May, it was a month of many spinning plates. Here in Ōtautahi, there were the ongoing discussions of local politics as the city planned for our future with the Long Term Plan, but there was also Mother’s Day, Star Wars Day and, according to The Old Farmer’s Almanac, No Socks Day and Root Canal Appreciation Day (both May 8th). It is fair to say there was a lot going on. But it was also a time where we might expect outdoor art to slow down as the temperatures plummet, so what did we find and what did we love? Well, it turns out there was plenty to do and see, from exhibitions to new works, big and small, and even new ways of looking at Ōtautahi. Read on and find out what we loved in May 2024!
Daken – Garage Sale with Lucky Dips @ Absolution
Our pal Daken staged a fun solo show at Absolution, drawing on his love for childhood nostalgia, Kiwiana and bootleg goodness. Garage Sale with Luck Dips included custom toys, airbrushed vintage t-shirts and, of course, surprises wrapped in paper for punters to take a chance. Our personal favourites? Definitely the dismembered Star Wars and G.I. Joe “bootlegs”, the Thinking Ape painted on a vintage Donkey Kong board game and the customised Teenage Mutant Ninja Turtles t-shirt that immediately evoked the original, practical movie costumes, altogether now, T-U-R-T-L-E Power…
Ghostcat’s Leave No Trace Trail Expands…
Ghostcat‘s public trail of reminders of Ōtautahi’s past continues to grow and for many children of the 80s and 90s, the latest addition is especially memorable. The small silver disc may not be easy to spot on Gloucester Street, especially against the similarly coloured lamp post, but a closer inspection reveals it to be one of the iconic tokens from beloved video game arcade Wizards, formerly located just metres away. With more to come, it is worth exploring this touching project and the forthcoming Ghosts on Every Corner exhibition and publication…
Dcypher @ Mexicanos
Dcypher continues to remind us all of his talent with a striking addition to Mexicano’s Restaurant on Victoria Street. The radiant winged Virgin, occupying an expansive desert scene, fits perfectly with the popular eatery’s aesthetic – more please (that’s more tacos, more margaritas and more art)!
The City After Dark
As the city gets dark earlier in the evening, it is interesting to explore the art that takes on a different appearance in a vacated setting bathed in different light – like this DTR production on Manchester Street. From works illuminated by lighting to projected artworks and light installations, Ōtautahi is a surprising setting even after the sun goes down…
Love Everyone…
We couldn’t help but include this little mantra scrawled on one of the giant cans on St Asaph Street – Love Yourself, Love Everyone, Love Vampires. Sounds like good advice…
After several years of developing, planning and piecing together the logistics, Watch This Space was proud to finally bring the Little Street Art Festival to life in Otautahi Christchurch in late 2023!
The festival was conceived as a platform for alternative approaches to street art, especially smaller scale and materially diverse practices. As such, serves as a point of difference from established mural festivals and provides artists who either don’t fit the profile of large-scale muralism or want to push to new directions with their work. For the inaugural festival, we gathered nine local creatives, a mixture of established names and newer artists and helped them take their work to the streets – Jacob Yikes, Ghostcat, Ikarus, Jessie Rawcliffe, Bloom, Dark Ballad, teethlikescrewdrivers, Nathan Ingram and Kophie a.k.a Meep, all contributing whimsical, meaningful and striking pieces. The installations ranged from paintings to sculptural pieces, interactive and participatory approaches and ephemeral interventions. With over 50 individuals pieces scattered throughout the city, the festival encouraged exploration and new ways of looking. In addition to the featured artworks, the festival also presented a programme of free events, including walking tours, an artist panel discussion, treasure hunts, workshops and activations (including Tink’s installation at festival sponsor Westfield Riccarton). We were blown away with the response to the festival and we can’t wait to bring the Little Street Art Festival back soon! For more information, check out our website: https://www.littlestreetartfestival.co.nz/ – but for now – check out some of our favourite pictures captured by festival photographer Centuri Chan…
A massive thank you our sponsors: Westfield Riccarton, Antony & Mates, Phantom Billstickers, Christchurch City Council, Toi Otautahi, Creative Communities and all our Boosted donors!
October is a transitional month. Technically it is Spring, but there isn’t quite the feeling that Summer is just about here. Rain is as likely as sunshine. It seems the most fitting month to represent Otautahi in some ways, enjoyably unpredictable. So what tickled our fancy over the October weeks? Well, there was a bit to enjoy – projections, murals, little bits and pieces – all sorts, just like the weather. Let’s get a bit more specific shall we? Here are five things we enjoyed:
Mark Catley’s “Battle of the Undies“
Sure, we may be showing our bias as 80s kids, but if you remember the Masters of the Universe toys that had chests that would flick between various stages of battle scars, these paste ups by Mark Catlery will bring nostalgic joy rushing back…
Dcypher goes cosmic…
We are constantly amazed at the prodigious work ethic and technical skill of Dcypher – this new Colombo Street mural is evidence of both – the science fiction cum fantasy scene combines a range of flourishing details to astound passersby, but the speed with which it was painted is equally impressive – we truly have a master in our midst.
Jen_Heads at Te Pae
The latest addition to the Spotlight – Urban Art Projections series is a fiery and mesmerising collaboration between the titular artist and Sam Emerson from Offline Collective – rotating through illuminated iterations of Jenna Ingram’s urban icon, it is well worth the visit once the sun goes down!
Ghostcat’s Leave No Trace Trail
Firstly, apologies for the blurry photo, but honestly, one of the best aspects of Ghostcat’s latest addition to his Leave No Trace trail is its subtle placement deep inside City Mall. Paying homage to the iconic Hack Circle, a legend of the city’s youth culture, the small recreation sits as a nodding wink to those who survey their surroundings and a reminder of the ways things change.
