Jack Bromell – From Busselton to Brighton…

Perth-based artist Jack Bromell’s work is inspired by the natural world around us, elegant birds in flight, the patterns formed by flora and fauna, the sweeping curves of lizards. But these depictions go beyond record, there is a strong sense of symbolism, of mythology, of interconnection. Painted in various sizes (from huge panoramas to depictions of postage stamps) and with subtle colour palettes, Bromell’s murals transform public spaces by using nature to speak to both our surrounding environments and our shared conditions and histories. It is no surprise then that he found ample inspiration while travelling Aotearoa. Watch This Space was able to help secure a wall for Jack to produce a work here in Ōtautahi, a large Kahawai fish that exemplifies his confident, illustrative linework, presented as an almost scientific diagram in white lines on the black wall. The oversized production inviting the audience to acknowledge the beauty of our native animal life. After finishing his mural in New Brighton, we sat down for a chat to discuss his roots in Busselton, just outside of Perth, his trajectory as an artist, and New Zealand’s lack of native mammals.

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Morks: The Busy Mind – Enter the Void @ Oxford Gallery and Two-Way Street @ The Central

Over a career spanning multiple decades and ranging from graffiti and tattooing to his increasingly prominent studio output, Morks is a singular creative force. The artist from the foothills of the Southern Alps is in the midst of a busy period – opening two shows within a fortnight: the survey-like Enter the Void at Oxford Gallery – Toi o Waimakariri, where a range of works represent his myriad influences, from folk art to skateboarding, his military service, love of nature, tattoo, graffiti and more; and Two-Way Street at The Central in central Ōtautahi, a group show centred on the mentor-mentee relationship between Morks, sculptor Luca McDonnell, and the late Philip Trusttum, ONZM, one of Aotearoa’s most accomplished painters.

Morks and Trusttum developed a fast friendship in the last years of the older artist’s life, a connection that provided Morks with invaluable knowledge and guidance. While the two shows are decidedly different, Trusttum’s influence is clear, especially in the larger works on unstretched canvas – a format that pushes Morks’ exploration of colour, dynamism and scale. In the Enter the Void, Morks’ imagination runs free, found objects are transformed and juxtaposed with painted and illustrated two-dimensional works, creating a dizzying effect where the viewer is invited to immerse themselves in whirring life. Morks’ collection of works in Two-Way Street is more focussed, but highlights his growing confidence, a sense of maturity that ensures his paintings fit perfectly alongside those of Trusttum. The day after the opening of Two-Way Street, we took the drive out to Oxford, and after an obligatory pie from the Sheffield Pie Shop, we took in Enter the Void, before sitting down with the artist to discuss what has been a busy time – fitting for someone with a self-described busy creative mind…  

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A Home Away From Home – Jay ‘Daken’ Skelton at Ronald McDonald House

For over 20 years, Ronald McDonald House Christchurch, located on Cashel Street, has provided a ‘home-away-from-home’ for families travelling to Ōtautahi for medical treatment. A welcoming space for whānau to find respite from hospital rooms, Ronald McDonald House provides warm hospitality in tough times, a truly vital service that removes further stress for families already dealing with so much.

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The Duke Festival 2026, Carve and Stoked — From Surf to Street Art

For ten years The Duke Festival has celebrated surf and skate culture through the lens of community and inclusion, as well as cultural and artistic events — most notably for us, the Stoked exhibition and Carve street art installation. Both of them feature familiar and emerging names, connecting the festival with the worlds of street art and graffiti as well as broader artistic worlds. For any event, especially one with the scale of The Duke, to thrive for a decade, it takes a lot of work behind the scenes — securing funding, bringing ideas to life, managing artists and participants, promoting and more — and on the bustling opening night, we were lucky enough to chat with two of the figures (and Watch This Space friends) who have tirelessly worked to bring The Duke’s artistic events to reality: head of the festival’s arts programming and Stoked curator Georgia Harmon, and Carve organiser Dark Ballad.

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TUNE! with Jonny Waters

We welcome Ōhinehou Lyttelton based artist Jonny Waters as our latest contributor to TUNE! Jonny is one of the founding figures behind Ōtepoti Hip Hop Hustle – a celebration of the culture’s various realms, and can sometimes (maybe) be found spinning tracks at a certain port village spot, so it is no surprise music is a vital ingredient in his creative profile. But it isn’t just hip hop – like his visual art practice, Jonny’s musical influences extend beyond beats, into the energy of punk, the atmosphere of indie, and a selection of classics. Read on to discover his album selections as our artist-created playlist continues to grow…

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The Little Street Art Festival 2024 – A Recap of Aotearoa’s Most Unique Street Art Festival!

