This month we asked Harry King, a.k.a A Tribe Called Haz, to fill us in on his month. During the lock down period, he seemed busy; painting, drawing, DJing (apparently all in his kitchen)… But for a pretty social guy, we were sure it was a challenge to not be out and about enjoying his wide network of crowds. With May finally seeing the lifting of the stricter lock down conditions, A Tribe Called Haz seemed a perfect fit for our latest And That Was… He told us: “I spent a large majority of May painting in my kitchen. I’m usually out every weekend but as we’re starting to re-learn how to interact with each other in a post lockdown era, I’ve been in the kitchen a lot more.” So, what has A Tribe Called Haz found exciting outside of his kitchen? Here are his five favourite things from May…
Celebrating Level Two
May 14th marked the day we could hang out as a group of ten, so a group of us headed to Dux Central for a beer, some good food and some atmosphere. The best way to use our newly granted freedom.
DTR production for the New Brighton Outdoor Art Festival
I released two collaboration t-shirts in May, one with the Christchurch House boys, Notion Touring, and another with a big player in the Christchurch Drum & Bass scene: Brand + New. Collabs that bring to together my favourite things are always a highlight.
Drum & Bass: The Movement at Hide Club
We ventured to the watch party for Drum & Bass: The Movement – The D&B Documentary at Hide Club on May 29th. There were beers, burgers (Black Burger to be exact) and Drum & Bass. Three of my favourite things! It was strange being back in a place I’ve spent many a night dancing & celebrating without having a thought about social distance, now under these new conditions. The documentary was informative, showing part of the history of the music I love.
Empire Chicken to the rescue…
Trying Empire Chicken down at Riverside Market for the first time on a rather dusty Sunday afternoon was an absolute life saver. Sometimes it’s the little things that make the difference.
O.K., first of all, apologies for this month’s And That Was… entry being so late (total blame at my feet, but let’s not get into that), but, as they say, better late than never! This month I asked the man about town himself, graffiti artist and photographer Aaron P.K. to run down a list of things that he enjoyed in Christchurch through the wintery month of July. Exactly as I had hoped for, he came back with a collection that touched on so many elements of Christchurch urban (and suburban) life; from small eateries, to the Christchurch Arts Festival and local music, and, of course, graffiti and street art. So, let’s see what made Aaron P.K.’s July…
Wild Dogs Under My Skirt/Christchurch Arts Festival
I was blessed to be given a ticket to Wild Dogs Under My Skirt, a theatre show based on the book of the same name by Christchurch poet Tusiata Avia that featured as a part of the Christchurch Arts Festival. It’s about Samoan womanhood, and it was both heavy and humorous, leaving me amazed. They did an awesome job with this year’s Arts Festival, with a huge amount of local artists, I wish I could have caught more of it.
Kool Aid – Family Portrait EP
Christchurch band Kool Aid released an album, titled Family Portrait, in July and it’s really good. Listen to it here https://koolaidnz.bandcamp.com/ or you want a hard copy, buy the cassette at Ride On Super Sound.
For a while I’d started to think Christchurch had ran out of neglected spaces where you could have a leisurely afternoon walk around and feel somewhat alone. This month I’ve been doing a lot of walking off the beaten path then down the goat trail and it’s been pretty rewarding…
Chanakya’s Dal Spinach
I’ve been coming to Chanakya for a few years now. There’s always something new to try and in July I had their Dal Spinach for the first time and it’s now my favorite. They’re a small South Indian restaurant down the same alleyway as Bin Inn in New Brighton Mall and they’re definitely worth a trip out from Lyttelton…
Cathedral Junction Stickers
I would have liked to have featured something a bit better in the graffiti/urban observation genre. Whenever I’ve seen something cool I haven’t thought to take a picture of it, but I did manage to snap this. It’s been quite a long month so it’s hard to recall what’s been popping up but I’ve enjoyed seeing what the new generation AOC have been up to. And Oink, Oink’s cool as well!
