.  My recollection of how the month passed by is somehow not linear.  I remember key events, like feeding my best friend’s new baby girl for the first time, dressing up and going out for a special meal with my partner at Soul Quarter just after we passed into level 2.  Going back to the gym, the stress and irritation around how and when to mask up. But most of all, I remember the build-up and anticipation, coordination, ultimate execution of of MOVING HOUSE.

Moving house is awful.  It confronts you with all your life decisions and lifestyle choices and forces you to judge yourself as you pack up your life, box by box (well, at least for me anyway!).

I arrived in New Zealand just under three years ago with two suitcases full of clothes, a racing heart and a head full of dreams for my new future.  For the first few weeks I muddled by sleeping on the floor on a blow-up mattress, eating at a rusty camping table and managing the delicate balance of ice-to-water ratio in a chilly bin.

Slowly and steadily I started to accumulate stuff. Four months after relocating from Cape Town, four modest boxes arrived by sea, filled with precious kitchen and household items from my previous home.

Fast-forward to September 2021 and van- load upon van-load of stuff needs to be ferried from the old house to the new house, multiple trips to Ecodrop required, $850 raised in Facebook marketplace sales and days and days of sorting, cleaning and reorganising.

And what did I learn about myself during this process? Well, a quite a few important things actually.

Friends, and friends who have become like family are my “home” in this new country.  The physical objects I own only carry meaning for me if they are linked to how I can interact with the important people in my life, or bring me comfort and act as reminders of special memories shared with the people who are no longer physically present due to distance and time zones.  Being a bit of a clutter-bug, I was amazed at how easily I was able to get rid of things that did not meet these requirements, and how important the objects that remind me of my home country and family actually are.

My home environment has become very important to me.  This space has become my nest, my anchor which I can categorically call “my own”.  Where I can express my personality and recharge.  Taking the time to curate my space a bit better and only surround myself with things I truly need has been wonderful.  Also, realising that my space is now shared with my partner makes this even more special as we create a life together.

When my life was in limbo for a few weeks, I really craved my routine and the activities that mean the most to me, the things that create balance in my day.  For me, that was “studio”/workspace area back in order.  This move has been really great as I have now seriously upgraded my work space and I really look forward to a lot of productive time being creative on a day-to-day basis, as I’m trying to incorporate making/creating into my daily routine.  Another big one was realising how important regularly connecting with my fellow artist friends at weekly Slapcity meetups are to me.  Slapcity is a group (I won’t use the dreaded word “collective”) of like-minded artist friends with a passion for street art.  Some artists focus on sticker making, some on paper paste-ups, some on graffiti writing, some on drawing – but honestly any medium is welcomed.  We get together every Wednesday evening to chat and do a little bit of work on whatever we feel like really, usually with a beer or cold beverage in hand.

So September was for the most part spent preoccupied with the move, but by no means all that I got up to…

Danny Knight-Baré at PB & JAM

Something that’s been preoccupying me throughout September is Slapcity member Danny Knight-Baré’s stunningly intricate multi-layered screen-printed pieces I saw at the PB & Jam show in mid-August.  At first glance you would mistake the abstract colour-blocked pieces for digital prints, but once you realise that each line and dot have actually been screen-printed onto the surface, sometimes in up to 23 layers you truly realise their genius.  I could stare at those textures and colours for hours.  PB & Jam was an awesome group art and music show put together by the gorgeous Lydia Thomas (another Slapcity member!).

The return of Slapcity Wednesday nights!

Level 3 saw us getting together via Zoom calls, but a return to Level 2 meant face to face meet-ups again!  The pleasant sound of scissors snipping, vinyl cutting, the heavy smell of marker pen ink hanging in the air, good tunes playing in the background and our inane and random chatter is the definition of my happy place.  It’s a totally relaxed and free environment, and I just feel so recharged and energised after every session.  We alternate between the workspace at Fiksate Gallery and a few other locations around Christchurch central.  New members are always welcome.  Check out the Insta page for more info.

Lazy weekend brunch/lunch at Unknown Chapter

(Image from Unknown Chapter’s Facebook page)

Mine and my partner’s favourite brunch spot on St Asaph Street in the central city.  Excellent coffee and yummy fresh food (especially in the cabinet), all in all a beautifully decorated hanging plant-filled space.  The hanging plant jungle that covers the entire ceiling of the café has Millenials and Gen Zs frothing at the mouth, but looking beyond this #hashtag nirvana, the food, coffee and service is really amazing.  Our favourites are the Eggs Benedict, the Salad bowl with halloumi and the Florentines from the cabinet.

