And that Was… December 2021

December was kind of like a microcosm of the year 2021 – lots of uncertainty and doubt, but still enough to keep us occupied and perhaps an optimism underlined by the hard-earned resilience of the last 24 months. This month’s And That Was… is a little shorter than normal, largely because we put together the whopper 2021 recap and co-ordinating that many responses is hard work! But that doesn’t mean we should not acknowledge some of the cool stuff we saw and did in December 2021, the sign-off to a year that was… unforgettable?

BOXed Quarter additions…

Nick Lowry’s massive Eel and Bone piece is one of a collection of new works at the BOXed Quarter to sign off 2021

New work at the BOXed Quarter added to the already impressive collection, with new pieces by teethlikescrewdrivers, Bols and Bloom n Grow Gal, as well as a massive, three-panel high production by Nick Lowry, a new, neon-tinged landmark for Madras Street traffic…

Stitch-o-Mat Bouquet in New Brighton

We loved finding these beautiful cross-stitched floral arrangements in New Brighton, weaved through a netting board, they are beguiling, intricate, and ramshackle – the perfect combination…

ZZAN

The Watch This Space team enjoys the food and atmosphere of ZZAN!

ZZAN Korean Fried Chicken on Manchester Street is not only great because it has huge servings of good food – it also has the coolest decor in the city – the graffiti aesthetic is so good Watch This Space had to have our Xmas gathering there!

New TOGO works at Fiksate

Wellington based artist and adventurer TOGO is a definite favourite here – from his daring graffiti that breaks expectations around style and aesthetics, to his incredible, but often less visible studio and gallery work – so we loved seeing some new pieces at Fiksate – continuing his experimental techniques to create abstract works that draw on urban chaos and chance, they are simultaneously elegant and energetic.

It’s not about the gifts…

Some of the new books the author compiled throughout December. Now it is time to find the opportunity to read them!

December is both my birthday month and Christmas, and while I know its about the time spent with loved ones, it is also nice to know my collection of art books is always likely to grow come the last month of the year – and 2021 was a fine example, with new reads now piled high on my dresser!

And That Was… December 2021 and 2021 wrapped! Join us in 2022 for more lists, interviews and articles – and let us know what and who you would like to see featured in our online content this year!

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Nick Lowry, teethlikescrewdrivers, Bloom n Grow Gal and Bols @ the BOXed Quarter

After a week of rain fall and grey skies, the sun returned just in time for a group of local artists to add to the already impressive collection of art on the many panels of the BOXed Quarter on St Asaph Street. Nick Lowry, teethlikescrewdrivers, Bloom n Grow Gal and Bols each brought their own styles to various panels throughout the complex, joining works by Wongi ‘Freak’ Wilson, Joel Hart, Meep, Chile One, Newen, YSEK, Mark Catley and more. Inside, Bols stencilled a multi-layered grey-scale text piece, reading ‘The kids round here live just like shadows’, a line taken from Bruce Springsteen’s epic Jungleland, while Bloom n Grow Gal’s flowers took root on nearby panels, boldly outlined and oversized. On Madras Street, teethlikescrewdrivers played off the existing buff patches to create a colourful swatch of squares and line-work pencils, bright colours buzzing against the rich ochre background. Around the corner, Nick Lowry went big, with a three-panel high piece featuring the evocative image of an eel wrapped around a bone, the background a shift of green tones. Reaching the top of the building, Lowry’s work is visible from far down Madras Street, a new beacon of the BOXed Quarter’s vibrant walls.

Let us know about your favourite new works around Otautahi by commenting on our social media, or send us an email at hello@watchthisspace.org.nz!

 

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Showtime!

The first Friday of November proved a popular night for exhibition openings with three shows celebrating openings at the same time! The sun was shining into the evening, making it a great chance to enjoy a social(ly distanced) occasion and, of course, the art of talented locals and a popular visitor from the capital. At Fiksate, Wellington artist Chimp returned to Christchurch for his new solo offering Social Woes, an investigation of the impact of social media on our contemporary existence, while over at 413 Local Gallery on Tuam Street, Daken presented Daken’s Emporium, a selection of his customised toys and comics (along with some special guest contributors), and at the Boxed Quarter, the talented team from everyone’s favourite art supplies store Gordon Harris hosted In the Hours After, a group show featuring multi-disciplinary work from Peter Pinckney, Carrie Dingwall, Klaudia Bartos, Bebe James, Olivia Isabel Smith, Louann Sidon, Theresa Waugh, Seonaid Burnie and Al Joice.

