We now proudly present the second iteration of the Spotlight project, again supported by ChristchurchNZ, this time highlighting four talented female artists from Ōtautahi. Made possible by the Hine te Hiringa – Empower Women Utilising FIFA Women’s World Cup 2023 Fund, this series of digital works will highlight the diverse practices of the artists, giving a new dimension to their work through scale, animation and light.
The first projection is a haunting rotation by multi-disciplinary Jessie Rawcliffe. Painstakingly creating each frame, Rawcliffe’s work is a study in craft and the understanding of movement, a new approach for the artist. The individual aspect of each image, pieced together with help from Immersive Reality’s Nicholas Keyse, heightens the recognition of each mark, the hand of the artist made evident even in the digital render. The effect is painterly and human, a quality that is also found in the portrait-based subject. The slowly-moving image transitions from a female face to a hooded red skull, an evocative juxtaposition made even more powerful by the almost emotionless expression. This figure is an archetype, allowing the audience to reflect on their own experiences, and ultimately, mortality.
With a quicker rotation of works in this series, stay tuned for the next projection. The remaining artists, River Jayden, Bloom and Jimirah Baliza will be featured in the coming weeks. To see the Spotlight works in person, head to the intersection of Colombo and Gloucester Streets after dark.
Living in the South Island of Aotearoa, American band The Decemberists’ song July, July was always confusing, the upbeat tempo a far cry from the rainy cold I was surrounded by. Likewise, this time of year can often feel loaded with FOMO, the Northern Hemisphere, bathed in warm weather (in some cases too warm, thanks to the effects of climate change), is hosting festivals and festive projects, t-shirts and sun hats abound. But to dream of elsewhere is to ignore the charms of our own surroundings – and to be sure, we had some great things going on – and, of course, we all know the sun is not far away! With that anticipatory feeling in mind, here are five things that we loved this July…
The Street Art Flea Market @ The Mid Winter Session
Tāmaki Makaurau and Aotearoa urban art legend Component opened his first solo show in eight years, and first Ōtautahi exhibition, Living in a Loop, at Fiksate Gallery at the end of July. A wet Friday night (yes, there is a theme here) didn’t deter a healthy crowd from checking out the beautifully executed stencil works, many on alluringly distressed signs. A timely reflection on a range of social concerns, Living in a Loop displayed all of the traits that have made Component one of the most important figures in Aotearoa’s street art history.
Tīrama Mai @ Victoria Square
Tīrama Mai celebrated Matariki in Victoria Square with an array of light installations and productions, a lively way to warm up on a chilly July (there’s that theme again!). With creative uses of space and light ton tell a variety of indigenous narratives, Tīrama Mai is becoming an annual highlight of Matariki in Ōtautahi.
Jessie Rawcliffe kicks off the new Spotlight Project
We have already seen two Spotlight activations on the side of Te Pae – Christchurch Convention Centre, with Jacob Yikes and Dcypher’s work projected on the famous building, but now, local painter and illustrator Jessie Rawcliffe has kicked off a new iteration, with a celebratory focus on local female creatives! Supported by the Hine te Hiringa – Empowering Women fund and ChristchurchNZ, the next few months will see four talented wahine artists’ works projected onto Te Pae. Rawcliffe’s initial work, a haunting, painstakingly crafted rotation of a female face (with a surprise twist), is first up and you need to get down to Gloucester Street to see it for yourself…
Barbenheimer
What else could we finish on but the cinematic event of 2023! Whether you fall on the side of the iconic Mattel toy or the theoretical physicist, it truly is a pop culture moment!
These things made our July as sunny as any Northern Hemisphere summer, what would you add? Let us know in the comments!
Watch This Space is proud to present Spotlight – Urban Art Projections, a project in collaboration with ChristchurchNZ that literally shines a light on local creative talent. Spotlight showcases a series of unique art works created by some of Ōtautahi’s best urban artists in collaboration with talented local animators, exploring new possibilities for urban creativity and adding a surprising twist to Christchurch after dark!
Making use of the prominent wall on the exterior of the Te Pae – Christchurch Convention Centre at the intersection of Colombo and Gloucester Streets, Spotlight projects the work of four Ōtautahi visual artists, their work brought to moving life by local digital artists. The animation gives each work a new lease of life; the mural-sized projections imbued with subtle, alluring movements that re-imagine the original productions. With a planned four installations, Spotlight has already platformed two works that have captivated and surprised passersby:
Jacob Yikes’ I will never know…
The Surrealist world of Jacob Yikes provided the first Spotlight installation back in May; the artist’s beguiling landscapes a fitting subject for this unique project. Animated by Nicholas Keyse from Immersive Reality, Yikes’ 2022 painting I will never know was animated with slowly unfurling tendrils and a rolling horizontal band of shimmering turquoise, creating an evocative, unsettling atmosphere and providing an invitation to explore this strange, unexpected landscape manifested on a central city wall, like a dream come to life. The softly moving pieces gently beckoned the viewer, requiring a double-take as more parts of the image were revealed to be alive with understated movement.
Yikes’ world-building has always suggested movement, here, this landscape was given life, while still retaining a sense of quietude and mystery. Occupying the Te Pae wall for a month, I will never know created an unexpected encounter for many walking past, a perfect starting point for Spotlight…
Dcypher’s Welcome to the City…
The second, and current Spotlight installation is Dcypher’s illustration Welcome to the City, a work that draws on the artist’s formative experiences exploring the urban environment through graffiti and skateboarding. Enduring influences, these subcultures recognise the urban landscape, and its overlooked spaces as sites for expression, transformation, subversion, and creativity. Dcypher affirms that: “The beauty that these spaces hold as inspirational layers to be interacted with is the key message of this work. I’ve always loved the look of the raw underbelly of urban architecture, the flip side of the facade, the back alleys, the fire escapes… These spots are constantly in flux as urban subcultures expand in their complexity and reach.”
