And That Was… August 2023

I’ve never really trusted August as a month. I know, it sounds silly, but its a tricky month. It is at the end of Winter and is cold and wet (more other than not), which means a constant struggle with not being able to wear t-shirts more consistently. And it’s place in the calendar means you can only reflect on how much of the year has passed you by. It isn’t helped by the imposter syndrome – you know, being a renamed month in the Gregorian calendar and all… I guess I’m just skeptical. Luckily, there have been some cool happenings, discoveries and teases this August to supersede this lingering distrust and warm my apparently cold heart just enough to be ready for the arrival of Spring and the goodness I’m sure we will find in the coming weeks and months… So, here’s what we loved last month…

Jessie Rawcliffe’s Spotlight Projection

Not the last mention of the Spotlight project in this list, but Jessie Rawcliffe‘s haunting animated image was a perfect start to the new iteration of the projection series. The rotating image (each frame individually rendered by the artist) alternated between a strong female portrait and a hooded red skull – an evocative contrast that illuminated Rawcliffe’s exquisite illustrative talent.

Ghostcat’s Leave No Trace Trail

Ghostcat‘s Ghosts on Every Corner project will encompass a range of elements: an exhibition, a book, and a public art trail. The first installation of the latter went up in August, a tribute to a true Lyttelton icon. On the corner of London Street, the small red and yellow frontage of the famous Volcano Cafe is strapped to a lamppost, just metres from the home of now fallen building. A loving memorial, this is just the first of a series of works that will pay homage to the places and spaces that made Ōtautahi Christchurch, well, Ōtautahi Christchurch…

River Jayden’s Te Tihi o Kahukura for the Spotlight Series

The second work from the Spotlight series to appear in August was River Jayden‘s stunning Te Tihi o Kahukura – a contemporary piece of toi Māori, brightly coloured and alive with subtle movement. The animation appeared like water, shimmering on the wall of Te Pae and, just like its namesake Kahukura, bringing light, colour and beauty to its surroundings.

Rock Art in the Hurunui

We were lucky enough to visit a site of Māori rock art in the Hurunui District in August. A fascinating collection of iconography (apparently painted over in emulsifying paint in the early twentieth-century), it shows the long lineage of decorating our physical spaces in acts of communication, of expression and of existence. Found on private land, the rock art is not readily accessible, but is an important piece of history.

TMD x CCC

Talk about an iconic collaboration – in August we found out about this project bringing together legendary New Zealand clothing brand Canterbury Clothing Company (CCC) and urban art heavyweights, Tāmaki Makaurau crew TMD. The tough Terrain range is perfect for the urban adventurer and the upcoming collab is sure to be fire! (Image from https://www.canterburynz.com.au/terrain-i454)

That’s the list of our favourite things from August 2023 – what were some of your highlights? Let us know!

And That Was… November 2022

November brought BIG news – almost 10 years after the landmark Rise exhibition, Canterbury Museum will stage SHIFT – an urban art takeover of the iconic institution and a final hurrah to the building before redevelopment. But, this exciting news isn’t all that made November memorable! From international rock stars to small street art, summer is shaping up to be exciting!

SHIFT – Urban Art Takeover @ Canterbury Museum

Perhaps the biggest news of November was the announcement of SHIFT – Urban Art Takeover – a massive artistic takeover of the Museum, with over 50 artists transforming 5 floors of the iconic cultural institution! A completely unique exhibition, this is sure to be an unprecedented event!

Dcypher @ Chiwahwah

A fresh new work appeared along the lively Terrace strip in the central city in November, with a striking Mexican-inspired anamorphic mural by local legend Dcypher on Chiwahwah Cantina’s exterior wall. The mural stretches along the wall and is best viewed from a specific vantage point – make sure you find it!

Ikarus goes small…

Dcypher’s DTR crewmate was also busy, but at a different scale, with a series of small urban diorama’s covertly placed around the city. The grimy settings like tiny stage sets that blend into the surrounding environment.

