The latest contributor to our expanding creative playlist is Josh Bradshaw. Josh’s list is a reflection of his evolution over the last two years, where his shift from a certain artistic persona and style represents his desire to make work more honest and true to himself. His latest body of work is defined with an anarchic quality that investigates materials and methods of acquisition and draws a fine line between urban decay and beauty. In that regard, his selections for Tune! are raw and aggressive – classic punk and hardcore, from Minor Threat to Descendents, reminders to not pander to a market, but to disrupt and keep pushing…
For the last few years I’ve found myself witnessing an uprising of particularly flimsy shit being made for the sake of nothing except maybe looking ‘trendy’ or ‘urban’ for all the Merivale Mum’s who might happen to flick past your sweet new artist profile double page spread in NZ House & Garden Magazine. I can’t sit here and claim I’ve never been a part of the problem however, I’ve made more than my fair share of sellable crap for the masses. Nowadays when I’m producing new work, I have to listen to music that is going to keep me honest and not settle for making mediocre shit for no reason. I have to listen to music made by more important people that actually have something to say from a more important time than myself and the lame filtered positivity Instagram era that we are all currently living in. Here’s a few favourite albums and discographies I listen to whilst working because who the fuck has time to curate a playlist or change a song every 2 minutes. Keep it aggressive not flimsy.
Dead Kennedys – Kill The Poor
Bad Brains – Bad Brains
Descendents – Milo Goes to College
Tune! is an ever-growing playlist of music that inspires our artist friends!
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The next contributor to Tune!, our evolving playlist to make art to, is Mark Catley. With his strongly pop culture inspired paste-ups (from Star Wars to Masters of The Universe and David Bowie) and his alter-ego as DJ Hairdresser on Fire, it is little surprise that music is such a central influence on Catley’s creative practice. But perhaps even more interesting is his late stage initiation into the magic of music, including a humorous story about the RPM speed of a vinyl. The variety of selections has been a striking feature of this series and Mark’s picks are further evidence of this trend, from The Smiths (Hairdresser on Fire is a Morrissey reference) to ABBA and Captain Kirk himself, William Shatner, as well a few other surprises. So join us as we find out what tunes make Mark Catley tick…
To a lot of people, music is just background noise. Something to have on quietly while you go about your daily life. For others. Music really matters. I fall into the second category. Without music, I doubt I would be alive today.
Music has been there for every special moment in my life. Connecting all the mundane moments in life to the truly magical events or even just reminding me of the various heartbreaks. Like most artists I tend to work with music surrounding me. I also try and pick a song title to name a lot of my art, where suitable.
I didn’t listen to music growing up. If we had the radio on, it would have been the Christian station, Radio Rhema. Even then I really only listened to the Old Testament bible stories told by robots (I mean who else does an eight year-old kid get to read them stories from 2000 years ago?) So when the other kids at school would talk about music I would more often or not just pretend I knew who or what they were talking about. It got to the point where I once had to make up a poem for some class competition about a local radio station. The teacher obviously could see I had no idea what the subject was and so just glued the entry form, poem side down with the brightly, coloured picture facing outwards. I remember feeling really bummed out about that.
But hey, life got worse…
The Seeds Were Sown: Tears for Fears – Sowing the Seeds of Love
The first musical object I ever owned was a 7” vinyl single I won from the Christchurch Star in the 1980’s. It was the Tears for Fears single Sowing the Seeds of Love. I had no idea what the song or who the band was but I was so ecstatic to own my very own record that it didn’t matter!
It’s a big, bombastic, throw-everything-into-the-pot, 80’s single. It also features an amazing over-the-top music video which won many awards.
The funny thing was, as me and my sister never played music on Dad’s stereo, we had no idea there were different speeds for different size records.
Every day after school I would rush home to play the one item of music that was mine… at the wrong speed of 33rpm instead of 45rpm! It wasn’t until a friend flicked the switch on the turntable that I got to hear it at the correct speed. Funny thing is, to this day I still think the correct speed sounds too fast!
Living the Siamese Dream: The Smashing Pumpkins – Hummer
Once I discovered my own music at high school I was in deep.
