O.K., first of all, apologies for this month’s And That Was… entry being so late (total blame at my feet, but let’s not get into that), but, as they say, better late than never! This month I asked the man about town himself, graffiti artist and photographer Aaron P.K. to run down a list of things that he enjoyed in Christchurch through the wintery month of July. Exactly as I had hoped for, he came back with a collection that touched on so many elements of Christchurch urban (and suburban) life; from small eateries, to the Christchurch Arts Festival and local music, and, of course, graffiti and street art. So, let’s see what made Aaron P.K.’s July…
Wild Dogs Under My Skirt/Christchurch Arts Festival
I was blessed to be given a ticket to Wild Dogs Under My Skirt, a theatre show based on the book of the same name by Christchurch poet Tusiata Avia that featured as a part of the Christchurch Arts Festival. It’s about Samoan womanhood, and it was both heavy and humorous, leaving me amazed. They did an awesome job with this year’s Arts Festival, with a huge amount of local artists, I wish I could have caught more of it.
Kool Aid – Family Portrait EP
Christchurch band Kool Aid released an album, titled Family Portrait, in July and it’s really good. Listen to it here https://koolaidnz.bandcamp.com/ or you want a hard copy, buy the cassette at Ride On Super Sound.
For a while I’d started to think Christchurch had ran out of neglected spaces where you could have a leisurely afternoon walk around and feel somewhat alone. This month I’ve been doing a lot of walking off the beaten path then down the goat trail and it’s been pretty rewarding…
Chanakya’s Dal Spinach
I’ve been coming to Chanakya for a few years now. There’s always something new to try and in July I had their Dal Spinach for the first time and it’s now my favorite. They’re a small South Indian restaurant down the same alleyway as Bin Inn in New Brighton Mall and they’re definitely worth a trip out from Lyttelton…
Cathedral Junction Stickers
I would have liked to have featured something a bit better in the graffiti/urban observation genre. Whenever I’ve seen something cool I haven’t thought to take a picture of it, but I did manage to snap this. It’s been quite a long month so it’s hard to recall what’s been popping up but I’ve enjoyed seeing what the new generation AOC have been up to. And Oink, Oink’s cool as well!
This month’s contributor to our And That Was… series is Christchurch artist Uncle Harold (also known as Josh Bradshaw). Known for his dripping constructions, including a recent body of nostalgic 90s cartoon characters, reimagined with melted and warped glitches, Uncle Harold took the opportunity to follow a slightly different path to our previous lists. Regularly crossing the city on foot or skateboard, Uncle Harold is a keen observer of the quirks of our cityscape. As a result, his June recap is less about events and examples of public art, and more about small details, things often overlooked by others, but that left some type of impression on his daily experiences. As he explains, these are not things “I intentionally set out to find”, these are things that “just happened to catch my eye on my daily walk to and from town, to work and the studio.” So, what caught Uncle Harold’s eye during the month of June?
Do you ever accidentally keep making eye contact with someone for way too long? That was me and this chalk Pikachu drawing on a sign for a Cathedral Junction restaurant. I walked past this at least twice a day, every day. I have never walked through and not stared at him. Eye contact. Every. Single. Time.
“I Want Death Please”
I’ve always liked this kind of graffiti. Half of the time it is not so much the tag itself, but the backstory I can instantly conjure up: the what, when, who and how that brought about its existence. It just so happens that in this case, I really do like the style as well, so it’s a win-win.
Even if you aren’t familiar with this tag, I guarantee that you have seen it at least a million times without realising. I’m always on the lookout for new tags. I picked this one because I almost didn’t see it. On a fifty-metre long, plain grey wall, this little tag sits right in the middle. Having all the space in the world, this little guy hides perfectly in plain sight. Genius.
ZIG ‘Ski Mask’ sticker
I’ve always had a soft spot for stickers. From getting free stickers as a kid from skate shops, to now making my own, I often stop to check out sticker spots around town. I had just been given some stickers from ZIG the same day I spied this guy on my way home from work. Sketchy ski mask guy. How could you not love it? ZIG’s stickers are cool.
Again, I chose this one because of the complete lack of context and the imaginary backstory that it allows me to create. Who is Grace? Did this card ever reach her before it was lost? Does Grace know her friend loves that she is a “cute animal lover”? These questions, paired with the epic illustrations, ensured that I thought about his card way more than I should have. It was a no-brainer to go into my top 5.
