Welcome to the second issue of Tune! This time we got pencil-slinger Teeth Like Screwdrivers to name some key tracks that form a soundtrack to his creative endeavours. As host of his own radio show he was a natural choice, and his selections reveal his background going to school in Liverpool and his love of indie music…
I am a huge fan of music, but I can’t make it for shit. I host a radio show on Rotten Radio in Lyttelton, Quality Time with Nat, and I get to play music that I like, which is fun. I went to university in Liverpool, so I have been an indie kid all my life but I will always have a place in my heart for soundscape stuff as well. Choosing eight songs or albums has been the hardest thing ever. Here’s what my music tastes are like at this moment. It will be different next week. Listen to Quality Time to see what it is I guess!
One of my favourite bands from my favourite record labels making their very best. I saw Mogwai play live in 1998 and I am still recovering. Yes! I am a long way from home is one of the greatest opening tracks of all time and Mogwai Fear Satan is one of the greatest closers.
I have the original on 7-inch that I got from Probe Records in Liverpool when it was released in 1992. Thom Yorke has completely messed with the whole song and it has the most amazing noise kick a minute or so into it. Shivers.
I found this via a cover of a Deerhunter song by Lyttelton’s Aldous Harding that was on a 4ad compilation – one of the great labels (The Breeders, Throwing Muses, Big Thief, The National etc.). Everything about this is wrong – but it just works amazingly well.
I think I saw this on a snowboard video. Woodpecker Wooliams are one of my ‘gutted to have missed’ bands as they had broken up a few months before I heard this for the first time. If I’m ever needing a pep talk, this is it.
I have loved Frank and the stuff he puts out since seeing his Tiny Desk video a few years back. This song from an awesome album actually makes me shout out loud and almost brings me to tears every time.
I found Aurora while trawling Bandcamp (for Norwegian music – don’t ask, but do go and look for Kælan Mikla) years ago. At that point she had only brought out one or two songs but there were some amazing live performances online. There was also a documentary online about her life. I downloaded the album then bought the vinyl. Six years later she has ‘arrived’ and now sings on Disney movies and her songs are used on TikTok. Regardless, she still makes absolutely astonishing music. Her first album stands out for me. She wrote Runaway when she was 11! FFS.
Arab Strap have been one of my favourite bands and one that has shaped me the most throughout my life. Aidan Moffat is arguably one of the darkest, most gifted story weavers writing music. After more than fifteen years, they are back with a truly astonishing album. I saw them heaps, mostly in Liverpool (supporting another favourite of mine, Gorky’s Zygotic Mynci, as well as Mogwai, at the legendary Krazy House), in Portsmouth (a shambolic, drunken show), at various festivals and on their Farewell Tour. I own every record they have put out on Chemikal Underground. The Week Never Starts Round Here is still one of my top albums of all time, but the new one, As Days Get Dark, is also a masterpiece, it’s Arab Strap at their finest.
When I asked Bear Trap drummer Mitch Barnard to compile the And That Was… for August in mid-July, things were relatively normal. Then, things got… difficult. Lockdown made it tricky to make a list of things Mitch had enjoyed around town, any plans for gigs, exhibition openings and general revelry were kibosh-ed. But with the steady hands that are a prerequisite for percussionists, Mitch soldiered on. While this entry of And That Was… is a bit different, it still gets to the heart of what this column is all about – celebrating our city and its treats, be they art in the streets, beats, reads or feeds. Alongside his musical exploits (check out Bear Trap’s anarchic anthem Bad Boys and it’s amazing lo-fi video), Mitch is well-known face in the local hospitality scene, slinging fine coffees at Grain, and here, he pays his respect to what some of Ōtautahi’s best eateries have been doing in these challenging times…
So here we are again. All seemed well in little old New Zealand: beers at the pub with ya mates, nights out with your partner, life was pretty normal… Until BOOM! Lockdown is back again.
When I was asked to write this wee piece I was super excited as there were a ton of events that I was looking forward to covering, but that’s the hand I’ve been dealt hey. From art exhibition openings to local bands playing gigs, August was looking alright. Adjusting this write up on the fly, I’ve decided to just write about a few Christchurch restaurants and cafes that I love, covering how they adapted their menus to work within the Level 3 Covid19 regulations and reminding you all to support them!
Down the industrial end of Durham Street in Christchurch, 5th Street changed to their menu completely and offered up takeaway sandwiches. Anyone who knows me knows I love a good sandwich, so as soon as I saw this I jumped on it and ordered right then and there.
Nashville Hot Chicken, Philly Cheese Steak and Eggplant Parmigiana were my choices and all three were outrageously good! Quality ingredients put together by quality people, that’s a winning combination I reckon.
I decided one Saturday to cycle down to the legends down on New Regent Street to sample one of their breakfast toasties I saw posted on Instagram (takeaway, of course!). Boy was it banging!!! Soft scrambled egg, beautiful house cooked leg of Ham, pickles, cheese, this guy had it all. I washed it down with a simple long black (coffee by Lyttelton Coffee Co.). It made for a pretty damn good Saturday morning.
Saturday night I returned to try their Fried Chicken burger on the recommendation of a good mate of mine. I was not disappointed, a really good burger not dressed up to be something it wasn’t. Simple, honest and bloody tasty!
This list wouldn’t be complete without a shout out to one of my favourite cafes. This place hits the spot every single time and I always leave feeling better than when I went in. My go-to order is a long black and a Kimchi three cheese toastie. I’m aware this list is very carb heavy, but how good is bread! Also you can find a pretty good slice of lollie cake at Child Sister too.
There’s many places I haven’t listed in here but these three are just the ones that are fresh in my mind.
To anyone trying to run a business in these weird times, hospo or not, my hat goes off to you. Keep going! We’re behind you!!
Anyway, I’m off to watch the Alert Level update on the telly now, if you’ve made it this far thanks for reading!
Check on your mates, check on your family and SUPPORT LOCAL!!!
Follow Mitch and Bear Trap on Instagram and support local hospitality!
