And That Was… May 2021

They say good things take time, and this edition of And That Was… is cutting it fine! It has been a busy few weeks with lots happening and as such it seemed like the months have melded into one. But when looking back over images from the month of May, it was quickly apparent that those four weeks had their own flavour, a flood of memories came rushing back…

For this recap, we run back some our favourite paste ups, wall paintings, slaps, shows and even a doorway! We have largely stuck to urban art this month, temporarily returning to our formative roots, but that doesn’t mean we have forgotten the fact that all of these things are also entangled with our broader experiences of Otautahi’s central city, and in particular the food, the bars, the music, the people and all the vibrant things on offer. All of these things make up our urban culture and it is vital we celebrate and support these events, occurrences and interventions to keep our city lively!

So, after much delay, here is your And That Was… for May 2021…

Gary Silipa’s UFO Slaps…

I have been a fan of Gary Silipa‘s work and simplified iconography for years, especially his skulls and spaceships, which I found all over Wellington’s streets on a trip to the capital in April. The orbiting red UFO’s then appeared here in Christchurch in May, a legacy of the artist’s brief trip here. The ubiquitous presence in spaces high and low suggest the idea of exploration and observation, our strange contemporary customs intriguing to these small visitors…

Mark Catley’s Ascending Freak Angel

Mark Catley added a couple of fresh paste ups to the Boxed Quarter‘s ever-expanding collection of urban art. Taking his poor sack girl toy (pasted on Manchester Street) and twisting the image into a strange new appearance, the girl becomes a three-eyed ‘freak angel’ as the artist described, her outstretched hand now seemingly elevating her into the sky. Lit by a coincidental spot light, the seemingly celestial being is a trippy sight!

Jessie Rawcliffe’s Marriage of Figaro Mural

Jessie Rawcliffe‘s mural for the NZ Opera’s production of The Marriage of Figaro (which will be staged at the Isaac Theatre Royal here in Christchurch as part of a national run) was completed in May, with the artist’s stunning dry brush style giving the piece a stunning beauty against the smartly used graffiti-ed wall on which it was painted.

More: The Show

Back to the Boxed Quarter for More: The Show, an exhibition and event featuring talented Otautahi wahine artists. With a slew of our favourites and some new talent to explore (such as Sofiya Romanenko, who recently produced a beautiful photo essay for us), the show was a convergence of amazing talent and featuring a range of activity – unfortunately we forgot to take quality pictures! It was a one-weekend show so you had to be in quick!

Our favourite doorway…

Last, but definitely not least, we just had to include this doorway. OK, so it technically isn’t something that ‘happened’ in May, but we took this photo then, so it counts! Just look at it, it is a thing of beauty and couldn’t be left out!

Let us know what would make you list in the comments and if you know someone who would be a great guest writer for And That Was… – drop you suggestions there too!

 

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Street Treats, Vol. 5

This edition of Street Treats is eclectic and varied, ranging from playful whimsy to blunt anti-establishment messaging. That ultimately is the beauty of guerrilla practice (or in the case of some of these works, permissioned but free from curatorial censorship), the opportunity to say what you want, how you want. As contemporary muralism has taken over the popular image of ‘street art’, it has also transformed the imagery and ideology deployed. While this still results in some pretty stunning works occupying our skylines and there are, admittedly, different levels of input and freedom, it is left to the smaller interventions to speak in an unfiltered voice. The content is not always explicitly political, but the act itself is, always. So whether it is a beautiful surreal flower sprouting from a concrete pillar,  a constantly recurring pencil, playfully collaged scenarios, vibrant names or scrawled messages that question the colonial history of our city, look and listen, they are speaking to you and about us…

If you have submissions for upcoming Street Treats volumes tag us on Instagram or email your pictures to hello@watchthisspace.org.nz!

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And That Was… April 2021

April has come and gone and while the year moves at a steady pace, there has been plenty to keep us entertained. Although the weather is getting a little less predictable, it is providing a late flurry of sunshine (at least after the inevitable chilly mornings), extending the window for outdoor activities like painting murals! While there have been a number of new outdoor works to explore, there have also been some very cool things going on indoors as well. Exhibitions like Ghostcat’s Shadow Town at Fiksate Gallery and the Canterbury Museum’s Hakē: Street Art Revealed, have provided popular experiences. As always, we have a recap of what tickled our fancy, compiled as an easy-to-follow list! So, without further ado, here is our And That Was… April 2021

Ghost’s Shadow Town @ Fiksate

Ghostcat’s Shadow Town was packed for opening night… Photo credit: Charlie Rose Creative

Ghostcat’s Shadow Town was highly anticipated and the crowd that showed up for the opening night at Fiksate were not disappointed. The collection of miniatures drawn from Christchurch’s urban environment were hot tickets, with people drawn to the beautiful intricate details and the associated nostalgia. With just a few days left at the time of writing, if you haven’t made it to Shadow Town, hurry!

Benjamin Work @ The Canterbury Museum

Benjamin Work’s Motutapu II was produced for the Hakē: Street Art Revealed exhibition at the Canterbury Museum

When the Canterbury Museum were presented with a window to reveal the legacy works from the massively successful Rise exhibition, they also wanted to add a new work to the main exhibition hall. Enter Auckland artist Benjamin Work, whose massive, striking floor mural Motutapu II draws from the iconography  found on the Tongan ‘Akau Tau (war clubs) in the Museum’s collection. The work adds a new element to the surrounding wall paintings from Rise, highlighting the diverse trajectories of urban artists over the last decade.

TMD x DTR x Ysek X Chile One in New Brighton

A collaborative jam with members of TMD, DTR along with YSEK and Chile One in New Brighton

On a cold Saturday morning (the night after the Shadow Town opening), a heavyweight collection of artists got together in New Brighton for a painting jam. Local artists Dcypher and Ikarus of the DTR crew, Christchurch-based Chilean artists YSEK and Chile One, and Auckland’s Phat1, Diva and Dyle of the legendary TMD crew, freshened up a popular New Brighton wall with traditional graffiti pieces and characters, creating a legacy of the meeting of some of New Zealand’s biggest talent.

