So, we have an apology to make – July kind of slipped by and we didn’t get our monthly list of favourites completed on time (can you see the shame on our face? We look like a dog who got into the rubbish). But don’t fear, that means this month you get a two-for-one! We even made it a little bit bigger, so it is kind of an end of winter blockbuster. Grab some popcorn, slurp your soda and check out the things we loved from the last 8 weeks!
The Giant Cans Get a Refresh
The Giant Cans on St Asaph Street are designed to be split between free wall spaces (the three cans to the east) and more permanent works (the three cans to the south-west). To keep things fresh, the three ‘permanent’ cans are re-painted routinely and the latest transformation was a unique collaboration between Jacob Yikes, Ikarus and Jessie Rawcliffe – a sprawling tribute to Dragonball creator Akira Toriyama. Mixing familiar landscapes and characters with the artists’ signature styles, it has to be said that the work is “over 9000!”…
Ghstie Goes Nostalgic…
We have loved finding Ghstie’s three-eyed tributes to the cartoons of our past – whether Slimer from Ghostbusters or Casey Kelp from the Snorks, we are suckers for a trip down memory lane…
FSA Catch the Train
Rest in Peace…
Just like Ghstie’s slaps, Dark Ballad’s reflective stickers bring some nostalgic heat with the stencilled image of wrestling legend The Undertaker, fitting for an artist with a love of life’s darker side!
Drows’ Connection
We were proud to support the production of Drows’ striking Connection on Colombo Street – an activation of a long vacant site by the Christchurch City Council. Alongside the landscaping of the area, Drows’ colourful hoarding work speaks of his, and by extension the viewers’, connection to place – from the maunga to the awa and beyond, Connection is at once personal and universal…
A Summery New Brighton Jam…
It is always good to stumble upon a surprise, and when we noticed some activity across the carpark on a quick trip to New Brighton, we had to investigate… We quickly found members of the DTR crew, Dcypher, Ikarus and Drows, along with Jessie Rawcliffe refreshing a popular wall, a good reminder of Summer’s impending arrival and the increased activity that is sure to come with the longer days…
Just Eating my Iskender…
We love a little story and wandering down Hereford Lane, we couldn’t help but be struck by the poetic tone of Kaepe’s waxy statement. We love our city, but that doesn’t mean it is perfect, and sometimes, it is the margins that remind us…
Monti in New Brighton…
We love Monti Masiu’s paintings, celebrations of his Tongan heritage in striking compositions that are both traditional and contemporary. His work on a temporary hoarding in New Brighton is awash in warm brown, ochre and orange tones, brightening up an otherwise stolid setting…
Jacob Yikes at Smiths City
Jacob Yikes is one of Ōtautahi’s most iconic urban artists, with his instantly recognisable style and aesthetic, so it was fitting that he adorn the iconic Smiths City premises on Colombo Street, a local company that has been in the location since 1918, familiar to generations of Cantabrians. We love the vibrant tones and serene scene…
teethlikescrewdrivers’ Doodle Session
We were stoked to launch our new Doodle Session video series – where we chat to artists while they draw – exploring their process and their creative mindsets. First up is teethlikescrewdrivers, who ran through a range of his fixations, from chairs and pencils to words and self-portraits – a lovely, chaotic, creative ramble! Stay tuned for episode two – it will be live by the time you read this!
They were our highlights for July and August – let us know what you think!
Street Treats is back with some tasty finds from Ōtautahi’s urban landscape. A reminder that we need to celebrate the little things that make us laugh, smile, think, curse, cry and everything in between. After all, what is a city but a site for each of us to exist and express ourselves? Each piece showcased here is the result of an action, a decision to leave something for others to encounter, a realisation that we can impact the experience of our fellow citizens. Sure, this sounds overly dramatic for a collection of peeling stickers and scrawled massages. But think a little deeper about what they each represent and what they contrast with, it makes the city an infinitely more interesting place. From twisted familiar icons to mysterious new names, a number of throwbacks, some political protest and humorous notations, this collection is a reminder of the myriad voices that make up our city…
This volume features: Klaudia Bartos, Dark Ballad, Sleeper, Bols, K.T., Dcypher, SPIKE, M+H, Ghstie, Misery, Fiasko, Jessie Rawcliffe and more…
Ōtautahi is changing. This might sound obvious for a city that has literally faced a massive rebuild – of course it is changing. But, the change that feels most prevalent right now reflects a greater sense of control and order – the spaces of opportunity are dissipating, filling with shiny new buildings. Of course, this is inevitable, we like shiny things, generally. But it changes the way we think about possibility. New things are to be preserved and maintained, we seek the liminal spaces for exploration. This change makes Street Treats even more important – recognising the way street art adapts to new environments and responds to prevailing landscapes. Street art reminds us that there are alternatives, that there are comments, that there are possibilities. The streets speak…
Unknown Artist – Free Free PalestineLeft: Dark Ballad, Right: Unknown ArtistUnknown Artist – HandalaVarious ArtistsUnknown Artist – Light ‘Em Up SuckersUnknown Artist – The T_eaty of WaitangiUnknown Artist – MilhouseBolsBolsBloom – Little Street BloomsBloomBloomLydia Hannah Thomas – ColaKlaudia BartosKlaudia BartosFOULMORKS
Want to contribute to the next Street Treats volume? Email us your flicks at [email protected]…
It has been a while since our last Street Treats volume (sorry about that, we’ve had a bit on…), but that means we have a pretty decent archive of the smaller things that make our city streets exciting – so we look forward to a slew of volumes coming thick and fast over the next few months! We think it is vital that the small details are given a platform, not least as we get closer and closer to the launch of our first ever Little Street Art Festival in November. It is the smaller things, the more subversive things, the thoughtful things and the rebellious things that make a city come to life. These things serve as a barometer of the multitude of voices surrounding us, not the authorised and endorsed, but the dissenting and adventurous. This is the driving energy of these Street Treats series, the desire to celebrate the full spectrum of urban art’s creative impulses. So we are proud to present this series of works, straight from our city to you…
This volume features work from Irons, KP, Dove, Tepid, bz.streetart, The Losers, Bloom, Bols, Astro, Dark Ballad, Klaudia, HonHonn, and tributes to DSOLV.