Dcypher’s adventurous environment has also been brought to life by Keyse, who utilised the artwork’s layers to craft a captivating illusion. Exploring the scene’s depth by zooming in and scanning across the composition, the viewer is guided through the maze-like terrain, Keyse explaining: “As the journey unfolded, I aimed for a thought-provoking narrative to take shape, hinting that this snapshot is merely an echo reverberating across the vast expanse beyond the immediate foreground.” The movement emphasises the exploratory element, the blue-grey tone and flashing yellow lights suggesting the distinct worlds of interior comfort and exterior adventure. Welcome to the City continues Spotlight‘s mission to activate the city…
The next installation, a work by painter and illustrator Jessie Rawcliffe will be unveiled in the coming weeks – stay tuned!
Spotlight is a collaborative project between Watch This Space and ChristchurchNZ working with a collection of local creatives – let us know about your Spotlight encounters!
November brought BIG news – almost 10 years after the landmark Rise exhibition, Canterbury Museum will stage SHIFT – an urban art takeover of the iconic institution and a final hurrah to the building before redevelopment. But, this exciting news isn’t all that made November memorable! From international rock stars to small street art, summer is shaping up to be exciting!
SHIFT – Urban Art Takeover @ Canterbury Museum
Perhaps the biggest news of November was the announcement of SHIFT – Urban Art Takeover – a massive artistic takeover of the Museum, with over 50 artists transforming 5 floors of the iconic cultural institution! A completely unique exhibition, this is sure to be an unprecedented event!
Dcypher @ Chiwahwah
A fresh new work appeared along the lively Terrace strip in the central city in November, with a striking Mexican-inspired anamorphic mural by local legend Dcypher on Chiwahwah Cantina’s exterior wall. The mural stretches along the wall and is best viewed from a specific vantage point – make sure you find it!
Ikarus goes small…
Dcypher’s DTR crewmate was also busy, but at a different scale, with a series of small urban diorama’s covertly placed around the city. The grimy settings like tiny stage sets that blend into the surrounding environment.
Archetypes @Fiksate
Archetypes, a collaborative show by Dr Suits and Jessie Rawcliffe ran through November at Fiksate Gallery. The alluring paintings combine Rawcliffe’s stunningly meticulous portraits with Dr Suits’ dynamic abstraction, the results forming a beautiful suite of works that illuminated new readings of each artist.
Klaudia Bartos @ TyanHAUS
Another exhibition that we loved in November was Klaudia Bartos’ Haus of Heads at TyanHAUS in Sydenham. The beguiling series of surreal, devilish visages, produced mediums ranging from watercolour to fabric, were haunting and intriguing, inviting closer inspection…
And a Bonus…
Normally And That Was… is capped at five entries, but I couldn’t leave the return of live gigs by international artists returning to Christchurch! I may have missed UK band Idles, but a week later I was able to witness an impressive performance by US alt legend Jack White, and, it is safe to say, I’m glad I did! There was a request for no videos, so the video below will make do to replicate the energetic opener Taking Me Back…
They were out highlights from November 2022 – what were yours? Let us know in the comments!
May is the month when you can feel winter coming, daylight savings ends, the weather becomes just that little bit more unpredictable, and t-shirts start to be accompanied by warmer layers (just in case), yet we can also ignore these signs and enjoy the final throes of Summer’s waning presence. This May, we have enjoyed a range of treats, from the streets of Ōtautahi to gallery walls in Te- Whanganui-a-Tara Wellington, a beautiful secluded gem in Waltham, a haunting surprise outside one of our favourite bars and the odd geeky nightmare…
We welcomed the third artist to the Phantom bollard take-over The Paste-Up Project, with Cape of Storms adorning the circular structure with a signature blast of colourful retro collage posters. The installation, titled Foreign Objects, reflects on the adjustment to life in Aotearoa, highlighting Kiwi quirks through nostalgic compositions of food and fashion and vintage media. The appearance is easily mistaken for official poster advertising, until closer inspection reveals the acerbic humour – check it out on Manchester Street!
We’ve always known our pal Jessie Rawcliffe was super talented – now she has the certificate to prove it! Jessie’s striking portrait Richard, of Wellington tattoo artist Richard Warnock, was highly commended in the Adam Portraiture Awards at the New Zealand Portrait Gallery in the capital. From 351 entries, the Adam Awards exhibition was narrowed down to 45 works, with Jessie’s painting being placed in the top 7 by judges Linda Tyler and Karl Maughan.
The Haunted Teacup
You may know about Watch This Space’s plans for The Little Street Art Festival in 2023 (if not, more to come soon!) – but did you know about Ghostcat‘s Haunted Teacup – a work created to exemplify the types of works the festival will celebrate? The worn Victorian-styled automata viewing box has been surprising viewers passing The Last Word on New Regent Street through May, drawing people in with the promise of a terrifying supernatural experience, but is it what it seems? Go and check it out… If you dare!
7 Oaks Mural
We recently had the chance to work with Life in Vacant Spaces and the amazing community at Waltham’s 7 Oaks – an incredible site where array of groups make use of a beautiful space. Together we created a participatory mural welcoming visitors to 7 Oaks, a team effort where 3 year olds and those just a little bit older all contributed to a mural that draws on the surrounding environment.
Return to the Upside Down
Last, but not least, is a shout out to my nerdy side (which is possibly 73% of me) and the long anticipated debut of season four of everyone’s favourite 80’s homage Stranger Things! I may or may not have binged all seven episodes in one night, but who is asking, really? I also may have already re-watched it and now wait impatiently for the final two episodes… Bada Bada Boom!
Jessie Rawcliffe is our next contributor to Tune! our ever-growing playlist of the music that inspires our favourite creatives. Jessie has built a reputation for her stunning works, often portrait-based, and constructed with intricate, painstaking detail. Her painting of Pōneke based tattooist and artist Richard Warnock is a finalist in The 2022 Adam Portraiture Award, a biennial competition and exhibition held at the New Zealand Portrait Gallery in Wellington. The Adam Portraiture Award is considered Aotearoa’s most prestigious painted portrait award. The first time she has been selected for the exhibition, Jessie’s painting is one of 45 works on public display from 26 May to 14 August.
