Tune! with Jessie Rawcliffe

Jessie Rawcliffe is our next contributor to Tune! our ever-growing playlist of the music that inspires our favourite creatives. Jessie has built a reputation for her stunning works, often portrait-based, and constructed with intricate, painstaking detail. Her painting of Pōneke based tattooist and artist Richard Warnock is a finalist in The 2022 Adam Portraiture Award, a biennial competition and exhibition held at the New Zealand Portrait Gallery in Wellington. The Adam Portraiture Award is considered Aotearoa’s most prestigious painted portrait award. The first time she has been selected for the exhibition, Jessie’s painting is one of 45 works on public display from 26 May to 14 August.

____________________________________________

Music has been an ever present part of my life – it’s affected the people and aesthetics I’ve been exposed to and has been a way of connecting with others. It’s fair to say that it’s influenced what and how I make.

There’s plenty of music I love that won’t get played while I paint. I’m looking to get into a dissociative state. Having to change album is a massive buzz kill and I’m haunted by that stupid sound my UE Boom makes when it turns itself off.

As problematic as Spotify is, I heavily rely on autoplay from the first thing I pick to give me a few hours of agreeable background noise. I’m only partially listening.

Each of these artists lead in a direction I like going.

MF DOOM – A.T.H.F (Aqua Teen Hunger Force)

Minor Threat – Betray

Idles – Colossus

Unknown Mortal Orchestra – Swim and Sleep (Like a Shark) 

[Video contains mature content]

Night Lunch – Haunted Mill

____________________________________________

Follow Jessie on Instagram and check out our expanding playlist in our other editions of Tune! right here on our blog…

Author: Reuben Woods

Reuben is an art historian, writer and curator. His PhD thesis explored graffiti and street art within post-earthquake Christchurch. He also serves as creative director and lead tour guide for Watch This Space.

Leave a Reply