Watch This Space intern Millie Peate-Garratt recently caught up with Rosie Mac, one of the artists behind the beguiling Grove of Intention mural that has sprung forth in Westpac Lane on Hereford Street. While somewhat outside of our usual take on urban art, the Grove provides an example of the community-centric and participatory muralism that has become a feature of Christchurch’s public art profile, including works such as Richard ‘Popx’ Baker’s work with young people on Colombo Street several years ago, or more recently, Kyla Kuzniarski’s project with local school children in New Brighton. The Grove of Intention proved a slightly different approach again, as Millie found out…
The Beginnings: Two Friends…
Rosie Mac is a certified Intentional Creativity Facilitator and artist from Christchurch. Upon witnessing friend and Californian artist Kerry Lee create five murals in less than a year, Mac asked herself: “How can I contribute to my community?” The result was a grove of ‘Intention Trees’ painted in central Christchurch. In December 2018, funding for the mural was approved by the Christchurch City Council, and sponsorship for Lee’s travel to Christchurch was secured through Spark. Mac also secured sponsorship from Resene Paints NZ Ltd, for the paint and accessories required to complete the mural. With this support, the project was realised…
“Rosie Mac and I are very excited to bring this beautiful, meaningful interactive experiential mural to the residents and visitors at Christchurch where the seven trees can provide insightful moments for many years to come. Our dreams are to have these murals throughout the world!” – Kerry Lee
The Grove of Intention
The Hereford Street grove is the largest series of ‘Intention Trees’ produced in the world. A procession of seven stylised metallic gold trees (inspired by Symbolist painter Gustav Klimt), the public were invited to give one-word answers to the questions posed by each tree. The results were then represented as unfurling, sprawling branches, imbuing the work with a communal, living quality. At the public unveiling and celebration, visitors were invited to write their one-word answers on a paper leaf and add it to the tree temporarily, before Lee and Mac painted these words onto the tree branches, expanding the blossoming sentiments. The trees are also surrounded by symbols of various elements of each tree’s central concern, economically ensuring every detail is loaded with meaning.
The Seven Trees
Each tree asks a specific question, where the answers require both self-reflection and an awareness of our shared spaces and experiences. When people approached the tree, participants were invited to write a single word intention on a leaf. By distilling their ‘intention’ or response into one word, participants discovered the essence and empowerment in their expression. Participants wrote their word on paper, were witnessed saying it aloud, and then added it to the tree to be read by others. This experience created a resonant connection, each leaf holding special power in creating the whole. In addition to the words, whimsical birds of Aotearoa were painted perched upon each tree, adding a playful quality, while vitally, fifty thumbprints, representing those lost in the March Terror Attacks, were added in an act of memorialisation. So what questions did the trees pose?
Tree One: The Wish Tree
What is one big wish you have for yourself?
Tree Two: The Peace Tree
What is one wish you have for the world?
Tree Three: The Wellbeing Tree
What nourishes your soul?
Tree Four: The Connection Tree
Where in Christchurch is your favourite place to be in conversation?
Tree Five: The Wisdom Tree
What is one thing you know for sure?
Tree Six: The Gratitude Tree
What are you grateful for?
Tree Seven: The Witness Tree
How do you help improve the world?
The Grove of Intention adds another layer to the visual adornment of Christchurch’s ever-changing urban landscape. While visually intricate, the real power is found in the intention, the execution and the sentiment. Creating a visual manifestation of real community participation, the mural operates on multiple levels. It might not have the flashes of technical wizardry of some of the city’s iconic contemporary urban art murals, but it undeniably highlights the importance of communal action, expression and the diverse creative uses of public space…
This month we continue with a guest contributor to our ‘And That Was…’ series. Since the start of the year, Millie Peate-Garratt has been working for Watch This Space as an intern through the Pace Programme at The University of Canterbury. For the last few months Millie has been hard at work developing our social media and generally being awesome, so we thought it would be a good idea to ask her to compile the ‘And That Was… May 2019’ list. From optical illusions to protests and video premieres, here is what Millie enjoyed throughout the month of May…
The S.A.L.T Mural – Evolution Square
This stunning optical illusion signals the inner-city return of OiYou! Street Art, who worked with local hero Dcypher and Paul Walters of Identity Signs, on this new addition to Evolution Square. Dcypher and Walters co-designed the transformative piece, drawing on their unique skill-sets to create a collusion of urban art and sign work. The mural was marked out simply with a pencil, ruler and three templates, with all the straight lines skilfully hand painted. Reading SALT and Ōtautahi in 3D, the piece beautifully alters the unconventional surface of the building in the newly branded S.A.L.T district (framed by St Asaph, Lichfield and Tuam Streets). The project kicks off the goal to bring street art to the blossoming area, with new buildings and shops in need of art to transform blank walls. This playful, spatial piece has done just that!
Community Projects – The Grove of Intention
Christchurch has been host to a rising number of community-centric mural projects, providing a different presence from the collection of graffiti and street art landmarks. In May, I met with one of the creators of the Grove of Intention project, Rosie Mac. The Grove of Intention is the largest work of its kind in the world; a series of seven Gustav Klimt inspired metallic gold trees, inviting the public to give one-word answers to the questions posed by each tree. Providing a point of difference through its communal and participatory nature, which is as important as the visual manifestation, the Grove of intention is a unique addition to the Christchurch CDB.
