A Tribe Called Haz Does Hanukkah

With Christmas fast approaching, and the hectic lifestyle that comes with it, A Tribe Called Haz has decided to get a jump on it and do Hanukkah instead (Hanukkah falls between the 2nd and 10th of December this year), and that means a one night only, pop-up show at Embassy on Colombo Street in Sydenham on Friday, December 7th. Haz insists the timing is perfect, as any later and he would be “killing off some brain cells in Wanaka” post-Christmas, which, amongst other obvious respects, ruled out a Kwanzaa themed event.

Haz Does Hanukkah is a quick turnaround from his recent one-night show,  A Tribe Called Exhibition, also held at Embassy, which Haz suggests reflects his constant work rate, increased productivity and conscious use of time. The show will feature a number of smaller works, indicative of this constant output.  The same acerbic, acidic and quirky qualities remain, a constant reminder of Haz’s unique approach to image making, however, the show will also include more patterns and textures than previous work, as well as works influenced by tattoo flash and some digital works.

Alongside original paintings, there will be prints and stickers available (the stickers bigger than the last, inadvertently cute, batch!). This variety, and the melting pot of images, means you should be able to get all your Christmas presents in one go!

As he continues to undertake more and more events, commissions and opportunities, Haz is growing in confidence in getting his work out there, continuing to develop his identity and aesthetic through such support. Last Sunday Haz completed a live colab painting with Fiksate’s Jen at a Notion Touring event at Smash Palace, further signs of the flourishing opportunities for emerging and more established artists in Christchurch.

Haz Does Hanukkah is supported by the good ship Embassy and by Ghost Brewing, who are supplying the all-important beers.

Get along and get amongst!

A Tribe Called Haz Does Hanukkah

Friday, December 7th, 6:30pm – 9:30pm

Embassy, 451 Colombo Street, Sydenham

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Porta: Applesauce at The Lux Gallery, CoCA

It is probably fair to say that Christchurch stencil artist Porta never expected to have an exhibition at a place like the Centre of Contemporary Art. So when he was approached by Hannah Watkinson of The Corner Store to show his work in the Lux Gallery space, he admits he was surprised. But perhaps he should not have been, after all he has had work featured in a growing number of festivals, shows and projects, from Spectrum to First Thursdays and, of course, the CAP’D exhibitions he started several years ago.

Porta admits that as is his normal approach, he didn’t really have a plan at first, and it has changed “a bunch of times” as he has got closer to show time, with ideas “falling by the wayside due to being too busy”, left for later down the track. The body of work that has come to form Applesauce is stencilled on a variety of materials, a signature the artist has developed over the years. Porta admits the ideas he works with “come from all over the place and are usually a playful take on something pretty run of the mill”, a reflection of the show’s intriguing title. Porta recounts that after a drawn-out argument, he and his verbal adversary realised that their disagreement had in fact, started with applesauce. That realisation allowed a pause, reflection, and then laughter. Much like that argument, the title Applesauce notes how the show is all about “making something from almost nothing”.

That idea extends to both the materials on which Porta’s images are made, which he collects from various sources, keeping an eye out for second hand stores, wrecking yards, garage sales and other favourite spots, and the re-contextualised, often lowbrow, images drawn from vintage movies, advertising and photography, all of which the artist admits are “fun to work with”. Importantly, that sense of fun extends throughout Porta’s work, and is a feature of Applesauce, packed with playful surprises and juxtapositions.

In his ever-humble manner, Porta is quick to thank those who have helped him put together Applesauce, including Hannah from The Corner Store, CoCA, the Fiksate crew, and vitally, Ghost Brewing for supplying the beer, and all things going well, Smokey T’s for ribs. When I ask him to explain in one sentence why everyone should get along to Applesauce on Friday, he suggests: “Because if you go somewhere else the possibility of getting free ribs will be slim as!” Ribs fan or not, get along to the Lux Gallery on Friday and support one of the city’s finest stencil artists…

Applesauce opens at 5:30pm, Friday the 16th November at the Lux Gallery at CoCA…

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A Tribe Called Exhibition… (or things that don’t go together, bright colours & black)

This Friday (August 3rd, 2018), A Tribe Called Haz stages a one-night-only exhibition of his twisted, humour-laced drawings and paintings, the first ever solo show for the young Christchurch artist. Hosted by the ever-supportive Christchurch institution Embassy, A Tribe Called Haz will be showing works that explore some new directions and mediums, while definitely retaining his unmistakeable punky vibes. To get an inside scoop, we briefly chatted with the A Tribe Called Haz about the show, how it came together, and what to expect…

This is your first solo exhibition, right? How did it come together?

Yep, it sure is. I thought it was about the right time. I felt like I was kind of lacking in the quality and content of my work and wanted something to encourage me to think about things differently and use different mediums. So, I was looking around for a place to hold an exhibition and I mentioned to a few people that I was keen on breaking the seal and having my first solo show. I ended up running into Tucker from Embassy at the supermarket one Sunday night and during our conversation I mentioned that I was looking for somewhere to house these works for a night or so. He was more than welcoming and down for the cause.

So, did you have a body of work to exhibit at that stage? Or are you still working on things?

I guess I was about halfway through, but I’m always painting so I’ll still probably be working on it right up until the night before.

So, do you have an idea in your head how it will all come together, or is it likely to be an evolving concept right up to when you hang it?

Tucker and I have already loosely figured out where everything’s going to be placed. They have hosted shows before, so they know what they can do. Knowing me, I am gonna be super pedantic about how everything is set out, haha!