Tāmaki Makaurau Auckland is a strange beast. It is the only mega-city in Aotearoa, and when you touch down from Ōtautahi it is hard to comprehend the sheer spread of the northern metropolis. While you can easily navigate Christchurch’s inner city in 15 minutes, Auckland’s urban centre seemingly sprawls on forever, with each area displaying a distinct identity. Our quick trip to Tāmaki meant we didn’t get to endlessly explore the diversity of the city, but we did get to see a fair bit of art. Of course, there is no chance we could have achieved a full coverage of the city, but what we saw, we loved. Auckland has the longest and largest history of Aotearoa graffiti and street art, so spotting a legendary figure’s name or character, whether fresh or faded, is always a possibility, but still exciting for a nerd like me, while you can always find a new name that is on the come up as well. It also has a truly urban feel, where you can get lost down alleyways, led by the trace of some preceding presence who was compelled to leave their mark. It is a real city, and it’s streets are always talking…
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Misery
Margarita Vovna
The Mercury Plaza and Sunset Tattoo, with a piece by Askew One above…
…with Deus nearby as well
Slime
03 Til Infinity by the Cut Collective
Askew One
And Askew One going way back on Ponsonby Road
BMD
Deus in blue…
Misery’s sculpture in K Road just outside St Kevin’s Arcade is a pretty fit…
The Whakaako Mural Collective’s Once a Panther, Always a Panther
Urban wordfinder…
Cheros One gets around…
All roads lead to Berst
DMYZER in the grease
Cinzah’s first Defend the Deep mural
Margarita Vovna and Oscar Low/Trust Me
Finn Gerry Wilson
Oscar Low/Trust Me
Component
Haunt
Frail
GBAK throwback
LSD
A visit to the Avondale Pavilion awaiting Race A2D’s touch…
Avondale Art Park
Ares Artifex
Fluro
Shane Cotton near the Waterfront
Excellent…
Here’s Johnny
Silence
Home Sweet Home
Even in a crisis
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Where should our next postcard cover? Let us know at [email protected]
Friday the 4th of March was a busy night, with two events marking the opening of significant urban art events in Ōtautahi, signalling an exploding energy in the local scene. First up was the opening event for the Flare Street Art Festival, held at the pop-up exhibition space on High Street, which is host for all the information you will need about the festival and a collection of work by Flare artists and a number of local stars. Across town at TyanHAUS, Slap City’s International Paste-Up and Sticker Festival was also celebrating it’s opening night, with the interior exhibition of work from across the globe completely taking over the space. We were lucky enough to make it along to both events, with a palpable sense of excitement permeating both spaces…
With both events taking place in the red traffic light setting, it was great to see the organisers ensuring people were masked up (except for a quick photo here and there!) and that group sizes were kept appropriate!
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Flare Street Art Festival opening event @ Flare Central, Friday, 4th March, 2022
Beginning with a opening address by Mayor Liane Dalziel, the Flare Festival launched on Friday (although artists had been at work on their walls since Wednesday the 2nd) at the Flare Central pop-up. The exhibited works ranged from Flare headline artists to a roster of local talent such as Chile One, Nick Lowry, Jacob Yikes, Ghostcat, Jen Heads and more. A relaxed vibe highlighted the feeling that such festivals bring, with new friendships and old connections re-established. Check out flare.nz for the festival’s full programme
Chile One with his Biggie skatedeck, the piece was quickly snapped up by a lucky guest!
Local legends and DTR crewmates Dcypher and Ikarus
Flare artist Koryu 88 and ARCC trustee Hadley McLachlan with Koryu’s work (proudly now owned by Hadley!)
