Tune! with Kophie Su’a-Hulsbosch

In this issue of Tune! artist and designer Kophie Su’a-Hulsbosch shares the music that matters to her. For the founder of Future Apparel and member of the Conscious Club, music is a vital component of her creative process, with hip hop a driving force in her thinking and making. From shooting and editing music videos with her partner Local Elements, to designing posters and album covers for local and international acts, Kophie’s art is deeply entwined with music, while her love of hip hop also reflects her social activism…

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My name is Kophie and I am a freelancer artist/designer among other things. I have been drawing since I was young, and growing up in Wanaka, I was influenced by the skate and snow culture. Moving to Christchurch at the age of 10, I went from a small country town to an urban environment, I became obsessed with graffiti and it’s been a journey ever since. I used to love walking around the city and the tracks before the earthquakes, looking at all the newest pieces. Then the explosion of graffiti post-earthquake was cool to witness. My style is primarily influenced by hip hop (including graffiti), politics, street subcultures and lowbrow art. I have had a lot of art stolen, so I think I make art for broke people like me!

Music certainly influences my work, I listen to many genres but my primary influence is hip hop. Nothing touches my soul like hip hop, especially the power that lyrics can have. There are so many sub-genres within hip hop which I think is evident in the songs I have chosen, but I absolutely hate trap! I listen to most of these songs while I am working or creating depending on my mood or what tasks I have…

Songs: Verbz & Mr Slipz – Hope Feat. Nelson Dialect and Ocean Wisdom – Voices in my Head

I love UK hip hop and the movement over there is HUGE. I have been lucky to design single cover art with some big names in UK hip hop through an awesome producer over there called Planky. My favourite UK record label is High Focus, they are releasing the best artists. These two songs are artists from High Focus.

The Verbz & Mr Slipz track is my new favourite tune, and the Ocean Wisdom song is an old fave, it a track that is a bit more real and emotional.

Album: Choicevaughan and Tom Scott – Deuce 

Tom Scott from Homebrew is probably my fave musician of all time and I have been listening to his music since high school so its had a massive influence on my life, he tends to talk about real-life New Zealand problems and politics. This album is a newer collab with Choicevaughan, a New Zealand producer featuring many other local musicians. It’s a pretty upbeat album and I listen to this on the weekly. My other favourite song from Tom Scott is Home, which gives me goosebumps or makes me cry every time I listen to it!

Song: Eno x Dirty – GETURSELF2GETHA

Eno x Dirty is real representation of New Zealand hip hop and I love the incorporation of Te Reo in the lyrics. I especially love the track GETURSELF2GETHA talking on all the bullshit conspiracies going around and the rise of fake news, the decline of critical thinking and the increasing division on social media.

Mix: Don’t Sleep Records

I love Don’t Sleep Records and I listen to this mix of boom bap and jazz hip hop all the time while I am working. It was recommended to me by my good friend Lucia. The samples used throughout this mix are about not sleeping, which I strongly relate to!

Song: Stephen Marley x Mos Def – Hey Baby

This one is a classic! It was released in 2007, but I love Mos Def/Yasiin Bey so much and his verse gives me goosebumps. I could listen to this song all day! I put this on when I want to be inspired…

Radio: Lo-fi – STEEZYASFUCK

This is my favourite lo-fi radio to put on when I really need to concentrate or do a lot or writing or research.

Song: Local Elements – Nine to Five

I have to slip in this upbeat track by my partner Local Elements – it is some awesome Christchurch hip hop!

Follow Kophie on Instagram and Facebook for more of her work…

Check out the other issues of Tune! to build an ongoing playlist!

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Perspective: Women in Urban Art @ Fiksate Studio & Gallery

Urban art, and graffiti in particular, are viewed by many as masculine realms, physical, aggressive and competitive. But, the reality is that women have long had a vital role in the history of wall writing and street art, from subway graffiti writers like Lady Pink, to post-graffiti icons like Swoon, and leading members of the contemporary mural movement like Maya Hayuk. In Aotearoa, the female presence in urban art has also been notable, and Fiksate’s Perspective exhibition, opening on November 6th, brings together an array of artists to share their diverse experiences and reveal the myriad stories and pathways of women in urban art.

Organised by Fiksate owner Jenna Lynn Ingram (Jen_Heads), Perspective brings together established and emerging female artists from around New Zealand (and further afield), with a diverse range of practices, from typography-focussed graffiti writers to spoon-loving street artists, collagists, paste-up artists, photographers, videographers, traditional painters and mural artists. This diversity reveals the approach of Perspective, less concerned with an explicit historical narrative or thematic or stylistic similarities, the show primarily explores the scope of work of the collected artists, from Flox’s beautiful stencils to Kophie Su’a-Hulsbosch’s empowered portraits or Befaaany’s striking urban photography. In doing so, notions of the female urban artist are both celebrated and challenged.

Auckland artist Flox is one of the impressive line up included in Fiskate’s Perspective: Women in Urban Art Exhibition.

The Perspective line-up features an amazing snapshot of Aotearoa’s urban art talent, including well-known figures such as Misery, Flox, Diva, Kell Sunshine, Mica Still, Erika Pearce, Gina Kiel, Xoë Hall, Greta Menzies, Jen Heads and Fluro, as well as newer names like Mirella Moschalla, Glam, Kophie Su’a-Hulsbosch (Meep), Befaaany, Vez, Cape of Storms and Bexie Lady.

