Corners of Christchurch: Documenting Where Urban Art Meets the City

Corners of Christchurch’s vibrant pictures of Ōtautahi urban art have been unmissable on Instagram – the striking saturation adding an intensity to the presence of murals, graffiti and smaller interventions across the city’s terrain and providing a gripping juxtaposition with the blue skies, textured surfaces and physical layers of space. It is clear that these images are captured with thoughtful care and an eye for the wider context of art in public spaces. That care was made even more evident in the words Corners of Christchurch provided as an introduction to their photo essay – an earnest expression of the attraction, intrigue and community built around the city’s urban art.

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Offline – An Interview with Sam Emerson

“Your favourite artist’s favourite artists” – it might seem braggadocious as a tagline, but in the case of Sam Emerson of Offline Collective, it reflects the way his work amplifies other creatives – from providing the atmospheric and evocative backdrops for musicians and festival stages, to his collaborations with artists in an increasing number of public projection-based installations. Deeply immersed in his craft and constantly exploring new ideas, Emerson continues to evolve his work technically and thematically, from audio reactivity to expressions of cultural identity. His recent public works, Hurihanga, produced with Flare Ōtautahi Street Art Festival and The Christ Church Cathedral, and Ruruku, produced with graffiti artist Drows for Tīrama Mai 2025, have suggested new possibilities for urban art, transforming architecture with striking sound and moving image, alternately beautiful and fiery. Discussing these works and his career trajectory, our conversation with Sam Emerson was wide-ranging and revealing of art’s ability to transcend defined parameters…

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Roll Call – A Survey of Ōtautahi Urban Art and Artists

Watch This Space, in partnership with Art Walls Christchurch and The Welder is excited to present Roll Call – A Survey of Ōtautahi Urban Art and Artists – a huge group show featuring more than 60 local creatives and bringing the energy of the streets to the walls of The Welder!

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Ghost Stories: Ghostcat’s Ghosts on Every Corner Project and the Memories of a City

I might be a bit biased (Disclaimer: I was the author of the Ghosts on Every Corner book and have been involved in the project since it’s initial genesis), but it is hard to go past Ghosts on Every Corner as one of the most impactful art projects to emerge from Ōtautahi in 2025. Numbers generally don’t lie – tentative counts suggests more than 10,000 people visited the Pūmanawa Gallery space at the Arts Centre in the five week run that Ghostcat’s scratch-built recreations were on display, a huge figure for an independent project. Additionally, the book documenting and expanding the project, featuring striking photography by the super talented Dave Richards, has proven popular, selling more than 700 copies on pre-order before being placed on the bookshelves of retail outlets. It would be fair to say that Ghosts on Every Corner struck a chord.

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The Giant Cans – Notepad, Incubator, Constantly Changing Canvas…

With the upcoming refresh of the three ‘permanent’ art cans at the St Asaph Street Giant Spray Cans site, we have been thinking a lot about these unique surfaces and their evolving appearance. While the three cans to the west serve as commissioned installations, with a revolving roster of artists and crews decorating the cylindrical forms, the other three cans, situated to the middle of the space (closer to the basketball court) are a type of legal wall space, an open source option for people to adorn with markings and makings of all kinds. The impact of each set can be strikingly different. The cohesive ‘permanent’ designs serve as aspirational inspiration, but the more haphazard patina of the ‘legal wall’ cans can be equally as interesting – from signals of presence to gestating visual ideas, the cacophony of tags, handwritten messages, characters, patterns and icons are a wide gamut that becomes a thick layer of paint.

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The Dark Countdown Begins! An Interactive Installation by Centuri Chan

Centuri Chan is a multi-faceted creative – one of the forces (excuse the pun, it will make sense later…) behind the Humans of Christchurch Ōtautahi project, he is a photographer, content creator, Lego block master, and, importantly, a ‘Star Wars guy’. In his upcoming project Dark Countdown, he will fuse his fixation on a galaxy far, far away with a visual commentary on the waste created by mass commercial marketing and short-term collectible fads. The result will be an interactive installation that is an impressive patch work image, and a deeper commentary on contemporary consumerism and capitalism. We took the chance to let Centuri fill us in on this intriguing project, giving us an insight into the concept and execution…

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Piece of Mind – Dcypher, Graffiti Muralism and Changing Perceptions…

When the opportunity to refresh his mural on the corner of Welles Street and Colombo Street arose in late 2024, Dcypher had a few ideas in mind. The original mural, commissioned by the New Zealand Transport Agency, had become somewhat rundown, it’s large sections of flat colour filled with a variety of uninvited additions. The chance to repaint the wall, without having to respond to a cycle safety brief, allowed the artist to explore themes and styles closer to his heart.

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Postcard from Mexico

Mexico is a hotbed of colourful culture – from the heritage of Aztec history, the muralist movement, the folkloric expressions, energetic graffiti and more recently, the emergence of a contemporary mural style infused with all of these influences…

Mexico is a hotbed of colourful culture – from the heritage of Aztec history, the muralist movement, the folkloric expressions, energetic graffiti and more recently, the emergence of a contemporary mural style infused with all of these influences… Last year we were lucky enough to spend some time in Mexico, visiting Mexico City and Puerto Vallarta and capturing some arty goodness. It can’t be understated how massive Mexico City is, bustling and colourful, the juxtaposition of traditional graffiti, fun street art, murals and public art a reflection of the city’s diversity. With only a couple of days to explore, much of the art we found was in the Condesa area where we stayed, but we also were able to witness a huge amount of art as we travelled outside the city to the impressive pyramids of Teotihuacán, murals, slogan typography and of course the frescoes of the ancient Aztec city itself. Puerto Vallarta is renowned as a bright, vibrant destination, and the collection of murals throughout the city most certainly adds to that profile – often displaying elements of local culture and history…

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Flare Ōtautahi Street Art Festival 2025 Is Almost Here!

After a three year hiatus, the Flare Ōtautahi Street Art Festival is back for 2025! Featuring seven headline artists creating large-scale murals across the city, more than 50 additional artists contributing to a range of creative activations, street art tours, an artist panel, workshops, a market and an exhibition – this is going to be huge! Oh, and did we mention the creation of Aotearoa’s tallest mural by Jacob Yikes?!?

To mark this return, we caught up with some of the central organising crew – project manager Selina Faimalo, artists Dcypher and Kophie a.k.a Meep, along with our own Reuben Woods to chat about the challenges, the excitement and legacy of Flare!

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And That Was… September and October, 2024

Oops, we did it again – you get another two-for-one this time as our busy schedule kept us a little behind the eight-ball when it comes to our favourite things! It might be a little concerning, what with a bumper summer incoming and a heap of cool projects on the horizon – but fear not, we make a promise to be very, very good. We hope. But enough with the apologies, let us celebrate what has been a prolific period with some highlights! Here are the things we loved over the last couple of months…

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