Paint the Town Blank…
We don’t know the artist but we couldn’t exclude this cheeky little stencil work – it’s influences are clear, but it is still a playful reminder that white-washed walls are, quite frankly, boring.
Well, that was… damp. July was very much the heart of winter, cold nights and wet days. These are not prime conditions for art making outdoors, but that doesn’t mean that there weren’t plenty of opportunities to engage with some good stuff inside, in the warmth of some of our favourite galleries, hospo spots and venues. In addition, there were a few patches of that brilliant, hopeful mid-winter sun to enjoy and take advantage of with excursions out into our streets. Here are some of the things that caught our eyes, our hearts and our attention…
Pener’s Vacation From Reality @ Fiksate
A whirlwind residency by Polish artist Pener at Fiksate Gallery culminated with his stunning exhibition Vacation From Reality – a collection of vibrant, fractured, dynamic canvas works and some seriously beautiful prints. The weather may not have come to the party, but Pener definitely did, highlighting the incredible talent that has emerged in Poland over the last decade and more, and illuminating the striking trajectories of graffiti’s evolution into abstraction…
Scratch Building with Ghostcat
The wet July school holidays were a perfect opportunity for a group of local rangatahi to learn from scratch-building master Ghostcat at the incredible 4C Centre at the YMCA on Hereford Street. An amazing array of builds were created that celebrated the beauty of the urban environment…
Angry Garf
I mean, who isn’t a sucker for the Darkest Timeline? (I could never hate lasagne though)
The Little Street Art Festival Treasure Hunt
We thought we would celebrate our successful Boost Ōtautahi campaign (thanks to all our amazing supporters!) with a little treasure hunt – two hand-stencilled signs dispersed across the city for people to find. We still don’t know who found these guys, and we think our little mascot needs a name – any ideas?
Weasels Ripped My Flesh
At the first sign of a sunny Saturday in late July, we headed to Moon Under Water in Cashmere for a quick drink with some mates (you can’t go wrong with their stonking selection) and we couldn’t help but shout out Weasels Ripped My Flesh, a collaboration APA by Moon Unit and Altitude Brewing – with some Frank Zappa inspired artwork by our pals Ghostcat and Nick Lowry!
What things kept you warm and dry through July? Let us know in the comments…
May is the month when you can feel winter coming, daylight savings ends, the weather becomes just that little bit more unpredictable, and t-shirts start to be accompanied by warmer layers (just in case), yet we can also ignore these signs and enjoy the final throes of Summer’s waning presence. This May, we have enjoyed a range of treats, from the streets of Ōtautahi to gallery walls in Te- Whanganui-a-Tara Wellington, a beautiful secluded gem in Waltham, a haunting surprise outside one of our favourite bars and the odd geeky nightmare…
We welcomed the third artist to the Phantom bollard take-over The Paste-Up Project, with Cape of Storms adorning the circular structure with a signature blast of colourful retro collage posters. The installation, titled Foreign Objects, reflects on the adjustment to life in Aotearoa, highlighting Kiwi quirks through nostalgic compositions of food and fashion and vintage media. The appearance is easily mistaken for official poster advertising, until closer inspection reveals the acerbic humour – check it out on Manchester Street!
We’ve always known our pal Jessie Rawcliffe was super talented – now she has the certificate to prove it! Jessie’s striking portrait Richard, of Wellington tattoo artist Richard Warnock, was highly commended in the Adam Portraiture Awards at the New Zealand Portrait Gallery in the capital. From 351 entries, the Adam Awards exhibition was narrowed down to 45 works, with Jessie’s painting being placed in the top 7 by judges Linda Tyler and Karl Maughan.
The Haunted Teacup
You may know about Watch This Space’s plans for The Little Street Art Festival in 2023 (if not, more to come soon!) – but did you know about Ghostcat‘s Haunted Teacup – a work created to exemplify the types of works the festival will celebrate? The worn Victorian-styled automata viewing box has been surprising viewers passing The Last Word on New Regent Street through May, drawing people in with the promise of a terrifying supernatural experience, but is it what it seems? Go and check it out… If you dare!
7 Oaks Mural
We recently had the chance to work with Life in Vacant Spaces and the amazing community at Waltham’s 7 Oaks – an incredible site where array of groups make use of a beautiful space. Together we created a participatory mural welcoming visitors to 7 Oaks, a team effort where 3 year olds and those just a little bit older all contributed to a mural that draws on the surrounding environment.
Return to the Upside Down
Last, but not least, is a shout out to my nerdy side (which is possibly 73% of me) and the long anticipated debut of season four of everyone’s favourite 80’s homage Stranger Things! I may or may not have binged all seven episodes in one night, but who is asking, really? I also may have already re-watched it and now wait impatiently for the final two episodes… Bada Bada Boom!
This edition of And That Was… was almost forgotten, such was the nature of April 2022. With March a hectic month, there was a feeling April would be quieter, but the reality was anything but relaxed. Months fly by these days, a combination of busy schedules and the constantly evolving Covid situation. April kicked off with a whirlwind trip to Tāmaki Makaurau for Ghostcat’s collaborative The Main Line exhibition at Limn Gallery, and as you might expect, a range of other adventures and encounters. On the home front, we have been launching a few new initiatives that will all become a bit clearer over the coming weeks… In the meantime, here are a few of the highlights from April!
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The Main Line opening @ Limn Gallery
We boarded a flight to Auckland on the 7th of April for the opening of The Main Line, a show featuring 28 custom-built miniature trains, produced by Christchurch’s own Ghostcat, each decorated by a graffiti artist paying homage to the iconic Spacerunner carriage (artists included Dyle 52, Askew, Phat1, Berst, Morpork, Lurq, Ikarus, Dcypher, Yikes, Freak, Vents and more). The opening was packed with names from the Aotearoa graffiti scene, reminiscing over a beloved part of the local culture’s history, making for an auspicious occasion.