Kophie was the driving force behind the pop-up exhibition
Flare project manager Selina Faimalo got the chance to relax amidst her busy schedule
Fiksate’s Jen Heads and Flare artist Kell Sunshine enjoyed the night
Morks with a shout out to the orginators of the game
Once the sun went down, there was the chance to see the collaborative work between Jen Heads, Dr Suits and thr Offline Collective, an impressive light projection in an empty space on High Street
Slap City presents The International Paste-Up and Sticker Festival @ TyanHAUS, Friday, 4th March, 2022
The Slap City collective have been an unmissable presence in the local scene over the last two years, their widespread community ensuring Ōtautahi has a thriving and diverse array of art in the streets. The International Paste-Up and Sticker Festival harnesses that diversity and community into an impressive exhibition and programme. Completely taking over the TyanHAUS space, the challenge proved to be where to start! Diving into the cacophonous selection of paste-ups, examing the sticker bombs or considering the Hello We Are exhibition, there was no shortage of attention grabbing activity! Follow the event on Facebook for more of the festival’s programme…
teethlikescrewdrivers and Vez welcomed visitors to the opening
Mark Catley and his massive Wampa paste-up
teethlikescrewdrivers was especially happy with The Postman’s massive Björk piece
Slap City has become a central part of Ōtautahi Christchurch’s urban art scene, and now they are bringing even more international flavour to the city with the first International Paste-Up and Sticker Festival in early March, 2022! The 8 day festival will feature a massive exhibition of stickers, paste-ups and associated works at Sydenham’s TyanHAUS, as well as public installations and workshops. With an array of artists from across the globe, it will be a brilliant cacophonous celebration of paper-based street art in all it’s glory! To get the lowdown we spoke to Slap City stalwarts and festival organisers and participants Vez, teeth like screwdrivers and Cape of Storms…
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How did the idea for the International Paste-Up and Sticker Festival come about?
Vez: I had this idea since I moved here, I wanted to put more paste-ups around Christchurch, to bring in more international artists and turn it into an event. I had that dream when I first got here two years ago…
teeth like screwdrivers: I’ve actually got a page on my website that’s about doing the same thing. Originally, I wanted to cover one of the giant cans and make it a festival. But one night we were at Fiksate and we were having a few drinks…
V: And doing karaoke…
tls: Someone said something to us, I won’t say what they said, but someone said something to both of us and we were like, well, that seals it! It was an instant decision, right there, let’s do this…
You two hadn’t talked about it together, even though you both had the same idea?
tls: No, but we had both seen other shows around the world and put our own work into other shows around the world, and we knew Christchurch could deal with a show like this.
A paste-up festival is a great fit, firstly because of the amazing community around the Slap City scene, but also it is a perfect form to involve an even wider community, paste-up and sticker culture seems to be about networks and collaborations…
tls: Completely, especially if you put it under the heading of street art, if you look at other types of street art, they are based around not doing that, like graffiti is based around not collaborating.
Cape of Storms: Yeah, it’s more anonymous…
tls: And it is also about going over someone else, being higher or being louder…
It also requires a literal presence; you have to physically be in the place where you’re writing…
tls: Years and years ago, we used Flickr and maybe occasionally we would get contacts through that, but with Instagram the ability to connect with people anywhere in the world and instantly trade with them is part of why I like it, because it’s a positive thing all the time. There’s no negativity.
V: What I also like about paper-based art is it’s really inclusive. With graffiti, not everybody has got the skill to do it, including myself, but with paper-based art you can just collage or you can take things out of magazines or you can draw, or you can work digitally, there are loads of different ways you can produce work, so everybody can contribute if they want to…
CoS: I feel like with paper-based art, its more towards the art side, rather than the tagging thing, so people who don’t feel comfortable with that element of street art, it’s still something where you can have integrity about where you place your art. It’s transient. It’s not going to be there forever. It’s going to dissolve with rain and water or a little bit of elbow grease, but it still has the same effect…
tls: We’ve all kind of come to an agreement, whether consciously or subconsciously, that we’re not sticking it on people’s houses or businesses, you know? Personally speaking, I’m an older dude, I’ve got three kids of my own and if they see my art on the street, I don’t want them to go, why have you stuck your art on that?
A Cape of Storms paste-up in central Christchurch
But at the same time, you don’t want them to not know that you are doing it, right?
tls: Exactly. They always see my pencils and they always comment on them, but they’re not seeing them on people’s houses, they’re seeing them on derelict buildings, or council electrical boxes, because they are boring and they need paint or stickers or something! I’m probably speaking for you guys, but we kind of had a subconscious agreement that we’re not destroying shit, we’re adding to it.
CoS: It is financially accessible as well, it’s not as expensive as buying loads of spray cans.
tls: It might be low impact physically, but not in the messages…
Not visually or conceptually…
tls: I will argue that any one of us who is putting up 1000 pictures of whatever it is we are putting up is going to have an equal impact to anyone tagging…
There’s also the really interesting longer lineage; revolutionary posters, political posters, advertising, sloganeering…
tls: Yeah, I found a picture other day, it was in Paris, an advertising hoarding and it looks like what we’re doing, but it’s a hundred and something years old! It looks exactly the same as what we do…
The Victorian Street in the Canterbury Museum has a fence that is covered in pasted posters…
tls: Because wheat paste was cheap and easy, posters got your message across for free essentially!
