SHOWTIME! Reclaimed by Distranged Design

Jacob Root, a.k.a Distranged Design has a way of getting on with things – whether it is flying across the world to immerse himself in the creative scene in Los Angeles, or staging exhibitions of his work here in Ōtautahi Christchurch, he tends to find ways to make things happen. For his latest solo show, Reclaimed, he set about making a body of work that both explored new ways of making (from paint application to the use of up-cycled materials), and found a space through a mural contact – eventually coming to life in a weekend pop-up show.

The well-attended opening night, despite the drizzly Friday evening, showed that Distranged Design has built a solid following of fans eager to see his latest work. The showroom setting afforded a spacious and uncluttered layout for his large works, many painted on recycled palettes and found objects. The styles employed also highlighted a changing approach, clearly influenced by the artist’s increasingly large mural works. The stencil background is still apparent, including the Snik-inspired Moire-styled technique, but a new painterly approach, deploying more freely constructed layers, is arising, an approach the artist admits is, in part, to give relief from the work-heavy cutting process.

Despite his youth, Distranged Design has been a presence in Ōtautahi’s scene for several years, and Reclaimed shows an artist beginning to explore new paths…

Follow Distranged Design on Instagram to keep up to date…

Photos supplied by Watch This Space and Distranged Design

If you have a show or exhibition coming up – please let us know – we love to support local!

The Giant Cans Refresh

When you bring together three heavy hitting talents, the results should always be something special – and the latest refresh of the ‘permanent’ Giant Cans is testament to that truth! When we approached Ikarus, Jacob Yikes and Jessie Rawcliffe to paint the steel cylinders, we challenged them to take a different approach – rather than painting one can each, we asked the three artists to create a collaboration across the three cans. The result is stunning!

The three artists united behind a love of anime and specifically Dragon Ball – the iconic Japanese Manga – a fitting subject given the series’ creator Akira Toriyama had passed away in March 2024. The artists them considered ways to incorporate their signature styles within the familiar aesthetic of Toriyama’s world and beloved characters – exploring the potential and challenges of the circular shapes and multiple viewpoints – the result is a stunning, whirring work that is vibrant and intriguing.

Yikes’ otherworldly style is evident in the green, almost alien, landscape in which characters sit, framed as if contained within comic book panels. The giant dragon Shenron wraps around the three cans, entwining the setting within his mystical presence, clutching the magical, titular Dragon Balls. Rawcliffe’s realism is deployed to depict stylised versions of Pan and Android 18, giving new life to familiar characters. Ikarus’ graffiti traditions are evident in the bolts of text that add a sense of onomatopoeia to the scene, an energetic presence. Traditional representations of Goku and Vegeta, perhaps two of the most famous characters in the saga, and the cat-like Puar, add to the scene.

The various aspects combine into a cohesive production, but also present the need to move about, to explore different vantage points and lines of sight. Time to see it for yourself!

Photos by Watch This Space and Jessie Rawcliffe

Street Treats, Vol. 10

Street Treats is back with some tasty finds from Ōtautahi’s urban landscape. A reminder that we need to celebrate the little things that make us laugh, smile, think, curse, cry and everything in between. After all, what is a city but a site for each of us to exist and express ourselves? Each piece showcased here is the result of an action, a decision to leave something for others to encounter, a realisation that we can impact the experience of our fellow citizens. Sure, this sounds overly dramatic for a collection of peeling stickers and scrawled massages. But think a little deeper about what they each represent and what they contrast with, it makes the city an infinitely more interesting place. From twisted familiar icons to mysterious new names, a number of throwbacks, some political protest and humorous notations, this collection is a reminder of the myriad voices that make up our city…

This volume features: Klaudia Bartos, Dark Ballad, Sleeper, Bols, K.T., Dcypher, SPIKE, M+H, Ghstie, Misery, Fiasko, Jessie Rawcliffe and more…

Spotlight 3.0 – Monti Masiu’s ‘api

We are excited to ;launch the third iteration of our Spotlight series – introduced a new roster of artists to illuminate the city after dark with their striking artworks!

