The Duke Festival of Surfing has become a much-loved event in New Brighton. Amongst the celebration of surfing, the STOKED art exhibition is an anticipated part of the wider festival – showcasing an array of local talent, and creations that range from surf and skate-inspired, to abstractions and beyond. Over the years, a number of Watch This Space favourites have been included in the exhibition and the 2024 iteration continued that trend. Staged in the picturesque Carnaby Lane, STOKED 2024 presented a variety of styles and approaches and we captured some of our favourites…
Dove – Locals Only 2 Nick Lowry – Between The FlagsDark Ballad – Variousteethlikescrewdrivers – Finds a Way (top) and Us Kids (bottom)teethlikescrewdrivers – More Action (top), Parallels (middle) and Better (bottom)teethlikescrewdrivers – Broken NegativeLydia Hannah Thomas – Surf WaxLydia Hannah Thomas – Sun ScreenLydia Hannah Thomas – After Sun
If you have a show coming up – let us know! Email hello@watchthisspace.org.nz and tell us about it!
March is often a final flurry of activity before the weather slowly changes, sunlight lessens and opportunities for public projects get a little bit harder and people start to prefer the warnth and shelter of studios and indoor spaces. Despite this, we found a lot to like out there in Ōtautahi over the month of March and now it is our pleasure to share our finds! From small pleasures to collaborative productions and even an exhibition or two, here are some our favourite things…
A Tribute to Hamish Kilgour
I Go Side On at the Pūmanawa Gallery at The Arts Centre Te Matatiki Toi Ora provided a beautiful and poignant tribute to the life and art of Hamish Kilgour – one of Aotearoa’s most beloved musical figures (he founded The Clean alongside his brother David). The show, created by Paul Kean and Alec Bathgate, collected a range of works, including paintings, drawings, doodles and ephemera, all accompanied by recollections of encounters with Kilgour. The urgent creative drive and earnest personal narratives combined for a touching experience.
Riccarton Jam
The popular trackside spot on Riccarton Road received a freshen up with a jam by some of the city’s most respected graffiti artists past and present, including Ikarus, Lurq, Morks, Dcypher, Pest5, Post, Drows and Foul. With a few flashes of nostalgia (CatDog anyone?) and a heap of history, the wall is a testament to Christchurch graffiti…
Youth Art at the Climate Campus
The Climate Action Campus, located on the old Avonside Girls High School site, is quickly amassing a heap of striking art on its walls – from the Amaze-Ink project initiated by the Christchurch City Council’s Graffiti Projects Team, to a small collection of works by students – all with a focus on climate action. We have been lucky enough to help with the latter, and with support from Phantom Billstickers, we loved seeing the work “Stop Fish Fashion”, by Emily Brickwood, come to life!
STOKED – The Duke Festival of Surfing Art Exhibition
New Brighton’s annual Duke Festival of Surfing hosted STOKED – its companion art exhibition in March and some of our favourite artists were in on the action – including teethlikescrewdrivers, Dove, Nick Lowry, Dark Ballad and Bloom. With a variety of styles and good vibes, it was well worth the visit!
A Little Fix Up…
Ikarus’ Wish You Were Here, the lightbox installation for The Little Street Art Festival was given a spruce up in late March, thanks to a generous festival supporter, who kindly donated the replacement perspex frontage. Ultimately, these works are temporary, but it is always so touching that people want to help give them just a bit of a longer life – thank you!
These were our picks – what would you add? Let us know in the comments! And if you want to let us know about events or projects that we can spotlight on our blog – email us at hello@watchthisspace.org.nz!
You might have noticed we have had a little break from the And That Was… series – don’t worry, it wasn’t for any other reason than the need for a well-earned rest after a busy 2023! We have been working into 2024 and some things just had to have a bit of a back seat (we are a small team after all!). We are stoked to welcome And That Was… back for 2024 – after all, it is our favourite way to celebrate all things street related – from street art big and small, graffiti, events, experiences and everything in between. So, let’s kick off the first And That Was… for 2024 with the following selections!