With the countdown now beginning for the 2025 Little Street Art Festival, we thought it was a perfect time to recap the 2024 incarnation of the little festival with a big heart! Staged in December 2024 (which in itself is hard to fathom in the midst of our grey, bleak winter), the 2024 Little Street Art Festival was the second staging of the event, and presented a new roster of artists and activations – bringing fresh ideas around urban creativity to Ōtautahi – expanding the discourse around how art can exist in our streets, a reminder that small can be impactful and artists need not be restricted solely to the 2D format of muralism. Avoiding a curatorial theme, the 2024 Little Street Art Festival embraced diversity of narratives and materials, opening up new possibilities for artists and exposing audiences to fresh uses of urban space.

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Prints and Beats – Dark Ballad x Gothic Crash @ Flying Nun Records

On Friday 18th June, Ōtautahi’s ‘master of the dark arts’ Dark Ballad will present a range of new works, including prints and one-of-a-kind hand-printed tees, in an exhibition at Flying Nun Records’ new store at 143 Tuam Street. Alongside the visual works by Dark Ballad, DJ Crash Gothic will also spin a musical set – making this a perfect way to warm up in the midst of a Christchurch winter! Dark Ballad has been building his reputation as a visual force, with his striking print work, from posters in the streets to gallery pieces and record covers, recognisable for their strong graphic qualities and evocative imagery. This presentation of new work, including a range of collaborations with local creatives, is sure to be fire!

Prints and Beats – Dark Ballad X Crash Gothic @ Flying Nun Records, 5pm-7pm, Friday 18 June, 2025

The Dark Countdown Begins! An Interactive Installation by Centuri Chan

Centuri Chan is a multi-faceted creative – one of the forces (excuse the pun, it will make sense later…) behind the Humans of Christchurch Ōtautahi project, he is a photographer, content creator, Lego block master, and, importantly, a ‘Star Wars guy’. In his upcoming project Dark Countdown, he will fuse his fixation on a galaxy far, far away with a visual commentary on the waste created by mass commercial marketing and short-term collectible fads. The result will be an interactive installation that is an impressive patch work image, and a deeper commentary on contemporary consumerism and capitalism. We took the chance to let Centuri fill us in on this intriguing project, giving us an insight into the concept and execution…

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Postcard from Mexico

Mexico is a hotbed of colourful culture – from the heritage of Aztec history, the muralist movement, the folkloric expressions, energetic graffiti and more recently, the emergence of a contemporary mural style infused with all of these influences…

Mexico is a hotbed of colourful culture – from the heritage of Aztec history, the muralist movement, the folkloric expressions, energetic graffiti and more recently, the emergence of a contemporary mural style infused with all of these influences… Last year we were lucky enough to spend some time in Mexico, visiting Mexico City and Puerto Vallarta and capturing some arty goodness. It can’t be understated how massive Mexico City is, bustling and colourful, the juxtaposition of traditional graffiti, fun street art, murals and public art a reflection of the city’s diversity. With only a couple of days to explore, much of the art we found was in the Condesa area where we stayed, but we also were able to witness a huge amount of art as we travelled outside the city to the impressive pyramids of Teotihuacán, murals, slogan typography and of course the frescoes of the ancient Aztec city itself. Puerto Vallarta is renowned as a bright, vibrant destination, and the collection of murals throughout the city most certainly adds to that profile – often displaying elements of local culture and history…

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Watch This Space presents: Doodle Session, Episode 1 – with teethlikescrewdrivers

Our new Doodle Session series is a deep dive into the creative process of some of our favourite artists. We sit down and let the creative energy flow as they draw, doodle and mark a page, all while we ask a few questions and explore what makes them tick, the role drawing plays, and how it all comes together.

Episode one of our Doodle Sessions features none other than teethlikescrewdrivers – whose energy is evident in the way he annotates our conversation with drawings, from school chairs to pencils, self-portraits to phrases – check it out and get inspired!

Keep an eye out for future episodes on our YouTube channel!