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Music has been an ever present part of my life – it’s affected the people and aesthetics I’ve been exposed to and has been a way of connecting with others. It’s fair to say that it’s influenced what and how I make.
There’s plenty of music I love that won’t get played while I paint. I’m looking to get into a dissociative state. Having to change album is a massive buzz kill and I’m haunted by that stupid sound my UE Boom makes when it turns itself off.
As problematic as Spotify is, I heavily rely on autoplay from the first thing I pick to give me a few hours of agreeable background noise. I’m only partially listening.
Each of these artists lead in a direction I like going.
MF DOOM – A.T.H.F (Aqua Teen Hunger Force)
Minor Threat – Betray
Idles – Colossus
Unknown Mortal Orchestra – Swim and Sleep (Like a Shark)
[Video contains mature content]
Night Lunch – Haunted Mill
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Follow Jessie on Instagram and check out our expanding playlist in our other editions of Tune! right here on our blog…
Almost five years since Street Prints Ōtautahi, Christchurch’s last significant street art mural festival, Flare Street Art Festival provided a welcome shot in the arm for a city with an established reputation as an urban art destination. The brainchild of ARCC, a urban activation collective of local business people and place makers, Flare burst into life with a roster of seven headline artists painting huge murals and a flurry of additional activities.
Flare was built around the selection of massive new murals that would transform the SALT District and surrounding environs, landmarks that showed an impressive diversity, each artist flexing their unique styles, interests and intentions with creative freedom.
Koryu’s massive mural
The largest mural, on the side of the newly renovated Cotters Lane building, was completed by Koryu, a Japanese artist who has been based in Aotearoa since the 2020 lockdown, living in Geraldine but travelling across the country to paint murals. While relatively new to urban art, picking up a spray can just three years ago after visiting Melbourne, Koryu’s impressive depiction of fierce Niō warriors, guardian statues of Buddhist temples in Japan shows his quick development. The circular motif in the middle of the image suggesting the infinite quality of existence, the warriors themselves representing the beginning and end of all things (the open and closed mouths symbolic of the in and out breath, the first and last characters of the alphabet). The huge work, over 160 square metres, was a massive undertaking, filled with detailed musculature and gestural painting and aware of the shared experiences of Christchurch earthquakes and the Tohuku earthquake and tsunami in Japan in 2011 when both regions were struck by devastating natural disasters, making this work, a gift of guardians, even more resonant.
Wongi ‘Freak’ Wilson
Nearby, overlooking Manchester Street, local artist Wongi ‘Freak’ Wilson displayed his technical skill with a vibrant depiction of a woman wearing rose-tinted glasses and chewing bubble gum. The pink gum exploding into a cloud of pop culture references, a baseball cap, a paint roller, headphones and more bursting out of the cloud. The combination of realism and pop-esque cartoon work a summation of Wongi’s style. The upbeat energy of the work infecting an area that still bares the scars of the city’s ongoing .
Detail of Kell Sunshine’s mural
Tucked down Memory Lane, behind the imposing SALT Mural by Paul Walters and Dcypher in Evolution Square, Gisborne artist Kell Sunshine added a rolling, lyrical mural, a beautiful contrast to the architectural and pared-back piece around the corner. Floral forms blooming and unfurling around the phrase ‘Take a walk on the wild side’, Sunshine’s mural reminds us of the need to break from convention and embrace our ‘wild side’ – a literal depiction of nature amidst the urban jungle. The 70s vibe is relaxed and the somewhat secluded placement allows for the viewer to stop and absorb the message before returning to the bustle of the city.
Meep on St Asaph Street
On St Asaph Street, homegrown talent Meep produced the largest work of her career, with a stylised self-portrait against a bright orange backdrop. The massive image shows the artist, with a backpack filled with paint, a roller and a blackbook, walking along the tracks (a traditional graffiti hot-spot and suggested by the large roller piece behind the artist), headphones plugged into a television-headed representation of hip-hop music – her constant companion (the homage to hip-hop cemented with the Kangol bucket hat and the MF Doom and Wu Tang Clan t-shirts). The strong representation of a female graffiti writer illuminating an often marginalised presence in a predominantly male sub-culture.
Ikarus on Manchester Street
On the corner of Manchester and Welles Street, local legend Ikarus of the DTR Crew recounted his own experiences in graffiti through the lens of an AR video game (a cartoon version of the artist shown in full AR goggle mode in the corner). The levels of the game move through the stages of graffiti, from tags to throw-ups and finally ascending to masterpieces, the obstacles and intricacies thrown in as well. The shout-out to traditional graffiti an important inclusion in a forum where the culture is often excluded in favour of birds and buildings. The shout out to the legendary Jungle acknowledging the legacy of those who have come before and the important role of mentorship through example.
Olive by Swiftmantis
In the rear of the Little High car park on St Asaph Street, Palmerston North artist Swiftmantis continued his series of ‘Stray Stories’ with a huge depiction of black cat Olive, her green eyes surveying the surrounding area. The amazing detail reveals the feline’s character, her tattered ear a sign of her survival. Currently with the Cats Protection League of Christchurch. Olive, perhaps now the city’s most famous cat, is still looking for her forever home, the work serving to highlight her situation and to celebrate the work done by the Protection League. The image has already stopped hundreds in their tracks, wowed at the production and enamoured with the beautiful, majestic animal.