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Tune! is a brand new series where we ask artists about the importance of music in their practice. For many creatives, forms of art overlap and provide incredibly important influence, whether it is those who are multiple threats (you know, the amazing musician who is also an incredible painter), or those who admit to the vital sustenance consuming one form has on their production of another. Music and visual art or object-based art have a long entwined relationship, from bands formed at art schools to iconic album covers, or even the idea that a fully formed creative eco-system is vital to any subculture, such as the four elements of hip hop. So, here, Tune! allows us to create an ongoing eclectic playlist of music to make art by…
For this edition, we hear from local stencil artist Bols about his failed dreams of rock ‘n’ roll stardom, how his tastes vary and what music he listens to while at work…
I was nine when my parents gave me a cheap guitar and I started lessons. Unfortunately, I showed neither an aptitude nor a willingness to practice and after just a handful of lessons my fledging path to superstardom came to an end. Yet, I never completely gave up that faint dream of somehow writing a song that would change the world, I just made sure I didn’t tell anyone until now. I cringe when I say this because it is such a common response, but I have diverse musical tastes. It might seem weird, but I love abstract painting and sculpture, but musically I have always connected with songs with potent, evocative, cinematic storytelling rather than beats, whether that is edgy alternative, soundtrack indie, conscious hip hop or even morose alt-country. I was probably the wrong age for the rise of electronic music, that was the domain of the nerdy kids who knew something the rest of us didn’t. I have always appreciated the way music can evoke a spectrum of emotions, I like nothing better than a song that makes me sad. Music connects with a time or an event in my life and as I get older that becomes even more powerful (there is a line in a song,When You’re Ready by Brian Fallon, where he talks about watching his daughter colour in while wearing new pyjamas and it gets me every time), it might be in the way it makes me feel, it might be because I was listening to it whenever, but my life has played out to a soundtrack. I tend to think of my art in musical terms, from perfectly phrased lines to more abstract lyricism. I find inspiration not just for ideas but also for a call to action to work as well. There are a heap of artists I could have included, but for now, here are a handful of songs that inspire me…
Lord Huron – Twenty Long Years
This album, Long Lost, is on high rotation right now and this is my favourite song from it. It has an old-time feel, with feelings of regret in a last guy at the bar vibe. It’s lonesome and romantic: “I gotta find a way out of this mess, I’m in trouble and it sure looks bad..”
Bruce Springsteen – Jungleland
Springsteen is not everyone’s cup of tea, but this song pretty much sums up my creative outlook – it’s cinematic, it’s romantic (“kids flash guitars just like switchblades”), it’s sprawling, it’s escapist, it’s epic (“the street’s on fire in a real death waltz”), but it is also relatable in a strange way. I rise and fall with the tides of this song, and always seem to find some new line that resonates – I feel like every time I hear it, I scramble for a notebook thinking there is some way to add that to a work…
Big Thief – Not
I discovered Big Thief when I heard the album Capacity and was immediately smitten. I was one of those people who raved about them every time I got the chance. I had tickets to see them in Auckland, but Covid. Not is still the track that stops me in place – it has an urgent energy combined with evocative lyrics that have me singing along while trying to unlock what Adrienne Lenker is saying…
Frightened Rabbit- Keep Yourself Warm
I heard Frightened Rabbit’s Swim Until You Can’t See Land first, and I loved it, but when I listened to their second album Midnight Organ Fight, it was stuck on repeat for months. The whole thing was so relatable and anthemic. It ultimately took on even more meaning with the death of Scott Hutchison, the leader of FR. Keep Yourself Warm is a cathartic song written in Hutchison’s style of witty self-deprecation that is also affirming, it is vulgar and yet uplifting. The version by The Twilight Sad after Hutchison passed is heart breaking and cathartic.
Aesop Rock – Blood Sandwich
My taste in hip hop stems from Public Enemy and follows a path through Arrested Development, The Roots, BlackStar, Common, Brother Ali, Atmosphere, Doomtree and of course the verbal master Aesop Rock. Blood Sandwich is just amazing song-writing and makes me want to wrangle words, Aesop evokes eras and moments in such visceral quality it is hard not to feel present in these events: “Can you even imagine a death in the fam from industrial fandom?”.
Reigning Sound – Stick Up For Me
I’m a fan of that guitar-driven British R’n’B sound, I think it comes from my Dad who with some mates ran a nite club in Christchurch when he was younger with a house band in the style. It is the grimy sound and energy that hook me, with this a particular favourite from the mid to late 2000s revival… It is a motivator, which is always vital for me as a procrastinator.
WU LYF – We Bros
I was introduced to WU LYF by Hitnes, an Italian artist who visited Christchurch in 2013. He played it but I forgot the name of the band and struggled to find them again for several years as they had disbanded. But when i did finally find their album Go Tell Fire To The Mountain, I listened to it over and over. It is menacing and mysterious and heavy and it allows me to drift off as I paint…
Follow Bols on Instagram and keep an eye out for more editions of Tune! coming soon!
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When we asked DJ DREAM.R to compile our And That Was… for June, we knew she would have plenty of rad things to talk about – the flip side of that is it becomes a tough task for someone who is constantly juggling projects and events to find time! Like the champion DREAM.R is though, she made time and came back to us with an amazing list of things she has loved from the last month – from creative workshops to morning raves and bubbling plans for murals in Wellington, this is most definitely the list of a true creative who spreads across the realms of making, doing and thriving! From choice-cuts that get the crowds dancing to funky pots and earrings as well as a surrounding circle of friends that guarantee wicked plans, DREAM.R was a perfect choice to recap June 2021…
Jess Johnson and M/K Press Workshops at the Christchurch Art Gallery
I recently attended a few workshops at the Christchurch Art Gallery Te Puna o Waiwhetū, including a session with artist Jess Johnson, who creates intricate otherworldly pieces that I have been drawn to for their pastel colours, symmetry and sci-fi strangeness. She does most excellent collaborations with Simon Ward and together they make their worlds come to life with virtual reality. If you ever get a chance to check this out, don’t sit on it – get involved! It was insightful to learn her techniques and inspirations and I got to play around with my own piece on the day.
I also attended another great workshop with Jane Maloney from M/K Press who brought in her risograph and showed us how it all worked. I got to create a few fun prints working in with some backgrounds she had already printed. Using the risograph was magic, and so satisfying to watch. I had no idea how it worked and now that I have had a play, I am itching for more! M/K Press’s 12-month collaboration with Fiksate Gallery, of a limited run of prints each month with a new urban artist is amazing!
I was recently asked to play an event called Morning People, which happened to be on a Thursday morning at 6:30am! Now, when I first heard about Morning People I was skeptical because, quite frankly, I am far from a morning person (more like a night owl). However, I went to the first show they did in Christchurch a while back and was surprised at how much fun I had and how refreshing it was. Leaving the club at 8am is a memory of the distant past …ye old Christchurch city life…out ze club and onto the first bus home no more!
