Interview – Watch This Space

The Duke Festival 2026, Carve and Stoked — From Surf to Street Art

For ten years The Duke Festival has celebrated surf and skate culture through the lens of community and inclusion, as well as cultural and artistic events — most notably for us, the Stoked exhibition and Carve street art installation. Both of them feature familiar and emerging names, connecting the festival with the worlds of street art and graffiti as well as broader artistic worlds. For any event, especially one with the scale of The Duke, to thrive for a decade, it takes a lot of work behind the scenes — securing funding, bringing ideas to life, managing artists and participants, promoting and more — and on the bustling opening night, we were lucky enough to chat with two of the figures (and Watch This Space friends) who have tirelessly worked to bring The Duke’s artistic events to reality: head of the festival’s arts programming and Stoked curator Georgia Harmon, and Carve organiser Dark Ballad.

Klaudia Bartos – Cut Outs @ Absolution – March 13 – April 3, 2026

Over the last several years, Klaudia Bartos has produced a constantly evolving body of work, her twisted characters exploring a wide range of material forms and locations, from her plaster ‘clone’ heads found across the city to exhibitions of layered textile creations. For her latest show, Cut Outs at Absolution, Bartos continues to reframe her approach, exploring digital sketches and three-dimensional collage pieces. We sat down with the artist on opening night to discuss the collection, the process of putting together a show and how her work all connects.

Offline – An Interview with Sam Emerson

“Your favourite artist’s favourite artists” – it might seem braggadocious as a tagline, but in the case of Sam Emerson of Offline Collective, it reflects the way his work amplifies other creatives – from providing the atmospheric and evocative backdrops for musicians and festival stages, to his collaborations with artists in an increasing number of public projection-based installations. Deeply immersed in his craft and constantly exploring new ideas, Emerson continues to evolve his work technically and thematically, from audio reactivity to expressions of cultural identity. His recent public works, Hurihanga, produced with Flare Ōtautahi Street Art Festival and The Christ Church Cathedral, and Ruruku, produced with graffiti artist Drows for Tīrama Mai 2025, have suggested new possibilities for urban art, transforming architecture with striking sound and moving image, alternately beautiful and fiery. Discussing these works and his career trajectory, our conversation with Sam Emerson was wide-ranging and revealing of art’s ability to transcend defined parameters…

Dark Ballad – A Deep Cut

With a unique aesthetic and process for the world of urban art, Dark Ballad has established himself through a series of striking works across Ōtautahi, including gothic-inspired paste-ups and a woodblock tablet series for the 2023 Little Street Art Festival, as well as an ever-expanding collection of collaborations that range from prints to t-shirts. Working with figures from the worlds of fine arts and graffiti, these collaborations are always fresh, and through their ultimately one-of-a-kind woodblock printed aesthetic and finish, they are retain a key point of difference from more mass-produced clothing offerings. In addition to his technical output, Dark Ballad has also been involved in community arts initiatives, including curating the Carve surfboard art trail in New Brighton for the Duke Festival of Surfing in early 2025, a public art installation featuring over a dozen local artists. With such a wide range of activity, we thought it was well overdue we sat down with the ‘Master of the Dark Arts’ for a chat about his experiences, his philosophies and what might come next…

We Are Still Here – Pim van Duin @ The Art Hole

We Are Still Here is a simple concept — a figure dressed in a rudimentary sheet-slash-ghost costume photographed in locations around Ōtautahi. Yet in all its simplicity, Pim van Duin’s collection of striking black and white photographs is one my favourite exhibitions of 2025 — simultaneously charming, playful, evocative and haunting. Much like the ghost costume used in the project (also on display alongside the photographs and publication), We Are Still Here is layered. Surveying and inspecting the photographs, all shot in the existing lighting of the after-dark locations, it was hard not to be gripped with a sense of bittersweet whimsy, like looking at those creepy old Halloween photos, where the line between terrifying and cute is hard to locate. Stopping by The Art Hole, we spoke with Pim about We Are Still Here‘s origins, the process and the unexpected poignancy that a ghost costume can add to an environment…

