This is the year that was – An exhibition of 2021 A.D. by PIM @ The Art Hole, Tuesday, 22nd February, 2022
The current Covid situation made the opening of This is the year that was by local artist PIM (aka Lost Boy) a small affair, so I only got down to the Art Hole a few days after the opening, but walking into the empty gallery space (a space which has a definite, unassuming charm) it became apparent that taking time and feeling immersed, experiences not always possible at openings, was the best way to explore this charming show.
The concept of the show was the artist’s completion of a drawing every day of 2021 (small postcard sized digital prints, also compiled into an impressive, limited edition hard-cover book), reflecting the interior and exterior world the artist has occupied throughout a tumultuous year. Presented in a large grid, the small works, with vibrant colours (an element often conspicuous from the artist’s chalk street drawings or stickers), unfurled a range of narratives, some playing out over a week or more, others re-occurring throughout the 365 images with call-backs. The protagonist, a proxy for the artist, experiences a full gamut of terror, befuddlement, sadness, joy and banality, often realised through an absurdist sense of humour. After several inspections, I found myself piecing narratives together, partly from my own associations, partly from the clues on display, but ultimately I became very aware that we aren’t so different you and I, we aren’t so different after all.
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2020. Sigh. I still remember the first day of 2020, the sun was an ominously fiery orb in a grey sky, the result of the marauding bush fires in Australia. There were intriguing stories of a virus outbreak in China. There were rumblings of an escalating conflict between the U.S. and Iran. Let’s just say the markers were there.
2020 just continually threw curveballs. While we spent a lot more time at home (and for some legitimately feared the supermarket), faced massive uncertainty around our futures, and watched the insanity of the U.S. political system play out (t.b.c…) while death counts and infection rates continued to spiral and spike, it is important to look for positives amongst the icebergs, like the vital discourses arising from the Black Lives Matter movement, or our embrace of new avenues to enjoy the things that seemed so far away for much of 2020 (online exhibitions and concerts, and personally, Josh Gad’s Reunited Apart series, where the casts of Back to the Future, Ferris Bueller’s Day Off and The Goonies got back together via Zoom). Good or bad, the effects of 2020 (which themselves extend back far further than those 12 months) will linger far longer, surely influencing our behaviour and output in untold ways, from the way we make art to the institutions that police our communities. Indeed, the relative sense of calm normality here in Godzone is a far cry from distant shores, where 2021 is already following an equally hectic path…
With that reflection in mind, we once again reached out to a heap of our friends to look back over the last twelve months and how their year played out. We asked each contributor five questions; the changes they faced in 2020, their lockdown experience, their creative highlights and the art that mattered in 2020, and their contingency plans for 2021…
Here’s what some of our favourite Christchurch creatives made of 2020…
What changes did 2020 bring for you personally? The biggest change for me personally was a new focus and direction within my Jen Head works, which came about through a friend’s request for a birthday card, that I then developed further over lockdown, and it’s just carried on. It has been a sort of ‘ah-ha’ moment. I’m loving this direction, it’s more simplified and has focus, but with endless options to explore, and best of all, it has been well received. I’m enjoying doing personalised commissions at the moment. I’m loving painting realism again and when combined with the abstract character of my Jen Heads, it creates impact.
The biggest change for Fiksate, is packing up and moving to a new location. It has been a stressful few months, but I’m super excited about the new space, it’s a warehouse style spot [54 Hawdon Street, Sydenham] and we can’t wait to start fresh in the new year.
What got you through lockdown? The fact my three-year-old son, Frank, still takes naps got me through! I could count on those two or three hours for my alone time, to create artwork, to have some space. We packed up a lot of studio material and made a desk space in our spare room during lockdown. It was a godsend. Dr Suits [Jen’s husband and Fiksate co-owner] was working at a large scale in the backyard, but I enjoyed sitting and really focusing. I wrote and illustrated a children’s book, developed my Jen Heads and played with patterns and ideas.
Dr Suits was a massive support and did all the supermarket shopping, but there was never enough beer! Our neighbours were amazing and the North Beach crew in general, we could keep in touch through the fences or distanced walks. Facebook video calls daily with my Mum/Frank’s Nana were also helpful!