The morning is designed to offer an early, clean one-and-a-half hour, one-DJ rave for people before they start their day. They serve coffee, fruit, protein bars, and my fav drink ‘Club Matè’ (an epic caffeinated beverage from South America). This is a recipe for the best start to the day I have experienced yet. I was buzzing all day from the energy the crowd gave me. Watching everyone just get into it and dance their lil’ butts off was so magical. From a DJ’s perspective, it was a totally nervous lead up (feeling the pressure of delivering a solid performance of dancey tuneage to full-on sober punters!) with an exciting and fun outcome where I really just had a fully focused and dedicated crowd of beautiful people who were there to move their bodies! What more could we ask for?!
Morning people are based in Auckland and they do early morning raves in Auckland, Christchurch and sometimes Wellington. Check them out and if you can do it, do it! I recommend trying it at least once to see if it’s for you!
As the Operations and Project Manager for Cosmic, I am working on a project for our Wellington store where we will be doing some murals on the store frontages. I have approached an artist for one, but they haven’t confirmed yet, so I won’t divulge (but I will say that they are one of my most favourite artists on the scene today and the work she creates is magic!). This would be for a roller door and a feature wall inside the new café/vape store. For the other roller door, I will be doing a piece with my lil’ babe of a friend Lil’ Ems, who is the heart of ‘Cute Gang’ (a worldwide gang of cute artists who share the love of street art and connections). I have no idea what we will come up with, so I cannot wait to get drawing! Ems just did a wee sign on our frontage to show we are still open throughout the renovations. We have already been tagged with ‘F**k the Police’, which we assumed would happen and may end up being a funny week of bomb tags, although I do hope the final images are respected and left as is. Wellington has some real beautiful wall coverings and it is always such a trip walking the streets and taking in the talented creations. This is less of a did-do… and more of a watch-this-space!
If anyone is interested in showing me their work and could see themselves doing a mural, please flick me some details and ideas to email@example.com – we haven’t locked anyone in yet and it could still be up for grabs if it’s a fun and suitable match (Wellington-based ideally for ease of logistics!).
Warehouse fun and Shes.cutting.shapes!
A bunch of my crew just signed a short-term lease on a warehouse right in the centre of town. We have intentions to use this space as storage for our many behind-the-scene ventures and to make a studio where we can create new works while hanging with friends. We are called ‘Clubhouse Creative’ and while I am not sure where this new venture will take us, it is super exciting to think of the possibilities! I look forward to playing around with more painting and doing some bigger murals (practice for the Welly mission – I will attempt to paint a mural on the front roller door… I’m not sure who painted the one that is on there now, but I think it’s time for a refresh…), and to make space for my Shes.cuttin.shapes projects. I have been painting pots for all of my plant friends for a few years now. I use test pots from Resene and never plan them before I put brush to pot, I trust the process and enjoy the moment! I also make earrings from molding clay and have fun with my hands making cool patterns and shapes. I haven’t quite got them to the stage of selling, most of my creations are for me and my friends… I am hoping that this space will give me the creative space to share my love of these things!
Lots of creations on the horizon!
RDU’s Slaps Collection
I play with some good friends of mine on the Rhythm Zone show on RDU 98.5FM every second Friday from 6pm to 8pm. Being in the RDU studio, I have always spent any downtime in between mixes looking deeply into their slap sticker collections from over the years. It has been built up over years and shows a long history of the humans who have passed through and/or contributed their time to the station from all walks of life within the music industry. Each individual sticker represents a gig or a musician or a label or a brand – spanning many years of goodness!
I first came across Sofiya Romanenko’s photography at the exhibition More – The Show, a group show of local female artists held at the Boxed Quarter. I was immediately struck by her recognition of the beauty found in the urban mundane; a bundle of stacked shopping trolleys forming a striking geometric huddle with horizontal and vertical lines transforming the everyday and overlooked into an object of interest. Having moved to Ōtautahi Christchurch from Moscow, Russia, Sofiya’s photographs are not simply a record of a universal urbanity, but a process of coming to know one’s surroundings, grappling with the unknown and jarring elements of a city that is constantly shifting as it sets about re-asserting its identity. The Diaries of the Mundane display an undefined poignancy, still moments of reflective observation, we stand on the threshold, looking in and yet a step away…
The Diaries of the Mundane
I moved to Christchurch from Moscow, Russia almost five years ago, but until very recently our relationship could be described with a very specific image of a curtsy nod, accompanied by an awkward tight-lipped smile that strangers here give each other upon accidentally locking eyes in a public setting. Not that I knew Moscow any better, but that’s simply because I was acquainted with it just enough to not want to delve any deeper. Christchurch though – it has proved a whole other story.
It’s taken me a while to “get it”. To embrace the unsightly, the uncomfortable, the ugly. To recognize the potential behind each broken window, rusty fence, deformed road cone. To take in the rugged textures, clashing colours, confronting details. To finally start relating to it all. It happened at a time of great uncertainty in my life, when lone walks through dingy alleyways and railway tracks became a mental escape from the dreaded shadow of the future, side-eyeing me from each corner and gnashing its teeth in anticipation of swallowing me whole. It was around the same time I started revisiting my old hobbies, trying to reconnect with the “self” I had seemingly lost somewhere along the way of springing into adulthood, and a long-forgotten but quickly remembered skill in film photography came about as the perfect accompaniment to my wandering antics.
Christchurch and I still have a long way to go – for instance, I can’t learn its layout to save my life. But we get closer each time I capture yet another beautifully mundane part of its day-to-day as an ongoing diary of the city’s ever-changing nature. Eventually, all of what I photograph will disappear; replaced by shiny new malls, painted over for the sake of uniformity, gentrified to appease the upper class – all of it will be wiped out without a shred of doubt, the eyesores finally gone. But it will forever remain on film as a comforting reminder that nothing is ever truly gone as long as you’ve got some lonesome lunatics running around with old school cameras taking photos of literal trash.
To see more of Sofiya’s photography, follow her on Instagram: @chchasti
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Back in February, South Sea Spray saw a collection of Aotearoa’s finest urban artists congregate in Bluff. As one might expect, the outcome was an array of stunning works produced around the Southern town. We were lucky enough to get our hands on pictures courtesy of photographer Brian ‘Rowee’ Rowe, with permission from the festival organisers – so, in case you can’t make it down to the glorious South, here is our latest postcard…
for more about South Sea Spray, including future festival information, follow them on Facebook and Instagram…
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Ghostcat’s first ever solo show Shadow Town opens at Fiksate’s Sydenham gallery space on Friday, April 9th. While we figured March would have been a busy month for him, we thought it was worth checking in to see what kept him going throughout this hectic period as he prepared for the exhibition. Ghostcat’s exquisite scratch-built miniatures are intertwined with our surrounding spaces, inspired by our personal and communal experiences, so sharing a list of what he has doing seemed a fitting exercise. Knowing Ghostcat’s love for the quirky and grimy things of life, we were also aware it would likely be an eclectic list, surely infused with his love of schlock horror movies, quirky discoveries and of course, as a man after my own heart, pizza… We weren’t disappointed. So, here are the five things that helped Ghostcat along the road to Shadow Town and made his March more colourful…
Alligator the Movie:
I love eighties horror movies and this month I saw Alligator for the first time, its about a baby alligator that gets thrown down the sewer and feeds on dead dogs and rats that have been biffed down there by a lab. It grows about 60 feet long and fucks everyone up in town, it was incredible! I love how everything is handmade in that era of movies, from the posters to the effects…
Alligator the Pizza:
This is pure coincidence, but I also had Alligator Pizza for the first time from Riccarton this month. Pizza is life for me, I love it. Sal’s is normally my go to, but Alligator’s pizza’s are massive, like truly they are ginormous man! I had a whole cheese pie, it was the biggest thing I’ve ever seen!
Radiohead – How to Disappear Completely:
I started listening to Radiohead’s Kid A again this month and I had forgotten how beautiful the track How to Disappear Completely was… It is Thom Yorke’s favourite, I think. It reminded me of how we all feel at some point in our lives. Shit, that sounded really depressing, haha. But music takes you places though, eh? It evokes all sorts of wondrous things. Its an incredible song.
Edward Gorey – The Gashly Crumb Tinnies:
I had a conversation with Bongo the other day and he showed me some art from someone that jogged my memory of an artist I love so much, Edward Gorey. I have been meaning to get his book The Gashlycrumb Tinies. Its such a sinister and macabre illustrated book showing the running alphabet alongside the strange deaths of children, like, “E is for Ernest who choked on a peach.” Its delightfully twisted. Check it out, it is a stellar coffee table book. I love the scratchy heavy dark use of colour and the depiction of death is wonderful. Death should always wear a top hat and carry an umbrella. It doesn’t take itself too seriously but by nature it is pretty twisted. It’s fascinating, I recommend checking it out.
Preparing for Shadow Town:
Collectively working and collaborating with Bols, Teeth Like Screwdrivers, Ikarus, Vez, Tepid, Dr Suits, Bongo, Rubble City and Dcypher has been such an all encompassing experience, from seeing a vast range of styles of art to all having the same goal, which is to be part of anything that represents who you are as an artist. It’s been amazing and I am truly honoured to have had so many interesting and talented people get on board with what I’ve been doing. I’m really excited about this show, it can’t come soon enough!
Shadow Town opens 5pm, Friday April 9th at Fiksate, 54 Hawdon Street, Sydenham
Jessie Rawcliffe seems like the perfect fit for this month’s And That Was…, having just completed a stunning piece on one side of the Berlin Wall installation at the start of the month. Of course, typically laid back, Jessie is also not the type to wax lyrical about her own work, so don’t expect any mention of her own work (although you can check it out here). Instead, her February recap is filled with her favourite things, from British electro post punk albums, to photographic exhibitions, and as she promised me, the ‘goodest boy’ she could muster. So here is Jessie Rawcliffe’s February 2021 recap…
Shit. Reuben asked me to do this at the beginning of February – now that the month is over I can’t seem to remember a single thing that I did, but I know it flew past in a blur of hectic energy.
I’m terrible at picking my favourite anything (afraid of commitment much?), but here we go…
Album pick – Sleaford Mods – Spare Ribs
Categorised as ‘electro post punk’, I found these guys through Idles and Fontaines D.C. on YouTube. They’re a two piece featuring sparse beats, vocalist Jason Williamson talk-raps about middle class struggles and British culture with an abrasive English accent that I can’t get enough of.
Mork n Mindy is an absolute banger.
Opening / Monthly social gathering highlight – Fiksate’s new digs
It has to be Fiksate opening their new spot in Sydenham. Hawdon Street is in a great part of town, I’m about it.
Best good boy
This is Honey. We met at the beginning of the month, none surpassed. 11/10. Would pat again.
This guy’s been on fire this last month. His collage-style paintings have a cut and paste effect, mixing broad loose brush strokes with smaller detailed imagery that he always manages to balance. Objects are superimposed and float in space, you can read each thing or just enjoy the overall effect.
Also, dude has a cute dog, which is ultimately the content we all want.
Favourite exhibition – Larence Shustak: air gun? at Te Puna o Waiwhetu
He has a really interesting career going from New York where he took some of the most universally recognisable images of jazz legends, to Christchurch, where he photographed punks, and working with Flying Nun.
While we were there a gallery tour was on; the person taking it pointed out their all time favourite Shustak photograph, which is part landscape part portrait and probably the most quintessential ‘kiwi’ image on show; and I thought “fuck, really? That one!?”
I first met Rowee the Kiwi when he joined a street art tour I was hosting. His camera was clicking from the first minute to the last, and not just capturing the murals and more prominent works we were exploring, he would often shoot off down an alleyway or into a vacant lot to capture something much smaller in scale. It was clear Rowee was what you might call a ‘street art hunter’, an urban explorer who understood the way artists can transform a cityscape. And he has seen a lot, his travels have ensured his collection of flicks includes some amazing works by renowned and anonymous artists, many that have since dissolved, leaving his records as a legacy. Having returned from living in Australia, he settled back in Invercargill, a city he has roots in, and this shift has coincided with the emergence of urban art in that part of world, notably through the effort and work of DEOW (both his mural work and his organisation of South Sea Spray, an urban art festival that attracts impressive rosters to the picturesque south).
In Invers, Rowee the Kiwi explores Invercargill through his photographs of DEOW’s work and centrally, the massive mural Mia… So let’s take a trip down south…
Mick Jagger famously said “Invercargill is the arsehole of the world”, but then… he’d never been to Bluff. Having lived here during the 70s and 80s, I certainly didn’t have much to complain about. Which is why it was such an easy decision the retire back here.