Street Treats in Tāmaki Makaurau
With The Main Line opening on a Friday night, the rest of the weekend was left for exploring and the chance to navigate Aotearoa’s biggest urban centre. From the Mercury Plaza to legal walls in Avondale and many spaces in between, it was a treat to stumble upon works by some real heavy hitters and discover some new forces as well. A personal highlight was stencil don Component’s beautiful ballerina in Ponsonby…
Race A2D at The Avondale Pavilion
Another highlight of the trip to Auckland was the chance to catch Race A2D painting at Te Tūtahi Auaha – The Avondale Pavilion – the process documented by the man himself Dr Berst. The Pavilion is a fantastic concept that has become a key tool in the documentation of Aotearoa’s urban art culture. I might even appear in the background of the YouTube video a few times!
Slap City Billboard Takeover
The Slap City collective keep finding amazing spots and this empty billboard is a personal favourite – it might not be as central as some of their other locations, but it has an undeniable charm, echoed in Vez’s sppon drawer and played on by teethlikescrewdriver’s massive pencil. 10/10 would visit again.
Artist Talk with Jacob Yikes @ Fiksate
Jacob Yikes’ Even in Darkness exhibition was an April highlight in itself, a bold body of work that was candid and honest while still mysterious and evocative, but the chance to sit down and discuss the process with the artist with an enthusiastic live audience at Fiksate was a perfect way to end the month. The lengthy talk was an honest insight into the artist’s practice and the influences found in Even in Darkness.
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What made your list for April?Let us know in the comments… And if you have any events coming up, let us know by emailing [email protected]
Tāmaki Makaurau Auckland proved the place to be on April 8th, with two exhibition openings drawing crowds. We happened to be around and managed to catch both The Main Line, a collaboration between Ōtautahi artist Ghostcat and 27 Aotearoa graffiti artists that served as a love letter to the iconic Spacerunner train carriage, and Shiny Things, a collaboration between Hannah Maurice and Tanja McMillan (known to many as Misery) that created a beguiling world inside The Mercury Plaza gallery space on Cross Street (just behind the famed Karangahape Road). While very different shows, one grounded in history, the other mythology, both were well worth the attention…
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The Main Line – Ghostcat x Aotearoa Graffiti Artists, Limn Gallery, Tāmaki Makaurau Auckland, 8th April, 2022
Inside Ponsonby Road’s Limn Gallery, a two metre long replica of a Spacerunner, one of New Zealand’s, and New Zealand graffiti’s most iconic train carriages, takes centre stage. Carefully laid out on top and along the walls either side are even smaller versions of the carriages, rusted and covered in tiny recreations of the graffiti that would fly by when the Spacerunners were still in circulation around Aotearoa. The tiny carriages were built by Ghostcat in his typically detailed style, before artists spanning the country and generations, contributed designs, from Opto, Vents, Lurq, Morpork and Phat 1 to Wayst, Togo, Meep, Vesil and Siar267…
Limn Gallery in Ponsonby hosted The Main Line…
The show paid homage to the now out of circualtion Spacerunner, an iconic carriage for both New Zealand rail and graffiti history…
The small space drew a good crowd for the VIP preview…
where people inspected the tiny trains from the likes of Ikarus DTR
Stories of train missions were on display from members of the scene, such as Fiasko and Siar267
Dyle52 shouted out another icon of graffiti culture in underground comic artist Vaughan Bode
Askew One was a key organiser of the exhibition
Shiny Things – Hannah Maurice and Tanja McMillan, The Mercury Plaza, Tāmaki Makaurau Auckland, 8th April, 2022
The Mercury Plaza, home to a collective of creatives, where visitors can find food, art, clothing and, if they fancy it, get a tattoo. On April 8th, The Mercury Plaza welcomed guests to the opening of Shiny Things, a collaborative world building by Hannah Maurice and Tanja McMillan (Misery); an exploration of the sacred female and the conscious/unconscious that employs a range of approaches to engage the senses. From McMillan’s paintings to installations that seemingly serve as shrines, an air of ceremony palpable. Opening night was busy, with a moving karakia adding to the resonance of the works that reveled in dance, ritual, myth and dreams…
Dream Boat formed one of the centre pieces of Shiny Things…
filled with ornate details
Nature’s Dance by Tanja McMillan
Garden Rituals by Tanja McMillan
Ladybird by Tanja McMillan
Elsa Moon by Hannah Maurice
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Do you have a show coming up and want to let us know? Email [email protected] and fill us in with the details!
Almost five years since Street Prints Ōtautahi, Christchurch’s last significant street art mural festival, Flare Street Art Festival provided a welcome shot in the arm for a city with an established reputation as an urban art destination. The brainchild of ARCC, a urban activation collective of local business people and place makers, Flare burst into life with a roster of seven headline artists painting huge murals and a flurry of additional activities.
Flare was built around the selection of massive new murals that would transform the SALT District and surrounding environs, landmarks that showed an impressive diversity, each artist flexing their unique styles, interests and intentions with creative freedom.
Koryu’s massive mural
The largest mural, on the side of the newly renovated Cotters Lane building, was completed by Koryu, a Japanese artist who has been based in Aotearoa since the 2020 lockdown, living in Geraldine but travelling across the country to paint murals. While relatively new to urban art, picking up a spray can just three years ago after visiting Melbourne, Koryu’s impressive depiction of fierce Niō warriors, guardian statues of Buddhist temples in Japan shows his quick development. The circular motif in the middle of the image suggesting the infinite quality of existence, the warriors themselves representing the beginning and end of all things (the open and closed mouths symbolic of the in and out breath, the first and last characters of the alphabet). The huge work, over 160 square metres, was a massive undertaking, filled with detailed musculature and gestural painting and aware of the shared experiences of Christchurch earthquakes and the Tohuku earthquake and tsunami in Japan in 2011 when both regions were struck by devastating natural disasters, making this work, a gift of guardians, even more resonant.