What has been your personal artistic/creative highlight of 2020? The start of the year was a banger with the Ōrua Paeroa mural in New Brighton. I was able to take part in Shared Lines, an exhibition curated and organised by Audrey Baldwin and colleagues [Now displayed in the new Spark building on the corner of Hereford and Colombo Streets]. I took part in the Conscious Club’s SDG Exhibition, which was amazing. I also organised Perspective – Women in Urban Art, a line-up full of top female urban artists in New Zealand, as well as international graffiti artist Glam. Perspective was super special, we produced a zine to accompany the exhibition which included amazing insights into the creative backstories, challenges, and successes of the artists. Dr. Suits, Porta and I also completed a large mural at Switch New Brighton. It was really fun, and it felt good to bring colour to our neighbourhood.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? This question is too hard! There are too many in my mind to list!
What are your plans if 2021 turns out worse than 2020? My plan for 2021, if it turns out worse than 2020, is to focus on what brings me and my family joy, from the small things in my daily, to bigger actions, like giving and sharing. To really focus on nature and getting out there and into it. I’ll try not to ‘stress drink’ as much as I did throughout this year, haha!
What changes did 2020 bring for you personally? At the start of the year I had secured a massive job, I was really excited as it would have been one of my biggest murals yet, but unfortunately due to Covid-19 and the economic recession, the client had to cancel which sucked! So that was my first realisation how serious the pandemic would be for the rest of the year being self-employed. But besides that, I had a relatively steady year in my art/design business, it got pretty scary there for a bit but the Government and CreativeNZ really pulled through for self-employed creatives, which I am very grateful for. Other than that, I have had a HUGE rise this year of people asking me for free or cheap work which really fucks me off. My other business that I co-own, The Conscious Club, definitely struggled as we mainly host events, but we managed to keep going and pulled through together in these rough times. We even got a studio/retail space in town which is pretty awesome.
What got you through lockdown? My partner and I live together, and he had been going full conspiracy mode since the start of January as our friend was over in Hong Kong and telling us how crazy the pandemic was and that it could come to New Zealand. So, by the time it got here we were quite prepared but still pretty freaked out. We both used the time to be creative. I still had work I could do from home, and my partner was making a hip-hop album. The only downside was both our studios were in the same room, so it was pretty loud and distracting. Other than that, we went on lots of walks with the dog and lots of Zoom calls with mates. It wasn’t too bad apart from when you had to go to the supermarket!
What has been your personal artistic/creative highlight of 2020? I have been in a lot more exhibitions this year which has been cool, and I also curated a massive exhibition fundraising and bringing awareness to the UN’s Sustainable Development Goals [SDGs]. Also, I have been working with a really cool producer from the UK doing album covers for some big names in hip-hop. Also, the Risograph print run with Fiksate and M/K Press was really cool. That’s all I can remember, I think I have blacked out a lot of this year, haha…
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? I think the anti-racism movement is a huge part of 2020 and from my experience there are a lot of people that are becoming more aware of racism and what it looks like and what people of colour go through every day. I still feel like there is a big divide, and I can see the opposite where there are a lot of people pushing back on the movement too. Getting in amongst it all can be pretty intense and overwhelming sometimes to say the least. This year me and my friends started a campaign called Stand The Fuck Up, sharing the story of our friend who was racially attacked at a party and ended up on the news. We have an event surrounding this planned for 2021 to continue the conversation.
What are your plans if 2021 turns out worse than 2020? Hmm, I think I’ll probably head for the bush, I can’t take much more!
P.K. (graffiti writer, photographer)
What changes did 2020 bring for you personally? This year I moved to a new house, where I can have an actual studio space, which has given me the opportunity to experiment with more things and be closer to the city than I was back at my old place.
What got you through lockdown? Once I figured out it was chill to leave the house without getting stopped in the street, I had a great time in lockdown. I really enjoyed going for long walks and bike rides while it was quiet. The cleaner air was awesome! Although I do feel it has made me even more reclusive than I was before lockdown happened. I’m still not very used to being in situations with lots of people even months after it.
What has been your personal artistic/creative highlight of 2020? Something that stands out in my memory of 2020 is the group show A Tribe Called Haz put on at Outsiders, Haz Called a Tribe, that I was fortunate to be a part of. It was really cool to see such a good and diverse selection of work from people who often don’t exhibit their creations publicly.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Props to Weks, Vesil and Dofey for winning graf, the Green Party for all their good work in parliament this year, and to everyone that’s dedicated their year to trying to make the world a better place.