Elliot Francis Stewart’s mural closed the festival
The final work, located on Manchester Street, was delayed when Elliot Francis Stewart was unable to make his way to Ōtautahi until the final (or at least the final official) day of the festival. Renowned as a supremely talented illustrator, Stewart drew inspiration from Christchurch’s ‘Garden City’ moniker to depict a sweetly nostalgic scene of a shovel and bucket in a garden. The electric colour scheme of blue, yellow and magenta highlights the intricate detail, the leaves, bark and even tiny lizards occupying the serene setting. It is a show stopper that draws you in, your eyes led across the incredible detail of the wall.
FUEGOS joined the Graffiti Jam
While these murals were the central focus of Flare, there was plenty more going on across the extended two week programme. Just prior to the official launch, Dcypher, Ghostcat and Dr Suits installed an anti-war 3D mural – an oversized Molotow pen fixed to the wall appearing to be the tool used to scrawl over the image of a tank in bright pink – a peace sign and the declaration ‘Make Art Not War’ defacing the symbol of military force. Just around the corner, Flare made use of a High Street shop as a pop-up gallery, featuring local and visiting artists, an array of art and apparel available. The pop-up served as the central hub for the festival, with artists hanging out and passers-by drawn in (our Watch This Space guided tours also departed from the pop-up space, while the Watch This Space Artist Panel was held at 12 Bar on St Asaph Street). An unassuming High Street space hosting a projection work, a collaboration between Fiksate Gallery and the Offline Collective, added a dynamic night-time presence to the festival. The BOXed Quarter’s collection grew with the ‘Wahine Takeover’; Jessie Rawcliffe, Jen-Heads, Berlin and MKA adding fresh paintings to the panels. The final Saturday of the festival saw over two dozen artists take over the lane ways surrounding popular bar Smash Palace with a graffiti jam, artists from different cities and generations lifting the veil from graffiti’s often mysterious presence as visitors could watch the paint being sprayed on the wall. Finally, on the last weekend, Billens Lane, next to Little High, received a make-over with fresh hoardings painted by Jacob Yikes, Dcypher, YSEK, Chile One, Ikarus, Tepid and Bols, adding further diversity to the collection of Flare works.
YSEK and Chile One on Billens Lane
With over 40 new works of art painted across the city, and over 30 artists involved across the festival, Flare served to connect the dots as an event that was for the city and the culture. This is an important element of such an event, recognising the need to support local talent and provide opportunities of varying scales, to raise the profile of urban art and foster the seeds of the city’s creative foundations. Of course, with new incarnations will come new challenges, from finding fresh walls to the massive task of finding money, but Flare has made a promising start, and we are already looking forward to 2023!
I think we all expected to be able to look back at 2021 and say, well at least it was better than 2020, but let’s be honest, it was pretty much a replay: more viruses, more lockdowns, more political shenanigans, and a heap of new entries into the encyclopaedia of frustrating human experiences. This year, when we reached out to our favourite artists, some familiar, others new friends, we wanted to keep the questions a little more open-ended than previous years, recognition of the challenging times and also giving more room for reflection. The responses echoed that intent, with a wide-ranging focus, lots of shout-outs and importantly, acknowledgements that even through all the stress and chaos of 2021, Ōtautahi’s urban creative community continues to grow, thrive and evolve… So, even if it is through gritted teeth, here’s to 2021, a year of resilience…
What has had the biggest influence on you in 2021?
My kids have been super influential in my general outlook on things over the past year, but as far as painting is concerned I’m constantly influenced by everything I see. Obviously the pandemic has had a massive influence on people from all walks of life on an international scale and has given artists time to hone in on particular aspects of their process during lock down. I’ve been lucky enough to have spent some time in my studio over the past 12 months.
Who do you think has been making the most interesting art this year?
Internationally, I’m constantly finding new artists doing incredible work and taking their art in different directions. Bond has been doing amazing wall paintings with the integration of various outcomes in VR augmented reality, RFID devices and experimenting with crazy tools and paint contraptions, it definitely makes him one of the most interesting artists of 2021 in my opinion. Locally, Ghostcat’s work is top notch! He’s constantly stepping it up.
What would you say had been your personal highlight in 2021?
One of Dcypher’s paintings at South Sea Spray in early 2021
My personal highlight of 2021 was South Sea Spray by a long shot. It was the best festival I’ve ever had the honor to attend! There were highlights within the highlight; awesome line-up, the hospitality, the sights, and plenty of hyped locals!
teethlikescrewdrivers takes stock of his Paste-Up Project installation in early October…
What has been the biggest influence on you in 2021?
The collective minds of SlapCity continue to be a huge influence on me personally. It has been amazing to see this random group of people hang out and support each other in so many ways. Our original intention was to push sticker and paste-ups as a legitimate artistic medium here in Aotearoa and abroad, and I feel we are doing just that. Collectively we have had members run their own independent art shows as well as feature in them. We have been part of organising and collaborating in paste-up and sticker shows across the globe. We have seen our work on public installations, featured on blogs and have been interviewed by The Press about what we do.
Who do you think has been making the most interesting art this year?
Interesting is an interesting word! I am a huge fan of subversive stuff, so @fokawolf will always reign supreme there. I have continued to be in love with @eter_91’s typography and have a special place in my heart for @mambotattooer’s line work. Cannot forget our Ghostcat. His Welcome to Christchurch – The Garden City sign is one of the most beautiful things I’ve seen. Stoked to see his book project get the funding it rightly deserves.
Ghostcat’s miniature Welcome to Christchurch sign was a favorite of teethlikescrewdrivers in 2021…
What would you say has been your personal highlight?
Just being able to see my stuff up and about. Having the opportunity to take over one of Phantom Billstickers’ bollards on Manchester Street as part of #thepasteupproject was right up there. It was so great to upscale my work and think of it as a whole piece rather than just individual pencils. I was really stoked with how it came out. Being part of @helloiamtheshow‘s PB n Jam was amazing. I never thought that people would want to buy stuff with my pencil on it. Who knew?
teethlikescrewdrivers’ work at PB n Jam at The BOXed Quarter in August featured found objects adorned with his iconic pencils…
What one thing would you have changed from 2021?