Wongi ‘Freak’ Wilson
Nearby, overlooking Manchester Street, local artist Wongi ‘Freak’ Wilson displayed his technical skill with a vibrant depiction of a woman wearing rose-tinted glasses and chewing bubble gum. The pink gum exploding into a cloud of pop culture references, a baseball cap, a paint roller, headphones and more bursting out of the cloud. The combination of realism and pop-esque cartoon work a summation of Wongi’s style. The upbeat energy of the work infecting an area that still bares the scars of the city’s ongoing .
Detail of Kell Sunshine’s mural
Tucked down Memory Lane, behind the imposing SALT Mural by Paul Walters and Dcypher in Evolution Square, Gisborne artist Kell Sunshine added a rolling, lyrical mural, a beautiful contrast to the architectural and pared-back piece around the corner. Floral forms blooming and unfurling around the phrase ‘Take a walk on the wild side’, Sunshine’s mural reminds us of the need to break from convention and embrace our ‘wild side’ – a literal depiction of nature amidst the urban jungle. The 70s vibe is relaxed and the somewhat secluded placement allows for the viewer to stop and absorb the message before returning to the bustle of the city.
Meep on St Asaph Street
On St Asaph Street, homegrown talent Meep produced the largest work of her career, with a stylised self-portrait against a bright orange backdrop. The massive image shows the artist, with a backpack filled with paint, a roller and a blackbook, walking along the tracks (a traditional graffiti hot-spot and suggested by the large roller piece behind the artist), headphones plugged into a television-headed representation of hip-hop music – her constant companion (the homage to hip-hop cemented with the Kangol bucket hat and the MF Doom and Wu Tang Clan t-shirts). The strong representation of a female graffiti writer illuminating an often marginalised presence in a predominantly male sub-culture.
Ikarus on Manchester Street
On the corner of Manchester and Welles Street, local legend Ikarus of the DTR Crew recounted his own experiences in graffiti through the lens of an AR video game (a cartoon version of the artist shown in full AR goggle mode in the corner). The levels of the game move through the stages of graffiti, from tags to throw-ups and finally ascending to masterpieces, the obstacles and intricacies thrown in as well. The shout-out to traditional graffiti an important inclusion in a forum where the culture is often excluded in favour of birds and buildings. The shout out to the legendary Jungle acknowledging the legacy of those who have come before and the important role of mentorship through example.
Olive by Swiftmantis
In the rear of the Little High car park on St Asaph Street, Palmerston North artist Swiftmantis continued his series of ‘Stray Stories’ with a huge depiction of black cat Olive, her green eyes surveying the surrounding area. The amazing detail reveals the feline’s character, her tattered ear a sign of her survival. Currently with the Cats Protection League of Christchurch. Olive, perhaps now the city’s most famous cat, is still looking for her forever home, the work serving to highlight her situation and to celebrate the work done by the Protection League. The image has already stopped hundreds in their tracks, wowed at the production and enamoured with the beautiful, majestic animal.
Elliot Francis Stewart’s mural closed the festival
The final work, located on Manchester Street, was delayed when Elliot Francis Stewart was unable to make his way to Ōtautahi until the final (or at least the final official) day of the festival. Renowned as a supremely talented illustrator, Stewart drew inspiration from Christchurch’s ‘Garden City’ moniker to depict a sweetly nostalgic scene of a shovel and bucket in a garden. The electric colour scheme of blue, yellow and magenta highlights the intricate detail, the leaves, bark and even tiny lizards occupying the serene setting. It is a show stopper that draws you in, your eyes led across the incredible detail of the wall.
FUEGOS joined the Graffiti Jam
While these murals were the central focus of Flare, there was plenty more going on across the extended two week programme. Just prior to the official launch, Dcypher, Ghostcat and Dr Suits installed an anti-war 3D mural – an oversized Molotow pen fixed to the wall appearing to be the tool used to scrawl over the image of a tank in bright pink – a peace sign and the declaration ‘Make Art Not War’ defacing the symbol of military force. Just around the corner, Flare made use of a High Street shop as a pop-up gallery, featuring local and visiting artists, an array of art and apparel available. The pop-up served as the central hub for the festival, with artists hanging out and passers-by drawn in (our Watch This Space guided tours also departed from the pop-up space, while the Watch This Space Artist Panel was held at 12 Bar on St Asaph Street). An unassuming High Street space hosting a projection work, a collaboration between Fiksate Gallery and the Offline Collective, added a dynamic night-time presence to the festival. The BOXed Quarter’s collection grew with the ‘Wahine Takeover’; Jessie Rawcliffe, Jen-Heads, Berlin and MKA adding fresh paintings to the panels. The final Saturday of the festival saw over two dozen artists take over the lane ways surrounding popular bar Smash Palace with a graffiti jam, artists from different cities and generations lifting the veil from graffiti’s often mysterious presence as visitors could watch the paint being sprayed on the wall. Finally, on the last weekend, Billens Lane, next to Little High, received a make-over with fresh hoardings painted by Jacob Yikes, Dcypher, YSEK, Chile One, Ikarus, Tepid and Bols, adding further diversity to the collection of Flare works.
YSEK and Chile One on Billens Lane
With over 40 new works of art painted across the city, and over 30 artists involved across the festival, Flare served to connect the dots as an event that was for the city and the culture. This is an important element of such an event, recognising the need to support local talent and provide opportunities of varying scales, to raise the profile of urban art and foster the seeds of the city’s creative foundations. Of course, with new incarnations will come new challenges, from finding fresh walls to the massive task of finding money, but Flare has made a promising start, and we are already looking forward to 2023!
