Showtime!

Vacation from Reality – Pener, Fiksate Gallery, 15th July, 2022

Polish artist Pener’s mid-Winter residency at Fiksate culminated with a stunning show at the Sydenham Gallery. Despite the cold and wet weather, Vacation from Reality was irresistable, with the artist’s striking abstract paintings spilling subtly onto the walls behind, extending the impact of the bold lines, colours and forms. The combination of bright and muted colours, along with the dynamic compositions wowed the crowd, who were treated to the sublime work of an international visitor with a refined practice…

Do you have a show coming up? Let us know at [email protected]!

Gearing Up – Dcypher Apparel

Since returning home from a stint living in Los Angeles, Dcypher has quickly cemented his reputation and one of Aotearoa’s most talented and prolific mural artists, without missing a beat with his signature graffiti pieces. With his artistic roots firmly planted in graffiti and skate culture, his art has always teemed with the energy of street culture. Much of Dcypher’s work, including his graffiti, reflects the urban cityscape and elements of urban culture, making for the perfect aesthetic for his latest undertaking – the street wear line Dcypher Apparel.

T-Shirts have long been a staple of urban culture; the DIY fashions of Hip-Hop and Punk have celebrated the statement potential of the garment, while the physicality of skateboarding means loose-fit comfort provides a practical attraction. From Jimbo Phillips’ iconic Santa Cruz Screaming Hand, to the Bones Brigade, Powell-Peralta and Vision Street Wear designs, Zoo York and OBEY, tees have been a way to proclaim your cultural, political and stylistic affiliations. Likewise, t-shirts provide creatives with a canvas that reaches a wider audience, stretching beyond the wall or the gallery.

As a skateboarder and graffiti artist, t-shirt designs were a natural progression for Dcypher, his bold illustrative and graphic style translating well to the printed format, while his imagery was already attuned to the urban wear aesthetic. Inspired by the likes of Evan Hecox’s Chocolate Skateboards, he began dabbling in the idea of t-shirt designs while still in Los Angeles, producing images for his CBS crewmates. Dcypher initially considered an online, made-to-order approach, scaling down overheads, but the hyper competitive US market made it a tough proposition to crack.

By the time he returned to Aotearoa, Dcypher had collated a stockpile of t-shirt images. Enter Tim Ellis, founder of fashion company Movers and Shakers. Dcypher had met Ellis through Truth Dubstep, when the artist had worked with the musicians on logos and promotional designs. Ellis brought the industry know-how, connections and capital to Dcypher Apparel, allowing the artist creative freedom to put his designs onto tees and into the world as creative director. The Dcypher Apparel brand was born.

While initially hesitant to use his hard-earned graffiti name as the brand identity, it has ultimately proved beneficial due to his reputation in the urban art world. As creative director, Dcypher leads the designs, but also ensures he has input in where the shirts are stocked, choosing locations based on their connection to skate and graffiti culture, providing the right audience for the brand and a sense of authenticity. There is always a tricky line between making a brand accessible and still elevating it above mass-produced fast fashion, making sure it gets into the right hands – urban wear and youth culture is all about influence. Locally, the tees are available at Embassy on Colombo Street and Encompass at The Tannery, as well as further afield at Cheapskates Wanganui, Fusion in Wellington, Pavement in Dunedin and The Plugg in Kaitaia. Dcypher acknowledges these locations guarantee the right audience and, vitally, respect the cultures that gave birth to the brand.

Although Dcypher’s personal style leans towards the understated these days, favouring a plain black tee, the lure of a t-shirt serving as another platform for his art is undeniable. Rather than developing a completely new approach, Dcypher’s t-shirt designs are drawn from his mural, wall, studio and digital designs, the artist feeling his way through the process and making changes where needed to suit the cotton canvas. And yet, the designs can also be unique from large-scale works, which often require more compromise. The t-shirt graphics are free-form, following the artist’s interests as they develop, rather than being proscribed by briefs from above. The designs (on upsized tees, as preferred by skaters who value the freer movement) feature urban landscapes, Dcypher’s signature skulls, characters and graffiti pieces, sometimes all worked together. Other works take on specific narratives, from corporate greed to Noah’s Ark and Eastern influences. Dcypher’s iconic, but now obscured, Welcome to Christchurch postcard mural (the text mid-construction in reference to the rebuild), has also been rendered as a design. With a growing range, Dcypher continues to develop new ideas for seasonal release, including the exploration of glow-in-the-dark printing.

As an artist brand, Dcypher Apparel is less concerned with fashion trends, and more about the art and aesthetic as a reflection of Dcypher’s style. T-shirts, with their broad appeal and ability to reach a wide audience, allow the artist and his art to engage audiences in new ways. As Dcypher suggests, young people don’t often buy art, but they do buy t-shirts, and he hopes his tees can connect the two worlds.