Archetypes @Fiksate

Archetypes, a collaborative show by Dr Suits and Jessie Rawcliffe ran through November at Fiksate Gallery. The alluring paintings combine Rawcliffe’s stunningly meticulous portraits with Dr Suits’ dynamic abstraction, the results forming a beautiful suite of works that illuminated new readings of each artist.

Klaudia Bartos @ TyanHAUS

Another exhibition that we loved in November was Klaudia Bartos’ Haus of Heads at TyanHAUS in Sydenham. The beguiling series of surreal, devilish visages, produced mediums ranging from watercolour to fabric, were haunting and intriguing, inviting closer inspection…

And a Bonus…

Normally And That Was… is capped at five entries, but I couldn’t leave the return of live gigs by international artists returning to Christchurch! I may have missed UK band Idles, but a week later I was able to witness an impressive performance by US alt legend Jack White, and, it is safe to say, I’m glad I did! There was a request for no videos, so the video below will make do to replicate the energetic opener Taking Me Back

They were out highlights from November 2022 – what were yours? Let us know in the comments!

And That Was… May 2022

May is the month when you can feel winter coming, daylight savings ends, the weather becomes just that little bit more unpredictable, and t-shirts start to be accompanied by warmer layers (just in case), yet we can also ignore these signs and enjoy the final throes of Summer’s waning presence. This May, we have enjoyed a range of treats, from the streets of Ōtautahi to gallery walls in Te- Whanganui-a-Tara Wellington, a beautiful secluded gem in Waltham, a haunting surprise outside one of our favourite bars and the odd geeky nightmare…

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Cape of Storms – The Paste-Up Project

We welcomed the third artist to the Phantom bollard take-over The Paste-Up Project, with Cape of Storms adorning the circular structure with a signature blast of colourful retro collage posters. The installation, titled Foreign Objects, reflects on the adjustment to life in Aotearoa, highlighting Kiwi quirks through nostalgic compositions of food and fashion and vintage media. The appearance is easily mistaken for official poster advertising, until closer inspection reveals the acerbic humour – check it out on Manchester Street!

Jessie Rawcliffe – Adam Portraiture Award

We’ve always known our pal Jessie Rawcliffe was super talented – now she has the certificate to prove it! Jessie’s striking portrait Richard, of Wellington tattoo artist Richard Warnock, was highly commended in the Adam Portraiture Awards at the New Zealand Portrait Gallery in the capital. From 351 entries, the Adam Awards exhibition was narrowed down to 45 works, with Jessie’s painting being placed in the top 7 by judges Linda Tyler and Karl Maughan.

The Haunted Teacup

You may know about Watch This Space’s plans for The Little Street Art Festival in 2023 (if not, more to come soon!) – but did you know about Ghostcat‘s Haunted Teacup – a work created to exemplify the types of works the festival will celebrate? The worn Victorian-styled automata viewing box has been surprising viewers passing The Last Word on New Regent Street through May, drawing people in with the promise of a terrifying supernatural experience, but is it what it seems? Go and check it out… If you dare!

7 Oaks Mural

We recently had the chance to work with Life in Vacant Spaces and the amazing community at Waltham’s 7 Oaks – an incredible site where array of groups make use of a beautiful space. Together we created a participatory mural welcoming visitors to 7 Oaks, a team effort where 3 year olds and those just a little bit older all contributed to a mural that draws on the surrounding environment.

Return to the Upside Down

Last, but not least, is a shout out to my nerdy side (which is possibly 73% of me) and the long anticipated debut of season four of everyone’s favourite 80’s homage Stranger Things! I may or may not have binged all seven episodes in one night, but who is asking, really? I also may have already re-watched it and now wait impatiently for the final two episodes… Bada Bada Boom!

What made your May list? Let us know!