Gigs. I wish I could have seen more gigs.
Vesil
What has been the biggest influence on you in 2021?
I’d say the obvious one would be Covid, being in and out of lockdowns. It definitely has given time to reassess what’s important and what I’m striving for as I’m sure it has with others. Friends have also influenced me over this year, watching them succeed and accomplish their goals has been a real incentive to get off my ass and do the same. Getting out of the city which is something I’ve tried to do a bit over the year. The exploring of different spots, catching up with old and new friends and coming back with a new insight than the one you left with, as well as at least one good story to go with it.
A fresh perspective, 2021
Who do you think has been making the most interesting art this year?
Harry King would definitely be someone who springs to mind. I’m always really impressed by the sheer volume of work he consistently produces that’s always at a high standard. The same can be said for Tepid who too is pumping out a lot, across a variety of mediums. A couple of other honourable mentions go out to PK, Revos and Fiasko.
What would you say has been your personal highlight?
My personal highlight would be, aside from the freezing cold and running out of beer, freight hopping up the country.
Travelling the country freight-hopping was a highlight for Vesil in 2021…
What has been the biggest influence on you in 2021?
Christchurch. The city has had the biggest influence on me as I’ve seen it from a different perspective with regard to my journey this year. Learning about people’s connections to places that are no longer there, exploring places I’d never been. There’s so much to take in.
Who do you think has been making the most interesting art this year?
Jacob Yikes continues to blow my melon year in year out. His work is always so insanely good! The details and the way it takes you on a trip to another place.
Jacob Yikes’ Only here to pay some bills and maybe fill a cart with cat food
What would you say has been your personal highlight?
My highlight was without a doubt was Shadowtown, my first ever solo show at Fiksate earlier this year. That was one of my highlights of my entire life! Putting my work out there and getting the response I did was amazing, so much love!
Ghostcat at his show Shadowtown in early 2021 [Photo credit Charlie Rose Creative]What one thing would you have changed from 2021?
I wouldn’t have changed a thing as every action throughout 2021 has led me here. It’s had its challenges, but it all comes to together.
What has had the biggest influence on you in 2021?
The fact that you’ve sent these questions means it’s been an entire year since the last time. Once again, I initially struggled to remember anything definitive from the last 12 months, then it slowly came back. Your yearly questionnaire is strangely therapeutic as it’s a great reminder that I have in fact made and seen some shit…But to answer the question, being employed. The flexibility and time I thought I’d be giving up, that I assumed would be detrimental to my creativity, never came to fruition. Or at least it was completely counterbalanced by the reduced anxiety of finally having some financial stability. Realising that I don’t thrive being my own boss was a huge influence on my painting. Not needing to sell work to live has made me more selective about being in shows and I’ve been able to make whatever I want with less parameters. The irony being that when you make stuff for yourself without caring about how it will be received by others, people tend to respond positively, or at least the people whose opinions you actually care about do.
Who do you think has been making the most interesting art this year?
I’ve gotten a bit obsessed with @post_vandalism on Instagram. It’s a collection of works curated by Stefano Bardsley, thematically linked by their connection to graffiti, vandalism and their removal. I almost thought that the whole intersection between graff and fine art had been done to death, but I keep seeing stuff that holds my attention.
Ed Bats’ Italio OD, 2021 [Photo from Ed Bats’ Instagram]Honorable mention to Ghostcat Mike Beer as well. His solo show was an amazing reflection of his obsession for detail, and the little collaborations within it made it extra special.
Jessie Rawcliffe’s collaboration with Ghostcat for Shadowtown in early 2021
What would you say has been your personal highlight?
Getting to paint a couple of walls this year was a huge step and something I’ve wanted to do for ages. I’m at that point where I’m pretty certain about what I’m capable of, but during both the Berlin Wall and NZ Opera pieces I had moments of ‘ah this looks like shit wtf am I doing’. Me, up a ladder, with a too small paint brush, rookie.
The Marriage of Figaro mural Jessie Rawcliffe painted in mid 2021 in collaboration with the NZ Opera
What one thing would you have changed from 2021?
I lost momentum in the middle of the year and took on miscellaneous freelance design projects (because if you stop moving you die right?) when I should have just kept painting.
Bloom n Grow Gal painting in the BOXed Quarter to close out 2021
What has had the biggest influence on you in 2021?
A huge influence on me this year would have to be the Green Lane community. I was so lucky that this was the first group of people I met when I came to Ōtautahi. Hanging out and drawing during the markets inspired me to start my pop-up art shows. Something I had enjoyed doing at university, I then had the opportunity and support to start it again here! I’ve made some truly amazing friends, found my creative drive and flare thanks to these guys. There will always be a big spot in my heart for Green Lane.
Who do you think has been making the most interesting art this year?
I have been so incredibly lucky to work and meet with extremely talented artists this year. To just pick one is hard! I have really loved what Harry King has been doing. I only met him and discovered his work this year at one of the Art Walls shows at The Welder. King did a series of four paintings for the show, one in particular really caught my eye. I honestly think my Grizzly’s bread intake increased over the period of time King’s work featured there. I had to get it, the painting of the cowgirl now hangs in my room, alongside a load of other epic pieces of work I have collected this year. King is also an amazing tattoo artist at Absolution in the Art Centre. I’ve loved seeing him develop this art of his work too.
One of Harry King’s works from Art Walls at The Welder, 2021
What would you say has been your personal highlight?
These are the hardest questions ever, so mean! Haha… it’s so hard to just pick one. I think it’s going to have to be the three shows I put on this year, More the Show, PB n Jam the Show & Even More the Show (I know that’s technically three, I loved them all equally and can’t pick) All those emails, all the organising, all the art hanging into the early hours of the next day. Working and discovering all these incredible people in Ōtautahi. As well as having made some amazing friendships through the process I have an incredibly amazing art wall now at home full of pieces I have brought from the shows. It also really pushed me to discover something I was really passionate about.