Charles Williams and Benjamin Work @ Etu Pasifika Health

The mural on the side of the Etu Pasifika Health Centre. painted by Charles Williams and Benjamin Work

In the wake of the launch of the TMD: An Aotearoa Graffiti Story at The Dowse in Lower Hutt, crew members Benjamin Work and Charles Williams arrived in Christchurch to paint a mural on the new Etu Pasifika Health Centre. The work combines the signature styles of the two artists with a design conceived by fellow TMD member Janine Williams. The background is coloured in a bright blue, black, yellow and white pattern, with Work’s Tongan warrior chief figure on the left couched within the architectural framework, while Williams’ depiction of a Red-tailed Tropicbird soars upwards from the bottom right. The harmonious combination of styles creating an impressive new work for Christchurch.

TMD: An Aotearoa Graffiti Story @ The Dowse

A straight letter roll-call on the wall of the flat recreated in the TMD exhibition at Lower Hutt museum The Dowse

It may not have been in Christchurch, but I couldn’t leave out my trip to Wellington for the opening of the TMD: An Aotearoa Graffiti Story at Lower Hutt’s The Dowse Museum. Combining history and installations that spoke to the culture and roots of New Zealand’s most iconic graffiti crew with a group show of crew members’ contemporary practice, the exhibition struck all the right chords. The additional benefits of seeing the crew members painting murals around Lower Hutt and then as part of a panel discussion topped off the weekend. I highly recommend – go see it!

And That Was… April 2021 – what would you add to the list? Comment below to let us know!

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Ghostcat’s Shadow Town @ Fiksate Gallery

Shadow Town, an exhibition of the work of local artist Ghostcat, opened at Fiksate Gallery on Friday 9th April, marking the gallery’s first show at their new Sydenham premises. There was excitement surrounding the show, with print and radio interviews and a flow of social media posts drumming up interest in the artist’s miniature creations. Ghostcat’s first exhibition, as the opening date approached the artist confided that he really didn’t know what to expect, but in his endearingly enthusiastic style, he was keenly enjoying the journey.

Photo credit: Charlie Rose Creative

Ultimately he had nothing to worry about. That nervous period when doors open and nervous doubts that anyone will show up creep up never had the chance to ferment. Almost immediately the Hawdon Street gallery was buzzing with an excited audience. In the smaller gallery the works were spread across shelves on the walls and a network of plinths, making use of the available space to accommodate the impressive number of creations (Ghostcat produced more than 40 miniature builds for Shadow Town). The plinths and shelving created the effect of a gridded network of urban blocks for viewers to navigate and provided multiple vantage points. A large roller door opens the Fiksate space onto the street, further connecting the show to the pervasive influence of Christchurch’s urban environment, explicitly in the case of the miniature replica wall placed in full view of its real-world inspiration just outside. The miniature version re-imagined with a mural by Dr Suits in a suggestive ‘will-it-to-life’ strategy.

Photo credit: Charlie Rose Creative

Other references may not have been as physically close, but were no less recognisable. As people leaned in to inspect the intricate and loving details on Lyttelton icons the Volcano and Lava Bar (with a tribute to the late Bill Hammond inside), the façade of The Ministry nightclub (including flashing ‘M’ neon sign), the ‘Stairs to Nowhere’ from the Hereford Street carpark (each step painstakingly cracked), The Staveley Market (surely a highlight, the status of corner dairies in Aotearoa childhoods may not be as strong in 2021 but for those of a certain age, we all had a local dairy for $1 mixtures and single cigarettes) and the Berlin Wall segment painted by Jessie Rawcliffe, sparks of memory and recognition flickered. That attachment to the real and lived is central to the success of Ghostcat’s work, a necessary addition to the intricate details. People sharing stories and admissions was a constant chatter amongst the bustling crowd.

Photo credit: Charlie Rose Creative

Alongside the memories and associations of experience and place, Shadow Town also revels in healthy doses of humour and collaboration. Watching people scan the dirty toilet stall, replete with over-flowing bowl and obscenely graffiti-ed door, or the bags of rubbish filling the Selwyn Street skip, it was clear that art can be both resonant and charmingly low-brow. The row of miniature objects (cans of Double Brown, discarded coffee cups, stick mags) centered on square canvasses along the entrance wall served to lampoon the expectations of the white cube and set the tone for the show’s gritty and playful focus.

Photo credit: Charlie Rose Creative

The collaborative element was clear as well. The doors and windows hung on the rear wall, the small utility boxes, window frames, walls and replicas of the giant spray cans on Lichfield Street all displayed the artist’s willingness to share the process of creation – Ghostcat’s builds adorned with downsized tags, pieces, throw-ups, stencils, stickers and paste-ups by local artists including Ikarus, Tepid, Dr Suits, Morepork, Teeth Like Screwdrivers, Jessie Rawcliffe, Rubble City, Dcypher and more. Reinforcing Ghostcat’s belief in community, these authentic embellishments, along with the artist’s insistence on hand-crafting, imbue the pieces with a distinct status as unique creations.

Photo credit: Charlie Rose Creative

Despite the obvious challenge of where to put a scale model of a toilet in your house, the pervasive red dots throughout the exhibition were evidence that this labour of love by a talented local artist struck a chord with a diverse audience. Shadow Town presents a new element in the city’s urban art scene, drawing on the power of urban spaces and harnessing the familiar (of both architecture and art), Ghostcat’s work is worth your attention and inspection. While the enthusiastic crowd undeniably added to the atmosphere and therefore the work on opening night, the contrast of the quiet, clean gallery space with the broken, dirty landscapes adds a certain charm as well and ensures you can truly immerse yourself wandering the streets of Shadow Town.

Shadow Town is on until May 8, 2021 at Fiksate, 54 Hawdon Street, Sydenham.

All photos by Charlie Rose Creative.

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Ghostcat – Shadow Town @ Fiksate

Ghostcat is set for his first solo show, with Shadow Town confirmed as Fiksate’s first exhibition at their new Hawdon Street location in Sydenham. Opening Friday April 9th, Shadow Town will present a selection of Ghostcat’s fascinating scratch-built urban miniatures, including the detailed recreation of local spots, from the grimy and overlooked to the iconic and vanished.

