Tāmaki Makaurau’s Component opened his first solo show in eight years, and first in Ōtautahi, at Fiksate Gallery on Friday, 28th July, giving Christchurch residents the chance to see one of Aotearoa’s most accomplished street artist’s work in the flesh. A founding member of the Cut Collective, Component has long been at the forefront of stencil art in New Zealand, his technical virtuosity matched with a social message that recognises the public status of urban art. Living in a Loop continued this direction, beautifully painted stencils on an array of found and recovered surfaces drawing on the monotony and complexities of life over the last few tumultuous years. From pandemics to migration, innocence to cynicism, Component’s work captures a sense of the now, all through a lens of an art form with a much longer lineage…
The Viral Huntress, 2023A good crowd gathered at Fiksate Gallery for Living in a LoopWhile it may have been cold outside, the good vibes warmed every up…Desensitised to the State of War, 2023The Liberation Equation, 2023Hope’s Silent Echo, 2023Digital Refuge, 2023
If you have an event or exhibition coming up – let us know by emailing hello@watchthisspace.org.nz
Watch This Space is proud to present Spotlight – Urban Art Projections, a project in collaboration with ChristchurchNZ that literally shines a light on local creative talent. Spotlight showcases a series of unique art works created by some of Ōtautahi’s best urban artists in collaboration with talented local animators, exploring new possibilities for urban creativity and adding a surprising twist to Christchurch after dark!
Making use of the prominent wall on the exterior of the Te Pae – Christchurch Convention Centre at the intersection of Colombo and Gloucester Streets, Spotlight projects the work of four Ōtautahi visual artists, their work brought to moving life by local digital artists. The animation gives each work a new lease of life; the mural-sized projections imbued with subtle, alluring movements that re-imagine the original productions. With a planned four installations, Spotlight has already platformed two works that have captivated and surprised passersby:
Jacob Yikes’ I will never know…
The Surrealist world of Jacob Yikes provided the first Spotlight installation back in May; the artist’s beguiling landscapes a fitting subject for this unique project. Animated by Nicholas Keyse from Immersive Reality, Yikes’ 2022 painting I will never know was animated with slowly unfurling tendrils and a rolling horizontal band of shimmering turquoise, creating an evocative, unsettling atmosphere and providing an invitation to explore this strange, unexpected landscape manifested on a central city wall, like a dream come to life. The softly moving pieces gently beckoned the viewer, requiring a double-take as more parts of the image were revealed to be alive with understated movement.
Yikes’ world-building has always suggested movement, here, this landscape was given life, while still retaining a sense of quietude and mystery. Occupying the Te Pae wall for a month, I will never know created an unexpected encounter for many walking past, a perfect starting point for Spotlight…
Dcypher’s Welcome to the City…
The second, and current Spotlight installation is Dcypher’s illustration Welcome to the City, a work that draws on the artist’s formative experiences exploring the urban environment through graffiti and skateboarding. Enduring influences, these subcultures recognise the urban landscape, and its overlooked spaces as sites for expression, transformation, subversion, and creativity. Dcypher affirms that: “The beauty that these spaces hold as inspirational layers to be interacted with is the key message of this work. I’ve always loved the look of the raw underbelly of urban architecture, the flip side of the facade, the back alleys, the fire escapes… These spots are constantly in flux as urban subcultures expand in their complexity and reach.”
Dcypher’s adventurous environment has also been brought to life by Keyse, who utilised the artwork’s layers to craft a captivating illusion. Exploring the scene’s depth by zooming in and scanning across the composition, the viewer is guided through the maze-like terrain, Keyse explaining: “As the journey unfolded, I aimed for a thought-provoking narrative to take shape, hinting that this snapshot is merely an echo reverberating across the vast expanse beyond the immediate foreground.” The movement emphasises the exploratory element, the blue-grey tone and flashing yellow lights suggesting the distinct worlds of interior comfort and exterior adventure. Welcome to the City continues Spotlight‘s mission to activate the city…
The next installation, a work by painter and illustrator Jessie Rawcliffe will be unveiled in the coming weeks – stay tuned!
Spotlight is a collaborative project between Watch This Space and ChristchurchNZ working with a collection of local creatives – let us know about your Spotlight encounters!
Winter is coming… Annnddd it’s here. Just like that the dark nights got colder and the rain more persistent. I guess I shouldn’t be surprised, it happens every year, but it is still somewhat jarring when it creeps up on you, seemingly out of the blue each year. Undeniably, June is a quieter month given these circumstances, but that isn’t to say there aren’t things to celebrate, whether it is little treats of street pizza (IYKYK), or treasures to be enjoyed inside the warm confines of home. This month’s And That Was… is a compilation of the things that have kept us warm and fuzzy in the grey climes…
Dcypher x Immersive Reality for the Spotlight Project
Following up from Jacob Yikes and Immersive Reality‘s first projection piece, Dcypher and Nicholas Keyse’s work, an animation of Dcypher’s Welcome to the City illustration brought a graphic, mysterious celebration of the city’s overlooked spaces to the Te Pae Christchurch Convention Centre wall. A roving adventure that acknowledges the way graffiti and skateboarding subcultures find possibility in the urban jungle, Welcome to the City suggests our surrounding environment is a stage for exploration…
Dr Suits X Cameron Hunt
This shot of Dr Suits‘ geometric mural at the Giant Cans space on St Asaph Street, taken by Cameron Hunt is a stunning view of a work that is not easily seen in totality. Capturing the full composition, this is evidence of the multiple profiles of artworks and the perception of our surroundings…
Boost Ōtautahi Launch @ Te Puna O Waiwhetu – Christchurch Art Gallery
We got along to Te Puna O Waiwhetu at the beginning of June to celebrate the range of projects fundraising via The Arts Foundation’s Boosted platform. A massive task, it was great to see the support and hear the pitches from those passionate about bringing projects to life – special shout out to our pal Bloom and her Ōtautahi Urban Gardener project!
TOYOTA – No Peace, People Mover
New music from electronic duo TOYOTA provided some driving rhythm (shitty pun alert) for June… Check out their new release, the four track EP No Peace, People Mover on Spotify…
I Think You Should Leave Season Three
I’m going to finish with my favourite thing on television – Tim Robinson’s I Think You Should Leave – a Netflix sketch comedy show that is all about awkward situations that escalate to insane amounts of cringe. I wasn’t sure anything would top the Sloppy Steaks/Dangerous Nights Crew (“this baby doesn’t think people can change”) and Brian’s Hat skits (“I’ve never fought for anything in my entire life. I’m fighting for this hat”) from previous seasons, but the first episode drops the Zip Line/Summer Lovin’ sketch and I know I can’t leave…
These were some of our favourite things in June, what about you? Let us know what kept you warm in July…