Dark – Graffiti of Ōtautahi No. 1 – by Mitchell Bolstridge

With Ōtautahi ZineFest 2025 taking place at the end of August, it is a perfect time to shine a spotlight on a fresh zine that has recently captured our attention — Mitchell Bolstridge’s Dark – Graffiti of Ōtautahi, No. 1. That turn of phrase is fitting, as Dark itself is a zine that illuminates dark spaces around the city and the expressions found within them — the tags, throwies, pieces, and other additions that signify the allure of our city’s liminal zones. A beautiful production, with grainy film stock images, Dark is an exploration of the city, illuminating overlooked areas while also reflecting on the changing landscape and attitudes towards graffiti across the city. We caught up with Dark creator Mitchell Bolstridge for a chat about the inspiration for the zine, the process of capturing the images and what might come next…

Yarnarchy ’25 – An Interview with Kate Finnerty

Gap Filler’s Yarnarchy is a unique part of Ōtautahi’s urban creative scene — a festival dedicated to yarn-bombing and craftivism that celebrates both the power of urban intervention and the ability of urban craft to engage a diverse audience and community of artists — turning those with a passion for craft into street artists! Founded by Gap Filler’s Play Programme Coordinator Kate Finnerty, Yarnarchy is a vibrant activation and reconsideration of the city that is now into its fourth year. Growing and evolving over the last three festivals, 2025 is now in full swing, with an array of surprising artworks installed and a special collaboration with the amazing Jolt Dance — a local organisation that empowers people through the accessibility of dance. We chatted with Kate about Yarnarchy, the roots of the event, its evolution and why it is such a powerful experience…

Chromatic Oscillations – An Interview with Drez

Good things take time – that’s what they say, anyway. It’s hard to believe that it was mid-March when we sat down with Melbourne artist Drez to reflect on his whirlwind visit to Ōtautahi for the Flare Street Art Festival, where does the time go? With a lot going on, it has taken us a while to finally publish our conversation (conducted in a car in Phillipstown just before Drez departed for the airport!), but we know it is worth the wait! After getting to know Drez as he painted his striking mural on St Asaph Street, it was a privilege to take the chance to dive a bit deeper into his practice, his influences and the comparative cultural and historic landscapes of Aotearoa and Australia. A thoughtful and reflective presence, Drez reveals the importance that he places on his work’s ability to engage its audience through colour and form, eliciting a direct connection between art and experience…

The Dark Countdown Begins! An Interactive Installation by Centuri Chan

Centuri Chan is a multi-faceted creative – one of the forces (excuse the pun, it will make sense later…) behind the Humans of Christchurch Ōtautahi project, he is a photographer, content creator, Lego block master, and, importantly, a ‘Star Wars guy’. In his upcoming project Dark Countdown, he will fuse his fixation on a galaxy far, far away with a visual commentary on the waste created by mass commercial marketing and short-term collectible fads. The result will be an interactive installation that is an impressive patch work image, and a deeper commentary on contemporary consumerism and capitalism. We took the chance to let Centuri fill us in on this intriguing project, giving us an insight into the concept and execution…

Spotlight Version 3.0 – with Iva Anjani

The latest Spotlight work to illuminate the Gloucester Street side of Te Pae Christchurch Convention Centre is a warm, inviting scene created by local artist Iva Anjani. Further exploring the possibilities of the projected animation format, Anjani’s peaceful domestic scene was created by hand, stitching together up-cycled materials to compile the image. A painstaking process, the work is imbued with care and exudes a sense of serenity, a reminder of those places where we can find sanctuary. With the scene brought to subtle life through the wizardry of Immersive Reality’s Nick Keyse, Anjani’s work provides a soft contrast to the urban surrounding, a window of calm to contemplate. As Anjani’s first public artwork, we took the opportunity to talk to the artist about her experiences and reflections as her vision came to life…