CoS: Graffiti writing is beautiful in its own way, but this is maybe a little bit more accessible to people that aren’t so into graffiti necessarily. It’s got a sense of humour, like Vez’s spoons are there to bring joy to people, to make them think, this is so out of place, let’s not be so serious about life! Christchurch can be quite a dull and flat and miserable place…
tls: No! I can’t believe you said that!
CoS: But it’s the people and the sense of humour and the unexpected juxtaposition, that’s why we do it, we can put something funny out there…
Two of Vez’s iconic spoon paste-ups
It’s a lovely juxtaposition, from the seriousness of signs and the coercion of advertising…
tls: And tilt slabs! That is why it doesn’t feel so quite so awkward. We’re not fighting that, we are just putting stickers and paste-ups up on streets covered in stickers and paste-ups, they’re just from McDonald’s or Coke. I’m not political in that sense, it doesn’t justify what I’m doing, but it just makes me go, I’m OK with this because I’m surrounded any way, we’re just adding our own take to what’s already there.
We did a massive sticker and paste-up installation at Spectrum in 2014. At that time, the local paste-up scene definitely didn’t have the numbers it has now. We had artists contributing from quite faraway places, but Slap City has such a larger network, I’m really looking forward to the breadth of work. Where has work come from and which artists are you most excited for people to see?
V: I’ve written a list… There is work from the UK, USA, France, Germany, Austria, Russia, Spain, Finland, Slovakia, Australia, Canada…
tls: In terms of who we are excited about, I’m going to go first because I’m so stoked about this big piece by The Postman. They are a collective based in Brighton in the UK. I’ve been asking them for a long time because I’ve put Björk pastes up all around the city and when I saw their Björk one, I was like, I need one of those! So, I hassled them and they were like, yeah, we’ll send one to you. It’s huge and I want to take it home, but I’m not going to! I would like a photograph, can I put it out there now? Me standing in front of that please with a big smile on my face! I would love that! I love their stuff, it’s phenomenal. They are a good example of paste-ups as a legit art form. They do everything from whole streets in Shoreditch in London to millionaires’ houses, they do everything. They also work with the artists that take the photos they use to get permission. They are ace!
An example of teeth like screwdrivers’ Bjork paste-ups
V: A lot of the people that have sent paste-up packs are people that I trade with quite regularly, so I’m most excited about seeing the work of locals, like Jen and Dr Suits, because I don’t see that many of their paste-ups. I know they’ve been doing it for a long time, but I’ve only seen Jen paste up twice! I’m just super excited to see what some of the people here in Christchurch create and just to have us all together in one space…
CoS: We went with her to do that giant head on the side of that building in town, and we were like, there she is in action!
tls: For people coming to view the show, they won’t know a lot of these artists as well as you do or I do or any of us in the crew do, because we’re always in cahoots and collaborations with them anyways, we’re seeing all their feeds constantly, but if there’s someone coming here for the first time, they’re going to see Vision or YAYA for the first time, and they are going to be like we were when we first saw them, that’s amazing!
CoS: I’m keen to see some of our younger Slap City members or people that work on their own stuff and don’t necessarily always paste with us, alongside all these other guys that are really well-seasoned. I can’t wait to see their growth. I’ve grown so much, because of Vez really, she invited me to the first Slap City and I helped hold the bucket when she put up all the YAYA stuff around town, so that was my initiation and from then I’ve been hooked and just seeing other people get that joy from the show will be amazing.
A Slap City collaboration featuring international artists, including YAYA, Vision and more…
When you’re getting work from so many sources, you often also get an insight into the stories behind the artists. For instance, we had a 6-year-old, who drew robots in New York and pasted them up with his dad, send work in, there was someone who sent work from Iran, and just to get it out of there was a big deal. Have you had any interesting stories come up?
tls: We are not getting stuff out of Iran, but honestly, I’m getting people trying to send stuff to New Zealand and we are not on the list of places to send stuff to for a lot of countries at the moment. There was one person, they sent it to someone else in another country, because then that person could send it here. You wouldn’t ever think that would be an issue.
A selection of the sticker frames set for the International Paste-Up and Sticker Festival
I guess you can get around that by sending a digital file as well…
V: I’ve committed to printing for about three or four people who have struggled to post stuff. It keeps people included.
tls: We don’t need to have the physical person here to do it, although [Australian artist] Tweet is saying she’d love to try and get across, you know people are keen and if the borders were in the right place, we’d probably have a few Aussies coming over.