Ghostcat’s recreation of Staveley Market, one of the works to feature in Shadow Town at Fiksate

Originally from Birmingham in the UK, Ghostcat has found a new home in Otautahi, and his work is both a celebration of the physical sites he has explored and the stories of the changing city recounted via friends, adding an emotional resonance to the works beyond nostalgia and visual detail. The artist’s infectious sense of humour, laced with a healthy dose of body horror-influence, will also be on full display, with the grimy elements of our urban environment celebrated over the picturesque; from dirty toilets and graffiti-ed alleyways to dumpsters and sticker-laden street signs.

Many of the works also feature collaborative contributions from local artists, from Fiksate’s own Dr Suits to members of the DTR Crew and the Slap City collective. This has proven an important aspect of the artist’s process, adding authenticity and collectivism to a concept already driven by real experiences and a sense of connection.

One of the set of doors featuring collaborative contributions for local artists that will feature in Shadow Town.

Ghostcat’s star has quickly risen as his creations have caught the attention of Instagram scrollers, with interviews and media coverage ensuring Shadow Town will surely be a popular occasion with a hum of excitement already buzzing…

Shadow Town opens 5pm, Friday 9th April at Fiksate Gallery, 54 Hawdon Street, Sydenham.

Follow Ghostcat on for more of his work!

 

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And That Was… 2020

2020. Sigh. I still remember the first day of 2020, the sun was an ominously fiery orb in a grey sky, the result of the marauding bush fires in Australia. There were intriguing stories of a virus outbreak in China. There were rumblings of an escalating conflict between the U.S. and Iran. Let’s just say the markers were there.

2020 just continually threw curveballs. While we spent a lot more time at home (and for some legitimately feared the supermarket), faced massive uncertainty around our futures, and watched the insanity of the U.S. political system play out (t.b.c…) while death counts and infection rates continued to spiral and spike, it is important to look for positives amongst the icebergs, like the vital discourses arising from the Black Lives Matter movement, or our embrace of new avenues to enjoy the things that seemed so far away for much of 2020 (online exhibitions and concerts, and personally, Josh Gad’s Reunited Apart series, where the casts of Back to the Future, Ferris Bueller’s Day Off and The Goonies got back together via Zoom). Good or bad, the effects of 2020 (which themselves extend back far further than those 12 months) will linger far longer, surely influencing our behaviour and output in untold ways, from the way we make art to the institutions that police our communities. Indeed, the relative sense of calm normality here in Godzone is a far cry from distant shores, where 2021 is already following an equally hectic path…

With that reflection in mind, we once again reached out to a heap of our friends to look back over the last twelve months and how their year played out. We asked each contributor five questions; the changes they faced in 2020, their lockdown experience, their creative highlights and the art that mattered in 2020, and their contingency plans for 2021…

Here’s what some of our favourite Christchurch creatives made of 2020…

Jenna Ingram (@jen_heads, @fiksate_gallery)

Photo supplied by Fiksate Studio & Gallery

What changes did 2020 bring for you personally? The biggest change for me personally was a new focus and direction within my Jen Head works, which came about through a friend’s request for a birthday card, that I then developed further over lockdown, and it’s just carried on. It has been a sort of ‘ah-ha’ moment. I’m loving this direction, it’s more simplified and has focus, but with endless options to explore, and best of all, it has been well received. I’m enjoying doing personalised commissions at the moment. I’m loving painting realism again and when combined with the abstract character of my Jen Heads, it creates impact.

The biggest change for Fiksate, is packing up and moving to a new location. It has been a stressful few months, but I’m super excited about the new space, it’s a warehouse style spot [54 Hawdon Street, Sydenham] and we can’t wait to start fresh in the new year.

Fiksate’s brand new location, 54 Hawdon Street, Sydenham. Photo supplied by Fiksate Studio qnd Gallery

What got you through lockdown? The fact my three-year-old son, Frank, still takes naps got me through! I could count on those two or three hours for my alone time, to create artwork, to have some space. We packed up a lot of studio material and made a desk space in our spare room during lockdown. It was a godsend. Dr Suits [Jen’s husband and Fiksate co-owner] was working at a large scale in the backyard, but I enjoyed sitting and really focusing. I wrote and illustrated a children’s book, developed my Jen Heads and played with patterns and ideas.

Dr Suits was a massive support and did all the supermarket shopping, but there was never enough beer! Our neighbours were amazing and the North Beach crew in general, we could keep in touch through the fences or distanced walks. Facebook video calls daily with my Mum/Frank’s Nana were also helpful!

What has been your personal artistic/creative highlight of 2020? The start of the year was a banger with the Ōrua Paeroa mural in New Brighton. I was able to take part in Shared Lines, an exhibition curated and organised by Audrey Baldwin and colleagues [Now displayed in the new Spark building on the corner of Hereford and Colombo Streets]. I took part in the Conscious Club’s SDG Exhibition, which was amazing. I also organised Perspective – Women in Urban Art, a line-up full of top female urban artists in New Zealand, as well as international graffiti artist Glam. Perspective was super special, we produced a zine to accompany the exhibition which included amazing insights into the creative backstories, challenges, and successes of the artists. Dr. Suits, Porta and I also completed a large mural at Switch New Brighton. It was really fun, and it felt good to bring colour to our neighbourhood.

A long block wall is painted black, with the words Welcome to Orua Paeroa painted in bright colours.
The Welcome to Orua Paeroa mural produced by the Fiksate Crew, the first event of the New Brighton Outdoor Arts Festival.

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? This question is too hard! There are too many in my mind to list!

What are your plans if 2021 turns out worse than 2020? My plan for 2021, if it turns out worse than 2020, is to focus on what brings me and my family joy, from the small things in my daily, to bigger actions, like giving and sharing. To really focus on nature and getting out there and into it. I’ll try not to ‘stress drink’ as much as I did throughout this year, haha!