I first learnt of Danny Owen, aka DEOW, through my grandson Zac, who was doing work with him, mostly on rooftops and factory walls. This one is in the YMCA building on Tay Street, created with Ikarus from the DTR crew and members of the SLK crew, Devos, Omen and Dias.
After many years of apparent neglect Invercargill’s inner city is showing signs of a renaissance. Most of a whole city block is being redeveloped. Plans seem somewhat fluid but already important works by DEOW have already gone.
The Kelvin Hotel underwent a face lift in recent years and a lot of people were interested in what was hidden under the wrap…
At the time this was the biggest work of art in the Southern Hemisphere. Now surpassed by Adnate’s public housing block work in Melbourne and more recently by the Adnate Hotel in Perth.
The face of Mia revealed…
Demolition around Mia…
DEOW and Mia…
The fear is that most of Mia will be covered by a proposed accommodation block that may be built on the now vacant block beside it.
One piece that has fallen to the developers’ bulldozer is DEOW’s magnificent Tua’s Story of the Ghost Bird…
One that lives on is, to quote DEOW himself: “The ghost bird” – Ngāi Tahu / Rakiura’s Tītī.
It is said when the ghost bird takes flight on the new moon, all tītī scamper from their islands and start their epic journey north. The girl symbolises the next generation, the next one to tell the legend. The Southern Lights reflect over the South Coast and the Foveaux Straight, as the birds glide past the skyline of Bluff – Omaui – Centre Island – Riverton – The Longwoods – Takatimu, all seen from the city of ‘Water & Light’.
To see more of Rowee the Kiwi’s urban art photographs, follow him on Instagram…
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2020. Sigh. I still remember the first day of 2020, the sun was an ominously fiery orb in a grey sky, the result of the marauding bush fires in Australia. There were intriguing stories of a virus outbreak in China. There were rumblings of an escalating conflict between the U.S. and Iran. Let’s just say the markers were there.
2020 just continually threw curveballs. While we spent a lot more time at home (and for some legitimately feared the supermarket), faced massive uncertainty around our futures, and watched the insanity of the U.S. political system play out (t.b.c…) while death counts and infection rates continued to spiral and spike, it is important to look for positives amongst the icebergs, like the vital discourses arising from the Black Lives Matter movement, or our embrace of new avenues to enjoy the things that seemed so far away for much of 2020 (online exhibitions and concerts, and personally, Josh Gad’s Reunited Apart series, where the casts of Back to the Future, Ferris Bueller’s Day Off and The Goonies got back together via Zoom). Good or bad, the effects of 2020 (which themselves extend back far further than those 12 months) will linger far longer, surely influencing our behaviour and output in untold ways, from the way we make art to the institutions that police our communities. Indeed, the relative sense of calm normality here in Godzone is a far cry from distant shores, where 2021 is already following an equally hectic path…
With that reflection in mind, we once again reached out to a heap of our friends to look back over the last twelve months and how their year played out. We asked each contributor five questions; the changes they faced in 2020, their lockdown experience, their creative highlights and the art that mattered in 2020, and their contingency plans for 2021…
Here’s what some of our favourite Christchurch creatives made of 2020…
What changes did 2020 bring for you personally? The biggest change for me personally was a new focus and direction within my Jen Head works, which came about through a friend’s request for a birthday card, that I then developed further over lockdown, and it’s just carried on. It has been a sort of ‘ah-ha’ moment. I’m loving this direction, it’s more simplified and has focus, but with endless options to explore, and best of all, it has been well received. I’m enjoying doing personalised commissions at the moment. I’m loving painting realism again and when combined with the abstract character of my Jen Heads, it creates impact.
The biggest change for Fiksate, is packing up and moving to a new location. It has been a stressful few months, but I’m super excited about the new space, it’s a warehouse style spot [54 Hawdon Street, Sydenham] and we can’t wait to start fresh in the new year.
What got you through lockdown? The fact my three-year-old son, Frank, still takes naps got me through! I could count on those two or three hours for my alone time, to create artwork, to have some space. We packed up a lot of studio material and made a desk space in our spare room during lockdown. It was a godsend. Dr Suits [Jen’s husband and Fiksate co-owner] was working at a large scale in the backyard, but I enjoyed sitting and really focusing. I wrote and illustrated a children’s book, developed my Jen Heads and played with patterns and ideas.
Dr Suits was a massive support and did all the supermarket shopping, but there was never enough beer! Our neighbours were amazing and the North Beach crew in general, we could keep in touch through the fences or distanced walks. Facebook video calls daily with my Mum/Frank’s Nana were also helpful!
What has been your personal artistic/creative highlight of 2020? The start of the year was a banger with the Ōrua Paeroa mural in New Brighton. I was able to take part in Shared Lines, an exhibition curated and organised by Audrey Baldwin and colleagues [Now displayed in the new Spark building on the corner of Hereford and Colombo Streets]. I took part in the Conscious Club’s SDG Exhibition, which was amazing. I also organised Perspective – Women in Urban Art, a line-up full of top female urban artists in New Zealand, as well as international graffiti artist Glam. Perspective was super special, we produced a zine to accompany the exhibition which included amazing insights into the creative backstories, challenges, and successes of the artists. Dr. Suits, Porta and I also completed a large mural at Switch New Brighton. It was really fun, and it felt good to bring colour to our neighbourhood.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? This question is too hard! There are too many in my mind to list!
What are your plans if 2021 turns out worse than 2020? My plan for 2021, if it turns out worse than 2020, is to focus on what brings me and my family joy, from the small things in my daily, to bigger actions, like giving and sharing. To really focus on nature and getting out there and into it. I’ll try not to ‘stress drink’ as much as I did throughout this year, haha!
What changes did 2020 bring for you personally? At the start of the year I had secured a massive job, I was really excited as it would have been one of my biggest murals yet, but unfortunately due to Covid-19 and the economic recession, the client had to cancel which sucked! So that was my first realisation how serious the pandemic would be for the rest of the year being self-employed. But besides that, I had a relatively steady year in my art/design business, it got pretty scary there for a bit but the Government and CreativeNZ really pulled through for self-employed creatives, which I am very grateful for. Other than that, I have had a HUGE rise this year of people asking me for free or cheap work which really fucks me off. My other business that I co-own, The Conscious Club, definitely struggled as we mainly host events, but we managed to keep going and pulled through together in these rough times. We even got a studio/retail space in town which is pretty awesome.