I found out you could get CD’s from the local library and borrowed Siamese Dream by The Smashing Pumpkins. I would then copy the CD onto a tape and play it on repeat. This album just blew my newly forming teen mind. Those dreamy guitars, those crazy vocals! I was hooked.
The Pumpkins were also the first proper big gig I ever went to. It was May 1996 and I was still at high school, so I sent my dad along to wait in line and get the ticket. None of this fancy online buying tickets. I was always grateful my Dad was able to do that. I also once spent a lonely Christmas day in London pretty much by myself with a cheap bottle of wine and a borrowed copy of Siamese Dream. (Best Xmas ever? Maybe not… but still pretty good).
Litter on the Breeze: Suede – Trash
I’ve always felt more in tune with the English way of life and their style of music and moods. Give me a nice rainy day over a bright, scorching hot sun any time. Trash by Suede sums the band up perfectly and is so 90’s it hurts. But I love that pain. (when I first started making my street art and other work, I worked under the name Trash Design. I was told to change that to something else, so I just went with my boring real name. I’ve since been given another way cool handle to use, Bossk-Cat, but it seems too late to try and change now!)
I haven’t got a stitch to wear: The Smiths – This Charming Man
Sure, lead singer Morrissey has turned into an utter twat over the last seven or so years (I won’t say anymore on that subject), but The Smiths as a band have an almost flawless body of work. I did have fun pasting up various The Smiths singles posters around Christchurch years ago. There can’t be many other cities that can say that. This Charming Man is always guaranteed to get me up dancing.
I’m picking up good vibrations: The Beach Boys – Good Vibrations
Like most nerdy music lads, I got into the Beach Boys years ago. I could link in some deep cut, but really, if you listen to Good Vibrations and don’t feel happy, something must be seriously wrong with you. I had the joy of watching my daughter (Alba, who is two-and-a-half) dancing with sprigs of parsley in each hand to this song recently. I must have been at least 17 before I did that.
My late father did like some ABBA and I found a cheap copy of ABBA Gold on cassette tape. I would drive around in my blue VW Beetle playing it in my car tape deck for a laugh in the late 90’s. But I started to genuinely like the tunes. Hell, I even gave a 10-minute talk on how amazing
ABBA was at a Polytech presentation in the late 90s. They really are a perfect ‘pop’ band. It’s interesting to see the band is about to release a new album, their first in 40 years, and it’s not just some cash tie-in. I mean, this band turned down $1 billion dollars to reform in 2000! Anyway…it’s hard to choose a favourite from ABBA. So let’s just go with S.O.S.
Everyone you know someday will die: The Flaming Lips – Do You Realize??
Death…it’s going to get us all one day. It’s hard to remain in the now and just enjoy the people in our lives. This track by the Flaming Lips always brings a tear to my eye. Just another of those ‘perfect pop songs’ by a band just doing what they do. I also had the pleasure of dancing with the Lips up on stage back in London circa 2003. I was dressed as a parrot. I have a photo of me and the band taken by Beth Orton somewhere (I still can’t believe that I had the cheek to ask Beth Orton to take a photo of us all!).
Cause you are gonna: William Shatner – You’ll Have Time
William Shatner released an amazing album titled Has Been back in 2004.
It was produced and arranged by Ben Folds with most of the tracks written by Folds and Shatner. It’s an album that shouldn’t work, but it just does.
Shatner’s over the top delivery is just perfect and a lot of the songs are really heartbreaking. One song is about finding his wife drowned in the pool and another is about trying to reconnect with his estranged daughter.
They get me every time.
But today I want you to hear this track from Bill. People either love it or hate it. I suppose we don’t like being told we are going to die. I would also often clear people from the CD store I managed with this track… Ahh, the looks the locals in Merivale gave me. Priceless.
Bad dreams in the night: Kate Bush – Wuthering Heights
With the arrival of my daughter, Alba, I wanted to make sure I play more music made by strong females. I do tend to be male-centric with my listening. Not entirely sure why. I suppose it’s who I relate to with the lyrics and singing style. But Kate Bush is here, for all her uniqueness. She played the music game her way and got away with it.