 

Kophie Hulsbosch / Meep One (@kophie_loaf, @future_nz, @the.conscious.club)

Photo supplied by Kophie Hulsbosch

What changes did 2020 bring for you personally? At the start of the year I had secured a massive job, I was really excited as it would have been one of my biggest murals yet, but unfortunately due to Covid-19 and the economic recession, the client had to cancel which sucked! So that was my first realisation how serious the pandemic would be for the rest of the year being self-employed. But besides that, I had a relatively steady year in my art/design business, it got pretty scary there for a bit but the Government and CreativeNZ really pulled through for self-employed creatives, which I am very grateful for. Other than that, I have had a HUGE rise this year of people asking me for free or cheap work which really fucks me off. My other business that I co-own, The Conscious Club, definitely struggled as we mainly host events, but we managed to keep going and pulled through together in these rough times. We even got a studio/retail space in town which is pretty awesome.

What got you through lockdown? My partner and I live together, and he had been going full conspiracy mode since the start of January as our friend was over in Hong Kong and telling us how crazy the pandemic was and that it could come to New Zealand. So, by the time it got here we were quite prepared but still pretty freaked out. We both used the time to be creative. I still had work I could do from home, and my partner was making a hip-hop album. The only downside was both our studios were in the same room, so it was pretty loud and distracting. Other than that, we went on lots of walks with the dog and lots of Zoom calls with mates. It wasn’t too bad apart from when you had to go to the supermarket!

What has been your personal artistic/creative highlight of 2020? I have been in a lot more exhibitions this year which has been cool, and I also curated a massive exhibition fundraising and bringing awareness to the UN’s Sustainable Development Goals [SDGs]. Also, I have been working with a really cool producer from the UK doing album covers for some big names in hip-hop. Also, the Risograph print run with Fiksate and M/K Press was really cool. That’s all I can remember, I think I have blacked out a lot of this year, haha…

As well as organising the SGD exhibition, Kophie’s striking work also featured in the show.

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? I think the anti-racism movement is a huge part of 2020 and from my experience there are a lot of people that are becoming more aware of racism and what it looks like and what people of colour go through every day. I still feel like there is a big divide, and I can see the opposite where there are a lot of people pushing back on the movement too. Getting in amongst it all can be pretty intense and overwhelming sometimes to say the least. This year me and my friends started a campaign called Stand The Fuck Up, sharing the story of our friend who was racially attacked at a party and ended up on the news. We have an event surrounding this planned for 2021 to continue the conversation.

What are your plans if 2021 turns out worse than 2020? Hmm, I think I’ll probably head for the bush, I can’t take much more!

 

P.K. (graffiti writer, photographer)

What changes did 2020 bring for you personally? This year I moved to a new house, where I can have an actual studio space, which has given me the opportunity to experiment with more things and be closer to the city than I was back at my old place.

What got you through lockdown? Once I figured out it was chill to leave the house without getting stopped in the street, I had a great time in lockdown. I really enjoyed going for long walks and bike rides while it was quiet. The cleaner air was awesome! Although I do feel it has made me even more reclusive than I was before lockdown happened. I’m still not very used to being in situations with lots of people even months after it.

What has been your personal artistic/creative highlight of 2020? Something that stands out in my memory of 2020 is the group show A Tribe Called Haz put on at Outsiders, Haz Called a Tribe, that I was fortunate to be a part of. It was really cool to see such a good and diverse selection of work from people who often don’t exhibit their creations publicly.

P.K.’s work from the Haz Called a Tribe show at Outsiders in July

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Props to Weks, Vesil and Dofey for winning graf, the Green Party for all their good work in parliament this year, and to everyone that’s dedicated their year to trying to make the world a better place.

What are your plans if 2021 turns out worse than 2020? Never plan anything.

 

Ikarus (@highdoctornick)

What changes did 2020 bring for you personally? I’m anti-social as shit, so it didn’t affect me too much apart from delays on a couple of projects, haha. But most, if not all, of those already had funding secured so they were just postponed until after the initial lock down period. Isolation was tight: be lazy a.f. and don’t feel guilty about it, hahaha!

What got you through lockdown? I hang out with my girlfriend all day erry day anyway, so it wasn’t that much different. We did groceries like real adults for a change though and made more interesting dinners cos there was so much more time. I don’t remember if I even did any drawings or arts, but maybe I did…

What has been your personal artistic/creative highlight of 2020? It’d be a toss-up between the South Frame mural and the New Brighton Outdoor Art Festival production. Both were rad concepts and large walls that incorporated large amounts of traditional graffiti pieces and elements. Also, making some 3D diorama street scenes and other kinda sculpture related works was cool.

The freshly painted DTR crew production for the New Brighton Outdoor Art Festival, May 2020
The freshly painted DTR crew production for the New Brighton Outdoor Art Festival, May 2020

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Honestly, I’m a bit of a savage and don’t really even look at or follow art or cultural shit. Fuck racists anyway, if you needed BLM to tell you that shit is fucked up out here, you’re a goddamn idiot. Was it even positive or just more divisive than ever? Weks and Pesto’s killer run during lockdown is my favourite art movement of 2020, hands down. Vesil and Dofey get the honourable mentions too, straight up crushing the city.

What are your plans if 2021 turns out worse than 2020? Keep doing my thing and watch the world burn down around me. I’m more afraid of meteors crashing into the earth than catching a cold. Realistically I’d be kinda keen for the planet to descend into complete chaos and anarchy, we’re too comfortable anyway…

 

Dcypher (@dcypher_dtrcbs)

What changes did 2020 bring for you personally? One of the biggest changes in 2020 for me involved experimenting in the studio during lock down, which was well overdue. But once the lockdowns were lifted work definitely picked back up pretty quickly. It felt like it almost gave people an extra drive to get new or pending projects underway.

What got you through lockdown? What got me through lockdown was painting canvases in the studio for sure, nothing serious just painting for therapy really. Obviously, friends and family definitely help in times like that as well. I have friends in the States who are still dealing with the whole problem and its endless ramifications. Just trying to be supportive for them in any way possible was and still is a focus of mine.

What has been your personal artistic/creative highlight of 2020? Some of my biggest and most complex projects to date have happened in 2020, so I can’t complain. All the big walls we’ve painted as a crew would have to be my personal favourites, from the Jungle tribute by the Moorhouse tracks, to the South Frame wall and the NBOAF seaside wall, to name a few.

