Month: July 2024

TUNE! with Noose

The next artist in control of our ever-growing music playlist is Noose! The man behind Rinley’s Writer Supplies took some time out to give us a selection of tracks that soundtrack his painting career – as he explains, music plays a key role in setting the tone for his work: “Music for me while I’m painting gets me moving and flowing while painting helps me tune out and lets the muscle memory kick in.” A diverse range of tunes reflects Noose’s different moods and influences, but also the full spectrum of the graffiti experience; from shout outs to the local graffiti scene, to each stage of painting and all the drama that goes with it – whether its blissful peace or angry rage, this selection perfectly encapsulates the culture… Check it out!

Frankie Valli – Grease

This is for the flow state you get into when having a good day piecing…

CeCe Peniston – Finally

The rhythm of this song is the feeling you get when you pull a long swooping line on a outline…

The Rolling Stones – Midnight Rambler

A great song to fill a piece to, the bumpiness of the song gets you in a great rhythm for filling…

The Smiths – What Difference Does It Make?

This song is for when my piece isn’t coming out like I thought it would and I’ve given up all hope…

Viagra Boys – Research Chemicals

This is for street bombing after 4-5 pints at a pub of your choice…

Lost Boyz – Jeeps, Lex Coups, Bimas and Benz

The feeling driving home after painting a freight or a sick piece…

Black Moon – I Got Cha Opin

For the inner rage when you see someone has gone over you…

Nate Dogg – I Got Love

For the love of the Christchurch graffiti scene…

Shout out to BRS, JFK, Rinsta and Lily!

Keep TUNE-d for the next installment of TUNE!

SHOWTIME! Reclaimed by Distranged Design

Jacob Root, a.k.a Distranged Design has a way of getting on with things – whether it is flying across the world to immerse himself in the creative scene in Los Angeles, or staging exhibitions of his work here in Ōtautahi Christchurch, he tends to find ways to make things happen. For his latest solo show, Reclaimed, he set about making a body of work that both explored new ways of making (from paint application to the use of up-cycled materials), and found a space through a mural contact – eventually coming to life in a weekend pop-up show.

The well-attended opening night, despite the drizzly Friday evening, showed that Distranged Design has built a solid following of fans eager to see his latest work. The showroom setting afforded a spacious and uncluttered layout for his large works, many painted on recycled palettes and found objects. The styles employed also highlighted a changing approach, clearly influenced by the artist’s increasingly large mural works. The stencil background is still apparent, including the Snik-inspired Moire-styled technique, but a new painterly approach, deploying more freely constructed layers, is arising, an approach the artist admits is, in part, to give relief from the work-heavy cutting process.

Despite his youth, Distranged Design has been a presence in Ōtautahi’s scene for several years, and Reclaimed shows an artist beginning to explore new paths…

Follow Distranged Design on Instagram to keep up to date…

Photos supplied by Watch This Space and Distranged Design

If you have a show or exhibition coming up – please let us know – we love to support local!

The Giant Cans Refresh

When you bring together three heavy hitting talents, the results should always be something special – and the latest refresh of the ‘permanent’ Giant Cans is testament to that truth! When we approached Ikarus, Jacob Yikes and Jessie Rawcliffe to paint the steel cylinders, we challenged them to take a different approach – rather than painting one can each, we asked the three artists to create a collaboration across the three cans. The result is stunning!

The three artists united behind a love of anime and specifically Dragon Ball – the iconic Japanese Manga – a fitting subject given the series’ creator Akira Toriyama had passed away in March 2024. The artists them considered ways to incorporate their signature styles within the familiar aesthetic of Toriyama’s world and beloved characters – exploring the potential and challenges of the circular shapes and multiple viewpoints – the result is a stunning, whirring work that is vibrant and intriguing.

Yikes’ otherworldly style is evident in the green, almost alien, landscape in which characters sit, framed as if contained within comic book panels. The giant dragon Shenron wraps around the three cans, entwining the setting within his mystical presence, clutching the magical, titular Dragon Balls. Rawcliffe’s realism is deployed to depict stylised versions of Pan and Android 18, giving new life to familiar characters. Ikarus’ graffiti traditions are evident in the bolts of text that add a sense of onomatopoeia to the scene, an energetic presence. Traditional representations of Goku and Vegeta, perhaps two of the most famous characters in the saga, and the cat-like Puar, add to the scene.