Local talent Kophie Su’a-Hulsbosch is part of the Christchurch contingent of the show.

Accompanying the exhibition will be a limited-edition risograph zine, produced by Jane Maloney of M/K Press, providing additional insights into each artist’s background and further highlighting their varied experiences, from the challenges they have faced to the different environments that have fostered their approaches and nurtured their talent. While more fluid and non-binary gender identities may render gender specific exhibitions less necessary in the future, Perspective is an important moment in Aotearoa urban art, a celebration of some amazing talent.

Spoon-making street artist Vez highlights the diversity of the Perspective line up.

Perspective opens 5:00pm, Friday November 6th at Fiksate Studio and Gallery, 165 Gloucester Street.

For more information, visit www.fiksate.com or Fiksate’s Facebook page.

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And That Was… July 2020 with Beccie B

This month we asked designer and DJ Beccie B (Becca Barclay), the force behind Imposter posters, to let us know what she got up to in July. Knowing Becca, the cold clime was never going to be a hindrance, especially not with the array of activities gracing the post-lock down calendar. If anyone knows what’s up, its Beccie B, so here is her And That Was… July 2020:

We’re in August… WHAT?!

July was kind to us all! For a wintry month usually filled with rain, bed and Netflix, the post-lock down positivity and happening of events was all around us. It was so awesome to see so many people making the most of artistic opportunities and things happening around the city. What have been my highlights? Heaps! Let me tell you some more… July started with two huge events that meant so much to me…

Haz Called a Tribe at Outsiders

The first was Haz Called a Tribe, the group exhibition organised by Harry King (aka A Tribe Called Haz, aka my best pal). Held at Outsiders skate shop, the show featured 15 young Christchurch-based urban artists.

Like any A Tribe Called Haz exhibition the energy was electric with a massive amount of people (of all ages) showing up to support and respect the art from our local community. I was so honoured to be involved, to help curate and to have my artwork included among this line-up of artists. Some of my personal favourites were from local legends R.Weaver, Meep, PK and Bren. Bren’s piece, affectionately named Mark, featured a dog and had me in awe as it was so different from his usual output. PK, R.Weaver and Kophie (Meep) all delivered too, with pieces in their more classic styles.

Opening night of Haz Called a Tribe at Outsiders. (Photo credit: Troy Tapara)

Sugar & Spice at Flux

All good exhibitions have an after-party, right? Some of you may know that for the last couple of years, under the alias Imposter, I have been creating marketing and posters for many different promoters in the Christchurch electronic music scene. A long-term goal of mine has been to hold a gig and here it was, my first-ever! Sugar and Spice was compiled of a full female line-up of local wahine DJs from all different genres. Myself, Rosa and Tinny played alongside headliners, Texture, Fyretits (Dream.r & MC Jenna Lynn) and Mr. Meaty Boy.

This event showed Flux its biggest night yet and the energy was unreal! Watch this space for Sugar & Spice Summer

CHCH is LIT Festival

A local event that is always highlighted in my calendar is the Botanic D’lights (Yes, it is a part of Kidsfest. Yes, I am a child at heart). But due to this year’s COVID interruption, Botanic was postponed and CHCH is LIT made for a very honorable replacement. A total of 20 lighting installations were scattered throughout the CBD and New Brighton, including Tim Budgen’s Reflections, which was my highlight. A galactic-inspired piece along Oxford Terrace reflecting into the Avon River, it made for a real ‘wow’ moment.

New Regent Street looking all flash as part of CHCH is LIT.

Art Social: Art for Equality at XCHC

My dear friend Shannon Kelly hosted yet another incredible Art Social at XCHC. In light of the Black Lives Matter movement, this Art Social was a little different and hosted a group exhibition made up of 12 local artists with 50-100% of profits going toward artist’s chosen racial equality causes.

With each artist taking inspiration from black culture, this exhibition was such a beautiful collection of inspired works. A personal favourite was the trio of miniature ‘Jen Heads’ by Jenna Lynn Ingram.

And with opening night featuring Roscela from the 03 Pineapple Club, and the usual art supplies scattered throughout the XCHC, it made for such a good night filled with incredible art, delicious cocktails, and a real sense of togetherness.

An atmospheric view of the Art Social: Art for Equality exhibition at XCHC. Photo from the XCHC Facebook page.

Winter Night Market at Te Puna o Waiwhetu

I must admit, I don’t go to the Christchurch Art Gallery as much as I should. And every time I do, I remember what an incredible asset it is to our artistic community.

The Winter Night Market was no exception! If you didn’t go, you truly missed out. Everyone was there. The place was packed, and the energy was incredible. The highlight for me was the exhibition Louise Henderson: From Life, which included her late career masterpiece, The Twelve Months (this exhibition is running through to October and if you find yourself bored in the CBD – please go!). That is not to mention the origami, the jewellery, the crate digging and all the familiar faces! What an evening!

Programme for the Winter Night Market. Image from The Christchurch Art Gallery Te Puna o Waiwhetu Facebook page.
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