Te Pae – Watch This Space

Spotlight 2.0 – Bloom’s Wall of Blooms

The third work presented as part of the Spotlight project went live on the last day of August – urban gardener Bloom‘s Wall of Blooms another beautiful addition to the series. Multi-disciplinary artist, designer, curator and all-round powerhouse Bloom’s urban flowers have appeared in a variety of sizes, forms and locations across the city for several years now, from small drawings, paste-ups and painted wooden blocks, to the Paste-Up Project bollard and the recent production of a large mural at QB Studios on St Asaph Street. Wall of Blooms adds another incarnation of the artist’s work to Ōtautahi’s streets, the animated digital illustration a truly mesmerising apparition on the side of Te Pae – Christchurch Convention Centre.

The white line illustration, once again animated by digital artist Nicholas Keyse from Immersive Reality, comes to life on the wall, growing and blooming in front of the viewer, before gently swaying and evenutally receding, playing out a full life cycle. Inspired by the urban gardeners of Ōtautahi and the beauty of nature, Wall of Blooms reflects our ever-changing cityscape and the determination of nature
amidst the concrete, instilling a sense of wonder and appreciation for life’s precious
moments. The subtle movement suggests liveliness and the endurance of nature, thriving in an environment constructed to deny its existence. These blooms, huge in scale, are testament to persistence. The grouping also suggests ideas of community and our own ability to thrive through our networks of support.

Wall of Blooms invites us to pause and to observe the flowers’ growth, fostering a connection
with nature and celebrating the simple yet stunning elements of life that surround us every day. A
poignant reminder of the resilience and beauty found in unexpected places, Wall of Blooms
prompts us to cherish the present while encouraging collective efforts to support nature’s
growth and, by extension, our own ability to flourish, to find strength and joy within ourselves. Simple things really are the most powerful.

Spotlight – Urban Art Projections is proudly presented by Watch This Space and ChristchurchNZ.
Spotlight 2.0 specifically shines a light on the diverse work of four talented female Ōtautahi artists – exploring new possibilities for urban creativity and adding a surprising twist to the city after dark! The Spotlight project was completed with support from the Hine te Hiringa – Empower Women Utilising FIFA Women’s World Cup 2023 Fund to help celebrate and empower women.

Spotlight – A New Light…

We launched Spotlight – Urban Art Projections earlier this year, a project in collaboration with ChristchurchNZ that literally shone a light on the celebrated Te Pae Christchurch Convention Centre – projecting animated works by local artists onto the building after dark.

We now proudly present the second iteration of the Spotlight project, again supported by ChristchurchNZ, this time highlighting four talented female artists from Ōtautahi. Made possible by the Hine te Hiringa – Empower Women Utilising FIFA Women’s World Cup 2023 Fund, this series of digital works will highlight the diverse practices of the artists, giving a new dimension to their work through scale, animation and light.

The first projection is a haunting rotation by multi-disciplinary Jessie Rawcliffe. Painstakingly creating each frame, Rawcliffe’s work is a study in craft and the understanding of movement, a new approach for the artist. The individual aspect of each image, pieced together with help from Immersive Reality’s Nicholas Keyse, heightens the recognition of each mark, the hand of the artist made evident even in the digital render. The effect is painterly and human, a quality that is also found in the portrait-based subject. The slowly-moving image transitions from a female face to a hooded red skull, an evocative juxtaposition made even more powerful by the almost emotionless expression. This figure is an archetype, allowing the audience to reflect on their own experiences, and ultimately, mortality.

With a quicker rotation of works in this series, stay tuned for the next projection. The remaining artists, River Jayden, Bloom and Jimirah Baliza will be featured in the coming weeks. To see the Spotlight works in person, head to the intersection of Colombo and Gloucester Streets after dark.

And That Was… July 2023

Living in the South Island of Aotearoa, American band The Decemberists’ song July, July was always confusing, the upbeat tempo a far cry from the rainy cold I was surrounded by. Likewise, this time of year can often feel loaded with FOMO, the Northern Hemisphere, bathed in warm weather (in some cases too warm, thanks to the effects of climate change), is hosting festivals and festive projects, t-shirts and sun hats abound. But to dream of elsewhere is to ignore the charms of our own surroundings – and to be sure, we had some great things going on – and, of course, we all know the sun is not far away! With that anticipatory feeling in mind, here are five things that we loved this July…

The Street Art Flea Market @ The Mid Winter Session

Wolfbrook Arena in Addington played host to the first ever Mid Winter Session event on July 22nd – a celebration of local – with food, drink, music and street art to the fore! The weather was perfect for staying inside and a decent crowd turned out to revel in the treats – including Watch This Space’s Street Art Flea Market – a playful compendium of local urban art goodies – prints, paintings, sculptures, clothing and more – from artists as diverse as Ghostcat, teethlikescrewdrivers, Jonny Waters, Klaudia Bartos, Dark Ballad, Bols, Nick Lowry, Kophie a.k.a Meep, Mark Catley, Smeagol, Ikarus, Dcypher, Jen_Heads, PK, Bloom , YSEK, and The Masked Artist.