What are your plans if 2021 turns out worse than 2020? Never plan anything.
What changes did 2020 bring for you personally? I’m anti-social as shit, so it didn’t affect me too much apart from delays on a couple of projects, haha. But most, if not all, of those already had funding secured so they were just postponed until after the initial lock down period. Isolation was tight: be lazy a.f. and don’t feel guilty about it, hahaha!
What got you through lockdown? I hang out with my girlfriend all day erry day anyway, so it wasn’t that much different. We did groceries like real adults for a change though and made more interesting dinners cos there was so much more time. I don’t remember if I even did any drawings or arts, but maybe I did…
What has been your personal artistic/creative highlight of 2020? It’d be a toss-up between the South Frame mural and the New Brighton Outdoor Art Festivalproduction. Both were rad concepts and large walls that incorporated large amounts of traditional graffiti pieces and elements. Also, making some 3D diorama street scenes and other kinda sculpture related works was cool.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Honestly, I’m a bit of a savage and don’t really even look at or follow art or cultural shit. Fuck racists anyway, if you needed BLM to tell you that shit is fucked up out here, you’re a goddamn idiot. Was it even positive or just more divisive than ever? Weks and Pesto’s killer run during lockdown is my favourite art movement of 2020, hands down. Vesil and Dofey get the honourable mentions too, straight up crushing the city.
What are your plans if 2021 turns out worse than 2020? Keep doing my thing and watch the world burn down around me. I’m more afraid of meteors crashing into the earth than catching a cold. Realistically I’d be kinda keen for the planet to descend into complete chaos and anarchy, we’re too comfortable anyway…
What changes did 2020 bring for you personally? One of the biggest changes in 2020 for me involved experimenting in the studio during lock down, which was well overdue. But once the lockdowns were lifted work definitely picked back up pretty quickly. It felt like it almost gave people an extra drive to get new or pending projects underway.
What got you through lockdown? What got me through lockdown was painting canvases in the studio for sure, nothing serious just painting for therapy really. Obviously, friends and family definitely help in times like that as well. I have friends in the States who are still dealing with the whole problem and its endless ramifications. Just trying to be supportive for them in any way possible was and still is a focus of mine.
What has been your personal artistic/creative highlight of 2020? Some of my biggest and most complex projects to date have happened in 2020, so I can’t complain. All the big walls we’ve painted as a crew would have to be my personal favourites, from the Jungle tribute by the Moorhouse tracks, to the South Frame wall and the NBOAF seaside wall, to name a few.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? For sure all the looting and rioting and peaceful protests that were attached to the Black Lives Matter movement. And all the street parties after Trump lost the election! America has had a real bi-polar year! I do feel 2020 was a super productive year for graffiti and street art internationally.
What are your plans if 2021 turns out worse than 2020? If 2021 is worse than 2020, I’m going to make the most of it in the studio and really try to produce a large body of work for a show in 2022!
What changes did 2020 bring for you personally? My studies went fully online which just made me have a lot more control over time. I found myself able to relocate my study to evening where I was more productive anyway, and use my days to go out (while we weren’t in lock down). Everything that happened in 2020 gave me the opportunity to find my love for photography again.
What got you through lockdown? Netflix, routine, university studies, naps. Boring things mainly. I wish I could be one of those cool people who were super productive during that time.
What has been your personal artistic/creative highlight of 2020? Being part of the Perspective exhibition at Fiksate gallery. But also just learning how to set aside time for creative projects.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? I think that celebrity Imagine cover captures 2020 pretty great. And if you wanna get more deep than just how shit it was, the reaction to it was a great example of people (maybe) starting to understand that different people in the same society have different experiences. Whether it’s black people vs white people’s experience with the cops or rich vs poor people with the pandemic.
What are your plans if 2021 turns out worse than 2020? More naps.
What changes did 2020 bring for you personally? I guess my biggest change was a steely determination to get out and put stuff up rather than take a photo for Instagram to show people what I had put up. I pretty much shut all my social media accounts at the start of the year and only restarted my sticker one when my #slapcitycollab started up. I am always on the cusp of shutting it all down. I’ve heard Flickr is making a comeback amongst sticker artists!