Even More the Show at Clubhouse Creative, one of three shows Bloom n Grow Gal opened in 2021…
What one thing would you have changed from 2021?
I would change being on my phone just as much as I have been this year…even the past two years. Ever since this global pandemic started I have realised my screen time has increased by an embarrassing amount. I noticed after doing this my mood would be low and my desire to create minimal. Although I feel like some of my work produced was slightly fuelled by the pandemic, I definitely want to go into 2022 with less screen time… Live Laugh Love and all that.
What has had the biggest influence on you in 2021?
I don’t know if I’m heavily influenced by outside factors tbh. I try to just do what I do. My crew, DTR, inspire me n so do the super active graffiti guys
Who do you think has been making the most interesting art this year?
Ghostcat has definitely been on his grind, seeing his energy towards pursuing art full time is infectious and it’s hard not to love the builds he does. Vesal FOK owned the streets in Christchurch this year, hands down nobody put in more work than him.
Vesal was one of Ikarus’ favourites for 2021
The big TMD show up north looked awesome too. Special mentions to Race n Hoaks from A2D crew, they aren’t Christchurch guys but the work I’ve seen of theirs is super cool n I’ve definitely been interested in seeing what those guys come up with week to week.
The TMD crew roll call from the TMD: An Aotearoa Graffiti Story at the Dowse Gallery in Lower Hutt
What would you say has been your personal highlight?
It’s hard to beat South Sea Spray, even though that was all the way at the start of the year. Everything about it was just too next level. Also organising the wall n line up for the Christchurch Hip Hop Summit n getting a nice line up of different generations of Christchurch graffiti guys together.
The DTR Crew collab at South Sea Spray in early 2021, featuring Yikes, Dcypher and Ikarus [photo supplied by Brian ‘Rowee’ Rowe]What one thing would you have changed from 2021?
The mandate. Fuck that shit. I’m not against vaccines but I am against the way this whole shit is unravelling.
A Pool Full of Deep Ends, a new work from Jacob Yikes in 2021
What has had the biggest influence on you in 2021?
I’m not really sure to be honest, the last 2 years have been pretty chaotic and I’ve yet to really reflect on all of it but yeah, I struggle to narrow it down as I think everything good and bad influences everything I do in terms of my art.
Who do you think has been making the most interesting art this year?
I think I would have to say that Ghostcat takes the prize for that one this year, he’s on another level with his miniature works, some really impressive stuff for sure.
Ghostcat’s Volcano and Lava Bar build from Shadowtown [Photo credit Charlie Rose Creative]What would you say has been your personal highlight?
In terms of personal highlights relating to painting I would say that some of the projects that myself and my crew have been a part of this year have been a lot of fun and we have some pretty rad projects lined up for early 2022 And yeah another would be the fact that I’m nearing completion on a large body of work that I have been working on for the last few years and I’m pretty excited to exhibit those paintings middle of next year.
What one thing would you have changed from 2021?
Haha, I’m not sure if I would change anything. That probably seems kind of weird and yeah obviously Covid is a pain, but yeah, I’m not one to get strung out on shit I can’t change
What has had the biggest influence on you in 2021?
Finding someone I truly love and adore. Art wise – Probably shedding a few more layers of caring about what others think about what I make and abstraction.
DOOR/SCOPE was part of Jonny Water’s push into abstraction in 2021
Who do you think has been making the most interesting art this year?
Vesil, OXY and the FOK crew & Fiasko
What would you say has been your personal highlight?
What has had the biggest influence on you in 2021?
The people. The Christchurch crews – music, art, hospo, retail. We are very lucky here! Some are artists I’ve admired and looked up to since 2006/7 and now work with, some I am now great friends with, some who have inspired me and some who have helped me out a lot. Some are amazing Fiksate supporters that we are honored to know and call friends too. It’s all about the people for me.
Who do you think has been making the most interesting art this year?
What has had the biggest influence on you in 2021?
I think the way the world currently is has given me a greater influence to become the best version of myself, not only in art but in all areas of my life. But yeah, I think it’s pushed my work more because I want to constantly be creating and it puts me in my own wee world.
A Thorn in the Roses was released as a fundraiser for Movember by Distranged Design
Who do you think has been making the most interesting art this year?
In my opinion I’ve loved seeing the work Daniel Arsham has been creating, it’s all just so different and the collaborations he’s been a part of have been insane!
What would you say has been your personal highlight?
I think the collaborations I’ve done, and those I have also organized that are in the pipeline are my proudest moments, it makes this career even more fun when you can work with others and bounce off ideas with like-minded creatives.
United, a Distranged Design collaboration with Hannah Jensen (@hannahjensenart) from 2021
What one thing would you have changed from 2021?
I’d love to have been able to travel, but that wasn’t possible! I’ve got something cool planned next year which I can’t wait for though!
What has had the biggest influence on you in 2021?
Probably living through heaps of major world events at once, haha! Also seeing how much online and social media has played a part during these times and making people nuts.
Meeps work confronted the issues facing us all through 2021
Who do you think has been making the most interesting art this year?
I follow so many different areas of art, fashion, graffiti, fine art, illustration etc., so I can’t really pin-point anything. But I will say that I am so proud of my friend McChesney (@mkaartist) for finally getting a tattoo apprenticeship, she has wanted it for the longest time, and I am sooo happy for her, she’s going to be so famous one day.
What would you say has been your personal highlight?
Probably the anti-racism Stand Up Event I organised alongside The Conscious Club and getting to be a part of the Hip Hop Summit was a great way to end the year. I have also had a lot of opportunities this year that I am very grateful for.
Meep takes stock of her character for the Christchurch Hip Hop Summit graffiti event
What one thing would you have changed from 2021?
I have had a lot of ups and downs the past 2 years, losing two of my family members and dealing with heaps of other life stuff while simultaneously living through huge world events. It’s been the hardest couple years of my life, so it can only go up from here hopefully! Haha!