Flare Festival may have come and gone, but it’s legacy lives on – an array of amazing new murals and a bolt of energy in the local urban art scene putting graffiti and street art back in the limelight. The flurry of activity that saw a pop-up gallery, guided tours, panel talks, mural painting, graffiti jams and live painting sessions was a lot to take in – luckily we had our man, Centuri Chan, on hand to capture some of the magic…
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Ikarus DTR at work
Kophie’s blockbuster WIP
Jessie Rawcliffe painting at the BOXed Quarter Wahine Takeover…
MKA Artist at work in the BOXed Quarter
Koryu takes on the festival’s biggest wall
Wongi Wilson working at heights
Palmerston North’s Swiftmantis works on the stunning feline portrait Olive
Dcypher X Dr Suits X Ghostcat – Make Art Not War
Jen Heads at the BOXed Quarter
Elliot Francis Stewart’s amazing work meant the festyival lasted even longer
Ikarus’ graffiti game played through the levels of the culture
Kophie’s massive Hip Hop tribute was a highlight
The graffiti jam behind Smash Palace
Wongi’s explosive new work
Olive surveys her new domain
Jessie Rawcliffe’s striking work
Koryu massive mural
Kell Sunshine’s burst of colour
Centuri Chan is an Otautahi-based creative, photographer, tour guide, designer and LEGO builder…
I think we all expected to be able to look back at 2021 and say, well at least it was better than 2020, but let’s be honest, it was pretty much a replay: more viruses, more lockdowns, more political shenanigans, and a heap of new entries into the encyclopaedia of frustrating human experiences. This year, when we reached out to our favourite artists, some familiar, others new friends, we wanted to keep the questions a little more open-ended than previous years, recognition of the challenging times and also giving more room for reflection. The responses echoed that intent, with a wide-ranging focus, lots of shout-outs and importantly, acknowledgements that even through all the stress and chaos of 2021, Ōtautahi’s urban creative community continues to grow, thrive and evolve… So, even if it is through gritted teeth, here’s to 2021, a year of resilience…
What has had the biggest influence on you in 2021?
My kids have been super influential in my general outlook on things over the past year, but as far as painting is concerned I’m constantly influenced by everything I see. Obviously the pandemic has had a massive influence on people from all walks of life on an international scale and has given artists time to hone in on particular aspects of their process during lock down. I’ve been lucky enough to have spent some time in my studio over the past 12 months.
Who do you think has been making the most interesting art this year?
Internationally, I’m constantly finding new artists doing incredible work and taking their art in different directions. Bond has been doing amazing wall paintings with the integration of various outcomes in VR augmented reality, RFID devices and experimenting with crazy tools and paint contraptions, it definitely makes him one of the most interesting artists of 2021 in my opinion. Locally, Ghostcat’s work is top notch! He’s constantly stepping it up.
What would you say had been your personal highlight in 2021?
One of Dcypher’s paintings at South Sea Spray in early 2021
My personal highlight of 2021 was South Sea Spray by a long shot. It was the best festival I’ve ever had the honor to attend! There were highlights within the highlight; awesome line-up, the hospitality, the sights, and plenty of hyped locals!
teethlikescrewdrivers takes stock of his Paste-Up Project installation in early October…
What has been the biggest influence on you in 2021?
The collective minds of SlapCity continue to be a huge influence on me personally. It has been amazing to see this random group of people hang out and support each other in so many ways. Our original intention was to push sticker and paste-ups as a legitimate artistic medium here in Aotearoa and abroad, and I feel we are doing just that. Collectively we have had members run their own independent art shows as well as feature in them. We have been part of organising and collaborating in paste-up and sticker shows across the globe. We have seen our work on public installations, featured on blogs and have been interviewed by The Press about what we do.
Who do you think has been making the most interesting art this year?
Interesting is an interesting word! I am a huge fan of subversive stuff, so @fokawolf will always reign supreme there. I have continued to be in love with @eter_91’s typography and have a special place in my heart for @mambotattooer’s line work. Cannot forget our Ghostcat. His Welcome to Christchurch – The Garden City sign is one of the most beautiful things I’ve seen. Stoked to see his book project get the funding it rightly deserves.
Ghostcat’s miniature Welcome to Christchurch sign was a favorite of teethlikescrewdrivers in 2021…
What would you say has been your personal highlight?
Just being able to see my stuff up and about. Having the opportunity to take over one of Phantom Billstickers’ bollards on Manchester Street as part of #thepasteupproject was right up there. It was so great to upscale my work and think of it as a whole piece rather than just individual pencils. I was really stoked with how it came out. Being part of @helloiamtheshow‘s PB n Jam was amazing. I never thought that people would want to buy stuff with my pencil on it. Who knew?
teethlikescrewdrivers’ work at PB n Jam at The BOXed Quarter in August featured found objects adorned with his iconic pencils…
What one thing would you have changed from 2021?
Gigs. I wish I could have seen more gigs.
Vesil
What has been the biggest influence on you in 2021?
I’d say the obvious one would be Covid, being in and out of lockdowns. It definitely has given time to reassess what’s important and what I’m striving for as I’m sure it has with others. Friends have also influenced me over this year, watching them succeed and accomplish their goals has been a real incentive to get off my ass and do the same. Getting out of the city which is something I’ve tried to do a bit over the year. The exploring of different spots, catching up with old and new friends and coming back with a new insight than the one you left with, as well as at least one good story to go with it.
A fresh perspective, 2021
Who do you think has been making the most interesting art this year?
Harry King would definitely be someone who springs to mind. I’m always really impressed by the sheer volume of work he consistently produces that’s always at a high standard. The same can be said for Tepid who too is pumping out a lot, across a variety of mediums. A couple of other honourable mentions go out to PK, Revos and Fiasko.
What would you say has been your personal highlight?
My personal highlight would be, aside from the freezing cold and running out of beer, freight hopping up the country.