What got you through lockdown? Two things: A battery powered chainsaw and the #slapcitycollab (that eventually morphed into #slapcitymashup). I started doing a lockdown challenge, but the inspiration words were a bit ‘meh’, so I wrote out a list of artists I wanted to mashup/collab with my stuff and just started there. Then it turned into 20 days, then 40 days, then 60 days… A whole bunch of rad artists from all over the world got involved and some awesome collaborations came out of it. I was so hyped to see @awasgaga doing a huge Teeth Like Screwdrivers wall for his entry and getting a mashup sticker made with Ocky_bop was pretty epic!
Also, I have a nice garden now.
What has been your personal artistic/creative highlight of 2020? The Slap City Sticker Workshops at Fiksate have been huge for me. We started them at the end of last year and while they obviously stopped during lockdown, when we came out of all that it seemed even more important for us to get together and hang out. While the rest of the world dealt with Covid-19, we were able to sit, draw, chat, have a drink then go out into the street and sprinkle a bit of love around the city. We are fucking lucky, really. Slapcity family!
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? As I said, we are pretty damn lucky here in New Zealand to be able to host art shows, wander the streets and look at stuff and hang out together. Other places are not so lucky. So, my highlight this year happened right at the end in the good old US of A.
The DC Sticker Expo 5.0 was obviously not going to happen in real life this year, so they put the whole show on virtually. You can wander around the gallery and zoom in on stickers and pieces. They did a virtual treasure hunt and I have spent a fair bit of time just looking around. So good! (Keep your eye out for a couple of pencils in there!) Peel Magazine (which used to run in the early 2000s) started a new project after a decade or so: ‘Peel Magazine has a posse’. The basic premise was to design your own version of the classic ‘Andre The Giant has a posse’ sticker and get them all together in one book. Shepard Fairey gave it the green light and it just got printed. Stoked that my design got a full-page spread!
What are your plans if 2021 turns out worse than 2020? To just keep doing shit that makes me happy, I guess. I’m stoked to see friends getting the recognition they deserve. I’m constantly inspired by seeing other people doing amazing things. I like the idea of getting my stuff bigger. I’m going to probably fall out with Instagram again, keep skating a long way, keep buying more records and still be grinning from ear to ear whenever I start up my old car!
What changes did 2020 bring for you personally? The biggest change for me in 2020 was my relocation from the UK to NZ. Moving on my own to the opposite side of the world was always going to be a challenge. As well as saying goodbye to my family and friends, I also said goodbye to my regular pasting crew. I knew I had to find fellow street artists to connect with in Christchurch. Luckily, the Slap City events at Fiksate Gallery helped me enormously with that! Finding this group helped me to not only connect with street artists, but I made friends. Inevitably this helped me settle in. It has also influenced my style, too. I’ve done lots more stickering and started making handmade stickers too, which I hadn’t done before I moved here.
What got you through lockdown? Lockdown was an interesting time. I had just arrived in the country and I didn’t have my current network of friends. My furniture, which I shipped from the UK, got delayed. I was in an empty house (no bed, no couch, no TV, no WiFi!), and on my own. I kind of enjoyed having time to myself and having space to think. I spent the time doing yoga, preparing handmade stickers and making plenty of video calls with family and friends back home in the UK.
What has been your personal artistic/creative highlight of 2020? My highlight this year was taking part in Perspective, an exhibition of women in urban art at Fiksate. It made me really happy to be asked to participate and to have my art showcased with lots of talented artists. It was an exciting project to take part in.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? What stands out for me in 2020 is how lock down and quarantine seemed to bring artists together from all over the world… So many lockdown art collaborations were being done… I think a lot were initiated by Teeth Like Screwdrivers! I did a lot of collaborations too during lockdown. I guess we all had time, and that’s wonderful.
What are your plans if 2021 turns out worse than 2020? At this stage I have no particular plans for 2021. I think what 2020 has taught me is that life is so unpredictable, no one knows what is around the corner. I’ll continue to make art and spread the spoon love.
What changes did 2020 bring for you personally? One of the biggest changes for 2020 was not being able to head overseas. I’d been psyching myself up, planning to head out into the world and see some sights and experience other ways of life. As to changes in work, I’ve moved away from painting with watercolour into painting primarily with ink. I’ve also used traditional American tattooing designs as inspiration a lot more than I have in previous years.