V: Tweet is in Melbourne, we’ve swapped a few packs, and we’ve developed a friendship, we chat regularly, not even just about art anymore. She’s really keen to come over for the festival and help us out…
tls:Panty Baggers and Larf’n [from Dunedin] were all talking about trying to get up. So, there are Instagram friends sending their artwork and they want to come up…
CoS: When we take photos and put them on Instagram and tag our international friends, it always feels like there’s a great sense of wow, look at us up in New Zealand!
tls: There is a sense of New Zealand being so far away, it is like: I made it to all the way to New Zealand!
CoS: There is a feeling of pride at their work making it all the way to this little island and look at what these people are doing for my art down there…
tls: It’s great! If you think about a street artist in the traditional sense, as someone who is doing pieces on the side of a building or murals, they have to be where their art is, but any one of us can say our art has been shown in numerous festivals around the world. There was one in Athens a couple of months ago. I’ve never been to Athens, but there on this stairway going up from the bottom floor to the mid floor of this building, there’s a giant pencil!
CoS: Vez sent a parcel to Captain Eyeliner in New York a while back and I snuck in some stuff just because I was there as she was packing the envelope and I got my stuff put up in New York!
tls: Some people are like that with New Zealand, like New Zealand!?! Hobbits!?! That’s what they’re thinking, because to the majority of the world, that’s exactly it, we’re on the other side of the world, so to have all that stuff here, in the ether, is pretty exciting. The audience won’t just be the hundred people we get through the door on the night, most of the audience will be online, on Instagram.
Another Slap City and friends collaboration
What have you got happening alongside the exhibition?
tls: Sticker trading is part of what we do. So, all the work that’s coming to us, Vez is doing an amazing job tallying it up and getting the return addresses so that at the end of the festival the leftover stickers will get sent back out to the people who sent stuff to us. It’s a trade like you do already, but instead of a trade with me and they just get a pack of my stupid pencils, its a trade with maybe a hundred artists from around the world that they might never have come across or might never have traded with.
V: I’ll also encourage all the Slap City people to put stickers in as well when we post packs back out.
tls: We’re also going to jazz up some of the spots in the city that we already use, so people can go and have a wander and explore the city as well, like the old Two Fat Indians spot and the Ao Tawhiti wall. It’s not legal, but they don’t get touched too often. We will include the bollard Bloom’s just done [The Paste-Up Project] as well, because that’s us too. We’ll include [New Regent Street bar] WILKO because we did a whole wall in there a few months back…
V: We are going to have an interactive map.
tls: It’s going to be beautifully created by Cape of Storms. This festival is trying to highlight what we do in terms of creating artwork via paper, both in a gallery-style setting, but also by directing people to be more observant in the real-world setting…
Bloom n Grow Gal completing her Paste-Up Project installation on Manchester Street
It’s an important part of events like this, to further instill the city’s reputation as an urban art destination, right?
tls: Street art capital, right? Lonely Planet said so! As a group, we have such a wide range of artistic endeavors, but we’re all tied together by a bucket of paste and a brush. We have people who come along and just draw smiley faces…
CoS: And we have some people working for weeks and weeks, spending months perfecting something. Or somebody like Lost Boy who listens to our conversations and cartoons what we’re chatting about and then pastes it up! I was saying something about how you should never microwave a sausage, because it’s not good, and he drew a cartoon strip about it! It was hilarious!
A Lost Boy paste-up
tls: Sometimes, I’d say relatively regularly actually, we’ll meet up somewhere and the meeting is more important than sitting down and drawing. It’s knowing that you’re just checking in with everybody and having a good week and is everything alright and we’re all good. I might draw two pencils on a piece of paper and that might be it. Other times I might sit down and not talk to anybody and draw 50, it doesn’t matter. We’ve had people come in for one session and we never see them again. We’ve had a kid come with their dad…
CoS: That kid was so shy, but he was so happy to be there.
tls: We’ve also had kids come along on walks and freak out because they get to put a sticker on the side of a wall. We’re not molding it into one thing. It just is what it is.
CoS: It’s also not a session where you necessarily need to bring anything, and you can take away whatever you want from it. I feel like I do a lot of my cutting out, rather than making my collages, which requires a lot of space and a lot of focus. I just get the energy that I need. Also, the confidence of being in a group is important, going out on your own is quite daunting.
tls: That’s the thing we do differently, there’s safety in a gang. We haven’t got patches, but we go out and there’s a couple of spots on Manchester Street where you don’t want to be hanging around by yourself at 10:30pm at night on a Wednesday, but when you’ve got a group giggling, laughing and joking, it makes light of the situation, for sure.
CoS: It also gives us the opportunity to mix our art together in the streets, so we’re not individuals, it becomes a collective thing…
V: One of the nicest things we’ve done is where we take over a whole box and we collage it…
CoS: It’s everybody’s work all at once. It’s so instant, although sometimes people don’t want it to be too chaotic!
A beautiful bird paste-up by Slap City member Salsa Stark
We were talking about the other events…
tls: Oh shit! Yes! So, you’ve got workshops, on the Wednesday after the opening night, it will be similar to what we do already, and we might do one for younger people beforehand. We have the ability to share stuff on the wall here, we have the ability to play music here, we have the ability to do lots of things, which is why we are having it here at TyanHAUS.