The DTR South Frame mural, a trips through decades of graffiti and pop culture history

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? For sure all the looting and rioting and peaceful protests that were attached to the Black Lives Matter movement.  And all the street parties after Trump lost the election! America has had a real bi-polar year! I do feel 2020 was a super productive year for graffiti and street art internationally.

What are your plans if 2021 turns out worse than 2020? If 2021 is worse than 2020, I’m going to make the most of it in the studio and really try to produce a large body of work for a show in 2022!

 

Befaaany (@befaaany)

Photo supplied by Befaaany

What changes did 2020 bring for you personally? My studies went fully online which just made me have a lot more control over time. I found myself able to relocate my study to evening where I was more productive anyway, and use my days to go out (while we weren’t in lock down). Everything that happened in 2020 gave me the opportunity to find my love for photography again.

What got you through lockdown? Netflix, routine, university studies, naps. Boring things mainly. I wish I could be one of those cool people who were super productive during that time.

What has been your personal artistic/creative highlight of 2020? Being part of the Perspective exhibition at Fiksate gallery. But also just learning how to set aside time for creative projects.

Befaaanys work in Perspective at Fiksate. Photo credit: Charlie Rose Creative

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? I think that celebrity Imagine cover captures 2020 pretty great. And if you wanna get more deep than just how shit it was, the reaction to it was a great example of people (maybe) starting to understand that different people in the same society have different experiences. Whether it’s black people vs white people’s experience with the cops or rich vs poor people with the pandemic.

What are your plans if 2021 turns out worse than 2020? More naps.

 

Teeth Like Screwdrivers (@teethlikescrewdrivers)

Photo supplied by Teeth Like Screwdrivers

What changes did 2020 bring for you personally? I guess my biggest change was a steely determination to get out and put stuff up rather than take a photo for Instagram to show people what I had put up. I pretty much shut all my social media accounts at the start of the year and only restarted my sticker one when my #slapcitycollab started up. I am always on the cusp of shutting it all down. I’ve heard Flickr is making a comeback amongst sticker artists!

What got you through lockdown? Two things: A battery powered chainsaw and the #slapcitycollab (that eventually morphed into #slapcitymashup). I started doing a lockdown challenge, but the inspiration words were a bit ‘meh’, so I wrote out a list of artists I wanted to mashup/collab with my stuff and just started there. Then it turned into 20 days, then 40 days, then 60 days… A whole bunch of rad artists from all over the world got involved and some awesome collaborations came out of it. I was so hyped to see @awasgaga doing a huge Teeth Like Screwdrivers wall for his entry and getting a mashup sticker made with Ocky_bop was pretty epic!

Also, I have a nice garden now.

Awasgaga’s Teeth Like Screwdrivers collab wall for the lockdown #slapcitycollab project. Photo credit: Awasgaga

What has been your personal artistic/creative highlight of 2020? The Slap City Sticker Workshops at Fiksate have been huge for me. We started them at the end of last year and while they obviously stopped during lockdown, when we came out of all that it seemed even more important for us to get together and hang out. While the rest of the world dealt with Covid-19, we were able to sit, draw, chat, have a drink then go out into the street and sprinkle a bit of love around the city. We are fucking lucky, really. Slapcity family!

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? As I said, we are pretty damn lucky here in New Zealand to be able to host art shows, wander the streets and look at stuff and hang out together. Other places are not so lucky. So, my highlight this year happened right at the end in the good old US of A.

The DC Sticker Expo 5.0 was obviously not going to happen in real life this year, so they put the whole show on virtually. You can wander around the gallery and zoom in on stickers and pieces. They did a virtual treasure hunt and I have spent a fair bit of time just looking around. So good! (Keep your eye out for a couple of pencils in there!) Peel Magazine (which used to run in the early 2000s) started a new project after a decade or so: ‘Peel Magazine has a posse’. The basic premise was to design your own version of the classic ‘Andre The Giant has a posse’ sticker and get them all together in one book. Shepard Fairey gave it the green light and it just got printed. Stoked that my design got a full-page spread!

A screenshot of the virtual DC Sticker Fair (link above)

What are your plans if 2021 turns out worse than 2020? To just keep doing shit that makes me happy, I guess. I’m stoked to see friends getting the recognition they deserve. I’m constantly inspired by seeing other people doing amazing things. I like the idea of getting my stuff bigger. I’m going to probably fall out with Instagram again, keep skating a long way, keep buying more records and still be grinning from ear to ear whenever I start up my old car!

 

Vez (@vez_streetart)

Photo supplied by Vez

What changes did 2020 bring for you personally? The biggest change for me in 2020 was my relocation from the UK to NZ. Moving on my own to the opposite side of the world was always going to be a challenge.  As well as saying goodbye to my family and friends, I also said goodbye to my regular pasting crew. I knew I had to find fellow street artists to connect with in Christchurch. Luckily, the Slap City events at Fiksate Gallery helped me enormously with that!  Finding this group helped me to not only connect with street artists, but I made friends. Inevitably this helped me settle in. It has also influenced my style, too. I’ve done lots more stickering and started making handmade stickers too, which I hadn’t done before I moved here.

What got you through lockdown? Lockdown was an interesting time. I had just arrived in the country and I didn’t have my current network of friends. My furniture, which I shipped from the UK, got delayed. I was in an empty house (no bed, no couch, no TV, no WiFi!), and on my own. I kind of enjoyed having time to myself and having space to think. I spent the time doing yoga, preparing handmade stickers and making plenty of video calls with family and friends back home in the UK.

What has been your personal artistic/creative highlight of 2020? My highlight this year was taking part in Perspective, an exhibition of women in urban art at Fiksate. It made me really happy to be asked to participate and to have my art showcased with lots of talented artists. It was an exciting project to take part in.

Vezs spoons on display in Perspective at Fiksate. Photo credit: Charlie Rose Creative

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? What stands out for me in 2020 is how lock down and quarantine seemed to bring artists together from all over the world… So many lockdown art collaborations were being done… I think a lot were initiated by Teeth Like Screwdrivers! I did a lot of collaborations too during lockdown. I guess we all had time, and that’s wonderful.

What are your plans if 2021 turns out worse than 2020? At this stage I have no particular plans for 2021. I think what 2020 has taught me is that life is so unpredictable, no one knows what is around the corner. I’ll continue to make art and spread the spoon love.