This month’s contributor to our And That Was… series is Christchurch artist Uncle Harold (also known as Josh Bradshaw). Known for his dripping constructions, including a recent body of nostalgic 90s cartoon characters, reimagined with melted and warped glitches, Uncle Harold took the opportunity to follow a slightly different path to our previous lists. Regularly crossing the city on foot or skateboard, Uncle Harold is a keen observer of the quirks of our cityscape. As a result, his June recap is less about events and examples of public art, and more about small details, things often overlooked by others, but that left some type of impression on his daily experiences. As he explains, these are not things “I intentionally set out to find”, these are things that “just happened to catch my eye on my daily walk to and from town, to work and the studio.” So, what caught Uncle Harold’s eye during the month of June?
Do you ever accidentally keep making eye contact with someone for way too long? That was me and this chalk Pikachu drawing on a sign for a Cathedral Junction restaurant. I walked past this at least twice a day, every day. I have never walked through and not stared at him. Eye contact. Every. Single. Time.
“I Want Death Please”
I’ve always liked this kind of graffiti. Half of the time it is not so much the tag itself, but the backstory I can instantly conjure up: the what, when, who and how that brought about its existence. It just so happens that in this case, I really do like the style as well, so it’s a win-win.
Even if you aren’t familiar with this tag, I guarantee that you have seen it at least a million times without realising. I’m always on the lookout for new tags. I picked this one because I almost didn’t see it. On a fifty-metre long, plain grey wall, this little tag sits right in the middle. Having all the space in the world, this little guy hides perfectly in plain sight. Genius.
ZIG ‘Ski Mask’ sticker
I’ve always had a soft spot for stickers. From getting free stickers as a kid from skate shops, to now making my own, I often stop to check out sticker spots around town. I had just been given some stickers from ZIG the same day I spied this guy on my way home from work. Sketchy ski mask guy. How could you not love it? ZIG’s stickers are cool.
Again, I chose this one because of the complete lack of context and the imaginary backstory that it allows me to create. Who is Grace? Did this card ever reach her before it was lost? Does Grace know her friend loves that she is a “cute animal lover”? These questions, paired with the epic illustrations, ensured that I thought about his card way more than I should have. It was a no-brainer to go into my top 5.
This month, we are stoked to welcome a guest contributor to our And That Was… series: the man behind the Instagram feed Rubble City (@rubblecity), Gavin Fantastic. The idea of this series is to cover a wide selection of what’s happening in Christchurch’s urban art scenes, so it was natural to throw our net wider and make use of those people, like Gavin, with their fingers, and cameras, on the pulse. Rubble City is a go-to feed for fresh, and often highly temporary, pieces of art across Christchurch. So, what has been on Gavin’s radar in April? Read on to find out…
Local artist Hambone is certainly setting the scene alight lately with his neo-trad style characters. From pumas with snakes to gorillas armed with bananas, the characters are certainly eye-catching.
Go Hard or Go Home
As the nights get longer the ability to lurk in the shadows also increases for those smashing the scene.
Two artists who have been dropping nasty steez are V-Rod and Vesyl. It has been interesting watching the style of these two artists evolve over the last couple of years from tags and rollers, to the next level pieces seen this April.
Our walls have been graced with additions by painters from afar this month. Showing how the other side of the world gets down were two of Europe’s finest. Resr47 was throwing down snow-capped letters from the Swiss Alps, while Desur managed to fit in a couple of Hamburg burners during his stint at local tattoo studio Otautahi Tattoo.
Jacob Yikes Pop-Up
Situated next to World on High Street, Yikes’ pop-up shop hit my Insta feed (and my wallet!) this month. The man from DTR is selling both originals and prints in a space that is occupied for the next few months selling eclectic furniture. Check it out and support your local artist!
As featured in the ‘And that was … March’ blog post, we saw the passing of local O.G. Jungle. Tributes have been popping up all over Christchurch City and around the world. I’ll sign off with a tribute piece from two other 03 O.Gs – Yikes & Ikarus.