The various aspects combine into a cohesive production, but also present the need to move about, to explore different vantage points and lines of sight. Time to see it for yourself!

Photos by Watch This Space and Jessie Rawcliffe

Street Treats, Vol. 10

Street Treats is back with some tasty finds from Ōtautahi’s urban landscape. A reminder that we need to celebrate the little things that make us laugh, smile, think, curse, cry and everything in between. After all, what is a city but a site for each of us to exist and express ourselves? Each piece showcased here is the result of an action, a decision to leave something for others to encounter, a realisation that we can impact the experience of our fellow citizens. Sure, this sounds overly dramatic for a collection of peeling stickers and scrawled massages. But think a little deeper about what they each represent and what they contrast with, it makes the city an infinitely more interesting place. From twisted familiar icons to mysterious new names, a number of throwbacks, some political protest and humorous notations, this collection is a reminder of the myriad voices that make up our city…

This volume features: Klaudia Bartos, Dark Ballad, Sleeper, Bols, K.T., Dcypher, SPIKE, M+H, Ghstie, Misery, Fiasko, Jessie Rawcliffe and more…

And That Was… June 2024

So we are now more than half way through 2024 – which means we are on the highway to sunshine, good times and lots of street-y goodness! That might seem hard to believe, being that June was a bit damp, a bit grey and for many of us, a time to be indoors. But, we always have an eye, and ear, out for things that add some colour to our city – and of course, we love to share them with you every month in our recaps – check out what we loved in June…

Meep’s Navigation

On the side of ELIM Church on Cashel Street, Meep’s stunning Navigation is an incredible work – poignant, fresh and loaded with meaning – from Pasifika heritage and shared lineage, to climate change’s impact, this is a serious piece that will turn heads!

Dcypher celebrates our city…

Dcypher’s amazing new work on the corner of Manchester and Southwark Streets, is a celebration of our city’s changing profile – with the new stadium in the background, not a car can be seen, the light colour palette reflecting the clean green potential of our future.

Ghostcat’s Leave No Trace trail grows…

The latest addition to Ghostcat’s Leave No Trace trail is sure to be a beloved one for several generations reared in Ōtautahi – an iconic Wizards token – honouring the gaming arcade that was a second home to many local youth through the 80s and 90s! Take a stroll down Gloucester Street to find the subtle addition…

Nobody’s Listening…

The spelling mistake makes this even better.

Some HotD action…

Colder weather and darker nights means watching some TV is high on everyone’s agenda, right? We can’t help but include House of the Dragon in our list for June – the Game of Thrones prequel is building to some intense battles and people talking in rooms, and we love it – its a Monday treat!

So, that was our June – did we overlook anything? What would you add? Share you thoughts in the comments! We are also looking forward to some guest contributors for upcoming And That Was… entries (and other recurring series) – so if you know who we should speak to, let us know!

Spotlight 3.0 – Monti Masiu’s ‘api

We are excited to ;launch the third iteration of our Spotlight series – introduced a new roster of artists to illuminate the city after dark with their striking artworks!

The first work to come to life for Spotlight 3.0 is Monti Masiu’s ‘api – a circular image that reflects the artist’s exploration of his Tongan heritage, inspired by the traditional forms and iconography of ngātu (bark cloth) and tatatau (tattoo), and centred around the symbolic importance of the kava bowl, representative of community. The image builds outward through numerous layers of sepia-toned circles and imagery, the work is at once honoring of tradition and something new.

That newness is made apparent in the collaborative aspect, Nicholas Keyse from Immersive Reality bringing the static image to animated life, producing a kaleidoscopic effect that suggests new forms and possibilities as it slowly reveals Masiu’s image. The revolving image is mesmirising as it plays out, slowly filling an increasingly large section of wall before receding again and eventually disappearing before playing through again, the loop reflective of the stories passed through generations, linking us to ancestors and our future.

This is a work that needs to be seen in person, so head down to the Colombo Street exterior of Te Pae – Christchurch Convention Centre after dark and take it all in…

Stay tuned for the next Spotlight work in the coming weeks!

Spotlight 3.0 is made possible with funding from the Christchurch City Council’s Place partnership Fund, with additional support from Rau Paenga Ltd, Phoenix PDP and Ōtautahi NZ.