With a unique aesthetic and process for the world of urban art, Dark Ballad has established himself through a series of striking works across Ōtautahi, including gothic-inspired paste-ups and a woodblock tablet series for the 2023 Little Street Art Festival, as well as an ever-expanding collection of collaborations that range from prints to t-shirts. Working with figures from the worlds of fine arts and graffiti, these collaborations are always fresh, and through their ultimately one-of-a-kind woodblock printed aesthetic and finish, they are retain a key point of difference from more mass-produced clothing offerings. In addition to his technical output, Dark Ballad has also been involved in community arts initiatives, including curating the Carve surfboard art trail in New Brighton for the Duke Festival of Surfing in early 2025, a public art installation featuring over a dozen local artists. With such a wide range of activity, we thought it was well overdue we sat down with the ‘Master of the Dark Arts’ for a chat about his experiences, his philosophies and what might come next…
Continue reading “Dark Ballad – A Deep Cut”Tag: Graffiti
Chromatic Oscillations – An Interview with Drez
Good things take time – that’s what they say, anyway. It’s hard to believe that it was mid-March when we sat down with Melbourne artist Drez to reflect on his whirlwind visit to Ōtautahi for the Flare Street Art Festival, where does the time go? With a lot going on, it has taken us a while to finally publish our conversation (conducted in a car in Phillipstown just before Drez departed for the airport!), but we know it is worth the wait! After getting to know Drez as he painted his striking mural on St Asaph Street, it was a privilege to take the chance to dive a bit deeper into his practice, his influences and the comparative cultural and historic landscapes of Aotearoa and Australia. A thoughtful and reflective presence, Drez reveals the importance that he places on his work’s ability to engage its audience through colour and form, eliciting a direct connection between art and experience…
Continue reading “Chromatic Oscillations – An Interview with Drez”Flare Ōtautahi Street Art Festival 2025 – A Photo Essay Recap…
It is hard to believe that three months have flown by since the 2025 Flare Ōtautahi Street Art Festival coloured our city’s walls with a flurry of activity and energy! A triumphant return for the mural festival, the 2025 iteration drew huge crowds, enthusiastic media coverage and, of course, a collection of impressive artworks that further cement Ōtautahi Christchurch as the urban art destination of Aotearoa. From colourful abstractions, striking portraits, and bold typography to sky-high surrealism, complex graffiti and poignant cultural narratives, Flare covered a range of bases stylistically and thematically. With more than 19 large-scale works and a series of activations, Flare 2025 was indicative of a city completely enamoured with turning our streets into canvasses and embracing possibility!
We thought that with the cold months now well and truly here, it would be an ideal time to bring some fire and warm some souls with a reminder of Flare’s goodness – so join us for a little stroll through memory lane with a visual recap of Flare Ōtautahi Street Art Festival 2025!
Continue reading “Flare Ōtautahi Street Art Festival 2025 – A Photo Essay Recap…”FILTH Crew – Trains, Plains, and a Lasting Legacy…
The legendary FILTH Crew are the latest artists to transform the ‘permanent’ Giant Cans on St Asaph Street! In late May, Morks, Lurq and Tepid added some fresh funk with their collaborative production that references so many of the things that have shaped this long-running, one-of-a-kind creative collective. While the cylindrical cans present a unique proposition and challenge, the FILTH Crew have long made use of unusual surfaces and environments – from city walls, to trains, to the surroundings of Te Wai Pounamu’s rivers and plains. In their work for the Giant Cans, these influences are made clear, as we found out from Morks:
“Our concept for the cans was to match all three cans. We wanted to represent the South Island, using the Southern Alps and Canterbury Plains. We chose the colour blue for the ‘FILTHS’ signature font up at the top of the cans, to represent the Southern Alps, which appear inside the letters. Our pieces’ colour schemes were based on and influenced by pounamu, being endemic to the South Island. We brought in elements of the West Coast, Fiordland, Western Southland and the Nelson Districts as well. We added the harakeke overlapping the pieces to bring all the elements of South onto the cans.” The effect is lively, meaningful and evocative of the surrounding environment just beyond the city’s doorstep. The production feels proudly familiar.
