Tag: Dance-O-Mat

And That Was… October 2022

October is a month that keeps you guessing. The weather is still likely to throw a few curve balls, and people tend to not know if they are still in a mid-year blitz or are creeping towards the end of the year wind-down. It feels like this unpredictable manner extends to the art in the streets, with surprises popping up in the form of both small additions and large projects. October 2022 kicked off with the Christchurch Hip Hop Summit, saw a refresh for the Berlin Wall, and provided a range of little surprises in between. So, let’s have a look at what we loved in October…

The Dance-O-Mat gets a facelift…

Gap Filler’s iconic Dance-O-Mat had already made itself known in it’s new home on Manchester Street, but in October, it got a brighter spruce-up when the Christchurch Hip Hop Summit Graffiti Jam painted the walls of the site with traditional pieces and characters by Tepid, YSEK, Meep, Drows, Xact and APEK. Additionally, the temporary wall was unveiled as a paste-up site, with the wood covered by the Slap City collective.

DTR X FILTH Crews Collab

In addition to the Dance-O-Mat Graffiti Jam, the Cathedral Square section of Spark Lane also got some new art courtesy of a collaborative production between the FILTH crew and DTR. Coordinated by Ikarus as an additional element of the Hip Hop Summit, the jam featured some Christchurch graffiti royalty in a Simpsons/Masters of the Universe mash-up themed production. With the site now opened and more visible, the painting is a timely addition and reminder of the talented local scene.


Now What Belongs Together, Will Grow Together, Bols on the Berlin Wall

Local stencil artist Bols refreshed the west-facing side of the Berlin Wall in Rauora Park. The text-based painting, based on a quote from German politician Willy Brandt, continues the artist’s investigation of words as image. The layered text in reds, orange, yellow and white, echo not only the German flag, but also the flames of protest, a reminder of what it takes to break down walls.

Complementary Summoning Spot

Right next to the Berlin Wall, we also found one of our favourite pieces of street art, if it can be called as such – perhaps it is more aptly described as an activation – of the dead! Cinder’s Complementary Summoning Spot, seeingly installed by Archfiend, is an urban ouija board, adding a spiritual twist to the streets, and daring passers-by to scratch that supernatural itch!

Sam and Sandra…

To sign off on October, we take a very different direction, a much more wholesome example of urban inscription. Is there anything more heart-warming than a declaration of friendship inscribed for posterity? Sam and Sandra are BFF’s and they have committed that to the world, in fact, the world would be that much better if we all displayed that kind of earnestness…

They were our favourite things from October, what were yours? Let us know in the comments!

Making a Place of Play

Gapfiller’s Dance-O-Mat, a relocatable urban dance floor, is one of the city’s most enduring post-quake place-making icons – a status cemented when the now King and Queen Consort, Charles and Camilla, cut some shapes on the floor when they visited the city in 2012. When the Dance-O-Mat needed a new home, GapFiller found the vacant space next to Paddy McNaughton’s Irish Pub on Manchester Street. The process of installing the dance floor was undertaken and soon, the washing machine discotheque was sending rhythms out across the city and limbs were moving (some more elegantly than others).

The Dance-O-Mat’s new setting was a typical Ōtautahi lot, vacant but for rocky shingle, weeds and bright graffiti painted on the surrounding walls. Now with support from GapFiller, Resene Paints, the Christchurch Hip Hop Summit and a range of artists, the paint covered walls have been given a facelift to match the Dance-O-Mat’s activation. The first addition was a simple black and white declaration of the site as a Gapfiller ‘Place of Play’ – part of the urban play initiative. The mural, completed by Nick Lowry and Bols, simply deploys the graphic Place of Play logo, designed by Ariki Creative, running along the upper section of the Northern wall, boldly declaring the site as a destination. The painting spanning 18 metres in length and starting more than three metres up the wall, was completed in just two days, and set the tone for further activations.

If the Place of Play mural served a practical purpose, the next wave of creative work was brighter and exemplified the Place of Play intentions. On the first weekend of October, the 2022 Christchurch Hip Hop Summit kicked off with graffiti jams – including at the Dance-O-Mat site, where a selection of local graffiti artists refreshed the walls with characters and pieces. The activity, bolstered by DJs playing music, drew sizeable crowds (and dancers), making the most of the (almost) summery weather. Across from the graffiti artists, members of Slap City decorated the dedicated paste-up wall (which already featured a bold ‘Dance-O-Mat’ painting in red and yellow by teethlikescrewdrivers) with paper-based additions big, small and everywhere in between.

The flurry of activity was a perfect introduction for a site that now celebrates various creative outlets, a new must-see destination in the heart of Ōtautahi. The Dance-O-Mat is back and it looks fantastic!