What has had the biggest influence on you in 2021?
Biggest influence on me in 2021 has been my new job that I started working at in April. They have all sorts of woodworking machinery, laser cutters, sand blasting and metal engraving machines as well as a spray booth. It’s basically a McDonald’s playground for anyone that likes to make stuff. Being able to use all the gear for my own artwork unlocks a whole other realm of works that weren’t possible for me before.
Who do you think has been making the most interesting art this year?
Not me that’s for damn sure. Probs some random person overseas that has been shadow banned by the Zuck man on Instagram for no reason so that no one even sees their work anymore anyway. But Levi Hawken and Dr Suits are steady favourites of mine locally speaking.
One of Levi Hawken’s concrete casts. Hawken is a favourite of Josh Bradshaw.
What would you say has been your personal highlight?
A personal highlight was finally making my little barbed wire rose series (I picked a dozen but not for you) that I thought of ages ago but couldn’t get around to making it for most of the year. Felt good to not have that idea in my brain anymore. Also bought myself a sick old book press which is cool.
What one thing would you have changed from 2021?
I dunno, maybe something about not making NFT’s trendy/ a hype beast, wait in line for an ugly cartoon of a monkey that matches your limited edition dunks so you can get into a club in Hollywood type of deal this year. It’s just not it.
What has had the biggest influence on you in 2021?
The Instagram’s tight grip on me has been as strong as ever this year, but in a far more productive way than before. I love to hate it and hate to love it, the broken window into the world of great talent from all of the corners of the world the tendrils of the internet can reach, which inspires me to degrade my artistic abilities on the daily, whilst simultaneously lighting enough fire under my ass to produce my own work.
Another thing, the influence of which this year cannot be understated, is skateboarding. Delving into the thick of it and finding how closely it is intertwined with everything I loved for years made it feel like I found the missing link between my long line of interests and helped me gain a whole new perspective on them, contributing greatly to my work.
Who do you think has been making the most interesting art this year?
I feel that with me being very new to the art scene I’m just barely scratching the surface of what this country has to offer, especially given a bit of stagnancy brought upon us all due to the pandemic, but among the many local artists I’ve been following this year my two favourites are: Miiekes, whose wild trash art lies near and dear to my rotten heart – I’ve been a fan of pretty much every piece she put out in 2021; and Cammy (@__cammy_h__), whose photography evokes just the right level of discomfort in its lonesome stillness – something I very much enjoy to channel through my own art as well.
Image from @__cammy_h__
Among foreign names I can mention Jerry Hsu, Trevor Hernandez, Kludge, Jason Gringler, and pretty much everyone in the post_vandalism Instagram account.
What would you say has been your personal highlight?
It’s pretty tough to pin-point a particular highlight in a year that has become my life’s highlight in itself. I’ve gone through a lot of exciting and important changes in 2021, which finally made me feel like I’m exactly where I need to be, but I guess the common thread among all of these changes is finding the path to “myself”. Or rather, whatever I want this mysterious self to be.
What one thing would you have changed from 2021?
The only change I would’ve made is started taking antidepressants sooner – could’ve saved myself a lot of miserable days.
What has had the biggest influence on you in 2021?
In one word the biggest influence on me in 2021 has been: Life. My normal everyday life that occurs between wake and sleep. The people I meet, things I do, words I speak. Sometimes ideas enter into my mind and swim. I try to fish them, but can only catch so much in a day.
Who do you think has been making the most interesting art this year?
I have found throughout 2021 the works by the following humans have caused interest to pique in my mushy ape brain: JR, Banksy, beeple, Ron Hauge.
What would you say has been your personal highlight?
Personal highlight of this year… Becoming a regular member of SlapCity. Having a space to come together and splurge onto paper, stickers, and anything else, this is good. Creativity is shared by osmosis in them.
The Slap City crew on a mission. Image from @slapcity_chch
What one thing would you have changed from 2021?
Throughout 2021 I should have had more fruit.
Phew. The questions have been answered. Made my brain whirl for a while, now its stopped. I can finally rest.
Bloom n Grow Gal and Mark Catley’s Three-Eyed Freaky Girl
What has had the biggest influence on you in 2021?
Covid and my little one, Alba. I had a lot of ideas and WIP’s this year, but with the whole Covid cloud over everything I’ve really just felt drained. So I’ve just tried to hang out with my 2 year old Alba and enjoy life.
Who do you think has been making the most interesting art this year?
I really love Askew One’s Innovate mural. It’s the most different thing I’ve seen around the streets this year. But everyone’s work is just getting better and better. All the new 3D / 2D art works are super cool and even my mum likes them, lol. I’m also amazed by the talent of Jessie Rawcliffe.
Askews Innovate mural at ARA
What would you say has been your personal highlight?
I had a lot of fun working with Rollickin Gelato at the start of the year…and it’s cool to see giant action figures up on the walls inside a shop.
Mark Catleys Wampa at Rollickin Gelato, one of several paste-up additions he made to the beloved gelato store
What one thing would you have changed from 2021?
That Covid was gone for good… and that I could get my head around NFT’s and start selling them for bitcoin.
What has had the biggest influence on you in 2021?
There have been a few key influences this year, even if I take the obvious pandemic-sized elephant out of the room. Getting older and taking on certain responsibilities as a father and a partner has been a big thing. There have also been so many people who have been influential, spending time with talented artists and rad folks has been undeniably impactful…
Who do you think has been making the most interesting art this year?
Seeing Askew One paint his mural at ARA and working with Benjamin Work when he painted the floor work at the Canterbury Museum were highlights in terms of process and conceptualisation. Locally, Ghostcat has had an amazing year, the guy is always buzzing with ideas and to top it off he is just one of the best humans alive!
Ghostcat and Bols Soggy City Ciggies from mid 2021
What would you say has been your personal highlight?
Working on the Paste-Up Project and seeing the first installation by teethlikescrewdrivers was awesome, working on Benjamin‘s project was a highlight as well, observing someone I have admired for a long time in a celebrated location was pretty neat. The TMD show at the Dowse was phenomenal (writing a review of the show for Art New Zealand was fantastic as well). In terms of my own art, it is fresh, but I really liked the piece I painted at the Boxed Quarter right at the end of the year.
Benjamin Works Motutapu II inside the Canterbury Museum
What one thing would you have changed from 2021?
I would have liked it to have felt longer, which sounds strange in hindsight, but the reality is that so much of the year was lost that it almost seems like we deserve some extra time…
Thanks to all the artists who contributed to this recap – as a city with so much talent, 2022 is sure to be exciting! Let us know what you loved from 2021 and what you are looking forward to in 2022 in the comments!
They say good things take time, and this edition of And That Was… is cutting it fine! It has been a busy few weeks with lots happening and as such it seemed like the months have melded into one. But when looking back over images from the month of May, it was quickly apparent that those four weeks had their own flavour, a flood of memories came rushing back…
For this recap, we run back some our favourite paste ups, wall paintings, slaps, shows and even a doorway! We have largely stuck to urban art this month, temporarily returning to our formative roots, but that doesn’t mean we have forgotten the fact that all of these things are also entangled with our broader experiences of Otautahi’s central city, and in particular the food, the bars, the music, the people and all the vibrant things on offer. All of these things make up our urban culture and it is vital we celebrate and support these events, occurrences and interventions to keep our city lively!
So, after much delay, here is your And That Was… for May 2021…
Gary Silipa’s UFO Slaps…
I have been a fan of Gary Silipa‘s work and simplified iconography for years, especially his skulls and spaceships, which I found all over Wellington’s streets on a trip to the capital in April. The orbiting red UFO’s then appeared here in Christchurch in May, a legacy of the artist’s brief trip here. The ubiquitous presence in spaces high and low suggest the idea of exploration and observation, our strange contemporary customs intriguing to these small visitors…
Mark Catley’s Ascending Freak Angel
Mark Catley added a couple of fresh paste ups to the Boxed Quarter‘s ever-expanding collection of urban art. Taking his poor sack girl toy (pasted on Manchester Street) and twisting the image into a strange new appearance, the girl becomes a three-eyed ‘freak angel’ as the artist described, her outstretched hand now seemingly elevating her into the sky. Lit by a coincidental spot light, the seemingly celestial being is a trippy sight!
Jessie Rawcliffe’s Marriage of Figaro Mural
Jessie Rawcliffe‘s mural for the NZ Opera’s production of The Marriage of Figaro (which will be staged at the Isaac Theatre Royal here in Christchurch as part of a national run) was completed in May, with the artist’s stunning dry brush style giving the piece a stunning beauty against the smartly used graffiti-ed wall on which it was painted.
More: The Show
Back to the Boxed Quarter for More: The Show, an exhibition and event featuring talented Otautahi wahine artists. With a slew of our favourites and some new talent to explore (such as Sofiya Romanenko, who recently produced a beautiful photo essay for us), the show was a convergence of amazing talent and featuring a range of activity – unfortunately we forgot to take quality pictures! It was a one-weekend show so you had to be in quick!
Our favourite doorway…
Last, but definitely not least, we just had to include this doorway. OK, so it technically isn’t something that ‘happened’ in May, but we took this photo then, so it counts! Just look at it, it is a thing of beauty and couldn’t be left out!
Let us know what would make you list in the comments and if you know someone who would be a great guest writer for And That Was… – drop you suggestions there too!
Jessie Rawcliffe seems like the perfect fit for this month’s And That Was…, having just completed a stunning piece on one side of the Berlin Wall installation at the start of the month. Of course, typically laid back, Jessie is also not the type to wax lyrical about her own work, so don’t expect any mention of her own work (although you can check it out here). Instead, her February recap is filled with her favourite things, from British electro post punk albums, to photographic exhibitions, and as she promised me, the ‘goodest boy’ she could muster. So here is Jessie Rawcliffe’s February 2021 recap…
Shit. Reuben asked me to do this at the beginning of February – now that the month is over I can’t seem to remember a single thing that I did, but I know it flew past in a blur of hectic energy.
I’m terrible at picking my favourite anything (afraid of commitment much?), but here we go…
Album pick – Sleaford Mods – Spare Ribs
Categorised as ‘electro post punk’, I found these guys through Idles and Fontaines D.C. on YouTube. They’re a two piece featuring sparse beats, vocalist Jason Williamson talk-raps about middle class struggles and British culture with an abrasive English accent that I can’t get enough of.
Mork n Mindy is an absolute banger.
Opening / Monthly social gathering highlight – Fiksate’s new digs
Image supplied by Fiksate Gallery
It has to be Fiksate opening their new spot in Sydenham. Hawdon Street is in a great part of town, I’m about it.
Best good boy
This is Honey. We met at the beginning of the month, none surpassed. 11/10. Would pat again.
This guy’s been on fire this last month. His collage-style paintings have a cut and paste effect, mixing broad loose brush strokes with smaller detailed imagery that he always manages to balance. Objects are superimposed and float in space, you can read each thing or just enjoy the overall effect.
Also, dude has a cute dog, which is ultimately the content we all want.
Good Times Don’t Last, 2021. Image from Smolik’s Instagram @thatlosersmolik
Favourite exhibition – Larence Shustak: air gun? at Te Puna o Waiwhetu
The only thing I remember going to is the Larence Shustak: air gun?photography exhibition at CAG. It’s worth seeing.
He has a really interesting career going from New York where he took some of the most universally recognisable images of jazz legends, to Christchurch, where he photographed punks, and working with Flying Nun.
While we were there a gallery tour was on; the person taking it pointed out their all time favourite Shustak photograph, which is part landscape part portrait and probably the most quintessential ‘kiwi’ image on show; and I thought “fuck, really? That one!?”