Continue reading “FILTH Crew – Trains, Plains, and a Lasting Legacy…”Piece of Mind – Dcypher, Graffiti Muralism and Changing Perceptions…
When the opportunity to refresh his mural on the corner of Welles Street and Colombo Street arose in late 2024, Dcypher had a few ideas in mind. The original mural, commissioned by the New Zealand Transport Agency, had become somewhat rundown, it’s large sections of flat colour filled with a variety of uninvited additions. The chance to repaint the wall, without having to respond to a cycle safety brief, allowed the artist to explore themes and styles closer to his heart.
Continue reading “Piece of Mind – Dcypher, Graffiti Muralism and Changing Perceptions…”Postcard from Mexico
Mexico is a hotbed of colourful culture – from the heritage of Aztec history, the muralist movement, the folkloric expressions, energetic graffiti and more recently, the emergence of a contemporary mural style infused with all of these influences…
Mexico is a hotbed of colourful culture – from the heritage of Aztec history, the muralist movement, the folkloric expressions, energetic graffiti and more recently, the emergence of a contemporary mural style infused with all of these influences… Last year we were lucky enough to spend some time in Mexico, visiting Mexico City and Puerto Vallarta and capturing some arty goodness. It can’t be understated how massive Mexico City is, bustling and colourful, the juxtaposition of traditional graffiti, fun street art, murals and public art a reflection of the city’s diversity. With only a couple of days to explore, much of the art we found was in the Condesa area where we stayed, but we also were able to witness a huge amount of art as we travelled outside the city to the impressive pyramids of Teotihuacán, murals, slogan typography and of course the frescoes of the ancient Aztec city itself. Puerto Vallarta is renowned as a bright, vibrant destination, and the collection of murals throughout the city most certainly adds to that profile – often displaying elements of local culture and history…
Continue reading “Postcard from Mexico”Watch This Space X Flare Ōtautahi Street Art Festival Artist Panel
Watch This Space was proud to host the 2025 artist panel discussion for the Flare Ōtautahi Street Art Festival. Joined onstage by Haser, Fluro, Berst, Jessie Rawcliffe and Ling, the conversation ranged from cultural influences and connection to place, to graffiti’s lineage, the differences between Melbourne and Ōtautahi and when Ling will finally paint a portrait of Berst! Hosted at Dux Central, the event capped a massive week for the artists and organisers of the Flare Festival. Luckily, in case you missed it, we recorded the event and you can watch it below!
Thanks to Corban Tupou for hosting the live stream and Local Elements for working the sound! We are already looking forward to 2026!
Flare Ōtautahi Street Art Festival 2025 – What, where, when and how to get involved!
The Flare Ōtautahi Street Art Festival kicks off on Thursday, 27th February – and it is bringing 10 days of epic street art goodness! With a massive offering of things to do and see, let’s get everything you need to know in one place!
Continue reading “Flare Ōtautahi Street Art Festival 2025 – What, where, when and how to get involved!”Flare Ōtautahi Street Art Festival 2025 Is Almost Here!
After a three year hiatus, the Flare Ōtautahi Street Art Festival is back for 2025! Featuring seven headline artists creating large-scale murals across the city, more than 50 additional artists contributing to a range of creative activations, street art tours, an artist panel, workshops, a market and an exhibition – this is going to be huge! Oh, and did we mention the creation of Aotearoa’s tallest mural by Jacob Yikes?!?
To mark this return, we caught up with some of the central organising crew – project manager Selina Faimalo, artists Dcypher and Kophie a.k.a Meep, along with our own Reuben Woods to chat about the challenges, the excitement and legacy of Flare!
Continue reading “Flare Ōtautahi Street Art Festival 2025 Is Almost Here!”Postcard from L.A.
Los Angeles is an iconic city, but it never quite feels like it lives up to any sense of beautiful grandeur, the architecture is more post-modern than historic, the sun bleaches so many of its surfaces that there is always a sense that it has been washed out, and the sprawl makes it hard to contextualise your location. But despite this, there is an undeniable quality to the various haunts, whether it is the air of Hollywood Boulevard, the familiar locations from film and television, or the eccentricities of Venice Beach. The wide streets and the open expanse above give it feeling not dissimilar from post-quake Ōtautahi, although on a completely different scale. So when we were recently in the city, there was an unsettling melange of familiarity, strangeness, expectation and reality. But, for all that, there were lots of artistic treats to discover, from large murals to smaller interventions, with some big names thrown in the mix. It is impossible to cover all of such a sprawling city, and even the places we did explore are often hard to fully navigate, but here are some favourites we did find. Dive on in and check out some of our highlights from the City of Angels…
Continue reading “Postcard from L.A.”