The Spiderverse appears in New Brighton
Let’s begin with a FSPPT, a THWAP, a KAPOW and THWIP! The revolving rear wall of the old Couplands Building in New Brighton got a Summer make-over with this spectacular production by DTR crew members Ikarus, Dcypher and the crew’s newest member Drows. With traditional pieces in gold, purples and pinks by Ikarus (L) and Drows (R), the wall was built around the Spiderman Spiderverse imagery by Dcypher – unified by a smoky, atmospheric backdrop, blocks of comic book panel details and shattered stone. This is most definitely NOT the Madame Web of graffiti productions.
Farewell to a few old friends…
While we normally celebrate the new and fresh, it is also worth acknowledging those things we have seen disappear – sometimes painfully in full view. February saw the demolition of a number of familiar murals across central Otautahi – FinDAC’sKaitiaki and TELMO MIEL’sHector’s Dive, both on the exterior of the Hereford Street YMCA building, and Jacob Yikes’ Blue painting on the carpark at the rear of the old Rydges Hotel building overlooking Cathedral Square. Of course, losing such works is inevitable, but still sad – the important thing is to ensure we see new works appear in their place…
A tribute to Mahsa Amini
Completed in February, Kophie Su’a-Hulsbosch’s mural depicting Iranian woman Mahsa Amini has added a powerful message to the hoarding wall outside the Arts Centre on Worcester Boulevard. With the portrait centred in front of poppy flowers (symbolic of matyrdom and Iran) and the words Woman, Life and Freedom either side, the work is pays tribute to Amini, who lost her life while detained by Iranian police for not wearing a hijab in public. The mural was produced with Dr Hero Modares of the Kia Ora Academy and members of the local Iranian community, with support from the Christchurch City Council and ChristchurchNZ.
BOXed Quarter action…
We were stoked to see a selection of talented artists add some new pieces to the panels of St Asaph Street’s BOXed Quarter in February. Nick Lowry, Dcypher, Masked Artist, Morks, Dove, Hambone and PK all created works on the 3m x 3m square surfaces, bringing a fresh vibe to an area filled with impressive works! To check out more of the creations, get down to the BOXed Quarter and wander through – just a warning though, you will probably want to grab a bite to eat from one (or more) of the awesome eateries inside… (Image: Hambone (bottom) and Morks (top) at the BOXed Quarter)
Jen_Heads’ Bisan Owda
The city has been awash with art and messages calling for ceasefire in Gaza – illustrating the important role of public space to share and confront social issues – in this case, ensuring the world does not forget about the harrowing and horrific situation in Palestine. One of the most striking pieces is Jen_Head’s portrait paste-up of Palestinian journalist and filmmaker Bisan Owda reporting from Gaza, accompanied by images of her social media posts from the ground, a reminder of the realities of the situation…
And that’s our list for February – what would you add? Let us know…
Tāmaki Makaurau Auckland proved the place to be on April 8th, with two exhibition openings drawing crowds. We happened to be around and managed to catch both The Main Line, a collaboration between Ōtautahi artist Ghostcat and 27 Aotearoa graffiti artists that served as a love letter to the iconic Spacerunner train carriage, and Shiny Things, a collaboration between Hannah Maurice and Tanja McMillan (known to many as Misery) that created a beguiling world inside The Mercury Plaza gallery space on Cross Street (just behind the famed Karangahape Road). While very different shows, one grounded in history, the other mythology, both were well worth the attention…