Her first ever released single was Wuthering Heights which to this day is still her most famous track. She wrote the song after catching the ending of the 1967 BBC adaptation of the 1847 novel. She was only 18 at the time and recorded the vocals in one take. Only toured twice 1979 and 2014 and sporadically puts albums out when she feels they are ready.
I could easily select any of Kate’s work, but will just stick with her first offering.
It’s not always music…
More often than not, I work alone and sometimes you just get sick of tunes and music and need a break from everything. The following are my go-to for a ‘no music playlist’:
Casablanca – Full soundtrack with film bites
Max Richter – 8 Hours Sleep Score
Steve Roach – Structures From Silence
This 29min ambient track is just sublime. It’s like a direct shot straight to the brain of pure “weightlessness”. I often fall asleep to this track.
And finally some audio books:
The two Alan Partridge books read by Alan Partridge, I, Partridge and Nomad are hilarious. The Sandman by Neil Gaiman is not only one of the greatest stories EVER, but now it has also been made into an audio book with a star-studded cast. Listen to it, before the Netflix show begins next year…
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In this issue of Tune! artist and designer Kophie Su’a-Hulsbosch shares the music that matters to her. For the founder of Future Apparel and member of the Conscious Club, music is a vital component of her creative process, with hip hop a driving force in her thinking and making. From shooting and editing music videos with her partner Local Elements, to designing posters and album covers for local and international acts, Kophie’s art is deeply entwined with music, while her love of hip hop also reflects her social activism…
My name is Kophie and I am a freelancer artist/designer among other things. I have been drawing since I was young, and growing up in Wanaka, I was influenced by the skate and snow culture. Moving to Christchurch at the age of 10, I went from a small country town to an urban environment, I became obsessed with graffiti and it’s been a journey ever since. I used to love walking around the city and the tracks before the earthquakes, looking at all the newest pieces. Then the explosion of graffiti post-earthquake was cool to witness. My style is primarily influenced by hip hop (including graffiti), politics, street subcultures and lowbrow art. I have had a lot of art stolen, so I think I make art for broke people like me!
Music certainly influences my work, I listen to many genres but my primary influence is hip hop. Nothing touches my soul like hip hop, especially the power that lyrics can have. There are so many sub-genres within hip hop which I think is evident in the songs I have chosen, but I absolutely hate trap! I listen to most of these songs while I am working or creating depending on my mood or what tasks I have…
Songs: Verbz & Mr Slipz – Hope Feat. Nelson Dialect and Ocean Wisdom – Voices in my Head
I love UK hip hop and the movement over there is HUGE. I have been lucky to design single cover art with some big names in UK hip hop through an awesome producer over there called Planky. My favourite UK record label is High Focus, they are releasing the best artists. These two songs are artists from High Focus.
The Verbz & Mr Slipz track is my new favourite tune, and the Ocean Wisdom song is an old fave, it a track that is a bit more real and emotional.
Album: Choicevaughan and Tom Scott – Deuce
Tom Scott from Homebrew is probably my fave musician of all time and I have been listening to his music since high school so its had a massive influence on my life, he tends to talk about real-life New Zealand problems and politics. This album is a newer collab with Choicevaughan, a New Zealand producer featuring many other local musicians. It’s a pretty upbeat album and I listen to this on the weekly. My other favourite song from Tom Scott is Home, which gives me goosebumps or makes me cry every time I listen to it!
Song: Eno x Dirty – GETURSELF2GETHA
Eno x Dirty is real representation of New Zealand hip hop and I love the incorporation of Te Reo in the lyrics. I especially love the track GETURSELF2GETHA talking on all the bullshit conspiracies going around and the rise of fake news, the decline of critical thinking and the increasing division on social media.
Mix: Don’t Sleep Records
I love Don’t Sleep Records and I listen to this mix of boom bap and jazz hip hop all the time while I am working. It was recommended to me by my good friend Lucia. The samples used throughout this mix are about not sleeping, which I strongly relate to!