May has witnessed a number of protests and public conversations targeting social or political change. While this may seem a strange inclusion in this list, the energy of public activism is an important aspect of urban art’s history and potential – from scrawled messages in unexpected locations, to the placards and banners artists such as Keith Haring, JR and Hanksy have contributed to public demonstrations over the years (not to mention the humorous versions created by Banksy). The value of utilising public space to express the desire to be heard and for change, from striking teachers, to environmental activism posters and anti-racism stickers, is a central tenant of urban expression and reveals an engaged and active citizenry.
FAUP Crew – 2 FAUP 2 FURIOUS Video Premiere at Fiksate
On a cold Saturday night in mid-May, local skate crew FAUP took over inner-city gallery Fiksate to present the premiere of their latest video 2 FAUP 2 Furious. The event attracted a impressive turn out, with people crammed inside the gallery and pouring outside onto the Gloucester Street footpath. The vibe was enthusiastic and infectious, with the crowd living every trick, failed or nailed, documented in the funny, heartfelt production, a celebration of youthful, DIY spirit and the anarchic urban freedom of skateboarding
New stencils around town…
One thing I have quickly learned is how street art and graffiti are ever-changing. One of the fun aspects of this state of flux is never knowing what will be and what will disappear. This May, I have been enjoying seeing new stencils popping up around central Christchurch, and this life-sized, ghostly apparition is a favourite. I would love to know the artist behind it, but the anonymity is also a powerful element…
So there is Millie’s top five from May 2019, let us know if there was something that caught your eye during the month, or if you have any reflections on Millie’s choices…
This month, we are stoked to welcome a guest contributor to our And That Was… series: the man behind the Instagram feed Rubble City (@rubblecity), Gavin Fantastic. The idea of this series is to cover a wide selection of what’s happening in Christchurch’s urban art scenes, so it was natural to throw our net wider and make use of those people, like Gavin, with their fingers, and cameras, on the pulse. Rubble City is a go-to feed for fresh, and often highly temporary, pieces of art across Christchurch. So, what has been on Gavin’s radar in April? Read on to find out…
Local artist Hambone is certainly setting the scene alight lately with his neo-trad style characters. From pumas with snakes to gorillas armed with bananas, the characters are certainly eye-catching.
Go Hard or Go Home
As the nights get longer the ability to lurk in the shadows also increases for those smashing the scene.
Two artists who have been dropping nasty steez are V-Rod and Vesyl. It has been interesting watching the style of these two artists evolve over the last couple of years from tags and rollers, to the next level pieces seen this April.
Our walls have been graced with additions by painters from afar this month. Showing how the other side of the world gets down were two of Europe’s finest. Resr47 was throwing down snow-capped letters from the Swiss Alps, while Desur managed to fit in a couple of Hamburg burners during his stint at local tattoo studio Otautahi Tattoo.
Jacob Yikes Pop-Up
Situated next to World on High Street, Yikes’ pop-up shop hit my Insta feed (and my wallet!) this month. The man from DTR is selling both originals and prints in a space that is occupied for the next few months selling eclectic furniture. Check it out and support your local artist!
As featured in the ‘And that was … March’ blog post, we saw the passing of local O.G. Jungle. Tributes have been popping up all over Christchurch City and around the world. I’ll sign off with a tribute piece from two other 03 O.Gs – Yikes & Ikarus.
Follow Gavin on Instagram (@rubblecity), and keep an eye out for more guest contributors in the coming months…
Christchurch photographer Heather Milne is our first guest contributor. We asked Heather to reflect on her experience partaking in [CROP] Project: Flash Intervention, a recent street art project led by the CHUZKOS collective, celebrating the diversity and inclusivity of contemporary Christchurch. After considering various sites, [CROP] eventually took place on the corner of Manchester and Lichfield Street in Christchurch central. Photographs representing the faces of Christchurch were pasted on to the giant spray cans that Oi! YOU and Gap Filler have repurposed as free legal walls for the Christchurch community. Read on for Heather’s the project…
A concept, a bunch of cameras, giant jigsaw puzzles, and ten days to figure it all out.
[CROP] Project: Flash Intervention is a collaborative art project by CHUZKOS and a group of local creatives. Starting on 29 April 2018 with introductions and ideas, the street art installation combines the concepts of inclusivity and diversity to celebrate the evolving face of Christchurch’s population. The final artwork was installed on 9 May 2018. I was privileged to be a part of this project as a Christchurch resident, lover of street art, photographer, writer, and wheat paste chef.