The first work to come to life for Spotlight 3.0 is Monti Masiu’s ‘api – a circular image that reflects the artist’s exploration of his Tongan heritage, inspired by the traditional forms and iconography of ngātu (bark cloth) and tatatau (tattoo), and centred around the symbolic importance of the kava bowl, representative of community. The image builds outward through numerous layers of sepia-toned circles and imagery, the work is at once honoring of tradition and something new.

That newness is made apparent in the collaborative aspect, Nicholas Keyse from Immersive Reality bringing the static image to animated life, producing a kaleidoscopic effect that suggests new forms and possibilities as it slowly reveals Masiu’s image. The revolving image is mesmirising as it plays out, slowly filling an increasingly large section of wall before receding again and eventually disappearing before playing through again, the loop reflective of the stories passed through generations, linking us to ancestors and our future.

This is a work that needs to be seen in person, so head down to the Colombo Street exterior of Te Pae – Christchurch Convention Centre after dark and take it all in…

Stay tuned for the next Spotlight work in the coming weeks!

Spotlight 3.0 is made possible with funding from the Christchurch City Council’s Place partnership Fund, with additional support from Rau Paenga Ltd, Phoenix PDP and Ōtautahi NZ.

Reclaimed – A Pop-Up Show by Jacob Root (Distranged Design)

Jacob Root, a.k.a Distranged Design is proud to present Reclaimed – a pop-up exhibition of new works on old surfaces at a temporary space at 4 Cranford Street, opening 6pm Friday, July 12.

Reclaimed will present works painted on up-cycled materials, including pallets, window frames, and used timber, providing a fitting textural surface for his exploration of aerosol – the artist moving beyond traditional stencil approaches and into freehand spraying, thick brush stroke portraits and experimental stencil techniques. We asked Jacob a couple of questions about the show…

Stencilling can be interesting as a technique, you kind of need to find new approaches as you refine the process – what new influences have you developed for Reclaimed and how did they come about?

I think the main influence of trying new techniques was travel, but also the amount of murals I’ve done over the last couple of years where I didn’t have the opportunity or time to cut stencils, so I had to get better at freehand spraying. After it started clicking I just really enjoyed it more, as it’s more hands on painting rather than cutting stencils for hours on end. Also the fact my hand and arm cramps and aches for hours after cutting stencils, it didn’t seem like a long term plan as my only way of creating artworks.

Material surfaces are really important for stencilling and by extension aerosol, too, how much work has to go into making the ‘canvasses’ for Reclaimed?

So far a lot has gone into messing around and rebuilding items, which I’m really loving. Driving around scavenging items that I can beautify by rebuilding, sanding, then painting on them has been incredibly satisfying, and the edginess and grit of the canvases I’ve found compliments my style. I’ve got a lot more to do in the next couple of weeks leading up to the show though!

What is the location for Reclaimed and how did that opportunity come about?

The location is 4 Cranford Street, it’s a new build by Duogroup. Duogroup are the building owners of the wall that Rightbrain and I painted our Sir Ed Hillary mural on, so I decided to get in contact with them and they were kind enough to jump at the idea and let me use their space.

Reclaimed is made possible by the support of Duogroup and the Inkster Company.

Make sure to catch Reclaimed – opening 6pm, Friday, July 12 and open until Sunday, July 14.

Showtime – Daken – Garage Sale with Lucky Dips @ Absolution, Monday 13 May, 2024

Like all good garage sale-rs (I’m not sure about you, but I think ‘garage sailors’ is an apt moniker, maybe we can start a trend), we rugged up and got there early for the opening of Daken’s Garage Sale with Lucky Dips at Absolution Tattoo and Piercing in the Arts Centre. A tribute to Kiwiana and nostalgia, with lots of playful mash-ups and pop culture references, Daken’s concept for a good old fashioned garage sale was imbued with his always present sense of humour and earnest drive to make things. Like any good garage sale, there were surprising treasures, with accompanying ephemera, from vintage cassette tapes to a Donkey Kong board game and a Bunnings T-Shirt, to a raft of familiar influences; Bumble, Teenage Mutant Ninja Turtles, Four Square and more. For a healthy dose of charming fun, check out Garage Sale with Lucky Dips at Absolution and pick up a few treasures!

If you have an exhibition opening coming, let us know – email us at hello@watchthisspace.org.nz

And That Was… May 2024

May, it was a month of many spinning plates. Here in Ōtautahi, there were the ongoing discussions of local politics as the city planned for our future with the Long Term Plan, but there was also Mother’s Day, Star Wars Day and, according to The Old Farmer’s Almanac, No Socks Day and Root Canal Appreciation Day (both May 8th). It is fair to say there was a lot going on. But it was also a time where we might expect outdoor art to slow down as the temperatures plummet, so what did we find and what did we love? Well, it turns out there was plenty to do and see, from exhibitions to new works, big and small, and even new ways of looking at Ōtautahi. Read on and find out what we loved in May 2024!

Daken – Garage Sale with Lucky Dips @ Absolution

Our pal Daken staged a fun solo show at Absolution, drawing on his love for childhood nostalgia, Kiwiana and bootleg goodness. Garage Sale with Luck Dips included custom toys, airbrushed vintage t-shirts and, of course, surprises wrapped in paper for punters to take a chance. Our personal favourites? Definitely the dismembered Star Wars and G.I. Joe “bootlegs”, the Thinking Ape painted on a vintage Donkey Kong board game and the customised Teenage Mutant Ninja Turtles t-shirt that immediately evoked the original, practical movie costumes, altogether now, T-U-R-T-L-E Power…

Ghostcat’s Leave No Trace Trail Expands…

Ghostcat‘s public trail of reminders of Ōtautahi’s past continues to grow and for many children of the 80s and 90s, the latest addition is especially memorable. The small silver disc may not be easy to spot on Gloucester Street, especially against the similarly coloured lamp post, but a closer inspection reveals it to be one of the iconic tokens from beloved video game arcade Wizards, formerly located just metres away. With more to come, it is worth exploring this touching project and the forthcoming Ghosts on Every Corner exhibition and publication…

Dcypher @ Mexicanos

Dcypher continues to remind us all of his talent with a striking addition to Mexicano’s Restaurant on Victoria Street. The radiant winged Virgin, occupying an expansive desert scene, fits perfectly with the popular eatery’s aesthetic – more please (that’s more tacos, more margaritas and more art)!

The City After Dark

As the city gets dark earlier in the evening, it is interesting to explore the art that takes on a different appearance in a vacated setting bathed in different light – like this DTR production on Manchester Street. From works illuminated by lighting to projected artworks and light installations, Ōtautahi is a surprising setting even after the sun goes down…

Love Everyone…

We couldn’t help but include this little mantra scrawled on one of the giant cans on St Asaph Street – Love Yourself, Love Everyone, Love Vampires. Sounds like good advice…

What made your May? Let us know below…

And That Was… April 2024

April is that strange period when Daylight Savings ends and yet there is still a late afternoon glow that makes you realise that we are not yet fully ensconced in Winter. There is an optimism found in that glow, one that masks the panic that often sets in when you click that we are a third of the way through the year. I guess April feels like a lovely, calm swansong. And importantly, the longer nights, before it gets too cold, allow for a bit more creative activity, whether outside or in the studio (depending on your personal preferences) – the grandeur of Summer and large-scale murals replaced with a smaller sense of possibility. What did we love in April? Read on and find out…

Dove @ The Climate Action Campus

There is some real action taking place at the Avonside site of the Climate Action Campus, with the A-Maze-Ink art trail allowing artists the opportunity to brighten the walls with artwork that illuminates the campus kaupapa. One of our favourites is Dove‘s striking painting of a tauhou and korimako against a busy background – an example of the artist’s smooth style, the work is at once calming and energetic.

Freshly Wet Paste-Ups

We love seeing a flurry of activity on the streets, so the recent installation of a series of large paste-up works across the city by Dark Ballad and Klaudia Bartos gave us a real shot in the arm. From the nightmarish darkness of Dark Ballad’s wood-block works to the twisted visages of Klaudia’s characters, the stark black and white works are just delightful… ly disarming.

Alfa and Teknq in New Brighton

Clearly visible as I drive home, I have loved watching this collab between TEKNQ and ALFA come together – even if it has proven a distraction from attentive driving. The fiery colour palette of the pieces, accompanied by the Skull Kid character from the Legend of Zelda – Majora’s Mask game, add an ominous quality but also perfectly play off the existing wall and building’s qualities.

Vice Australia X Meep

We can’t reveal too much as the video is still in post-production, but we had a blast hanging out with local superstar Kophie a.k.a Meep and the crew from Vice Australia as they explored Ōtautahi Christchurch’s varied offerings – spanning our city’s eats, treats and streets! Stay tuned for the end product…

Shōgun

As the weather becomes perfect for spending time indoors, it is a good chance to share what we have been watching – and nothing has been as good as Shōgun on Disney+! Based on the 1975 novel by James Clavell, the series explores the political machinations of 17th Century Japan. Centred on Yoshii Toranaga, John Blackthorne, Lady Mariko and the charismatic Yabushige, the show revels in the delicious details and the subterfuge of “men talking in rooms” (thanks House of R podcast). After one episode, we were hooked and a binge followed – dive in!

These were our picks, what caught your eye in April? Let us know in the comments…

Street Treats, Vol. 9

Ōtautahi is changing. This might sound obvious for a city that has literally faced a massive rebuild – of course it is changing. But, the change that feels most prevalent right now reflects a greater sense of control and order – the spaces of opportunity are dissipating, filling with shiny new buildings. Of course, this is inevitable, we like shiny things, generally. But it changes the way we think about possibility. New things are to be preserved and maintained, we seek the liminal spaces for exploration. This change makes Street Treats even more important – recognising the way street art adapts to new environments and responds to prevailing landscapes. Street art reminds us that there are alternatives, that there are comments, that there are possibilities. The streets speak…

Want to contribute to the next Street Treats volume? Email us your flicks at hello@watchthisspace.org.nz…

And That Was… March 2024

March is often a final flurry of activity before the weather slowly changes, sunlight lessens and opportunities for public projects get a little bit harder and people start to prefer the warnth and shelter of studios and indoor spaces. Despite this, we found a lot to like out there in Ōtautahi over the month of March and now it is our pleasure to share our finds! From small pleasures to collaborative productions and even an exhibition or two, here are some our favourite things…

A Tribute to Hamish Kilgour

I Go Side On at the Pūmanawa Gallery at The Arts Centre Te Matatiki Toi Ora provided a beautiful and poignant tribute to the life and art of Hamish Kilgour – one of Aotearoa’s most beloved musical figures (he founded The Clean alongside his brother David). The show, created by Paul Kean and Alec Bathgate, collected a range of works, including paintings, drawings, doodles and ephemera, all accompanied by recollections of encounters with Kilgour. The urgent creative drive and earnest personal narratives combined for a touching experience.

Riccarton Jam

The popular trackside spot on Riccarton Road received a freshen up with a jam by some of the city’s most respected graffiti artists past and present, including Ikarus, Lurq, Morks, Dcypher, Pest5, Post, Drows and Foul. With a few flashes of nostalgia (CatDog anyone?) and a heap of history, the wall is a testament to Christchurch graffiti…

Youth Art at the Climate Campus

The Climate Action Campus, located on the old Avonside Girls High School site, is quickly amassing a heap of striking art on its walls – from the Amaze-Ink project initiated by the Christchurch City Council’s Graffiti Projects Team, to a small collection of works by students – all with a focus on climate action. We have been lucky enough to help with the latter, and with support from Phantom Billstickers, we loved seeing the work “Stop Fish Fashion”, by Emily Brickwood, come to life!

STOKED – The Duke Festival of Surfing Art Exhibition

New Brighton’s annual Duke Festival of Surfing hosted STOKED – its companion art exhibition in March and some of our favourite artists were in on the action – including teethlikescrewdrivers, Dove, Nick Lowry, Dark Ballad and Bloom. With a variety of styles and good vibes, it was well worth the visit!

A Little Fix Up…

Ikarus’ Wish You Were Here, the lightbox installation for The Little Street Art Festival was given a spruce up in late March, thanks to a generous festival supporter, who kindly donated the replacement perspex frontage. Ultimately, these works are temporary, but it is always so touching that people want to help give them just a bit of a longer life – thank you!

These were our picks – what would you add? Let us know in the comments! And if you want to let us know about events or projects that we can spotlight on our blog – email us at hello@watchthisspace.org.nz!