How did that relationship with TyanHAUS start?
tls: I judged a youth skateboard competition that was run here on a wet day a while back. We were going to run it at Two Thumbs Brewery, but it was too wet. So, I came down to help Jack [from local skate brand DuckEwe] to judge. I was looking at this big wall and I thought we could cover that! The guys from TYAN were like, yeah, sure, go for it! We did a few workshops here where I drove my car inside and we lay down on the nice clean floor. We talked to them and they were keen to host this festival, so we said yeah let’s do this! Now it’s almost here…
V: We talked about cross promotion, but I feel like everything’s happening at the same time, so people that are interested in street art are going to find out about both…
It is awesome to see these two things overlapping, speaking about the same culture, just from different perspectives…
CoS: I imagine the audience is going to be the same, so I hope that people check out both shows. We’ve done a few of the graffiti workshops at the giant cans and that was awesome. This cross section across the two events is great, with some really big names in graffiti and we have some really big names in paste-up culture, as well as a lot of people that are virtually unknown…
tls: We had to force Lost Boy to get on Instagram, because we wanted to tag him in posts. But he is also totally fine with just coming along and drawing his drawing funny pictures about shit we say. He’s actually got an exhibition opening on the 22nd, its fucking grand! Along with the paste-up show, there will be a Hello! I am the Show exhibition with members of Slap City. It’s not specifically about paper art, but it is connected…
How can people find out more? How can they make sure they don’t miss out on anything?
V: It’s all on our Instagram account, we’ve got a Facebook event set up as well and we are going to get posters printed and pasted up.
Who is supporting the festival?
tls: We’ve got obviously TyanHAUS on board, they’re amazing, we’ve got Hello, who is doing our lovely art show, Karma Cola are doing drinks and there’s talk of a beer and wine sponsor, we don’t need much else. It would be great if there’s someone out there who makes wallpaper paste, hook us up! Or people who can print some stuff for us, hit us up on the Instagram page!
Is there anything else you want to add?
tls: Come along!
CoS: Participate! Do the workshops! Support local artists!
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Follow Slap City on Instagram and Facebook for more information about The International Paste-Up and Sticker Festival. The Festival runs from March 4th to March 12th at TyanHAUS on Carlyle Street, Sydenham
It has been a while since our last Street Treats edition, in part due to the lock-down situation, but even as we all play catch up on the livelihoods that were put on hold, the streets were a fascinating site to explore with the range of expressions and interventions to be found. This volume of Street Treats features a cacophony of diverse forms, and rather than dealing with explicitly political messaging, they are affirmative and declarative and playful, inherently meaningful concepts in a time where it is easy to feel invisible and somewhat powerless. Graffiti is a strong presence, bursts of colourful existential expression, bound by certain conventions but constantly searching for ways to stand out. The examples here run the gamut of styles and modes of production (some are legal, others not so much), but importantly they speak to the game and represent both a here and now and the countless numbers that have come before, a lineage of urban commentary. The repetition of other, non-signature forms lives up to the concept of post-graffiti, like characters, pencils, flowers and rocket ships, these symbols are both as mysterious as calligraphic tags, and yet also familiar and therefore more approachable. They share the idea of proclamation in the public realm, but are perhaps satisfied with intrigue rather than alienation. Why do so many find it more challenging when someone boldly writes their name than the positioning of an iconographic proxy to do the same job? Is a name a more confrontational and confident vessel for expression? Regardless of your take, the effect is the same; the city speaks, quietly, loudly, in whispers or in defiantly boisterous screams…
REVOS kicks off a production near Green Lane…
SLIME
2PEAS
ALPHA and TEPID shine bright
DOVE and TEPID get funky
ALPHA and TEKNO refresh the Hereford Street spot
SEN and ATOM keep it grimy…
OXY on Allen Street…
with SLIME
IK/FOK shout out, while the The Masked Artist looks on…
The tracks will always be there…
SAER
VESIL/9-IRON double up on Madras
2TOES in New Brighton
PEST5 in Lyttelton
teethlikescrewdrivers collab with k421666
teethlikescrewdrivers and Bloom n Grow Gal get amongst it
teethlikescrewdrivers, Cape of Storms and more…
teethlikescrewdrivers and Gary Silipa make a perfect combo
Cheros One takes off
And then gets chased by the buff…
Bloom n Grow Gal goes tiny…
Bloom n Grow Gal and Lost Boy, who goes even smaller…
BGG also explores new media with these wooden block pieces
Bloom n Grow Gal shares some thoughts…
… and some more
Bloom n Grow Gal also served as a reminder of our lock down needs
and some emotional support.
Bloom n Grow Gal and Mark Catley’s Three-Eyed Freaky Girl
Eye Scream gets melty
Not sure of the artist, but it’s great…
Subtlety sometimes works best.