What got you through lockdown? Pretty much all my energy during lockdown was directed towards painting, DJing or running. I’d wake up around seven each morning, chuck on a podcast and just paint at the kitchen table until I got hungry then I’d make breakfast and carry-on painting. I definitely produced the most works I’ve ever made in my life during that period. Then if the inspiration fountain was running a little dry, I’d jump on the DJ setup we (the Winton Street crew) had also set up in the kitchen. I began getting really into running to combat the claustrophobia I’d feel from spending every day in the kitchen. Everyone knows how good exercise is, so I don’t really need to gas up running and its benefits!
What has been your personal artistic/creative highlight of 2020? My highlights would definitely include Halves on an Exhibition, which Reece Brooker and I had at Outsiders in March (pre-lockdown), then Haz Called A Tribe, the first group show Becca Barclay and I put together at Outsiders in July (post-lockdown). It featured two-and-a-bit handfuls of talented locals/pals. The night got pretty large! I also had my first month-long exhibition filling up all the walls at Black & White Coffee Origins (thanks Chris!), it was an awesome experience, and I learnt a lot.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? The BLM protests and the USA 2020 election featuring COVID-19 will definitely be the most “2020” thing. You wouldn’t believe it if it wasn’t true, absolutely unreal!
What are your plans if 2021 turns out worse than 2020? Probably learn how to cook, haha! (I can’t cook)
What changes did 2020 bring for you personally? Art wise, the biggest change that 2020 brought for me was probably the retirement of a particular style of work and the pseudonym under which all that work was made. With freedom from the confinement of that one style, I’ve been able to delve into producing work under my own name that has been floating around in my brain for a while. New work. New materials. New fun.
What got you through lockdown? Skateboarding every day in the car park next to my house made lockdown super bearable for me. Luckily, I had a pretty decent supply of art materials as well and with the extra time on my hands it was good to tinker away on plenty of new stuff. With the small amounts of “real work” that I had to do at home and skateboarding and good flat mates and art to work on, lockdown was surprisingly good. I was very lucky.
What has been your personal artistic/creative highlight of 2020? I would have to say the retirement of the ‘Uncle Harold’ pseudonym has been a huge highlight, such a weight off my shoulders that was obviously well overdue. As far as a particular project I was a part of in 2020 that was a highlight, it would have to be the See Me Skateboards project. A bunch of epic local artists got to go into schools and run workshops with the kids painting their own skateboards. It was awesome seeing kids realise art doesn’t always have to be super serious and boring and they got to go crazy with it and experiment with all sorts for materials and styles. Seeing all 200 of the kids’ boards exhibited at the 013 Gallery was fucking rad too.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Reading this question, particularly the ‘2020’ part, regarding what pieces of art stood out, my mind instantly jumped to all the Covid-19 conspiracy theories written in chalk on the Bridge of Remembrance in town. I walked past new messages every day and I’m not sure which had more mistakes, the facts that supported those theories, or the actual spelling mistakes in the messages themselves. That’s pretty fucking 2020 if you ask me.
What are your plans if 2021 turns out worse than 2020? At the moment my life seems to be way more of a shit show than 2020 or 2021 could ever be, loooooool. Come at me 2021, I’m already way ahead of ya! Hahahahaha…
What changes did 2020 bring for you personally? 2020 was the year of change! The whole world is going through a cosmic shift. At the same time, my personal world also went through HUGE changes. I managed to get married, go on a honeymoon, renovate my house and have a baby all within the year of Covid-19. (That’s just the main stuff!) With all of that put together, change is inevitable. I only got to host one show at my gallery (The 413 Local), we put it on after the lockdown. It was called Isolation and the artists showed work either made in or inspired by the New Zealand lockdown. Before Covid-19, I had hoped of putting on at least two or three shows. But alas, plans change. I did end up trying a lot of different mediums and techniques that I have never used. The changes around me allowed me to become more experimental and less precious about my art. I tried my hand at watercolours, pushed myself with Copic markers, and made my first bootleg toy. All while also having fun with my usual tools and materials. My main focus for my personal art this year though was drawing and making my first comic book. I released A Dog’s Mind (Issue 1) with the thought “There are no such things as mistakes, just happy accidents” in mind. (Thanks Bob Ross!)