Song: Stephen Marley x Mos Def – Hey Baby
This one is a classic! It was released in 2007, but I love Mos Def/Yasiin Bey so much and his verse gives me goosebumps. I could listen to this song all day! I put this on when I want to be inspired…
Radio: Lo-fi – STEEZYASFUCK
This is my favourite lo-fi radio to put on when I really need to concentrate or do a lot or writing or research.
Song: Local Elements – Nine to Five
I have to slip in this upbeat track by my partner Local Elements – it is some awesome Christchurch hip hop!
Welcome to the second issue of Tune! This time we got pencil-slinger Teeth Like Screwdrivers to name some key tracks that form a soundtrack to his creative endeavours. As host of his own radio show he was a natural choice, and his selections reveal his background going to school in Liverpool and his love of indie music…
I am a huge fan of music, but I can’t make it for shit. I host a radio show on Rotten Radio in Lyttelton, Quality Time with Nat, and I get to play music that I like, which is fun. I went to university in Liverpool, so I have been an indie kid all my life but I will always have a place in my heart for soundscape stuff as well. Choosing eight songs or albums has been the hardest thing ever. Here’s what my music tastes are like at this moment. It will be different next week. Listen to Quality Time to see what it is I guess!
One of my favourite bands from my favourite record labels making their very best. I saw Mogwai play live in 1998 and I am still recovering. Yes! I am a long way from home is one of the greatest opening tracks of all time and Mogwai Fear Satan is one of the greatest closers.
I have the original on 7-inch that I got from Probe Records in Liverpool when it was released in 1992. Thom Yorke has completely messed with the whole song and it has the most amazing noise kick a minute or so into it. Shivers.
I found this via a cover of a Deerhunter song by Lyttelton’s Aldous Harding that was on a 4ad compilation – one of the great labels (The Breeders, Throwing Muses, Big Thief, The National etc.). Everything about this is wrong – but it just works amazingly well.
I think I saw this on a snowboard video. Woodpecker Wooliams are one of my ‘gutted to have missed’ bands as they had broken up a few months before I heard this for the first time. If I’m ever needing a pep talk, this is it.
I have loved Frank and the stuff he puts out since seeing his Tiny Desk video a few years back. This song from an awesome album actually makes me shout out loud and almost brings me to tears every time.
I found Aurora while trawling Bandcamp (for Norwegian music – don’t ask, but do go and look for Kælan Mikla) years ago. At that point she had only brought out one or two songs but there were some amazing live performances online. There was also a documentary online about her life. I downloaded the album then bought the vinyl. Six years later she has ‘arrived’ and now sings on Disney movies and her songs are used on TikTok. Regardless, she still makes absolutely astonishing music. Her first album stands out for me. She wrote Runaway when she was 11! FFS.
Arab Strap have been one of my favourite bands and one that has shaped me the most throughout my life. Aidan Moffat is arguably one of the darkest, most gifted story weavers writing music. After more than fifteen years, they are back with a truly astonishing album. I saw them heaps, mostly in Liverpool (supporting another favourite of mine, Gorky’s Zygotic Mynci, as well as Mogwai, at the legendary Krazy House), in Portsmouth (a shambolic, drunken show), at various festivals and on their Farewell Tour. I own every record they have put out on Chemikal Underground. The Week Never Starts Round Here is still one of my top albums of all time, but the new one, As Days Get Dark, is also a masterpiece, it’s Arab Strap at their finest.