Salsa Stark’s birds are beautiful and beguiling
Lost Boy’s illustrations are a combination of absurd, mundane and lovely, a perfect mix…
Lost Boy
Vez’s spoon gang looks to be up to trouble (I can also totally imagine these guys as characters in Noel Fielding’s Luxury Comedy)
Ghostcat and Bols installed these city ciggies, they didn’t last long, but that’s kind of the point…
Bols plugs in
This is a social commentary
Try, Fail, Try Again, good advice (possibly from Rough City)
Birds can’t eat bread. More good advice.
MadSoul waxes poetic.
This is the part where you come out.
Peel me. Seems obvious.
PKAY goes greasy
while MEEP and BERLIN are nice and tidy.
Central city paste-ups by members of the Slap City collective and their international compadres
Cape of Storms always finds the retro goodness.
Angel by MK Templer has a lovely vintage vibe…
While this door way just exudes everything we love about the overlooked parts of the city.
The buff, while not as nice, can sometimes still be an interesting thing to spot.
SADER votes YES in Burwood.
Stay tuned for more Street Treats soon!
If you have any corrections for the credits above, let us know in the comments!
The weather has been incredibly unpredictable throughout these recent weeks, sunshine, clouds, rain, all coming and going without abandon. That sense of unpredictability is frustrating when it comes to weather but is refreshing when it comes to life more generally. I’ve never been much of a planner, partially because I don’t do expectation and anticipation well (impatient much?), but also because I tend to see the world unfolding around me and the joy in taking what comes. That isn’t to say I’m reckless, it’s just that I favour flexibility. So when I look back at last month, my initial thoughts were what have I seen and what have I done? Nothing stood out, but then I started writing down some ideas and they flowed forth. A full calendar sometimes means you miss out on the little, unexpected things…
Anyway, after that little philosophical rambling, here is a list of the things that stood out in July 2021…
A Trip to Te Whanganui-a-Tara
I got some family time away at the beginning of July, heading off to the capital city. It’s no secret I love Wellington – from eats at Sweet Mother’s Kitchen, to trips to the amazing Zealandia and the Surrealists exhibition at Te Papa, it delivered again. I also, as usual, took in as much urban art as I could, from the many playful DSide paintings to Askew’s amazing Rita Angus mural and the smaller bits and pieces along the always vibrant Cuba Street…
Play Again?
In the heart of the Burwood East X East Red Zone, this new Play Again? mural by Porta and Bols is an extension of the Power Up! project by the same artists from 2020, continuing the video game theme to represent the red zone as a space of memories, nostalgia and play. Visible from the nearby motorway, it makes for a cool visual! Supported by Life in Vacant Spaces and the Christchurch City’s Council’s Red Zone Transitional Projects Fund, it is hopefully just one of many creative additions to the space…
Bloom n’ Grow Gal Pastes
Bloom n Grow Gal has been on a roll recently, with her colourful A4 flower posters reinforcing positive vibes, albeit with some tongue in cheek. The blocky shapes and gridded layout add to the overall effect as well, like colourful street confetti! We are big fans!
Slaps and Pastes Workshops for Kidsfest
Joining forces with the amazing Teeth Like Screwdrivers, we recently hosted two Kidsfest workshops for young people to explore sticker making and paste ups – with a focus on allowing the participants to do whatever they were drawn to, it was super fun and inspiring! Thanks to GapFiller and Placemaking at One Central for the opportunity! We hope it becomes a regular thing!
Bye Bye Mayo…
Not a highlight, but definitely notable – the demolition of the rear building of the YMCA’s Papa Hou space meant the disappearance of works by Mayonaize (2017), Sean Duffell (2013) and a host of younger artists (at the time of writing, I think Ikarus’ Spectrum piece is safe, and the works visible from Hereford Street remain). Of course, it is an eventuality and inevitability, but it is no less a shot in the gut to see a beloved piece literally reduced to rubble…
Check out our social media feeds on Instagram and Facebook (@watchthisspacechch) to see what else we love!
When we asked DJ DREAM.R to compile our And That Was… for June, we knew she would have plenty of rad things to talk about – the flip side of that is it becomes a tough task for someone who is constantly juggling projects and events to find time! Like the champion DREAM.R is though, she made time and came back to us with an amazing list of things she has loved from the last month – from creative workshops to morning raves and bubbling plans for murals in Wellington, this is most definitely the list of a true creative who spreads across the realms of making, doing and thriving! From choice-cuts that get the crowds dancing to funky pots and earrings as well as a surrounding circle of friends that guarantee wicked plans, DREAM.R was a perfect choice to recap June 2021…
Jess Johnson and M/K Press Workshops at the Christchurch Art Gallery
Jess Johnson and Simon Ward’s Genetekker Archaic (2018), on the Christchurch Art Gallery Te Puna o Waiwhetū’s forecourt bunker. Photo: http://www.ivananthony.com/
DREAM.R’s creation from the Jess Johnson workshop
I recently attended a few workshops at the Christchurch Art Gallery Te Puna o Waiwhetū, including a session with artist Jess Johnson, who creates intricate otherworldly pieces that I have been drawn to for their pastel colours, symmetry and sci-fi strangeness. She does most excellent collaborations with Simon Ward and together they make their worlds come to life with virtual reality. If you ever get a chance to check this out, don’t sit on it – get involved! It was insightful to learn her techniques and inspirations and I got to play around with my own piece on the day.