Component’s Living in a Loop @ Fiksate Gallery

Tāmaki Makaurau and Aotearoa urban art legend Component opened his first solo show in eight years, and first Ōtautahi exhibition, Living in a Loop, at Fiksate Gallery at the end of July. A wet Friday night (yes, there is a theme here) didn’t deter a healthy crowd from checking out the beautifully executed stencil works, many on alluringly distressed signs. A timely reflection on a range of social concerns, Living in a Loop displayed all of the traits that have made Component one of the most important figures in Aotearoa’s street art history.

Tīrama Mai @ Victoria Square

Tīrama Mai celebrated Matariki in Victoria Square with an array of light installations and productions, a lively way to warm up on a chilly July (there’s that theme again!). With creative uses of space and light ton tell a variety of indigenous narratives, Tīrama Mai is becoming an annual highlight of Matariki in Ōtautahi.

Jessie Rawcliffe kicks off the new Spotlight Project

We have already seen two Spotlight activations on the side of Te Pae – Christchurch Convention Centre, with Jacob Yikes and Dcypher’s work projected on the famous building, but now, local painter and illustrator Jessie Rawcliffe has kicked off a new iteration, with a celebratory focus on local female creatives! Supported by the Hine te Hiringa – Empowering Women fund and ChristchurchNZ, the next few months will see four talented wahine artists’ works projected onto Te Pae. Rawcliffe’s initial work, a haunting, painstakingly crafted rotation of a female face (with a surprise twist), is first up and you need to get down to Gloucester Street to see it for yourself…

Barbenheimer

What else could we finish on but the cinematic event of 2023! Whether you fall on the side of the iconic Mattel toy or the theoretical physicist, it truly is a pop culture moment!

These things made our July as sunny as any Northern Hemisphere summer, what would you add? Let us know in the comments!

Spotlight – the moving image…

Watch This Space is proud to present Spotlight – Urban Art Projections, a project in collaboration with ChristchurchNZ that literally shines a light on local creative talent. Spotlight showcases a series of unique art works created by some of Ōtautahi’s best urban artists in collaboration with talented local animators, exploring new possibilities for urban creativity and adding a surprising twist to Christchurch after dark!

Making use of the prominent wall on the exterior of the Te Pae – Christchurch Convention Centre at the intersection of Colombo and Gloucester Streets, Spotlight projects the work of four Ōtautahi visual artists, their work brought to moving life by local digital artists. The animation gives each work a new lease of life; the mural-sized projections imbued with subtle, alluring movements that re-imagine the original productions. With a planned four installations, Spotlight has already platformed two works that have captivated and surprised passersby:

Jacob Yikes’ I will never know…

The Surrealist world of Jacob Yikes provided the first Spotlight installation back in May; the artist’s beguiling landscapes a fitting subject for this unique project. Animated by Nicholas Keyse from Immersive Reality, Yikes’ 2022 painting I will never know was animated with slowly unfurling tendrils and a rolling horizontal band of shimmering turquoise, creating an evocative, unsettling atmosphere and providing an invitation to explore this strange, unexpected landscape manifested on a central city wall, like a dream come to life. The softly moving pieces gently beckoned the viewer, requiring a double-take as more parts of the image were revealed to be alive with understated movement.

Yikes’ world-building has always suggested movement, here, this landscape was given life, while still retaining a sense of quietude and mystery. Occupying the Te Pae wall for a month, I will never know created an unexpected encounter for many walking past, a perfect starting point for Spotlight…

Dcypher’s Welcome to the City…

The second, and current Spotlight installation is Dcypher’s illustration Welcome to the City, a work that draws on the artist’s formative experiences exploring the urban environment through graffiti and skateboarding. Enduring influences, these subcultures recognise the urban landscape, and its overlooked spaces as sites for expression, transformation, subversion, and creativity. Dcypher affirms that: “The beauty that these spaces hold as inspirational layers to be interacted with is the key message of this work. I’ve always loved the look of the raw underbelly of urban architecture, the flip side of the facade, the back alleys, the fire escapes… These spots are constantly in flux as urban subcultures expand in their complexity and reach.”