Travelling the country freight-hopping was a highlight for Vesil in 2021…
What has been the biggest influence on you in 2021?
Christchurch. The city has had the biggest influence on me as I’ve seen it from a different perspective with regard to my journey this year. Learning about people’s connections to places that are no longer there, exploring places I’d never been. There’s so much to take in.
Who do you think has been making the most interesting art this year?
Jacob Yikes continues to blow my melon year in year out. His work is always so insanely good! The details and the way it takes you on a trip to another place.
Jacob Yikes’ Only here to pay some bills and maybe fill a cart with cat food
What would you say has been your personal highlight?
My highlight was without a doubt was Shadowtown, my first ever solo show at Fiksate earlier this year. That was one of my highlights of my entire life! Putting my work out there and getting the response I did was amazing, so much love!
Ghostcat at his show Shadowtown in early 2021 [Photo credit Charlie Rose Creative]What one thing would you have changed from 2021?
I wouldn’t have changed a thing as every action throughout 2021 has led me here. It’s had its challenges, but it all comes to together.
What has had the biggest influence on you in 2021?
The fact that you’ve sent these questions means it’s been an entire year since the last time. Once again, I initially struggled to remember anything definitive from the last 12 months, then it slowly came back. Your yearly questionnaire is strangely therapeutic as it’s a great reminder that I have in fact made and seen some shit…But to answer the question, being employed. The flexibility and time I thought I’d be giving up, that I assumed would be detrimental to my creativity, never came to fruition. Or at least it was completely counterbalanced by the reduced anxiety of finally having some financial stability. Realising that I don’t thrive being my own boss was a huge influence on my painting. Not needing to sell work to live has made me more selective about being in shows and I’ve been able to make whatever I want with less parameters. The irony being that when you make stuff for yourself without caring about how it will be received by others, people tend to respond positively, or at least the people whose opinions you actually care about do.
Who do you think has been making the most interesting art this year?
I’ve gotten a bit obsessed with @post_vandalism on Instagram. It’s a collection of works curated by Stefano Bardsley, thematically linked by their connection to graffiti, vandalism and their removal. I almost thought that the whole intersection between graff and fine art had been done to death, but I keep seeing stuff that holds my attention.
Ed Bats’ Italio OD, 2021 [Photo from Ed Bats’ Instagram]Honorable mention to Ghostcat Mike Beer as well. His solo show was an amazing reflection of his obsession for detail, and the little collaborations within it made it extra special.
Jessie Rawcliffe’s collaboration with Ghostcat for Shadowtown in early 2021
What would you say has been your personal highlight?
Getting to paint a couple of walls this year was a huge step and something I’ve wanted to do for ages. I’m at that point where I’m pretty certain about what I’m capable of, but during both the Berlin Wall and NZ Opera pieces I had moments of ‘ah this looks like shit wtf am I doing’. Me, up a ladder, with a too small paint brush, rookie.
The Marriage of Figaro mural Jessie Rawcliffe painted in mid 2021 in collaboration with the NZ Opera
What one thing would you have changed from 2021?
I lost momentum in the middle of the year and took on miscellaneous freelance design projects (because if you stop moving you die right?) when I should have just kept painting.
Bloom n Grow Gal painting in the BOXed Quarter to close out 2021
What has had the biggest influence on you in 2021?
A huge influence on me this year would have to be the Green Lane community. I was so lucky that this was the first group of people I met when I came to Ōtautahi. Hanging out and drawing during the markets inspired me to start my pop-up art shows. Something I had enjoyed doing at university, I then had the opportunity and support to start it again here! I’ve made some truly amazing friends, found my creative drive and flare thanks to these guys. There will always be a big spot in my heart for Green Lane.
Who do you think has been making the most interesting art this year?
I have been so incredibly lucky to work and meet with extremely talented artists this year. To just pick one is hard! I have really loved what Harry King has been doing. I only met him and discovered his work this year at one of the Art Walls shows at The Welder. King did a series of four paintings for the show, one in particular really caught my eye. I honestly think my Grizzly’s bread intake increased over the period of time King’s work featured there. I had to get it, the painting of the cowgirl now hangs in my room, alongside a load of other epic pieces of work I have collected this year. King is also an amazing tattoo artist at Absolution in the Art Centre. I’ve loved seeing him develop this art of his work too.
One of Harry King’s works from Art Walls at The Welder, 2021
What would you say has been your personal highlight?
These are the hardest questions ever, so mean! Haha… it’s so hard to just pick one. I think it’s going to have to be the three shows I put on this year, More the Show, PB n Jam the Show & Even More the Show (I know that’s technically three, I loved them all equally and can’t pick) All those emails, all the organising, all the art hanging into the early hours of the next day. Working and discovering all these incredible people in Ōtautahi. As well as having made some amazing friendships through the process I have an incredibly amazing art wall now at home full of pieces I have brought from the shows. It also really pushed me to discover something I was really passionate about.
Even More the Show at Clubhouse Creative, one of three shows Bloom n Grow Gal opened in 2021…
What one thing would you have changed from 2021?
I would change being on my phone just as much as I have been this year…even the past two years. Ever since this global pandemic started I have realised my screen time has increased by an embarrassing amount. I noticed after doing this my mood would be low and my desire to create minimal. Although I feel like some of my work produced was slightly fuelled by the pandemic, I definitely want to go into 2022 with less screen time… Live Laugh Love and all that.
What has had the biggest influence on you in 2021?
I don’t know if I’m heavily influenced by outside factors tbh. I try to just do what I do. My crew, DTR, inspire me n so do the super active graffiti guys
Who do you think has been making the most interesting art this year?
Ghostcat has definitely been on his grind, seeing his energy towards pursuing art full time is infectious and it’s hard not to love the builds he does. Vesal FOK owned the streets in Christchurch this year, hands down nobody put in more work than him.