Jane Maloney from M/K Press knows all about risographs…
DREAM.R’s risograph poster from the M/K Press workshop
I also attended another great workshop with Jane Maloney from M/K Press who brought in her risograph and showed us how it all worked. I got to create a few fun prints working in with some backgrounds she had already printed. Using the risograph was magic, and so satisfying to watch. I had no idea how it worked and now that I have had a play, I am itching for more! M/K Press’s 12-month collaboration with Fiksate Gallery, of a limited run of prints each month with a new urban artist is amazing!
Morning People
I was recently asked to play an event called Morning People, which happened to be on a Thursday morning at 6:30am! Now, when I first heard about Morning People I was skeptical because, quite frankly, I am far from a morning person (more like a night owl). However, I went to the first show they did in Christchurch a while back and was surprised at how much fun I had and how refreshing it was. Leaving the club at 8am is a memory of the distant past …ye old Christchurch city life…out ze club and onto the first bus home no more!
The morning is designed to offer an early, clean one-and-a-half hour, one-DJ rave for people before they start their day. They serve coffee, fruit, protein bars, and my fav drink ‘Club Matè’ (an epic caffeinated beverage from South America). This is a recipe for the best start to the day I have experienced yet. I was buzzing all day from the energy the crowd gave me. Watching everyone just get into it and dance their lil’ butts off was so magical. From a DJ’s perspective, it was a totally nervous lead up (feeling the pressure of delivering a solid performance of dancey tuneage to full-on sober punters!) with an exciting and fun outcome where I really just had a fully focused and dedicated crowd of beautiful people who were there to move their bodies! What more could we ask for?!
Morning people are based in Auckland and they do early morning raves in Auckland, Christchurch and sometimes Wellington. Check them out and if you can do it, do it! I recommend trying it at least once to see if it’s for you!
Cosmic Undertakings
The temporary frontage of Cosmic Wellington, which will soon see some new art
As the Operations and Project Manager for Cosmic, I am working on a project for our Wellington store where we will be doing some murals on the store frontages. I have approached an artist for one, but they haven’t confirmed yet, so I won’t divulge (but I will say that they are one of my most favourite artists on the scene today and the work she creates is magic!). This would be for a roller door and a feature wall inside the new café/vape store. For the other roller door, I will be doing a piece with my lil’ babe of a friend Lil’ Ems, who is the heart of ‘Cute Gang’ (a worldwide gang of cute artists who share the love of street art and connections). I have no idea what we will come up with, so I cannot wait to get drawing! Ems just did a wee sign on our frontage to show we are still open throughout the renovations. We have already been tagged with ‘F**k the Police’, which we assumed would happen and may end up being a funny week of bomb tags, although I do hope the final images are respected and left as is. Wellington has some real beautiful wall coverings and it is always such a trip walking the streets and taking in the talented creations. This is less of a did-do… and more of a watch-this-space!
If anyone is interested in showing me their work and could see themselves doing a mural, please flick me some details and ideas to [email protected] – we haven’t locked anyone in yet and it could still be up for grabs if it’s a fun and suitable match (Wellington-based ideally for ease of logistics!).
Warehouse fun and Shes.cutting.shapes!
A Shes.cuttin.shapes creation
A bunch of my crew just signed a short-term lease on a warehouse right in the centre of town. We have intentions to use this space as storage for our many behind-the-scene ventures and to make a studio where we can create new works while hanging with friends. We are called ‘Clubhouse Creative’ and while I am not sure where this new venture will take us, it is super exciting to think of the possibilities! I look forward to playing around with more painting and doing some bigger murals (practice for the Welly mission – I will attempt to paint a mural on the front roller door… I’m not sure who painted the one that is on there now, but I think it’s time for a refresh…), and to make space for my Shes.cuttin.shapes projects. I have been painting pots for all of my plant friends for a few years now. I use test pots from Resene and never plan them before I put brush to pot, I trust the process and enjoy the moment! I also make earrings from molding clay and have fun with my hands making cool patterns and shapes. I haven’t quite got them to the stage of selling, most of my creations are for me and my friends… I am hoping that this space will give me the creative space to share my love of these things!
Lots of creations on the horizon!
RDU’s Slaps Collection
I play with some good friends of mine on the Rhythm Zone show on RDU 98.5FM every second Friday from 6pm to 8pm. Being in the RDU studio, I have always spent any downtime in between mixes looking deeply into their slap sticker collections from over the years. It has been built up over years and shows a long history of the humans who have passed through and/or contributed their time to the station from all walks of life within the music industry. Each individual sticker represents a gig or a musician or a label or a brand – spanning many years of goodness!