____________________________________________
The Main Line – Ghostcat x Aotearoa Graffiti Artists, Limn Gallery, Tāmaki Makaurau Auckland, 8th April, 2022
Inside Ponsonby Road’s Limn Gallery, a two metre long replica of a Spacerunner, one of New Zealand’s, and New Zealand graffiti’s most iconic train carriages, takes centre stage. Carefully laid out on top and along the walls either side are even smaller versions of the carriages, rusted and covered in tiny recreations of the graffiti that would fly by when the Spacerunners were still in circulation around Aotearoa. The tiny carriages were built by Ghostcat in his typically detailed style, before artists spanning the country and generations, contributed designs, from Opto, Vents, Lurq, Morpork and Phat 1 to Wayst, Togo, Meep, Vesil and Siar267…
Limn Gallery in Ponsonby hosted The Main Line…
The show paid homage to the now out of circualtion Spacerunner, an iconic carriage for both New Zealand rail and graffiti history…
The small space drew a good crowd for the VIP preview…
where people inspected the tiny trains from the likes of Ikarus DTR
Stories of train missions were on display from members of the scene, such as Fiasko and Siar267
Dyle52 shouted out another icon of graffiti culture in underground comic artist Vaughan Bode
Askew One was a key organiser of the exhibition
Shiny Things – Hannah Maurice and Tanja McMillan, The Mercury Plaza, Tāmaki Makaurau Auckland, 8th April, 2022
The Mercury Plaza, home to a collective of creatives, where visitors can find food, art, clothing and, if they fancy it, get a tattoo. On April 8th, The Mercury Plaza welcomed guests to the opening of Shiny Things, a collaborative world building by Hannah Maurice and Tanja McMillan (Misery); an exploration of the sacred female and the conscious/unconscious that employs a range of approaches to engage the senses. From McMillan’s paintings to installations that seemingly serve as shrines, an air of ceremony palpable. Opening night was busy, with a moving karakia adding to the resonance of the works that reveled in dance, ritual, myth and dreams…
Dream Boat formed one of the centre pieces of Shiny Things…
filled with ornate details
Nature’s Dance by Tanja McMillan
Garden Rituals by Tanja McMillan
Ladybird by Tanja McMillan
Elsa Moon by Hannah Maurice
____________________________________________
Do you have a show coming up and want to let us know? Email hello@watchthisspace.org.nz and fill us in with the details!
As the city continues to shift, refresh and transform, the little things matter more and more. The vacant and damaged spaces that encouraged more bold and brazen interventions are now less prominent (some of our favourite spots around the city face imminent revitalisation). The necessary contrasts of our urban surroundings are increasingly supplied by the small, unexpected things, clashing with the washed concrete structures and shiny facades that continue to stretch and grow. (Do I sound like a broken record?) Those little details that make a city lived in and alive can raise so many ideas, from the explicit to the subtle, the pointed to the more amorphous and undefined. Yet in each case, their mere presence serves to explore what it means to be part of and have a voice within a larger conglomeration. They provide a sense of the human and authentic (with just a touch of dissent, of course) and signs of contrast and contestation amidst the monolithic towers of progress (both literal and metaphoric), .