What got you through lockdown? My partner and I live together, and he had been going full conspiracy mode since the start of January as our friend was over in Hong Kong and telling us how crazy the pandemic was and that it could come to New Zealand. So, by the time it got here we were quite prepared but still pretty freaked out. We both used the time to be creative. I still had work I could do from home, and my partner was making a hip-hop album. The only downside was both our studios were in the same room, so it was pretty loud and distracting. Other than that, we went on lots of walks with the dog and lots of Zoom calls with mates. It wasn’t too bad apart from when you had to go to the supermarket!
What has been your personal artistic/creative highlight of 2020? I have been in a lot more exhibitions this year which has been cool, and I also curated a massive exhibition fundraising and bringing awareness to the UN’s Sustainable Development Goals [SDGs]. Also, I have been working with a really cool producer from the UK doing album covers for some big names in hip-hop. Also, the Risograph print run with Fiksate and M/K Press was really cool. That’s all I can remember, I think I have blacked out a lot of this year, haha…
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? I think the anti-racism movement is a huge part of 2020 and from my experience there are a lot of people that are becoming more aware of racism and what it looks like and what people of colour go through every day. I still feel like there is a big divide, and I can see the opposite where there are a lot of people pushing back on the movement too. Getting in amongst it all can be pretty intense and overwhelming sometimes to say the least. This year me and my friends started a campaign called Stand The Fuck Up, sharing the story of our friend who was racially attacked at a party and ended up on the news. We have an event surrounding this planned for 2021 to continue the conversation.
What are your plans if 2021 turns out worse than 2020? Hmm, I think I’ll probably head for the bush, I can’t take much more!
P.K. (graffiti writer, photographer)
What changes did 2020 bring for you personally? This year I moved to a new house, where I can have an actual studio space, which has given me the opportunity to experiment with more things and be closer to the city than I was back at my old place.
What got you through lockdown? Once I figured out it was chill to leave the house without getting stopped in the street, I had a great time in lockdown. I really enjoyed going for long walks and bike rides while it was quiet. The cleaner air was awesome! Although I do feel it has made me even more reclusive than I was before lockdown happened. I’m still not very used to being in situations with lots of people even months after it.
What has been your personal artistic/creative highlight of 2020? Something that stands out in my memory of 2020 is the group show A Tribe Called Haz put on at Outsiders, Haz Called a Tribe, that I was fortunate to be a part of. It was really cool to see such a good and diverse selection of work from people who often don’t exhibit their creations publicly.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Props to Weks, Vesil and Dofey for winning graf, the Green Party for all their good work in parliament this year, and to everyone that’s dedicated their year to trying to make the world a better place.
What are your plans if 2021 turns out worse than 2020? Never plan anything.
What changes did 2020 bring for you personally? I’m anti-social as shit, so it didn’t affect me too much apart from delays on a couple of projects, haha. But most, if not all, of those already had funding secured so they were just postponed until after the initial lock down period. Isolation was tight: be lazy a.f. and don’t feel guilty about it, hahaha!
What got you through lockdown? I hang out with my girlfriend all day erry day anyway, so it wasn’t that much different. We did groceries like real adults for a change though and made more interesting dinners cos there was so much more time. I don’t remember if I even did any drawings or arts, but maybe I did…
What has been your personal artistic/creative highlight of 2020? It’d be a toss-up between the South Frame mural and the New Brighton Outdoor Art Festivalproduction. Both were rad concepts and large walls that incorporated large amounts of traditional graffiti pieces and elements. Also, making some 3D diorama street scenes and other kinda sculpture related works was cool.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Honestly, I’m a bit of a savage and don’t really even look at or follow art or cultural shit. Fuck racists anyway, if you needed BLM to tell you that shit is fucked up out here, you’re a goddamn idiot. Was it even positive or just more divisive than ever? Weks and Pesto’s killer run during lockdown is my favourite art movement of 2020, hands down. Vesil and Dofey get the honourable mentions too, straight up crushing the city.
What are your plans if 2021 turns out worse than 2020? Keep doing my thing and watch the world burn down around me. I’m more afraid of meteors crashing into the earth than catching a cold. Realistically I’d be kinda keen for the planet to descend into complete chaos and anarchy, we’re too comfortable anyway…
What changes did 2020 bring for you personally? One of the biggest changes in 2020 for me involved experimenting in the studio during lock down, which was well overdue. But once the lockdowns were lifted work definitely picked back up pretty quickly. It felt like it almost gave people an extra drive to get new or pending projects underway.
What got you through lockdown? What got me through lockdown was painting canvases in the studio for sure, nothing serious just painting for therapy really. Obviously, friends and family definitely help in times like that as well. I have friends in the States who are still dealing with the whole problem and its endless ramifications. Just trying to be supportive for them in any way possible was and still is a focus of mine.
What has been your personal artistic/creative highlight of 2020? Some of my biggest and most complex projects to date have happened in 2020, so I can’t complain. All the big walls we’ve painted as a crew would have to be my personal favourites, from the Jungle tribute by the Moorhouse tracks, to the South Frame wall and the NBOAF seaside wall, to name a few.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? For sure all the looting and rioting and peaceful protests that were attached to the Black Lives Matter movement. And all the street parties after Trump lost the election! America has had a real bi-polar year! I do feel 2020 was a super productive year for graffiti and street art internationally.
What are your plans if 2021 turns out worse than 2020? If 2021 is worse than 2020, I’m going to make the most of it in the studio and really try to produce a large body of work for a show in 2022!
What changes did 2020 bring for you personally? My studies went fully online which just made me have a lot more control over time. I found myself able to relocate my study to evening where I was more productive anyway, and use my days to go out (while we weren’t in lock down). Everything that happened in 2020 gave me the opportunity to find my love for photography again.
What got you through lockdown? Netflix, routine, university studies, naps. Boring things mainly. I wish I could be one of those cool people who were super productive during that time.
What has been your personal artistic/creative highlight of 2020? Being part of the Perspective exhibition at Fiksate gallery. But also just learning how to set aside time for creative projects.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? I think that celebrity Imagine cover captures 2020 pretty great. And if you wanna get more deep than just how shit it was, the reaction to it was a great example of people (maybe) starting to understand that different people in the same society have different experiences. Whether it’s black people vs white people’s experience with the cops or rich vs poor people with the pandemic.
What are your plans if 2021 turns out worse than 2020? More naps.
