The Christchurch Hip Hop Summit kicked off for 2022 with a day of painting and tunes as the oldest of the four elements took centre stage. Organised and curated by Ikarus of the DTR Crew, the Summit’s Graffiti Jam featured two productions; one by a collection of local artists at the re-activated Dance-O-Mat site on Manchester Street and the other, a collaboration between the DTR and FILTH crews, along Spark Laneway between Hereford Street and Cathedral Square. While the two jams had starkly different atmospheres; DJs played music as crowds gathered at the Dance-O-Mat, the DTR and FILTH jam more low-key, they both celebrated the traditions of graffiti and resulted in impressive productions.
Gapfiller’s Dance-O-Mat, a relocatable urban dance floor, is one of the city’s most enduring post-quake place-making icons – a status cemented when the now King and Queen Consort, Charles and Camilla, cut some shapes on the floor when they visited the city in 2012. When the Dance-O-Mat needed a new home, GapFiller found the vacant space next to Paddy McNaughton’s Irish Pub on Manchester Street. The process of installing the dance floor was undertaken and soon, the washing machine discotheque was sending rhythms out across the city and limbs were moving (some more elegantly than others).
The Dance-O-Mat’s new setting was a typical Ōtautahi lot, vacant but for rocky shingle, weeds and bright graffiti painted on the surrounding walls. Now with support from GapFiller, Resene Paints, the Christchurch Hip Hop Summit and a range of artists, the paint covered walls have been given a facelift to match the Dance-O-Mat’s activation. The first addition was a simple black and white declaration of the site as a Gapfiller ‘Place of Play’ – part of the urban play initiative. The mural, completed by Nick Lowry and Bols, simply deploys the graphic Place of Play logo, designed by Ariki Creative, running along the upper section of the Northern wall, boldly declaring the site as a destination. The painting spanning 18 metres in length and starting more than three metres up the wall, was completed in just two days, and set the tone for further activations.
If the Place of Play mural served a practical purpose, the next wave of creative work was brighter and exemplified the Place of Play intentions. On the first weekend of October, the 2022 Christchurch Hip Hop Summit kicked off with graffiti jams – including at the Dance-O-Mat site, where a selection of local graffiti artists refreshed the walls with characters and pieces. The activity, bolstered by DJs playing music, drew sizeable crowds (and dancers), making the most of the (almost) summery weather. Across from the graffiti artists, members of Slap City decorated the dedicated paste-up wall (which already featured a bold ‘Dance-O-Mat’ painting in red and yellow by teethlikescrewdrivers) with paper-based additions big, small and everywhere in between.
The flurry of activity was a perfect introduction for a site that now celebrates various creative outlets, a new must-see destination in the heart of Ōtautahi. The Dance-O-Mat is back and it looks fantastic!
More The Show returns this week with One More, More the Show– once again celebrating local wahine artists and raising funds for The Period Place. One More, More the Show will fill the walls of Clubhouse Creative on Southwark Street with art by a wide range of Ōtautahi creatives, painters, illustrators, makers and more. As organiser Lydia Thomas explains, More the Show came from the lack of wahine art at local art shows: “I haven’t been in Ōtautahi long, but I can already see and know of extremely talented females and I wanted to create someone just for them.” The More shows are short and sweet with a playful energy, intended to function like a gig or a festival (music will be supplied by talented local female DJs), a limited window to experience the event. This time, Thomas has a selection of almost 30 artists, featuring returning creatives like Robbi Carvalho, Kyla K and Harriet Murray, but also new contributors, including Emma Turner and Lily Wenmoth. Whereas previous shows have allowed artists to present multiple works, this show is more focused, with each artist contributing just one work, giving each a more unique value. The show will also donate a minimum of 10% of every sale to The Period Place, whose mission is ensure every person with a period in Aotearoa can have access to period education and products. As Thomas declares: “People should come to see the show because the talent of wahine artists in Ōtautahi is out of the gate – we are so lucky be able to head out and enjoy it, to drink wine, eat cake and celebrate!”