 

Postcard from Tāmaki Makaurau Auckland

Tāmaki Makaurau Auckland is a strange beast. It is the only mega-city in Aotearoa,  and when you touch down from Ōtautahi it is hard to comprehend the sheer spread of the northern metropolis. While you can easily navigate Christchurch’s inner city in 15 minutes, Auckland’s urban centre seemingly sprawls on forever, with each area displaying a distinct identity. Our quick trip to Tāmaki meant we didn’t get to endlessly explore the diversity of the city, but we did get to see a fair bit of art. Of course, there is no chance we could have achieved a full coverage of the city, but what we saw, we loved. Auckland has the longest and largest history of Aotearoa graffiti and street art, so spotting a legendary figure’s name or character, whether fresh or faded, is always a possibility, but still exciting for a nerd like me, while you can always find a new name that is on the come up as well. It also has a truly urban feel, where you can get lost down alleyways, led by the trace of some preceding presence who was compelled to leave their mark. It is a real city, and it’s streets are always talking…

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Where should our next postcard cover? Let us know at hello@watchthisspace.org.nz

 

And That Was… December 2020

Well, thank god that is over, right?

Actually, 2020 has been such a surreal and, truthfully, emotional year that it almost seems insensitive to joke about it. Between the Covid-19 pandemic, the loss of lives and livelihoods, the Black Lives Matter movement, the farcical post-election shenanigans in the U.S. and more, there has been real and wide-spread heartbreak and tragedy. While some developments will stretch beyond the 12 months of 2020, in part due to their enormity and the necessary concentration to effect meaningful change, it is still necessary to take stock of the good things in a year we mostly just want to be over. The And That Was… series has always been about those things that bring joy, from the seemingly incidental, to the showstoppers, so let’s finish 2020 with a recap of some good stuff from December. With the end of the year approaching and a flurry of projects and events taking place, thankfully there has been a fair bit to consider… (This month we took the reigns, but don’t worry, we are working on something with a whole bunch of friends for the coming days, so keep your eyes peeled!)

Mike Beer goes to the dogs…

Mike Beer’s subtle addition to the corgi sculptures on High Street is easy to overlook…

You probably all know sculptor David Marshall’s three bronze corgis on High Street, right? I mean, they have been there for over a decade now. What you may not have noticed was that a few weeks ago, the dropped ice cream cone one pup inquisitively sniffed disappeared. Sniffing an opportunity himself, our new favourite scratch builder Mike Beer decided to create and install something a playful replacement, drawing on the influence of subversive guerrilla street sculptors. You may just need to check it out for yourself, but perhaps don’t get too close…

Dcypher dropping science…

Dcypher’s impressive new work at Ara

With a massive wall exposed by the demolition of a section of the Ara campus on Madras Street, which incidentally also meant the eradication of the Vans the Omega mural produced back in 2013 to announce the coming Rise festival, a new mural seemed an obvious requirement. Into that void stepped Dcypher, filling the gap with a striking anamorphic mural. A giant hand reaches towards a silver key, suggesting the importance of the search for knowledge, all within a disintegrating framework that dissolves the built environment. It has already gained international attention on Global Street Art.

Glass Vaults at Space Academy 

The return of live music must be one of the best things about the second half of 2020! Space Academy hosted Christchurch-based Glass Vaults in early December, the group touring their new Sounds That Sound Like Music album. Their unique psychedelic-pop is heading towards dreamy disco funk, and the live show was definitely a winner, culminating with the infectious 2017 track Brooklyn. Also, is the pocket of St Asaph Street now home to the Darkroom, Space Academy now the live music district of the city?

Distranged Design goes big…

Distranged Design’s Christ Church Restoration City is the artist’s biggest work to date

Jacob Root (a.k.a. Distranged Design) has generally worked to a scale that reflects his stencil-based approach. But with a new technique that still allows his stencil aesthetic, the artist produced his biggest work yet in December. The work, visible from Manchester Street and Tuam Street, was commissioned by a local property developer and seemingly pays tribute to the lost churches around the city, titled Christ Church Restoration City and featuring an angel figure flanked by two crosses.