What changes did 2020 bring for you personally? I guess my biggest change was a steely determination to get out and put stuff up rather than take a photo for Instagram to show people what I had put up. I pretty much shut all my social media accounts at the start of the year and only restarted my sticker one when my #slapcitycollab started up. I am always on the cusp of shutting it all down. I’ve heard Flickr is making a comeback amongst sticker artists!
What got you through lockdown? Two things: A battery powered chainsaw and the #slapcitycollab (that eventually morphed into #slapcitymashup). I started doing a lockdown challenge, but the inspiration words were a bit ‘meh’, so I wrote out a list of artists I wanted to mashup/collab with my stuff and just started there. Then it turned into 20 days, then 40 days, then 60 days… A whole bunch of rad artists from all over the world got involved and some awesome collaborations came out of it. I was so hyped to see @awasgaga doing a huge Teeth Like Screwdrivers wall for his entry and getting a mashup sticker made with Ocky_bop was pretty epic!
Also, I have a nice garden now.
What has been your personal artistic/creative highlight of 2020? The Slap City Sticker Workshops at Fiksate have been huge for me. We started them at the end of last year and while they obviously stopped during lockdown, when we came out of all that it seemed even more important for us to get together and hang out. While the rest of the world dealt with Covid-19, we were able to sit, draw, chat, have a drink then go out into the street and sprinkle a bit of love around the city. We are fucking lucky, really. Slapcity family!
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? As I said, we are pretty damn lucky here in New Zealand to be able to host art shows, wander the streets and look at stuff and hang out together. Other places are not so lucky. So, my highlight this year happened right at the end in the good old US of A.
The DC Sticker Expo 5.0 was obviously not going to happen in real life this year, so they put the whole show on virtually. You can wander around the gallery and zoom in on stickers and pieces. They did a virtual treasure hunt and I have spent a fair bit of time just looking around. So good! (Keep your eye out for a couple of pencils in there!) Peel Magazine (which used to run in the early 2000s) started a new project after a decade or so: ‘Peel Magazine has a posse’. The basic premise was to design your own version of the classic ‘Andre The Giant has a posse’ sticker and get them all together in one book. Shepard Fairey gave it the green light and it just got printed. Stoked that my design got a full-page spread!
What are your plans if 2021 turns out worse than 2020? To just keep doing shit that makes me happy, I guess. I’m stoked to see friends getting the recognition they deserve. I’m constantly inspired by seeing other people doing amazing things. I like the idea of getting my stuff bigger. I’m going to probably fall out with Instagram again, keep skating a long way, keep buying more records and still be grinning from ear to ear whenever I start up my old car!
What changes did 2020 bring for you personally? The biggest change for me in 2020 was my relocation from the UK to NZ. Moving on my own to the opposite side of the world was always going to be a challenge. As well as saying goodbye to my family and friends, I also said goodbye to my regular pasting crew. I knew I had to find fellow street artists to connect with in Christchurch. Luckily, the Slap City events at Fiksate Gallery helped me enormously with that! Finding this group helped me to not only connect with street artists, but I made friends. Inevitably this helped me settle in. It has also influenced my style, too. I’ve done lots more stickering and started making handmade stickers too, which I hadn’t done before I moved here.
What got you through lockdown? Lockdown was an interesting time. I had just arrived in the country and I didn’t have my current network of friends. My furniture, which I shipped from the UK, got delayed. I was in an empty house (no bed, no couch, no TV, no WiFi!), and on my own. I kind of enjoyed having time to myself and having space to think. I spent the time doing yoga, preparing handmade stickers and making plenty of video calls with family and friends back home in the UK.
What has been your personal artistic/creative highlight of 2020? My highlight this year was taking part in Perspective, an exhibition of women in urban art at Fiksate. It made me really happy to be asked to participate and to have my art showcased with lots of talented artists. It was an exciting project to take part in.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? What stands out for me in 2020 is how lock down and quarantine seemed to bring artists together from all over the world… So many lockdown art collaborations were being done… I think a lot were initiated by Teeth Like Screwdrivers! I did a lot of collaborations too during lockdown. I guess we all had time, and that’s wonderful.
What are your plans if 2021 turns out worse than 2020? At this stage I have no particular plans for 2021. I think what 2020 has taught me is that life is so unpredictable, no one knows what is around the corner. I’ll continue to make art and spread the spoon love.
What changes did 2020 bring for you personally? One of the biggest changes for 2020 was not being able to head overseas. I’d been psyching myself up, planning to head out into the world and see some sights and experience other ways of life. As to changes in work, I’ve moved away from painting with watercolour into painting primarily with ink. I’ve also used traditional American tattooing designs as inspiration a lot more than I have in previous years.
What got you through lockdown? Pretty much all my energy during lockdown was directed towards painting, DJing or running. I’d wake up around seven each morning, chuck on a podcast and just paint at the kitchen table until I got hungry then I’d make breakfast and carry-on painting. I definitely produced the most works I’ve ever made in my life during that period. Then if the inspiration fountain was running a little dry, I’d jump on the DJ setup we (the Winton Street crew) had also set up in the kitchen. I began getting really into running to combat the claustrophobia I’d feel from spending every day in the kitchen. Everyone knows how good exercise is, so I don’t really need to gas up running and its benefits!
What has been your personal artistic/creative highlight of 2020? My highlights would definitely include Halves on an Exhibition, which Reece Brooker and I had at Outsiders in March (pre-lockdown), then Haz Called A Tribe, the first group show Becca Barclay and I put together at Outsiders in July (post-lockdown). It featured two-and-a-bit handfuls of talented locals/pals. The night got pretty large! I also had my first month-long exhibition filling up all the walls at Black & White Coffee Origins (thanks Chris!), it was an awesome experience, and I learnt a lot.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? The BLM protests and the USA 2020 election featuring COVID-19 will definitely be the most “2020” thing. You wouldn’t believe it if it wasn’t true, absolutely unreal!
What are your plans if 2021 turns out worse than 2020? Probably learn how to cook, haha! (I can’t cook)
What changes did 2020 bring for you personally? Art wise, the biggest change that 2020 brought for me was probably the retirement of a particular style of work and the pseudonym under which all that work was made. With freedom from the confinement of that one style, I’ve been able to delve into producing work under my own name that has been floating around in my brain for a while. New work. New materials. New fun.
What got you through lockdown? Skateboarding every day in the car park next to my house made lockdown super bearable for me. Luckily, I had a pretty decent supply of art materials as well and with the extra time on my hands it was good to tinker away on plenty of new stuff. With the small amounts of “real work” that I had to do at home and skateboarding and good flat mates and art to work on, lockdown was surprisingly good. I was very lucky.