The quick-fire art project was coordinated by Boris Mercado and Idelette Aucamp from CHUZKOS. They’ve set up the [CROP] Project, which ‘believes in the power of collaboration, art and photography to empower and promote positive change ‘ and uses ‘street art around the world to question societal issues, while paying homage to some of society’s most marginalised and often unseen individuals’. ‘CROP’ stands for Creative Resistance & Open Processes.
So, how did these noble and optimistic intentions work on the ground? Pretty well, it turns out…
Idelette and Boris initially planned on undertaking the project by themselves, but after being inspired by the creative energy of Preston Hegel from XCHC, the plan changed and the project became a collaboration. After a group of interested people responded to a Facebook post calling for people to get involved, an intro session at XCHC ensured the wheels of creativity started turning. Fast.
As Boris explains, the benefits of the fast ‘flash intervention’ style of street art are in the potential found in collaboration:
“This project again proves that initiatives based on collaboration are viable. And we can continue to break through the clutter and break away from the idea that art only belongs in galleries. I like how our project can keep contributing to the dialogue people have on the streets”.
The human face of Christchurch and Canterbury has changed since only Waitaha, Ngāti Māmoe, then Ngāi Tahu iwi lived in the area. In addition to the mass migration from Great Britain, people from all over the world have emigrated to our shores for work, refuge, family, and love. Post-quake, Christchurch has experienced a new influx of immigrants; workers have flocked to the city from the Philippines, Ireland, Australia, the Czech Republic and many more countries. These new arrivals have helped with the city’s rebuild, contributing to New Zealand’s economy and enriching the culture in the process. So how does this reflect our identity? What do we look like now?
Two key themes of the artwork emerged – diversity and inclusivity. We wanted to create an artwork that provides a glimpse of who we are – a city and nation of people who need to promote unity, equality, inclusion and acceptance while also celebrating difference and diversity. We wanted to ignite conversations and inspire individual pride and the recognition of the various role people play in their communities and families.
Idelette sums up the importance of art and the use of public space as tools to encourage reflection upon these ideas:
“Art is a powerful tool of communication. By using public spaces as alternative platforms of communication, we invite people to connect with their environment, interact with each other and reflect on their own thoughts and opinions”.
What I found particularly beautiful about our group is that we were established artists, students, parents, people with day jobs and without, people born in New Zealand, people not born in New Zealand, people of different ages, genders, and cultures. Everyone was able to contribute something meaningful on practical, conceptual and spiritual levels.
As a photographer who generally works alone, the process of a collaborative street art project was a massive and rewarding learning curve for me. I love a good three-month schedule with detailed creative briefs, a clear idea of target audiences, and defined responsibilities. An intensive ten day art project with everyone pitching in, changing ideas, and last-minute additions threw me into a bit of a spin. There was no time for my usual encumbering imposter syndrome and I was compelled to trust my photographer-instincts.
We rushed out and made photographic portraits of people. Idelette and Boris worked on graphic design, marketing, and finding a space for our artwork. Their level of trust in the latter was impressive – and their tenacity got results. The five giant spray cans on the corner of Lichfield and Manchester Streets were booked as the canvasses.
Because of the (very) low budget, the only way to print the artworks was as A4 pages – then we painstakingly put them together the day before the installation to form five large portrait murals. Or maybe that should be five giant jigsaw puzzles!
Glaring sunlight, a brisk wind, flapping giant puzzle pieces, and the mucky qualities of wheat paste were all challenges to overcome on installation day. We were joined by Ravenhill Dance, Herbert Lewis, and Lana Panfilow with their gorgeous roaming dance performance thanks to connections made by a dance teacher in our group. The artworks went up, people came and watched, a school group visited.
We finished. We went to the Dux for a beer and a debrief. It was a good feeling.
The day after
Writing this the day after [CROP] was completed, I’m knackered, but excited about the connections I’ve made and the quiet whisperings of potential spaces we could work with in the future. I love the impact of the artwork we created – so many faces proudly representing our city in an accessible location for people of all ages, abilities, and cultures to see and interpret.
Final words from Idelette and Boris
A massive shout out to XCHC and Watch This Space for making everything run so smoothly and trusting us to do this project. Thanks to everyone who came to the open call, joined the group and provided creative input and contributed with each of their individual talents. We loved how much people really pulled together. We’ve since heard of three projects that will come from this one, which means the project has inspired!
Heather Joy Milne is a Christchurch-based photographer specialising in documenting photographing social change and the rebuild of the city. She’s passionate about the role that photography plays in storytelling and connecting communities, and is also a huge fan of penguins, coffee, and tiramisu. You can see more of Heather’s work at https://heatherjoymilne.weebly.com/ and find some of her articles at expertphotography.com and digital-photography-school.com.
Did you enjoy reading this article? Would you like to see more projects like these in Christchurch? Would you like to see more contributing writers on this blog? Please leave a comment below.