Fiksate find a new home 

Fiksate closed the doors on their Gloucester Street location on December 27th and will re-open at their new Sydenham space in 2021 (Photo credit: Charlie Rose Creative)

Fittingly, the last And That Was… of 2020 (kind of, you’ll see…) ends with the beginning of a new chapter for a local institution. After two years and plenty of memorable exhibitions, Fiksate will close the doors at Gloucester Street, relocating to a new base in Sydenham (details to come!). With a new home and surely a dash of revitalising energy, it will be exciting to see what Jen, Dr Suits present in 2021…

Well 2020, what else can I say but, see you, wouldn’t want to be you! We do however, look forward to what 2021 brings, so stay tuned for future installments of And That Was…

And That Was… August 2020

With the return of Level Two, August has been a bit of a roller-coaster, with the highs of communal gatherings matched by the returning weariness of congregations and the tiresome political bickering and conspiracy theory wackiness dominating much discourse. But that is where art is so effective, it can be both a glorious shared activity and a private independent adventure, a distraction from what is going on and a reflection of those same issues. The month started with a sense of excitement as I met with artist Tom Bell to discuss his upcoming show Adoration, which provided a great opening night. As time passed, more things turned my head. It was clear people were busy, from guerrilla interventionists, to mural artists, and it felt like the city was alive with activity. This energy has been somewhat tempered by the potential of a shut down (at the time of writing this at least), but it gives me pause to believe that even when difficult times emerge, art can always find a way to help out…  

Tom Bell – Adoration @ Absolution

The month kicked off with a farewell as Tom Bell presented Adoration at Absolution in the Arts Centre. Tom has been based in Ōtautahi for several years, working as a graphic designer, while diving back into painting more recently as a creative outlet. His art has long been entrenched in Japanese imagery, and Adoration played homage to that ‘adored’ visual style. Intricately cut and painted plywood, with subtle layering and flashes of detail made for a striking collection. The turn out was also impressive, with Absolution jam-packed, a well-deserved result for the artist’s long path towards Adoration.

Levi Hawken’s urban installations

Auckland-based artist Levi Hawken’s concrete sculptures were introduced to the city at the Fiksate show Urban Abstract last year. Placed within the gallery setting, they were immediately recognisable as versatile aesthetic objects. But Hawken’s works are undeniably influenced by the urban environment and they gain so much from their placement within the cityscape. It was therefore an awesome surprise to see a number of his small works mysteriously applied to walls and fixtures around the city, subtly subverting expectations.

Wongi ‘Freak’ Wilson’s TradeStaff mural update

We all know Wongi Wilson’s aerosol technique is mightily impressive, and that rings even more true as time passes and he refines his approach. That reality is instantly recognisable with his recent refresh of his own TradeStaff mural on the corner of Colombo Street and St Asaph Street. The original mural, painted around 2013, had become a familiar site in the CBD, but the new work, still in progress when I first saw it, is incredibly striking, almost invoking the proletariat intensity of propaganda posters…

Catching up with old friends…

Over the month of August, we have been putting together a project that we can’t wait to share… but for now, it is enough to say it has been a heap of fun catching up with a bunch of our favourite artists and revisiting some of their most memorable works (including some more recent additions), such as Berst and his God of the Forest in Sydenham and staircase mural inside the Canterbury Museum (pictured).

Distranged Design on Manchester Street

Distranged Design’s newest outdoor work on Manchester Street is an impactful surprise, anonymous eyes peering out from an expressionistic blue background splashed across a distressed wall. Staring at passing traffic from behind hurricane fencing it is an alluring sight and forms part of a larger collection of interventions in the vacant lot…

What were your highlights from August 2020? Let us know in the comments below…