Aussie art rock and my trusty Blundies

I’ve had Twilight Driving by Methyl Ethel on repeat on a daily basis.  I just can’t get enough of Jake Well’s gender-bendingly unique voice and the haunting lyrics.  I’ve been listening to a lot of Holy Holy as well.  Coupled with the fact that I have been wearing my beloved brown Blundstone boots so much that I’ve had to introduce “rest days” for them is making me question my loyalty to this Antipodean island in favour of the other, larger, hotter one.  But then I think of those poor sods in Melbourne and happily return to sipping my flat white and dunking my ginger slice.  Also, Blundstones are actually made in Vietnam now…

Preparation for EVEN MORE THE SHOW (15-16 October)

Trawling op shops for old textiles.  Saturday morning hours lost inside the labyrinth of Creative Junk.  Clandestine printing missions at my office photocopier.  Gluing things to other things.  Figuring out how to paint and paste onto old biscuit tins and suit cases.  All in preparation for Even More The Show, opening Thursday, 14th October (and running through the 15th and 16th) at Club House Creative on Southwark Street.  Even More The Show is yet another group show organised by the charming Irish creative dynamo Lydia Thomas.  I was so stoked to be invited to take part, and it is made all the more special by the fact that proceeds made from the show will go to Youthline.  Quite a few of my local female artist friends will also be taking part, its going to be a hell of a lot of fun!

Follow Cape of Storms on Instagram and check out her work with a heap of talented local creatives in Even More The Show this week!

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Tune! with Kophie Su’a-Hulsbosch

In this issue of Tune! artist and designer Kophie Su’a-Hulsbosch shares the music that matters to her. For the founder of Future Apparel and member of the Conscious Club, music is a vital component of her creative process, with hip hop a driving force in her thinking and making. From shooting and editing music videos with her partner Local Elements, to designing posters and album covers for local and international acts, Kophie’s art is deeply entwined with music, while her love of hip hop also reflects her social activism…

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My name is Kophie and I am a freelancer artist/designer among other things. I have been drawing since I was young, and growing up in Wanaka, I was influenced by the skate and snow culture. Moving to Christchurch at the age of 10, I went from a small country town to an urban environment, I became obsessed with graffiti and it’s been a journey ever since. I used to love walking around the city and the tracks before the earthquakes, looking at all the newest pieces. Then the explosion of graffiti post-earthquake was cool to witness. My style is primarily influenced by hip hop (including graffiti), politics, street subcultures and lowbrow art. I have had a lot of art stolen, so I think I make art for broke people like me!

Music certainly influences my work, I listen to many genres but my primary influence is hip hop. Nothing touches my soul like hip hop, especially the power that lyrics can have. There are so many sub-genres within hip hop which I think is evident in the songs I have chosen, but I absolutely hate trap! I listen to most of these songs while I am working or creating depending on my mood or what tasks I have…

Songs: Verbz & Mr Slipz – Hope Feat. Nelson Dialect and Ocean Wisdom – Voices in my Head

I love UK hip hop and the movement over there is HUGE. I have been lucky to design single cover art with some big names in UK hip hop through an awesome producer over there called Planky. My favourite UK record label is High Focus, they are releasing the best artists. These two songs are artists from High Focus.

The Verbz & Mr Slipz track is my new favourite tune, and the Ocean Wisdom song is an old fave, it a track that is a bit more real and emotional.

Album: Choicevaughan and Tom Scott – Deuce 

Tom Scott from Homebrew is probably my fave musician of all time and I have been listening to his music since high school so its had a massive influence on my life, he tends to talk about real-life New Zealand problems and politics. This album is a newer collab with Choicevaughan, a New Zealand producer featuring many other local musicians. It’s a pretty upbeat album and I listen to this on the weekly. My other favourite song from Tom Scott is Home, which gives me goosebumps or makes me cry every time I listen to it!

Song: Eno x Dirty – GETURSELF2GETHA

Eno x Dirty is real representation of New Zealand hip hop and I love the incorporation of Te Reo in the lyrics. I especially love the track GETURSELF2GETHA talking on all the bullshit conspiracies going around and the rise of fake news, the decline of critical thinking and the increasing division on social media.

Mix: Don’t Sleep Records

I love Don’t Sleep Records and I listen to this mix of boom bap and jazz hip hop all the time while I am working. It was recommended to me by my good friend Lucia. The samples used throughout this mix are about not sleeping, which I strongly relate to!