Follow Gavin on Instagram (@rubblecity), and keep an eye out for more guest contributors in the coming months…
Spread the word about what's happening in the Christchurch urban art scene:
Well, January flew by, right? We thought that since life is so hectic, and the worlds of urban art are often so fleeting and ephemeral, it would be helpful to recap each month with a kind of top five list, you know, like in the Nick Hornby book High Fidelity (or the John Cusack movie adaptation, where Jack Black steals the show, take your pick), or a truncated Letterman Top Ten. We will list five things that we loved during the previous month – from new works, big or small, to events and exhibitions, or even just general talking points. And of course, we would love to hear what you think, so jump in and comment, or send us a suggestion for our upcoming lists…
So, without further delay, here, in no particular order, is the inaugural ‘And that was…’ list for January 2019 (drum roll please…):
Face Value @ Fiksate Gallery
The team at Fiksate followed up the Jacob Yikes exhibition, Bad Company, with another impressive showing – the second incarnation of the Face Value: an exploration of portraiture, figuration, faces and characters through the lens of urban art. The show featured a range of talent, from emerging and established locals, to big names from wider Aotearoa and further abroad, such as Anthony Lister, Elliot O’Donnell (AskewOne) and Tom Gerrard (Aeon). Highlights included O’Donnell’s monochromatic apparition Chloe (Beta), the collective strength found in the juxtaposition of local artist Meep (Kophie Hulsbosch)’s bold self-portrait and the works of Auckland’s Erica Pearce, the elegant chaos of Lister’s Ballet Dancer, and Koe One’s typography-laced black and white portrait of urban youth.
The Giant Cans get a makeover…
While five cans remain a constant open platform, the three cans that stand aside are designated as semi-permanent. Initially painted by Wongi ‘Freak’ Wilson, Ikarus and Jacob Yikes, in mid-January, the three metal sentinels were re-painted by Ikarus, Wongi and Fluro (Holly Ross), giving them some fresh evening wear for 2019. With Ikarus’ slick letterforms, Fluro’s elegant typography, and Wilson’s photorealism (with some nostalgic cartoon fun thrown in as well), the cans represent a variety of approaches and styles.
Macadam Monkey chills in North Beach
French artist Macadam Monkey spent several weeks in the city in late December and January, and he made the most of his time here. Hitting a few spots with his almost Art Deco-styled, elegant females as well as more traditional lettering, our favourite was probably his appropriately titled ‘North Beach and Chill’ wall beachside in North New Brighton. The refined (and recurring) colour palette of black \, grey, yellow and white added to the chilled vibe and the work itself seems to have the potential to be something of a small-scale landmark for the area (although time will tell of course…).
Juse1, VRod and Torch in New Brighton
It was something of a meeting of generations and locations when Wellington legend Juse1 visited Christchurch. He spent time painting with local writers VRod (who hails from Auckland but is based in Christchurch) and Torch, and while the Hereford Street spot was a blink and you’ll miss it deal (in fact there have been a number of pieces there that could have made this list, shout out to Tepid, Lurq, Ikarus, Dove and more), their sprawling production in New Brighton has shown more legs. The pieces add to a vibrant setting, and Juse’s iconic B-Boy character adds a perfect nod to hip hop culture, as if it is straight off a New York subway train circa 1982, albeit still fresh to death…
Jonny Waters, Dizney Dreamz @ Anchorage
Dunedin-based artist Jonny Waters goes by a few names, but one thing is always consistent: his playful, twisted aesthetic, which was on full display in Dizney Dreamz at The Anchorage on Walker Street. Presented by Kin Art, the show featured a new series of Waters’ cut-out characters, this time iconic (and several overlooked) players from the world of Disney cartoons (his previous works have taken on Looney Tunes, Rugrats, Sonic the Hedgehog and The Simpsons). While the silhouettes are familiar and intend to invoke a feeling of nostalgia, the details take the viewer on an unexpected trip; eyes where they shouldn’t be, limbs and heads protruding from fresh wounds. All these features are accompanied by a fine technical detail, with layered sections, perfectly imperfect lines and a use of various media.
Spread the word about what's happening in the Christchurch urban art scene: