And That Was… October 2020

I know what you are thinking, it’s almost December, right? And you are correct (actually knowing what month it is is a reasonable feat in 2020), this edition of And That Was… is a tad late. The truth is we had a sweet guest contributor lined up, but due to unforeseen circumstances, it just didn’t happen. We are still hopeful of working with said guest, but we will keep that under our hat for now. However, what that means is a quick sidestep, a play called on the fly, a plan B, and now, here is And That Was… October 2020, with a few favourite things from a not so special contributor…  

DTR Re-Paint the Giant Cans

The giant spray cans at One Central have been under the guardianship of the DTR crew and they have regularly been refreshed by various crew members over their recent history. The recent refresh combined work by Dcypher, Ikarus and Wongi Wilson, including stylistic mash-ups and a stunning female portrait seemingly tattooed with graffiti tags and throw-ups, creating an effect evocative of the Mexican dia de los muertos

The Beths

Call me old fashioned, but I still like a live band. And in my opinion no-one is better in New Zealand music right now than The Beths. To say I was excited about their James Hay gig mid-October would be an understatement, and from the moment the stage curtain lifted, I was not disappointed, with their infectiously tight, energetic indie rock and understated charm. My night was topped off with a high-five to singer/songwriter Liz Stokes at the merch table.

Slap City Crew Get Paste-y

The last few months have seen the Slap City crew get busy across the central city, with diverse pastes appearing in busy conglomerations. The arrangement of works is always fun and revels in a sense of camaraderie. The flurry of activity from the likes of Teeth Like Screwdrivers, Vez, Cape of Storms, Bongo and more reflects the infectious energy of being part of a buzzing collective.

Dcypher, Yikes and OiYOU! Go Big!

Truth be told, I’m not sure if the massive Novotel mural was completed in October, my records are not entirely fool proof. But the massive scale of the Antarctic themed work (one of a pair by the artists with OiYOU! to celebrate the city’s role as a gateway to the Antartic) means it is a literal can’t miss and I’m sure at worst I am only a couple of days off. From the overwhelming size to the playful details, it is an impressive piece of work by some of Christchurch’s best, and I couldn’t leave it out.

Bols’ Retro Wrestlers

Let’s finish off this month’s list with a revelation of my inner geek… I grew up in the era of professional wrestling’s glory days. Not the violent, Limp Bizkit epoch of the Attitude Era as it’s known, but instead the over the top pageantry of American superheroes and bad guys of the eighties. It was a time when the concept of kayfabe (the idea that it is all real) was held firm and as a young kid, it was serious stuff. For that reason Bols’ nostalgic paste ups highlighting the dubious tropes and stereotypes of that era hit the mark, a reminder that not all childhood memories are as innocent as we might remember…

What are your thoughts on October’s highlights? Let us know in the comments… 

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Perspective: Women in Urban Art @ Fiksate Studio & Gallery

Urban art, and graffiti in particular, are viewed by many as masculine realms, physical, aggressive and competitive. But, the reality is that women have long had a vital role in the history of wall writing and street art, from subway graffiti writers like Lady Pink, to post-graffiti icons like Swoon, and leading members of the contemporary mural movement like Maya Hayuk. In Aotearoa, the female presence in urban art has also been notable, and Fiksate’s Perspective exhibition, opening on November 6th, brings together an array of artists to share their diverse experiences and reveal the myriad stories and pathways of women in urban art.

Organised by Fiksate owner Jenna Lynn Ingram (Jen_Heads), Perspective brings together established and emerging female artists from around New Zealand (and further afield), with a diverse range of practices, from typography-focussed graffiti writers to spoon-loving street artists, collagists, paste-up artists, photographers, videographers, traditional painters and mural artists. This diversity reveals the approach of Perspective, less concerned with an explicit historical narrative or thematic or stylistic similarities, the show primarily explores the scope of work of the collected artists, from Flox’s beautiful stencils to Kophie Su’a-Hulsbosch’s empowered portraits or Befaaany’s striking urban photography. In doing so, notions of the female urban artist are both celebrated and challenged.

Auckland artist Flox is one of the impressive line up included in Fiskate’s Perspective: Women in Urban Art Exhibition.

The Perspective line-up features an amazing snapshot of Aotearoa’s urban art talent, including well-known figures such as Misery, Flox, Diva, Kell Sunshine, Mica Still, Erika Pearce, Gina Kiel, Xoë Hall, Greta Menzies, Jen Heads and Fluro, as well as newer names like Mirella Moschalla, Glam, Kophie Su’a-Hulsbosch (Meep), Befaaany, Vez, Cape of Storms and Bexie Lady.

Local talent Kophie Su’a-Hulsbosch is part of the Christchurch contingent of the show.

Accompanying the exhibition will be a limited-edition risograph zine, produced by Jane Maloney of M/K Press, providing additional insights into each artist’s background and further highlighting their varied experiences, from the challenges they have faced to the different environments that have fostered their approaches and nurtured their talent. While more fluid and non-binary gender identities may render gender specific exhibitions less necessary in the future, Perspective is an important moment in Aotearoa urban art, a celebration of some amazing talent.

Spoon-making street artist Vez highlights the diversity of the Perspective line up.

Perspective opens 5:00pm, Friday November 6th at Fiksate Studio and Gallery, 165 Gloucester Street.

For more information, visit www.fiksate.com or Fiksate’s Facebook page.

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