Vez spoons alongside a range of paste ups by the Slap City crew

 

A Tribe Called Haz (@atribecalledhaz)

Photo supplied by A Tribe Called Haz

What changes did 2020 bring for you personally? One of the biggest changes for 2020 was not being able to head overseas. I’d been psyching myself up, planning to head out into the world and see some sights and experience other ways of life. As to changes in work, I’ve moved away from painting with watercolour into painting primarily with ink. I’ve also used traditional American tattooing designs as inspiration a lot more than I have in previous years.

A 2020 ink illustration by A Tribe Called Haz. Photo supplied by A Tribe Called Haz

What got you through lockdown? Pretty much all my energy during lockdown was directed towards painting, DJing or running. I’d wake up around seven each morning, chuck on a podcast and just paint at the kitchen table until I got hungry then I’d make breakfast and carry-on painting. I definitely produced the most works I’ve ever made in my life during that period. Then if the inspiration fountain was running a little dry, I’d jump on the DJ setup we (the Winton Street crew) had also set up in the kitchen. I began getting really into running to combat the claustrophobia I’d feel from spending every day in the kitchen. Everyone knows how good exercise is, so I don’t really need to gas up running and its benefits!

What has been your personal artistic/creative highlight of 2020? My highlights would definitely include Halves on an Exhibition, which Reece Brooker and I had at Outsiders in March (pre-lockdown), then Haz Called A Tribe, the first group show Becca Barclay and I put together at Outsiders in July (post-lockdown). It featured two-and-a-bit handfuls of talented locals/pals. The night got pretty large! I also had my first month-long exhibition filling up all the walls at Black & White Coffee Origins (thanks Chris!), it was an awesome experience, and I learnt a lot.

Opening night of Haz Called a Tribe at Outsiders. Photo credit: Troy Tapara

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? The BLM protests and the USA 2020 election featuring COVID-19 will definitely be the most “2020” thing. You wouldn’t believe it if it wasn’t true, absolutely unreal!

What are your plans if 2021 turns out worse than 2020? Probably learn how to cook, haha! (I can’t cook)

 

Josh Bradshaw (@joshbradshaw_art_)

Photo credit: Mitch Barnard

What changes did 2020 bring for you personally? Art wise, the biggest change that 2020 brought for me was probably the retirement of a particular style of work and the pseudonym under which all that work was made. With freedom from the confinement of that one style, I’ve been able to delve into producing work under my own name that has been floating around in my brain for a while. New work. New materials. New fun.

2020 saw new directions emerge in Josh Bradshaw’s work

What got you through lockdown? Skateboarding every day in the car park next to my house made lockdown super bearable for me. Luckily, I had a pretty decent supply of art materials as well and with the extra time on my hands it was good to tinker away on plenty of new stuff. With the small amounts of “real work” that I had to do at home and skateboarding and good flat mates and art to work on, lockdown was surprisingly good. I was very lucky.

What has been your personal artistic/creative highlight of 2020? I would have to say the retirement of the ‘Uncle Harold’ pseudonym has been a huge highlight, such a weight off my shoulders that was obviously well overdue. As far as a particular project I was a part of in 2020 that was a highlight, it would have to be the See Me Skateboards project. A bunch of epic local artists got to go into schools and run workshops with the kids painting their own skateboards. It was awesome seeing kids realise art doesn’t always have to be super serious and boring and they got to go crazy with it and experiment with all sorts for materials and styles. Seeing all 200 of the kids’ boards exhibited at the 013 Gallery was fucking rad too.

A screenshot of Josh Bradshaw’s promotional video for the See Me Skateboard project, preparing his board before painting. Photo credit: See Me Skateboards and @johnrossdp

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Reading this question, particularly the ‘2020’ part, regarding what pieces of art stood out, my mind instantly jumped to all the Covid-19 conspiracy theories written in chalk on the Bridge of Remembrance in town. I walked past new messages every day and I’m not sure which had more mistakes, the facts that supported those theories, or the actual spelling mistakes in the messages themselves. That’s pretty fucking 2020 if you ask me.

What are your plans if 2021 turns out worse than 2020? At the moment my life seems to be way more of a shit show than 2020 or 2021 could ever be, loooooool. Come at me 2021, I’m already way ahead of ya! Hahahahaha…

 

Daken (@whatsdakalakin, @413localgallery)

What changes did 2020 bring for you personally? 2020 was the year of change! The whole world is going through a cosmic shift. At the same time, my personal world also went through HUGE changes. I managed to get married, go on a honeymoon, renovate my house and have a baby all within the year of Covid-19. (That’s just the main stuff!)  With all of that put together, change is inevitable. I only got to host one show at my gallery (The 413 Local), we put it on after the lockdown. It was called Isolation and the artists showed work either made in or inspired by the New Zealand lockdown. Before Covid-19, I had hoped of putting on at least two or three shows. But alas, plans change. I did end up trying a lot of different mediums and techniques that I have never used. The changes around me allowed me to become more experimental and less precious about my art. I tried my hand at watercolours, pushed myself with Copic markers, and made my first bootleg toy. All while also having fun with my usual tools and materials. My main focus for my personal art this year though was drawing and making my first comic book. I released A Dog’s Mind (Issue 1) with the thought “There are no such things as mistakes, just happy accidents” in mind. (Thanks Bob Ross!)

What got you through lock down? Definitely my wife, Sammie, she pushed me to create and make things when I fell into the trap of Playstation and potato chips. But also, a lot of podcasts, I’ve been on a real scary story/horror and live play 5E D&D buzz this year. Music is a big one. Lots of O.G. hip-hop, Fall Out Boy and I ain’t afraid to say it, Lewis Capaldi. Then reading, I’m really into non-fiction lately, and a healthy dose of comic books, of course! I have actually been moving away from the big two (Marvel and DC) lately and finding more indie/underground artists and books, which is really refreshing.

What has been your personal artistic/creative highlight of 2020? So, I also joined a local comic group called Funtime Comics. We meet once a month and talk and draw comics and hang out. Every year they produce a graphic novel from artists all over New Zealand. I got published in their special Covid-19 issue and will have work in their next issue as well. So, on top of hand-producing the first issue of my own comic, and starting the next issue, I will be in two Funtime comics as well. Pretty chuffed with that to be fair! I also did my own version of Inktober called Daktober. I did 31 prompted ink drawings. It did take me like two months longer than everyone else to complete, but my daughter Clarke was born just after I started, so I kind of had a good excuse! But to tell the truth, she is probably the greatest thing I have ever had a hand in making. Clarke is definitely my biggest highlight this year!

One of the Daktober pieces, this time prompted by ‘graffiti’. Photo provided by Daken

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? As I was reading this question, instantly the BLM movement came to mind. How could it not? Tragic events that are still shaping worldwide generational protests. Compare that with taping a banana to a wall, I don’t think it stacks up… Not only did I see art come from the reaction to the BLM movement, but it’s still on going. From fine art, graffiti, music, there is a massive influence. It seems to me that the arts are not only a tool but also a release for artists all over the globe to tell others about their emotions and experiences. That’s what the arts are for, right? To give a message, leave a mark, communicate. It’s not often that a culture-changing event like BLM happens. A Van Gogh painting got verified this year. A Salvador Dali painting might have been found in a thrift store. Both are amazing events that took place this year. Both add to their narratives in the space of society. But it is the old guard. BLM has a spark of new energy. Watching statues of Confederate generals fall and being replaced by A Surge of Power, a work by Marc Quinn and Jen Reid depicting a young black female protestor raising her hand with the Black Power salute, was powerful. Listening to the stories and political knowledge woven together with beats from the likes of Run the Jewels or Tobe Nwigwe, or seeing a painting by Shaquille-Aaron Keith, while reading a poem he wrote to accompany it, I feel like there has been a shift. BLM was a massive push in the right direction. A direction with many events and situations that seem to have been culminating the last couple of years, have come together. Looking to the future, I feel under-represented people from all walks of life, extending beyond BLM, will not only find their voices in all genres of the art world, but they will dominate it, leading the way for more diverse storytelling, bringing more people together.

What are your plans if 2021 turns out worse than 2020? Not too sure, but I got my crow-bar ready for the zombie apocalypse (it’s the superior choice for that situation).

 

Jessie Rawcliffe (@jessie.e.r)

Image supplied by Jessie Rawcliffe

What changes did 2020 bring for you personally? I’d planned to spend a lot more time out of Christchurch and lean on some North Island connections to push my work getting seen in other places. I definitely had to put this on hold but managed to change my focus to making some stuff I’d had in my head for a whole so overall I came out reasonably unscathed.

What got you through lockdown? Having a routine but also being fluid enough to decide each day with what it was that I needed (emotionally, physically) and letting myself deviate as required… Having my studio at home, checking in with my close friends, Star Wars, our espresso machine, a boxing bag, oh and the Covid-19 Wage Subsidy!

What has been your personal artistic/creative highlight of 2020? Lockdown gave me time and space to experiment without impending deadlines or having to go to work. The most notable thing I made this year, which encompasses lots of the ideas I played with during that time, was probably a painting called Ophelia which was in an exhibition run by the Conscious Club. It ended up being something I was super proud of and didn’t immediately want to pick apart.

Jessie Rawcliffe’s Ophelia, on display at the SDG Exhibition at the Milton Street Substation

What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Has to be Vesil’s toilet paper piece that went up just before lockdown, iconic.

Vesil’s iconic T.P. piece

What are your plans if 2021 turns out worse than 2020? Go full hermit and probably have the most productive year of my life with nobody around to give a single fuck.

Keep an eye out for our monthly And That Was… entries throughout 2021!

Feature Image: One of Levi Hawken‘s BLM concrete solvs in central Christchurch

 

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And That Was… December 2020

Well, thank god that is over, right?

Actually, 2020 has been such a surreal and, truthfully, emotional year that it almost seems insensitive to joke about it. Between the Covid-19 pandemic, the loss of lives and livelihoods, the Black Lives Matter movement, the farcical post-election shenanigans in the U.S. and more, there has been real and wide-spread heartbreak and tragedy. While some developments will stretch beyond the 12 months of 2020, in part due to their enormity and the necessary concentration to effect meaningful change, it is still necessary to take stock of the good things in a year we mostly just want to be over. The And That Was… series has always been about those things that bring joy, from the seemingly incidental, to the showstoppers, so let’s finish 2020 with a recap of some good stuff from December. With the end of the year approaching and a flurry of projects and events taking place, thankfully there has been a fair bit to consider… (This month we took the reigns, but don’t worry, we are working on something with a whole bunch of friends for the coming days, so keep your eyes peeled!)

Mike Beer goes to the dogs…

Mike Beer’s subtle addition to the corgi sculptures on High Street is easy to overlook…

You probably all know sculptor David Marshall’s three bronze corgis on High Street, right? I mean, they have been there for over a decade now. What you may not have noticed was that a few weeks ago, the dropped ice cream cone one pup inquisitively sniffed disappeared. Sniffing an opportunity himself, our new favourite scratch builder Mike Beer decided to create and install something a playful replacement, drawing on the influence of subversive guerrilla street sculptors. You may just need to check it out for yourself, but perhaps don’t get too close…

Dcypher dropping science…

Dcypher’s impressive new work at Ara

With a massive wall exposed by the demolition of a section of the Ara campus on Madras Street, which incidentally also meant the eradication of the Vans the Omega mural produced back in 2013 to announce the coming Rise festival, a new mural seemed an obvious requirement. Into that void stepped Dcypher, filling the gap with a striking anamorphic mural. A giant hand reaches towards a silver key, suggesting the importance of the search for knowledge, all within a disintegrating framework that dissolves the built environment. It has already gained international attention on Global Street Art.

Glass Vaults at Space Academy 

The return of live music must be one of the best things about the second half of 2020! Space Academy hosted Christchurch-based Glass Vaults in early December, the group touring their new Sounds That Sound Like Music album. Their unique psychedelic-pop is heading towards dreamy disco funk, and the live show was definitely a winner, culminating with the infectious 2017 track Brooklyn. Also, is the pocket of St Asaph Street now home to the Darkroom, Space Academy now the live music district of the city?

Distranged Design goes big…

Distranged Design’s Christ Church Restoration City is the artist’s biggest work to date

Jacob Root (a.k.a. Distranged Design) has generally worked to a scale that reflects his stencil-based approach. But with a new technique that still allows his stencil aesthetic, the artist produced his biggest work yet in December. The work, visible from Manchester Street and Tuam Street, was commissioned by a local property developer and seemingly pays tribute to the lost churches around the city, titled Christ Church Restoration City and featuring an angel figure flanked by two crosses.

Fiksate find a new home 

Fiksate closed the doors on their Gloucester Street location on December 27th and will re-open at their new Sydenham space in 2021 (Photo credit: Charlie Rose Creative)

Fittingly, the last And That Was… of 2020 (kind of, you’ll see…) ends with the beginning of a new chapter for a local institution. After two years and plenty of memorable exhibitions, Fiksate will close the doors at Gloucester Street, relocating to a new base in Sydenham (details to come!). With a new home and surely a dash of revitalising energy, it will be exciting to see what Jen, Dr Suits present in 2021…

Well 2020, what else can I say but, see you, wouldn’t want to be you! We do however, look forward to what 2021 brings, so stay tuned for future installments of And That Was…

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Photo Essay – Urban Textures

Urban art is heightened and exaggerated by the environment in which it exists. Over time, the urban environment becomes layered with the remnants of its ongoing subversion and alteration. Graffiti adds to the cacophony of visual noise, while peeling paste ups echo the pervasive deterioration of worn surfaces. Stickers expose the multiple potentials of surfaces.

Urban Textures takes a closer look at the often ignored details that add to the fascination of our surroundings. The collected images skip between dense fields of graffiti, worn concrete, blocks of ‘buff’ paint, and peeling paper, but always with an eye on the textural surfaces that give ground to such layers. While the shiny and new garner the attention, here the focus is firmly on the broken, busted, worn and deformed, because, sometimes, beautiful is boring and the lived is more intriguing.

 

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Street Treats, Vol. 3

The concept behind the Street Treats series is to reflect the diverse expressions on the walls of the city beyond the large scale permissioned murals, reaching into the traditions of urban art culture’s roots as a subversive, rebellious and independent art movement. Of course, it gets tiresome to use terms like rebellious for an artistic culture that is thoroughly mainstream now, but it is important to remember the potential of these types of expressions as both visual messages and tactical invasions of our heavily designed environments. Commentators (often those attempting to defend the ‘art world’ by dismissing street art, as if they are actually in competition) can often charge street art with a vacuity, and as such a lack of conceptual heft and valid commentary. However, the point is as much about the manner of expression as the content – the act is the message. There are of course exceptions, explicitly political messages that favour bludgeoning bluntness over sophisticated subtlety. The reason for such a decision is another aspect of street art’s aesthetic – the audience must be commandeered – they are not arriving inside a white cube with an idea they will be confronted, but instead engaged in their daily activities, necessitating an immediacy. Of course, in this type of situation, even a lack of message can impact a viewer, by simply adding an air of uncertainty and inquisitiveness to a stroll through a city. To that end, the selections in this volume run from wide-ranging political commentaries to nostalgic popular culture references, and importantly, the intervention into our surrounding environments, making use of the spaces and fixtures that we often take for granted, revealing the potential for transformation…

Don’t forget to share your own pictures from the streets by tagging us in your social media posts with #watchthisspace or #streettreats…

 

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And That Was… October 2020

I know what you are thinking, it’s almost December, right? And you are correct (actually knowing what month it is is a reasonable feat in 2020), this edition of And That Was… is a tad late. The truth is we had a sweet guest contributor lined up, but due to unforeseen circumstances, it just didn’t happen. We are still hopeful of working with said guest, but we will keep that under our hat for now. However, what that means is a quick sidestep, a play called on the fly, a plan B, and now, here is And That Was… October 2020, with a few favourite things from a not so special contributor…  

DTR Re-Paint the Giant Cans

The giant spray cans at One Central have been under the guardianship of the DTR crew and they have regularly been refreshed by various crew members over their recent history. The recent refresh combined work by Dcypher, Ikarus and Wongi Wilson, including stylistic mash-ups and a stunning female portrait seemingly tattooed with graffiti tags and throw-ups, creating an effect evocative of the Mexican dia de los muertos

The Beths

Call me old fashioned, but I still like a live band. And in my opinion no-one is better in New Zealand music right now than The Beths. To say I was excited about their James Hay gig mid-October would be an understatement, and from the moment the stage curtain lifted, I was not disappointed, with their infectiously tight, energetic indie rock and understated charm. My night was topped off with a high-five to singer/songwriter Liz Stokes at the merch table.

Slap City Crew Get Paste-y

The last few months have seen the Slap City crew get busy across the central city, with diverse pastes appearing in busy conglomerations. The arrangement of works is always fun and revels in a sense of camaraderie. The flurry of activity from the likes of Teeth Like Screwdrivers, Vez, Cape of Storms, Bongo and more reflects the infectious energy of being part of a buzzing collective.

Dcypher, Yikes and OiYOU! Go Big!

Truth be told, I’m not sure if the massive Novotel mural was completed in October, my records are not entirely fool proof. But the massive scale of the Antarctic themed work (one of a pair by the artists with OiYOU! to celebrate the city’s role as a gateway to the Antartic) means it is a literal can’t miss and I’m sure at worst I am only a couple of days off. From the overwhelming size to the playful details, it is an impressive piece of work by some of Christchurch’s best, and I couldn’t leave it out.

Bols’ Retro Wrestlers

Let’s finish off this month’s list with a revelation of my inner geek… I grew up in the era of professional wrestling’s glory days. Not the violent, Limp Bizkit epoch of the Attitude Era as it’s known, but instead the over the top pageantry of American superheroes and bad guys of the eighties. It was a time when the concept of kayfabe (the idea that it is all real) was held firm and as a young kid, it was serious stuff. For that reason Bols’ nostalgic paste ups highlighting the dubious tropes and stereotypes of that era hit the mark, a reminder that not all childhood memories are as innocent as we might remember…

What are your thoughts on October’s highlights? Let us know in the comments… 

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