Vesal was one of Ikarus’ favourites for 2021
The big TMD show up north looked awesome too. Special mentions to Race n Hoaks from A2D crew, they aren’t Christchurch guys but the work I’ve seen of theirs is super cool n I’ve definitely been interested in seeing what those guys come up with week to week.
The TMD crew roll call from the TMD: An Aotearoa Graffiti Story at the Dowse Gallery in Lower Hutt
What would you say has been your personal highlight?
It’s hard to beat South Sea Spray, even though that was all the way at the start of the year. Everything about it was just too next level. Also organising the wall n line up for the Christchurch Hip Hop Summit n getting a nice line up of different generations of Christchurch graffiti guys together.
The DTR Crew collab at South Sea Spray in early 2021, featuring Yikes, Dcypher and Ikarus [photo supplied by Brian ‘Rowee’ Rowe]What one thing would you have changed from 2021?
The mandate. Fuck that shit. I’m not against vaccines but I am against the way this whole shit is unravelling.
A Pool Full of Deep Ends, a new work from Jacob Yikes in 2021
What has had the biggest influence on you in 2021?
I’m not really sure to be honest, the last 2 years have been pretty chaotic and I’ve yet to really reflect on all of it but yeah, I struggle to narrow it down as I think everything good and bad influences everything I do in terms of my art.
Who do you think has been making the most interesting art this year?
I think I would have to say that Ghostcat takes the prize for that one this year, he’s on another level with his miniature works, some really impressive stuff for sure.
Ghostcat’s Volcano and Lava Bar build from Shadowtown [Photo credit Charlie Rose Creative]What would you say has been your personal highlight?
In terms of personal highlights relating to painting I would say that some of the projects that myself and my crew have been a part of this year have been a lot of fun and we have some pretty rad projects lined up for early 2022 And yeah another would be the fact that I’m nearing completion on a large body of work that I have been working on for the last few years and I’m pretty excited to exhibit those paintings middle of next year.
What one thing would you have changed from 2021?
Haha, I’m not sure if I would change anything. That probably seems kind of weird and yeah obviously Covid is a pain, but yeah, I’m not one to get strung out on shit I can’t change
What has had the biggest influence on you in 2021?
Finding someone I truly love and adore. Art wise – Probably shedding a few more layers of caring about what others think about what I make and abstraction.
DOOR/SCOPE was part of Jonny Water’s push into abstraction in 2021
Who do you think has been making the most interesting art this year?
Vesil, OXY and the FOK crew & Fiasko
What would you say has been your personal highlight?
What has had the biggest influence on you in 2021?
The people. The Christchurch crews – music, art, hospo, retail. We are very lucky here! Some are artists I’ve admired and looked up to since 2006/7 and now work with, some I am now great friends with, some who have inspired me and some who have helped me out a lot. Some are amazing Fiksate supporters that we are honored to know and call friends too. It’s all about the people for me.
Who do you think has been making the most interesting art this year?
What has had the biggest influence on you in 2021?
I think the way the world currently is has given me a greater influence to become the best version of myself, not only in art but in all areas of my life. But yeah, I think it’s pushed my work more because I want to constantly be creating and it puts me in my own wee world.
A Thorn in the Roses was released as a fundraiser for Movember by Distranged Design
Who do you think has been making the most interesting art this year?
In my opinion I’ve loved seeing the work Daniel Arsham has been creating, it’s all just so different and the collaborations he’s been a part of have been insane!
What would you say has been your personal highlight?
I think the collaborations I’ve done, and those I have also organized that are in the pipeline are my proudest moments, it makes this career even more fun when you can work with others and bounce off ideas with like-minded creatives.
United, a Distranged Design collaboration with Hannah Jensen (@hannahjensenart) from 2021
What one thing would you have changed from 2021?
I’d love to have been able to travel, but that wasn’t possible! I’ve got something cool planned next year which I can’t wait for though!
What has had the biggest influence on you in 2021?
Probably living through heaps of major world events at once, haha! Also seeing how much online and social media has played a part during these times and making people nuts.
Meeps work confronted the issues facing us all through 2021
Who do you think has been making the most interesting art this year?
I follow so many different areas of art, fashion, graffiti, fine art, illustration etc., so I can’t really pin-point anything. But I will say that I am so proud of my friend McChesney (@mkaartist) for finally getting a tattoo apprenticeship, she has wanted it for the longest time, and I am sooo happy for her, she’s going to be so famous one day.
What would you say has been your personal highlight?
Probably the anti-racism Stand Up Event I organised alongside The Conscious Club and getting to be a part of the Hip Hop Summit was a great way to end the year. I have also had a lot of opportunities this year that I am very grateful for.
Meep takes stock of her character for the Christchurch Hip Hop Summit graffiti event
What one thing would you have changed from 2021?
I have had a lot of ups and downs the past 2 years, losing two of my family members and dealing with heaps of other life stuff while simultaneously living through huge world events. It’s been the hardest couple years of my life, so it can only go up from here hopefully! Haha!
What has had the biggest influence on you in 2021?
Biggest influence on me in 2021 has been my new job that I started working at in April. They have all sorts of woodworking machinery, laser cutters, sand blasting and metal engraving machines as well as a spray booth. It’s basically a McDonald’s playground for anyone that likes to make stuff. Being able to use all the gear for my own artwork unlocks a whole other realm of works that weren’t possible for me before.
Who do you think has been making the most interesting art this year?
Not me that’s for damn sure. Probs some random person overseas that has been shadow banned by the Zuck man on Instagram for no reason so that no one even sees their work anymore anyway. But Levi Hawken and Dr Suits are steady favourites of mine locally speaking.
One of Levi Hawken’s concrete casts. Hawken is a favourite of Josh Bradshaw.
What would you say has been your personal highlight?