This second volume of Street Treats features a host of artists and threaded themes, from the traditional, yet entirely timely ACAB/1312 element, to graffiti’s unerring ability to speak of ugliness and beauty concurrently, or in the case of Teeth Like Screwdrivers’ ‘buff bluff’, the inherent potential in the blocks of grey paint that cover graffiti. Levi Hawken’s concrete sculptures have echoed the physical make up of the cityscape while speaking of his graffiti and skateboarding roots, and notably the Black Lives Matter movement. Vesil’s graffiti continues to be a highlight, diverse and well-placed, with an assortment of accompanying characters and accoutrements raising the spectre of playful nostalgia. Anonymous scribes contest election billboards and the future of human utility (I think…), or more hopefully, remind us that ‘love is rife’. Stickers and paste-ups continue to have a rising presence in the city, with acerbic, humorous and intriguing additions to urban walls and fixtures. In the case of FOLT’s skull cut-outs, it is as much the absence as the presence that is striking as these popular sculptural pieces are removed. Cosmik Debris’ paste-ups suggest the molecular science behind all things and the scale of being, while Dr Suits blurs the line between art and advertising, without anything to sell. This collection revels in the details of the city, details that many overlook. Yet, when you start to look closely, there are always surprises, always discussions, and always alternatives…
And that’s half of 2020 gone already. Although lets be honest, this year has seen a fair amount of activity, some shitty, but others important and long overdue. This month’s collection acknowledges these struggles, as well as looking to the past, the future and art as a gateway to explore and consider more than our immediate preoccupations. From Askew One’s haunting risograph print with MK Press and Fiksate, to our tribute to graffiti legend Jungle and the countless voices he inspired as a rebellious actor in the local urban landscape, here are our favourite things from the month of June…
Askew One x MK Press x Fiksate collab
Askew One signs his MK Press x Fiksate collab risograph prints. (Photo credit: Elliot O’Donnell)
The month started on a high with the release of Askew One’s limited edition print as part of the MK Press/Fiksate artist collab risograph print series. Following Dr Suits’ initial release, Askew’s striking red and black abstraction continued the popularity of the concept, selling out in just hours. The work embraces and explores the qualities of risograph printing, while continuing his digital studies drawn from urban environments. The result is a twisting, jagged image filled with a sense of terror and dread due to the blood-like tone. Setting a benchmark for the series, you wouldn’t really expect anything less from Aotearoa’s finest, would you?
Graffiti jam for the New Brighton Outdoor Art Festival
YSEK’s rhino character from the New Brighton Outdoor Art Festival traditional graffiti wall.
The delayed and reconfigured NBOAF signed off with a traditional graffiti jam wall, with a number of local talents transforming a wall in the middle of New Brighton Mall. The green and magenta colour scheme tied the various pieces together, while individual styles and characters by YSEK and Dove ensured variety as well. The wall was intended to represent and celebrate traditional graffiti art, and as such was always going to draw criticism from some corners. The online discussion about the wall’s appearance was interesting to say the least, highlighting the ongoing and deeply held misconceptions and prejudices around graffiti, even when produced legally…
Jungle Tribute
A Jungle tribute sticker on Summit Road, February 2020.
When local graffiti legend Jungle passed away in March of 2019, Christchurch’s graffiti culture spoke by painting tributes across the city’s walls. I had discussed with Ikarus the idea of a larger written tribute that explored Jungle’s legacy, however, by the time we got to sit down with an eye on the one-year anniversary, lock down struck. In addition, what started as an interview with Ikarus, developed into a multi-generational project, stretching the process out. However, by June, the lengthy tribute was finally online. Hearing stories of Jungle’s influence, it was quickly apparent how consistent his impression was, a man who the city’s graffiti culture was indebted to, but also a character who influenced people by his charismatic personality…
Black Lives Matter Protest Posters
June’s issue of Art Beat included an A4 risograph poster from the Posters for BLM archive. Pictured is Roydon Misseldine’s poster.
The latest issue of Art Beat, the visual arts newspaper edited by Dr Warren Feeney, featured an insert of A4 posters drawn from the shared archive Posters for BLM (@posters_for_blm). The three variations, by Stephen Powers, Sara Froese and local designer Roydon Misseldine, were risograph printed by MK Press and included inside the free paper. Importantly, the posters ensure visibility to the cause and serve as a reminder of the potential to raise a voice about oppressive systemic issues. While a small gesture, it attempts to continue this vital narrative. More posters are available for free download (for non-commercial use) from the archive, with a link in their Instagram bio.
Porta x FOLT Skull Collab
The FOLT x Porta skull collab in Cathedral Square.
The collection of FOLT skull cut-outs continues to grow around the city (although many have disappeared as well, seemingly too attractive to collectors), and this subtle variation by Porta is a personal favourite. Porta’s recent investigation of pixelated video game aesthetics is utilised here, but with an understated approach, the granite colouring giving a bare concrete appearance that only reveals the highlights, shadows and blocky shapes upon closer inspection.
And that was June 2020, for me at least, let us know what you enjoyed over the month in the comments…