Do you think a setting like Embassy is a good fit for your first solo show, rather than a more traditional exhibition space? Embassy always highlights the connection between various urban cultures when it hosts artists, sort of infusing the work with certain associations…

I do. A few of my works reference what they’re about. Like, I mean they’re a part of Christchurch skateboarding, they supply paint and they are down with local artists. I identify with everything they support, and I’m hyped that they are supporting me.

You mentioned how you wanted something to push your work in different directions, what can we expect to see in this show in terms of new developments?

I’ve transitioned from acrylic to watercolour, and there are a few pieces that feature both mediums. But watercolour is definitely the main one this time. That would be the biggest change…

How does watercolour alter the way you work? Is it about achieving a certain look more than anything, or is it just a chance to explore a different medium and challenge yourself to figure out ways to use it?

It’s more fun to work with and it creates a different look, although I still love the boldness of acrylic paint. The main reason to start using acrylic though was to try a different angle. It’s definitely changed the ideas that are portrayed with these works.

In terms of those ideas, does this show have a particular theme, or is it a continuation of the way your work kind of represents your mind and the various ideas that come out?

I’d say a few works have a layered, collage type of approach to them, but yeah, the rest pretty much stay true to the idea of representing what’s going on in my mind, haha!

Do you want to try and sum up this show in a sentence?

I’ll give it a shot… Things that don’t go together, bright colours & black.

Haha, nice work, see you on Friday!

What: A Tribe Called Exhibition: A solo show of work by A Tribe Called Haz

When: One night only! 6:30pm, Friday, 3 August 2018

Where: Embassy, 451 Colombo Street, Sydenham

https://www.facebook.com/events/283911552359067/

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Face Value at Fiksate Gallery

Fiksate Gallery is busy gearing up for Face Value, the New Brighton studio and gallery’s latest exhibition. Face Value features an array of artists from diverse backgrounds and locations, each tied together by an interest in portraiture, or perhaps more specifically, the depiction of faces. The selection of work illustrates the attraction of portraiture for so many artists, including those with street backgrounds, and how such explorations are incredibly varied both in conception and their reception.

We caught up with Fiksate artist and Face Value curator Jenna Lynn Brown (a.k.a. Jen) to find out what inspired this exploration of portraiture and how she pulled it all together….

Hey Jen! How are you?

Hey! I’m great thanks! My partner Nathan and I have been very busy getting Face Value ready and of course juggling this with our new four month old baby Frank!

Yes congratulations on Frank’s arrival! To be fair you two are not known for being idle, you have always had an impressive work ethic, but I’m guessing at the moment down time is really at a premium!

So, how did the concept for Face Value come about…

The concept of Face Value came about through my own exploration into portraiture. There are so many ways to interpret the most familiar and important aspect of our humanity and individuality, our face, and this fascinates me. I work with a really abstract version of a face which communicates a self-portrait styled look into my own psyche, and by following several other artists who use portraiture in totally different ways, I really wanted to put together an exhibition that shows this amazing variety of representations. After throwing a few lines out about this concept a couple of months ago, I’ve had a great response and can happily say Face Value has a great line up with a huge variety of styles.

Your ‘Jen Heads’ have become an iconic element of your work, taking on both your own inner psyche as you say, but also a life of their own, showing the rich potential found in faces as subjects. You have a range of artists involved, how did you select specific contributors and was this variety always an intended element of Face Value?

There are a few ways I selected artists for this show. There are artists that Fiksate knows and have shown before and whose works already show portraiture themes like Jacob Yikes, who is, in my opinion the most prolific and exciting artist in Christchurch. Joel Hart is also an exciting artist whose multi layered, pop-art inspired works are gracing large walls, magazines, news articles and TV shows. I also used Instagram to find artists, I feel like Instagram has revolutionized the way we see art in this generation. Through Instagram I’ve been able to research, contact and communicate with artists of different backgrounds and mediums all over the world. And then there’s good ol’ word of mouth and people getting in touch about taking part in the show. However it wasn’t an open call for artists this time around. I guess the key is that each artist I selected shares an affinity to portraiture in their own unique and individual style and each will bring a different flavour to the show.

Jacob Yikes, 2017

You definitely have a diverse line up, and the local and international flavour shows both the growing scene here, but also the way social media, and technology generally, has made it easier for communities to engage and connect. Do any of the works or artists stand out to you for any reason, maybe exposing some key themes or unexpected revelations within Face Value?

There are certain artists who I feel embody to theme of Face Value one hundred per cent. Voxx Romana is an international street artist who has just had a solo show in Paris and his work can be seen around the streets of Europe and the USA. His work is always focused around a strong and powerful image of a person, and very frequently a well-known figure or celebrity. Voxx creates portraiture that speaks of strength, power, mystery and his works make you think, which I believe is a key theme in Face Value.

Voxx Romana, 2017

Importantly, alongside those with a background in street art, there are some stand out illustrators in this show, one from Australia who goes by Lusidart, and four NZ based artists; A.K. Illustration, Hibagon, Jessie Rawcliffe and L.A Buckett. Their works are powerful, intricate and have a slightly mysterious quality about them which draws you in, like there is something deeper behind the subject’s eyes.

Luisdart, 2017

We also have a surprise for our followers and any street art connoisseurs! A very special artist is up our sleeve from the USA, who, if his work arrives on time, will be shown for the opening, otherwise, keep an eye on our Fiksate social media for news on the impending arrival of some seriously great work!

Face Value opens at Fiksate Gallery, 115 New Brighton Mall, on Friday 17th November at 5:30pm. Face Value will run until December 17th 2017, but opening hours and viewing times will vary, so check the Fiksate website for more details.

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