It was pretty tricky to make it around all three shows, and while some were impressively able to manage the logistical challenge, for many others, it was a case of picking one. So, for those of you who didn’t manage to get to all of these shows, this is for you!

Chimp – Social Woes @ Fiksate Gallery, Friday 5th November (until November 27th)

Fiksate was looking pretty spiffy to mark the opening of Social Woes…
While outside, the crowd enjoyed the sunshine in a makeshift outdoor area (Photo credit: Fiksate Gallery)
Chimp, the man of the hour, eventually got the chance to relax after a busy opening evening, here with his work Mental Weight (mixed media on board, 2021)…
Birds of a Feather (mixed media on board, 2021) highlighted some of the stylistic progressions in Chimp’s latest work…
As did Eyelash Wings (Acrylic, digital print and aerosol on panel, 2021)
Social Woes runs until November 27th at Fiksate, 54 Hawdon Street, Sydenham

Daken – Daken’s Emporium @ 413 Local Gallery, Friday 5th November (Until November 10th)

Over at 413 Local Gallery on Tuam Street, the space became an imaginarium of Daken’s playful custom toys… (Photo credit: Daken)
Including a replica of the artist’s workspace (Photo credit: Daken)
There were his Dak Bird cut outs and the Hands of Film series… (Photo credit: Daken)
And custom cereal boxes (packed with goodies), zines (A Dog’s Mind 2 – Electric Boogaloo!) and comics (note the powder-filled Scarface blister!) (Photo credit: Daken)
As well as a selection of prints – from fantastic creatures to the Emporium and even Toxic Mutant Joes Master Wars! (Photo credit: Daken)

In the Hours After featuring Klaudia Bartos, Seonaid Burnie, Carrie Dingwall, Bebe James, Al Joice, Peter Pinckney, Louann Sidon, Olivia Isabel Smith and Theresa Waugh @ the BOXed Quarter, Friday 5th November (Until November 10th)

An excited crowd gathered for In The Hours After… (Photo credit: Theresa Waugh)
(Photo credit: Klaudia Bartos)
(Photo credit: Theresa Waugh)
Featured artists Louann Sidon, Klaudia Bartos, Bebe James, Olivia Isabel Smith, Theresa Waugh and Seonaid Burnie got the chance to celebrate (Photo credit: Findlay Currie)
Olivia Isabel Smith’s mixed media works explore the arrangement, organisation and collection of objects… (Photo credit: Olivia Isabel Smith)
A selection of Seonaid Burnie’s evocative works from In the Hours After… (Photo credit: Seonaid Burnie)
Theresa Waugh’s textile works explore texture, form, pattern and colour (Photo credit: Theresa Waugh)
Bebe James’ beautifully presented jewellery pieces added to the show’s diversity… (Photo credit: Bebe James)
Klaudia Bartos’ haunting portrait works from In the Hours After (Photo credit: Klaudia Bartos)

Are you part of a show coming up? Email hello@watchthisspace.org.nz to let us know. Showtime will cover exhibitions and events from the local scene…

 

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And That Was… May 2021

They say good things take time, and this edition of And That Was… is cutting it fine! It has been a busy few weeks with lots happening and as such it seemed like the months have melded into one. But when looking back over images from the month of May, it was quickly apparent that those four weeks had their own flavour, a flood of memories came rushing back…

For this recap, we run back some our favourite paste ups, wall paintings, slaps, shows and even a doorway! We have largely stuck to urban art this month, temporarily returning to our formative roots, but that doesn’t mean we have forgotten the fact that all of these things are also entangled with our broader experiences of Otautahi’s central city, and in particular the food, the bars, the music, the people and all the vibrant things on offer. All of these things make up our urban culture and it is vital we celebrate and support these events, occurrences and interventions to keep our city lively!

So, after much delay, here is your And That Was… for May 2021…

Gary Silipa’s UFO Slaps…

I have been a fan of Gary Silipa‘s work and simplified iconography for years, especially his skulls and spaceships, which I found all over Wellington’s streets on a trip to the capital in April. The orbiting red UFO’s then appeared here in Christchurch in May, a legacy of the artist’s brief trip here. The ubiquitous presence in spaces high and low suggest the idea of exploration and observation, our strange contemporary customs intriguing to these small visitors…

Mark Catley’s Ascending Freak Angel

Mark Catley added a couple of fresh paste ups to the Boxed Quarter‘s ever-expanding collection of urban art. Taking his poor sack girl toy (pasted on Manchester Street) and twisting the image into a strange new appearance, the girl becomes a three-eyed ‘freak angel’ as the artist described, her outstretched hand now seemingly elevating her into the sky. Lit by a coincidental spot light, the seemingly celestial being is a trippy sight!

Jessie Rawcliffe’s Marriage of Figaro Mural

Jessie Rawcliffe‘s mural for the NZ Opera’s production of The Marriage of Figaro (which will be staged at the Isaac Theatre Royal here in Christchurch as part of a national run) was completed in May, with the artist’s stunning dry brush style giving the piece a stunning beauty against the smartly used graffiti-ed wall on which it was painted.

More: The Show

Back to the Boxed Quarter for More: The Show, an exhibition and event featuring talented Otautahi wahine artists. With a slew of our favourites and some new talent to explore (such as Sofiya Romanenko, who recently produced a beautiful photo essay for us), the show was a convergence of amazing talent and featuring a range of activity – unfortunately we forgot to take quality pictures! It was a one-weekend show so you had to be in quick!

Our favourite doorway…

Last, but definitely not least, we just had to include this doorway. OK, so it technically isn’t something that ‘happened’ in May, but we took this photo then, so it counts! Just look at it, it is a thing of beauty and couldn’t be left out!

Let us know what would make you list in the comments and if you know someone who would be a great guest writer for And That Was… – drop you suggestions there too!

 

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And That Was… January 2020

The first month of 2020 has raced by, but not without a heap of activity. The month started with an ominous red sun hovering above us with an almost artificial energy, and ended with some lovely summer weather. In between, there were BBQs, drinks, returns to the real world, and a flurry of activity within the world of urban art. From some overseas visitors, to established powerhouses and rising profiles, there was plenty to reflect on…

Long Trip of the Kokos

On the final day of January, the culmination of Robert Seikon and Anastasia Papaleonida’s residency at Fiksate was unveiled with the exhibition Long Trip of the Kokos. The collaborative works capture both a cohesive harmony, with subtle gradients and tiny details, while also proudly displaying each artists’ signature style: Papaleonida’s microbiological dots, squirming and humming, and Seikon’s crisp diagonal lines and spiky geometric shapes, providing optical illusions and paths of surveillance. From the clustered canvasses to the wall painting directly encountered when you enter the gallery, the show is filled with intriguing touches and impressive effects, washing over you without overwhelming. Long Trip of the Kokos is open until February 29th, 2020

Hip Hop Evolution – Season 4

I have a soft spot for Canadian rapper Shad, see his Pharcyde-inspired video for Rose Garden, and his likeable, intelligent, yet reverential nature has made him a perfect host for the Netflix series Hip Hop Evolution. As a fan of the culture’s history, he is never an overbearing presence, allowing the subjects to tell their stories. Hip Hop Evolution’s fourth season dropped in January and it quickly continued to dive into the various scenes and threads, including the rise of Bounce in New Orleans, and the emergence of super producers, which led me to nostalgically revisit N.E.R.D’s Lapdance from 2001

Aaron P.K. in the Boxed Quarter

I was able to work with the BOXed Quarter and Aaron P.K. to install two large scale photographs, finally completed in late January. P.K. might be known for other street interventions, but his photography has always been eye-catching, capturing a slice of life in various settings, including those peripheral spaces that make the viewer aware of their isolation. The two images at the Boxed Quarter are distillations of urban exploration and graffiti culture, rooftop shots where the distant city glows, but the surrounding industrial fixtures remind of the precarious yet claustrophobic position of the photographer.

Seikon on Manchester Street

Alongside the exhibition with Anastasia Papaleonida, Polish artist Robert Seikon also produced a subtle, obscured wall painting, one that rewards more inquisitive viewers. Tucked away on Manchester Street, the square image uses Seikon’s signature barbed shapes to create an abstract composition that seemingly draws on the history of graffiti’s transformation of letter forms. The subtlety of the colours also seems perfectly harmonious against the blocks of buffed grey surrounding the painting.

Yikes and Dcypher pay tribute to Terence McKenna

With a spruce up of the Tuam Street carpark that has become an open-air gallery, Yikes and Dcypher added a tribute to American ethnobotanist Terence McKenna, whose advocacy for naturally occurring psychedelics is evident in the mushrooms and molecular structures that populate the image. The image combines many of Yikes’ signatures, while Dcypher’s mastery of the spray can is also evident in the portrait, a reminder that these two are right at the top of their game…

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