Song: Stephen Marley x Mos Def – Hey Baby

This one is a classic! It was released in 2007, but I love Mos Def/Yasiin Bey so much and his verse gives me goosebumps. I could listen to this song all day! I put this on when I want to be inspired…

Radio: Lo-fi – STEEZYASFUCK

This is my favourite lo-fi radio to put on when I really need to concentrate or do a lot or writing or research.

Song: Local Elements – Nine to Five

I have to slip in this upbeat track by my partner Local Elements – it is some awesome Christchurch hip hop!

Follow Kophie on Instagram and Facebook for more of her work…

Check out the other issues of Tune! to build an ongoing playlist!

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Tune! with Teeth Like Screwdrivers

Welcome to the second issue of Tune! This time we got pencil-slinger Teeth Like Screwdrivers to name some key tracks that form a soundtrack to his creative endeavours. As host of his own radio show he was a natural choice, and his selections reveal his background going to school in Liverpool and his love of indie music…

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I am a huge fan of music, but I can’t make it for shit. I host a radio show on Rotten Radio in Lyttelton, Quality Time with Nat, and I get to play music that I like, which is fun. I went to university in Liverpool, so I have been an indie kid all my life but I will always have a place in my heart for soundscape stuff as well. Choosing eight songs or albums has been the hardest thing ever. Here’s what my music tastes are like at this moment. It will be different next week. Listen to Quality Time to see what it is I guess!

Album: Young Team – Mogwai 

One of my favourite bands from my favourite record labels making their very best. I saw Mogwai play live in 1998 and I am still recovering. Yes! I am a long way from home is one of the greatest opening tracks of all time and Mogwai Fear Satan is one of the greatest closers.

Song: Creep 2021 – Thom Yorke ft. Radiohead

I have the original on 7-inch that I got from Probe Records in Liverpool when it was released in 1992. Thom Yorke has completely messed with the whole song and it has the most amazing noise kick a minute or so into it. Shivers.

Song: Where is my mind? – Tkay Maidza

I found this via a cover of a Deerhunter song by Lyttelton’s Aldous Harding that was on a 4ad compilation – one of the great labels (The Breeders, Throwing Muses, Big Thief, The National etc.). Everything about this is wrong – but it just works amazingly well.

Song: Sparrow – Woodpecker Wooliams

I think I saw this on a snowboard video. Woodpecker Wooliams are one of my ‘gutted to have missed’ bands as they had broken up a few months before I heard this for the first time. If I’m ever needing a pep talk, this is it.

Song: Hobo Johnson – Sorry, My Dear

I have loved Frank and the stuff he puts out since seeing his Tiny Desk video a few years back. This song from an awesome album actually makes me shout out loud and almost brings me to tears every time.

Album: Cocoa Sugar – Young Fathers

Just a phenomenal album from start to finish. Lord and Toy are the standouts.

Song: East Hastings – Godspeed You! Black Emperor

From one of the greatest albums of all time – F♯A♯∞. Nothing, nothing prepares you for Godspeed You! Black Emperor. This 16 minute track is one of their finest and is one of my most heavily played.

Album: All My Demons Greeting Me As A Friend- Aurora

I found Aurora while trawling Bandcamp (for Norwegian music – don’t ask, but do go and look for Kælan Mikla) years ago. At that point she had only brought out one or two songs but there were some amazing live performances online. There was also a documentary online about her life. I downloaded the album then bought the vinyl. Six years later she has ‘arrived’ and now sings on Disney movies and her songs are used on TikTok. Regardless, she still makes absolutely astonishing music. Her first album stands out for me. She wrote Runaway when she was 11! FFS.

Song: Arab Strap – Here Comes Comus!

Arab Strap have been one of my favourite bands and one that has shaped me the most throughout my life. Aidan Moffat is arguably one of the darkest, most gifted story weavers writing music. After more than fifteen years, they are back with a truly astonishing album. I saw them  heaps, mostly in Liverpool (supporting another favourite of mine, Gorky’s Zygotic Mynci, as well as Mogwai, at the legendary Krazy House), in Portsmouth (a shambolic, drunken show), at various festivals and on their Farewell Tour. I own every record they have put out on Chemikal Underground. The Week Never Starts Round Here is still one of my top albums of all time, but the new one, As Days Get Dark, is also a masterpiece, it’s Arab Strap at their finest.

Follow Teeth Like Screwdrivers on Instagram and listen to Quality Time with Nat on Rotten Radio…

Stay TUNEd for the next installment of Tune!

 

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