What has been your personal artistic/creative highlight of 2020? I would have to say the retirement of the ‘Uncle Harold’ pseudonym has been a huge highlight, such a weight off my shoulders that was obviously well overdue. As far as a particular project I was a part of in 2020 that was a highlight, it would have to be the See Me Skateboards project. A bunch of epic local artists got to go into schools and run workshops with the kids painting their own skateboards. It was awesome seeing kids realise art doesn’t always have to be super serious and boring and they got to go crazy with it and experiment with all sorts for materials and styles. Seeing all 200 of the kids’ boards exhibited at the 013 Gallery was fucking rad too.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Reading this question, particularly the ‘2020’ part, regarding what pieces of art stood out, my mind instantly jumped to all the Covid-19 conspiracy theories written in chalk on the Bridge of Remembrance in town. I walked past new messages every day and I’m not sure which had more mistakes, the facts that supported those theories, or the actual spelling mistakes in the messages themselves. That’s pretty fucking 2020 if you ask me.
What are your plans if 2021 turns out worse than 2020? At the moment my life seems to be way more of a shit show than 2020 or 2021 could ever be, loooooool. Come at me 2021, I’m already way ahead of ya! Hahahahaha…
What changes did 2020 bring for you personally? 2020 was the year of change! The whole world is going through a cosmic shift. At the same time, my personal world also went through HUGE changes. I managed to get married, go on a honeymoon, renovate my house and have a baby all within the year of Covid-19. (That’s just the main stuff!) With all of that put together, change is inevitable. I only got to host one show at my gallery (The 413 Local), we put it on after the lockdown. It was called Isolation and the artists showed work either made in or inspired by the New Zealand lockdown. Before Covid-19, I had hoped of putting on at least two or three shows. But alas, plans change. I did end up trying a lot of different mediums and techniques that I have never used. The changes around me allowed me to become more experimental and less precious about my art. I tried my hand at watercolours, pushed myself with Copic markers, and made my first bootleg toy. All while also having fun with my usual tools and materials. My main focus for my personal art this year though was drawing and making my first comic book. I released A Dog’s Mind (Issue 1) with the thought “There are no such things as mistakes, just happy accidents” in mind. (Thanks Bob Ross!)
What got you through lock down? Definitely my wife, Sammie, she pushed me to create and make things when I fell into the trap of Playstation and potato chips. But also, a lot of podcasts, I’ve been on a real scary story/horror and live play 5E D&D buzz this year. Music is a big one. Lots of O.G. hip-hop, Fall Out Boy and I ain’t afraid to say it, Lewis Capaldi. Then reading, I’m really into non-fiction lately, and a healthy dose of comic books, of course! I have actually been moving away from the big two (Marvel and DC) lately and finding more indie/underground artists and books, which is really refreshing.
What has been your personal artistic/creative highlight of 2020? So, I also joined a local comic group called Funtime Comics. We meet once a month and talk and draw comics and hang out. Every year they produce a graphic novel from artists all over New Zealand. I got published in their special Covid-19 issue and will have work in their next issue as well. So, on top of hand-producing the first issue of my own comic, and starting the next issue, I will be in two Funtime comics as well. Pretty chuffed with that to be fair! I also did my own version of Inktober called Daktober. I did 31 prompted ink drawings. It did take me like two months longer than everyone else to complete, but my daughter Clarke was born just after I started, so I kind of had a good excuse! But to tell the truth, she is probably the greatest thing I have ever had a hand in making. Clarke is definitely my biggest highlight this year!
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? As I was reading this question, instantly the BLM movement came to mind. How could it not? Tragic events that are still shaping worldwide generational protests. Compare that with taping a banana to a wall, I don’t think it stacks up… Not only did I see art come from the reaction to the BLM movement, but it’s still on going. From fine art, graffiti, music, there is a massive influence. It seems to me that the arts are not only a tool but also a release for artists all over the globe to tell others about their emotions and experiences. That’s what the arts are for, right? To give a message, leave a mark, communicate. It’s not often that a culture-changing event like BLM happens. A Van Gogh painting got verified this year. A Salvador Dali painting might have been found in a thrift store. Both are amazing events that took place this year. Both add to their narratives in the space of society. But it is the old guard. BLM has a spark of new energy. Watching statues of Confederate generals fall and being replaced by A Surge of Power, a work by Marc Quinn and Jen Reid depicting a young black female protestor raising her hand with the Black Power salute, was powerful. Listening to the stories and political knowledge woven together with beats from the likes of Run the Jewels or Tobe Nwigwe, or seeing a painting by Shaquille-Aaron Keith, while reading a poem he wrote to accompany it, I feel like there has been a shift. BLM was a massive push in the right direction. A direction with many events and situations that seem to have been culminating the last couple of years, have come together. Looking to the future, I feel under-represented people from all walks of life, extending beyond BLM, will not only find their voices in all genres of the art world, but they will dominate it, leading the way for more diverse storytelling, bringing more people together.
What are your plans if 2021 turns out worse than 2020? Not too sure, but I got my crow-bar ready for the zombie apocalypse (it’s the superior choice for that situation).
What changes did 2020 bring for you personally? I’d planned to spend a lot more time out of Christchurch and lean on some North Island connections to push my work getting seen in other places. I definitely had to put this on hold but managed to change my focus to making some stuff I’d had in my head for a whole so overall I came out reasonably unscathed.
What got you through lockdown? Having a routine but also being fluid enough to decide each day with what it was that I needed (emotionally, physically) and letting myself deviate as required… Having my studio at home, checking in with my close friends, Star Wars, our espresso machine, a boxing bag, oh and the Covid-19 Wage Subsidy!
What has been your personal artistic/creative highlight of 2020? Lockdown gave me time and space to experiment without impending deadlines or having to go to work. The most notable thing I made this year, which encompasses lots of the ideas I played with during that time, was probably a painting called Ophelia which was in an exhibition run by the Conscious Club. It ended up being something I was super proud of and didn’t immediately want to pick apart.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Has to be Vesil’s toilet paper piece that went up just before lockdown, iconic.
What are your plans if 2021 turns out worse than 2020? Go full hermit and probably have the most productive year of my life with nobody around to give a single fuck.
Keep an eye out for our monthly And That Was… entries throughout 2021!
Feature Image: One of Levi Hawken‘s BLM concrete solvs in central Christchurch
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