Dcypher’s adventurous environment has also been brought to life by Keyse, who utilised the artwork’s layers to craft a captivating illusion. Exploring the scene’s depth by zooming in and scanning across the composition, the viewer is guided through the maze-like terrain, Keyse explaining: “As the journey unfolded, I aimed for a thought-provoking narrative to take shape, hinting that this snapshot is merely an echo reverberating across the vast expanse beyond the immediate foreground.” The movement emphasises the exploratory element, the blue-grey tone and flashing yellow lights suggesting the distinct worlds of interior comfort and exterior adventure. Welcome to the City continues Spotlight‘s mission to activate the city…

The next installation, a work by painter and illustrator Jessie Rawcliffe will be unveiled in the coming weeks – stay tuned!

Spotlight is a collaborative project between Watch This Space and ChristchurchNZ working with a collection of local creatives – let us know about your Spotlight encounters!

And That Was… April 2023

You may have noticed it has been a while since our last And That Was… – our recent hiatus was more to do with a certain exhibition that ‘shifted’ our focus for a while, definitely not because there was nothing to report! Ōtautahi’s urban art scene has continued to thrive, maintaining it’s position as a must-see destination, both through significant events like SHIFT at Canterbury Museum, and the creations gracing the streets, both big and small. For April 2023, these were the things that mattered to us – it’s good to be back!

Farewell to SHIFT: Urban Art Takeover @ Canterbury Museum

Jessie Rawcliffe’s stunning painting for SHIFT at Canterbury Museum

It is impossible to not begin this month’s list with SHIFT at Canterbury Museum – Aotearoa’s largest ever urban art exhibition (almost 100 artists, over 4000 square metres and thousands of visitors). SHIFT closed its doors in mid-April and with it the Museum as we have known it, began its redevelopment. The vibrant burst that was SHIFT was an unbelievable farewell to an iconic institution’s current incarnation. The fit may have perhaps seemed unexpected, but it was strangely apt upon reflection, a signal of the changing nature of museum display and story-telling, and a reminder that change is refreshing. Thanks SHIFT, it was a blast!

Jacob Yikes – Escapism @ Fiksate

Jacob Yikes – *Escapism* at Fiksate Gallery. Photo credit: Lydia Hannah Thomas

April saw the latest offering from one of our favourite local sons – Jacob Yikes’ Escapism was a brilliant leap for an artist who had already cemented an distinctive creative pathway. Intriguing, detailed, refined and suggestive, Escapism continued Yikes’ investigation of otherworldly realms and the subconscious. Undeniably alluring, the paintings rewarded inspection and reflection…

The Spotlight project @ Te Pae

Jacob Yikes’ *I will never know* has a new life as part of the Spotlight project at Te Pae

Te Pae’s exterior has some new art with Spotlight, a collaboration between local artists, animators and ChristchurchNZ with Watch This Space. Highlighting the work of four local artists, starting with Jacob Yikes’ I will never know, brought to subtle life by digital animator Nicholas Keyse, Spotlight brings some new found intrigue to the city after dark. When the sun goes down, head down to Te Pae (opposite Gloucester Street) to see Yikes’ projection and stay tuned for a detailed write-up and future artist announcements!

Meep’s Two Realities

We love Meep‘s latest work, a stirring anti-racism piece on a row of power boxes on Allen Street, is a reaction to “the lived realities of BIPOC in Aotearoa”. Responding to a harrowing experience of a close friend near the location of the painting, the beautiful painting is a reminder of the necessary conversations we still need to have to eradicate racism from our society (as Meep noted in an Instagram post, so many BIPOC hear the refrain, there’s no racism on New Zealand, despite that being far from the truth). The water line a reflection of the held hurt and trauma of those racially abused and the need to rise above to change racist attitudes… A necessary social commentary from a talented and motivated artist.

Hello Darkness… A Nighttime Tour

Rone’s *Tess* under lights. Photo credit: Hillary K Photography

Lastly, we were lucky enough to host a night-time tour for delegates of the New Zealand Planners Institute. Our tours traditionally benefit from the sunshine, but as we explored the city after dark it was apparent that the art in our streets shines on long after the sun goes down – from illuminating lighting to dynamic projections and more, it is a reminder that cities need people to activate their spaces, whether presence or productions. Who is keen for another after-dark tour?

These were our favourites, but what lit up your April? Let us know in the comments…