A personal highlight was finally making my little barbed wire rose series (I picked a dozen but not for you) that I thought of ages ago but couldn’t get around to making it for most of the year. Felt good to not have that idea in my brain anymore. Also bought myself a sick old book press which is cool.
What one thing would you have changed from 2021?
I dunno, maybe something about not making NFT’s trendy/ a hype beast, wait in line for an ugly cartoon of a monkey that matches your limited edition dunks so you can get into a club in Hollywood type of deal this year. It’s just not it.
What has had the biggest influence on you in 2021?
The Instagram’s tight grip on me has been as strong as ever this year, but in a far more productive way than before. I love to hate it and hate to love it, the broken window into the world of great talent from all of the corners of the world the tendrils of the internet can reach, which inspires me to degrade my artistic abilities on the daily, whilst simultaneously lighting enough fire under my ass to produce my own work.
Another thing, the influence of which this year cannot be understated, is skateboarding. Delving into the thick of it and finding how closely it is intertwined with everything I loved for years made it feel like I found the missing link between my long line of interests and helped me gain a whole new perspective on them, contributing greatly to my work.
Who do you think has been making the most interesting art this year?
I feel that with me being very new to the art scene I’m just barely scratching the surface of what this country has to offer, especially given a bit of stagnancy brought upon us all due to the pandemic, but among the many local artists I’ve been following this year my two favourites are: Miiekes, whose wild trash art lies near and dear to my rotten heart – I’ve been a fan of pretty much every piece she put out in 2021; and Cammy (@__cammy_h__), whose photography evokes just the right level of discomfort in its lonesome stillness – something I very much enjoy to channel through my own art as well.
Image from @__cammy_h__
Among foreign names I can mention Jerry Hsu, Trevor Hernandez, Kludge, Jason Gringler, and pretty much everyone in the post_vandalism Instagram account.
What would you say has been your personal highlight?
It’s pretty tough to pin-point a particular highlight in a year that has become my life’s highlight in itself. I’ve gone through a lot of exciting and important changes in 2021, which finally made me feel like I’m exactly where I need to be, but I guess the common thread among all of these changes is finding the path to “myself”. Or rather, whatever I want this mysterious self to be.
What one thing would you have changed from 2021?
The only change I would’ve made is started taking antidepressants sooner – could’ve saved myself a lot of miserable days.
What has had the biggest influence on you in 2021?
In one word the biggest influence on me in 2021 has been: Life. My normal everyday life that occurs between wake and sleep. The people I meet, things I do, words I speak. Sometimes ideas enter into my mind and swim. I try to fish them, but can only catch so much in a day.
Who do you think has been making the most interesting art this year?
I have found throughout 2021 the works by the following humans have caused interest to pique in my mushy ape brain: JR, Banksy, beeple, Ron Hauge.
What would you say has been your personal highlight?
Personal highlight of this year… Becoming a regular member of SlapCity. Having a space to come together and splurge onto paper, stickers, and anything else, this is good. Creativity is shared by osmosis in them.
The Slap City crew on a mission. Image from @slapcity_chch
What one thing would you have changed from 2021?
Throughout 2021 I should have had more fruit.
Phew. The questions have been answered. Made my brain whirl for a while, now its stopped. I can finally rest.
Bloom n Grow Gal and Mark Catley’s Three-Eyed Freaky Girl
What has had the biggest influence on you in 2021?
Covid and my little one, Alba. I had a lot of ideas and WIP’s this year, but with the whole Covid cloud over everything I’ve really just felt drained. So I’ve just tried to hang out with my 2 year old Alba and enjoy life.
Who do you think has been making the most interesting art this year?
I really love Askew One’s Innovate mural. It’s the most different thing I’ve seen around the streets this year. But everyone’s work is just getting better and better. All the new 3D / 2D art works are super cool and even my mum likes them, lol. I’m also amazed by the talent of Jessie Rawcliffe.
Askews Innovate mural at ARA
What would you say has been your personal highlight?
I had a lot of fun working with Rollickin Gelato at the start of the year…and it’s cool to see giant action figures up on the walls inside a shop.
Mark Catleys Wampa at Rollickin Gelato, one of several paste-up additions he made to the beloved gelato store
What one thing would you have changed from 2021?
That Covid was gone for good… and that I could get my head around NFT’s and start selling them for bitcoin.
What has had the biggest influence on you in 2021?
There have been a few key influences this year, even if I take the obvious pandemic-sized elephant out of the room. Getting older and taking on certain responsibilities as a father and a partner has been a big thing. There have also been so many people who have been influential, spending time with talented artists and rad folks has been undeniably impactful…
Who do you think has been making the most interesting art this year?
Seeing Askew One paint his mural at ARA and working with Benjamin Work when he painted the floor work at the Canterbury Museum were highlights in terms of process and conceptualisation. Locally, Ghostcat has had an amazing year, the guy is always buzzing with ideas and to top it off he is just one of the best humans alive!
Ghostcat and Bols Soggy City Ciggies from mid 2021
What would you say has been your personal highlight?
Working on the Paste-Up Project and seeing the first installation by teethlikescrewdrivers was awesome, working on Benjamin‘s project was a highlight as well, observing someone I have admired for a long time in a celebrated location was pretty neat. The TMD show at the Dowse was phenomenal (writing a review of the show for Art New Zealand was fantastic as well). In terms of my own art, it is fresh, but I really liked the piece I painted at the Boxed Quarter right at the end of the year.
Benjamin Works Motutapu II inside the Canterbury Museum
What one thing would you have changed from 2021?
I would have liked it to have felt longer, which sounds strange in hindsight, but the reality is that so much of the year was lost that it almost seems like we deserve some extra time…
Thanks to all the artists who contributed to this recap – as a city with so much talent, 2022 is sure to be exciting! Let us know what you loved from 2021 and what you are looking forward to in 2022 in the comments!