What got you through lock down? Definitely my wife, Sammie, she pushed me to create and make things when I fell into the trap of Playstation and potato chips. But also, a lot of podcasts, I’ve been on a real scary story/horror and live play 5E D&D buzz this year. Music is a big one. Lots of O.G. hip-hop, Fall Out Boy and I ain’t afraid to say it, Lewis Capaldi. Then reading, I’m really into non-fiction lately, and a healthy dose of comic books, of course! I have actually been moving away from the big two (Marvel and DC) lately and finding more indie/underground artists and books, which is really refreshing.
What has been your personal artistic/creative highlight of 2020? So, I also joined a local comic group called Funtime Comics. We meet once a month and talk and draw comics and hang out. Every year they produce a graphic novel from artists all over New Zealand. I got published in their special Covid-19 issue and will have work in their next issue as well. So, on top of hand-producing the first issue of my own comic, and starting the next issue, I will be in two Funtime comics as well. Pretty chuffed with that to be fair! I also did my own version of Inktober called Daktober. I did 31 prompted ink drawings. It did take me like two months longer than everyone else to complete, but my daughter Clarke was born just after I started, so I kind of had a good excuse! But to tell the truth, she is probably the greatest thing I have ever had a hand in making. Clarke is definitely my biggest highlight this year!
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? As I was reading this question, instantly the BLM movement came to mind. How could it not? Tragic events that are still shaping worldwide generational protests. Compare that with taping a banana to a wall, I don’t think it stacks up… Not only did I see art come from the reaction to the BLM movement, but it’s still on going. From fine art, graffiti, music, there is a massive influence. It seems to me that the arts are not only a tool but also a release for artists all over the globe to tell others about their emotions and experiences. That’s what the arts are for, right? To give a message, leave a mark, communicate. It’s not often that a culture-changing event like BLM happens. A Van Gogh painting got verified this year. A Salvador Dali painting might have been found in a thrift store. Both are amazing events that took place this year. Both add to their narratives in the space of society. But it is the old guard. BLM has a spark of new energy. Watching statues of Confederate generals fall and being replaced by A Surge of Power, a work by Marc Quinn and Jen Reid depicting a young black female protestor raising her hand with the Black Power salute, was powerful. Listening to the stories and political knowledge woven together with beats from the likes of Run the Jewels or Tobe Nwigwe, or seeing a painting by Shaquille-Aaron Keith, while reading a poem he wrote to accompany it, I feel like there has been a shift. BLM was a massive push in the right direction. A direction with many events and situations that seem to have been culminating the last couple of years, have come together. Looking to the future, I feel under-represented people from all walks of life, extending beyond BLM, will not only find their voices in all genres of the art world, but they will dominate it, leading the way for more diverse storytelling, bringing more people together.
What are your plans if 2021 turns out worse than 2020? Not too sure, but I got my crow-bar ready for the zombie apocalypse (it’s the superior choice for that situation).
What changes did 2020 bring for you personally? I’d planned to spend a lot more time out of Christchurch and lean on some North Island connections to push my work getting seen in other places. I definitely had to put this on hold but managed to change my focus to making some stuff I’d had in my head for a whole so overall I came out reasonably unscathed.
What got you through lockdown? Having a routine but also being fluid enough to decide each day with what it was that I needed (emotionally, physically) and letting myself deviate as required… Having my studio at home, checking in with my close friends, Star Wars, our espresso machine, a boxing bag, oh and the Covid-19 Wage Subsidy!
What has been your personal artistic/creative highlight of 2020? Lockdown gave me time and space to experiment without impending deadlines or having to go to work. The most notable thing I made this year, which encompasses lots of the ideas I played with during that time, was probably a painting called Ophelia which was in an exhibition run by the Conscious Club. It ended up being something I was super proud of and didn’t immediately want to pick apart.
What pieces of art or cultural events, local or international, caught your eye and which do you think will define 2020? Has to be Vesil’s toilet paper piece that went up just before lockdown, iconic.
What are your plans if 2021 turns out worse than 2020? Go full hermit and probably have the most productive year of my life with nobody around to give a single fuck.
Keep an eye out for our monthly And That Was… entries throughout 2021!
Feature Image: One of Levi Hawken‘s BLM concrete solvs in central Christchurch