Tune! is a brand new series where we ask artists about the importance of music in their practice. For many creatives, forms of art overlap and provide incredibly important influence, whether it is those who are multiple threats (you know, the amazing musician who is also an incredible painter), or those who admit to the vital sustenance consuming one form has on their production of another. Music and visual art or object-based art have a long entwined relationship, from bands formed at art schools to iconic album covers, or even the idea that a fully formed creative eco-system is vital to any subculture, such as the four elements of hip hop. So, here, Tune! allows us to create an ongoing eclectic playlist of music to make art by…
For this edition, we hear from local stencil artist Bols about his failed dreams of rock ‘n’ roll stardom, how his tastes vary and what music he listens to while at work…
I was nine when my parents gave me a cheap guitar and I started lessons. Unfortunately, I showed neither an aptitude nor a willingness to practice and after just a handful of lessons my fledging path to superstardom came to an end. Yet, I never completely gave up that faint dream of somehow writing a song that would change the world, I just made sure I didn’t tell anyone until now. I cringe when I say this because it is such a common response, but I have diverse musical tastes. It might seem weird, but I love abstract painting and sculpture, but musically I have always connected with songs with potent, evocative, cinematic storytelling rather than beats, whether that is edgy alternative, soundtrack indie, conscious hip hop or even morose alt-country. I was probably the wrong age for the rise of electronic music, that was the domain of the nerdy kids who knew something the rest of us didn’t. I have always appreciated the way music can evoke a spectrum of emotions, I like nothing better than a song that makes me sad. Music connects with a time or an event in my life and as I get older that becomes even more powerful (there is a line in a song,When You’re Ready by Brian Fallon, where he talks about watching his daughter colour in while wearing new pyjamas and it gets me every time), it might be in the way it makes me feel, it might be because I was listening to it whenever, but my life has played out to a soundtrack. I tend to think of my art in musical terms, from perfectly phrased lines to more abstract lyricism. I find inspiration not just for ideas but also for a call to action to work as well. There are a heap of artists I could have included, but for now, here are a handful of songs that inspire me…
Lord Huron – Twenty Long Years
This album, Long Lost, is on high rotation right now and this is my favourite song from it. It has an old-time feel, with feelings of regret in a last guy at the bar vibe. It’s lonesome and romantic: “I gotta find a way out of this mess, I’m in trouble and it sure looks bad..”
Bruce Springsteen – Jungleland
Springsteen is not everyone’s cup of tea, but this song pretty much sums up my creative outlook – it’s cinematic, it’s romantic (“kids flash guitars just like switchblades”), it’s sprawling, it’s escapist, it’s epic (“the street’s on fire in a real death waltz”), but it is also relatable in a strange way. I rise and fall with the tides of this song, and always seem to find some new line that resonates – I feel like every time I hear it, I scramble for a notebook thinking there is some way to add that to a work…
Big Thief – Not
I discovered Big Thief when I heard the album Capacity and was immediately smitten. I was one of those people who raved about them every time I got the chance. I had tickets to see them in Auckland, but Covid. Not is still the track that stops me in place – it has an urgent energy combined with evocative lyrics that have me singing along while trying to unlock what Adrienne Lenker is saying…
Frightened Rabbit- Keep Yourself Warm
I heard Frightened Rabbit’s Swim Until You Can’t See Land first, and I loved it, but when I listened to their second album Midnight Organ Fight, it was stuck on repeat for months. The whole thing was so relatable and anthemic. It ultimately took on even more meaning with the death of Scott Hutchison, the leader of FR. Keep Yourself Warm is a cathartic song written in Hutchison’s style of witty self-deprecation that is also affirming, it is vulgar and yet uplifting. The version by The Twilight Sad after Hutchison passed is heart breaking and cathartic.
Aesop Rock – Blood Sandwich
My taste in hip hop stems from Public Enemy and follows a path through Arrested Development, The Roots, BlackStar, Common, Brother Ali, Atmosphere, Doomtree and of course the verbal master Aesop Rock. Blood Sandwich is just amazing song-writing and makes me want to wrangle words, Aesop evokes eras and moments in such visceral quality it is hard not to feel present in these events: “Can you even imagine a death in the fam from industrial fandom?”.
Reigning Sound – Stick Up For Me
I’m a fan of that guitar-driven British R’n’B sound, I think it comes from my Dad who with some mates ran a nite club in Christchurch when he was younger with a house band in the style. It is the grimy sound and energy that hook me, with this a particular favourite from the mid to late 2000s revival… It is a motivator, which is always vital for me as a procrastinator.
WU LYF – We Bros
I was introduced to WU LYF by Hitnes, an Italian artist who visited Christchurch in 2013. He played it but I forgot the name of the band and struggled to find them again for several years as they had disbanded. But when i did finally find their album Go Tell Fire To The Mountain, I listened to it over and over. It is menacing and mysterious and heavy and it allows me to drift off as I paint…
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