For more about Dcypher Apparel’s range and for stockists, follow @dcypher_apparel on Instagram or visit  https://dcypher-apparel.myshopify.com/

Street Treats, Vol. 7

For the latest installment of Street Treats, we are serving up a selection of pieces, pastes, pixels, petals and beyond. From a reminder of an old pal’s legacy, to epic collaborations and tiny treats, the streets have provided a range of goodies. That is, of course, the joy of the urban environment as a setting for creative (and naughty) interventions, there is no curation. The result echoes the physical presence of our cities, where thousands, indeed millions of people interweave as they go about their own concerns, trials and aspirations. Any city is a collection of individual voices and the art of the streets reflects this diversity, each piece the compulsive expression of an individual that can be read in infinite ways by the passing audience. In a world where online communication has become increasingly toxic and antagonistic, the art in the streets provides something different, still capable of asserting beliefs and ideologies, but devoid of the escalating tensions or echo chambers of comment sections. Indeed, as one image attests, often the response to uninvited additions is not so much beautification as silencing, ensuring a monochromatic environment. So enjoy this platter of pictures and relax, our cities and our communities are not monolithic, and the streets provide the platform for that multiplicity…

Tune! With Daken

The latest contributor to our ever expanding playlist Tune! is our pal Daken – our favourite graffiti, comics and bootleg toy enthusiast. When he provided us with his selection of five songs that inspire him as an artist, he admitted it was not an easy task, pointing to evidence of a scrawled page of ‘almost’ cuts that didn’t quite make his final list. Daken’s selection is influenced by his creative endeavours and, importantly, his role as a father, music serving as a bridge between his youth and his children. With a mix of hip-hop, Emo and the genre mixing Gorillaz, it is a road trip through a few eras, which is, to borrow a phrase, “for the children”…

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Music is the closest thing I will get to time travel in my lifetime. Not to say I don’t listen to contemporary artists, I listen to a wide range of stuff. But two years ago a couple things happened. I became a father and I found a new art medium: bootleg art toys. Being a father lends itself to reflecting on one’s own childhood experiences. Trying to work out what makes you, you. Working in this new medium that invites play, wonder and nostalgia, my listening habits seem to be a higher percentage of things I listened to as a kid. Certain albums, artists, songs or even lyrics acting as doorways to memories I can pull on, to pass onto not only my art but to my children too. I hope you like these memories I put together for y’all. Stay dope, peace homies.

Fall Out Boy – Hum Hallelujah

Warren G – Regulate

Foster The People – Pumped Up Kicks

Flobots – Handlebars

Gorillaz – Feel Good Inc.

And That Was… June 2022

June, smack bang the middle of the year. We can see the path to spring and summer in front of us (OK, that might be optimistic, but from a strictly numerical point of view…). But the midst of winter does not mean there was nothing on – sure, the weather is a little bit more unpredictable and the mornings colder, but the tricks and treats keep coming. The last month has seen some interesting propositions and amazing opportunities, the chance to connect with a wide range of people and, of course, some awesome art…

The Little Street Art Festival Boost Ōtautahi Campaign

As you may know, Watch This Space is developing The Little Street Art Festival, a street art event with a different spin – spotlighting the smaller scale and great diversity of urban art across Ōtautahi. From small-scale paintings and stencils, to sculptural installations, craftivism and light-based work, the festival will provide a unique platform for local and Aotearoa urban creatives. But, to bring the Little Street Art Festival to life, it requires money! We undertook a Boost Ōtautahi fundraiser through June – and thanks to the generosity of our friends, whanau and networks, we raised $15,000! This is a fantastic building block for the festival – we are super excited!

JZA’s Street Signs

We have loved spotting JZA’s sneaky street sign alterations around the city. Bringing a smile to people’s faces, declarations such as ONE LOVE, ONE EARTH and more show how little interventions can provide meaningful impacts to our daily experiences.

A Quick Trip to Akaroa

I was also lucky enough to have the chance for a nice drive to Akaroa, where I presented a talk about the complexities of urban art to an enthusiastic crowd in an amazing venue, the picturesque St Pauls Church. The chance to field questions and share my passion for graffiti, street art and neo muralism with an audience keen to engage was a pleasure and ultimately stimulating. It’s funny the places you can find yourself…

Crossing Live to Australia

To add to the list of unexpected happenings in June, I was also lucky enough to meet up with Steve Jacobs and cross live to Studio 10 in Australia as the roving reporter toured the South Island. Over a lightning quick tour of some of the street art around Little High, we chatted about why urban art has been so important for the city…

Josh Bradshaw’s Things I Thought You’d Say, Or Don’t @ Absolution

It was great to finally see a new solo show from Josh Bradshaw, whose new creative direction is a far cry from his previous identity – refreshingly urban, punky and monochromatic, I’m onboard (and have been for a while). His show at Absolution was a perfect tonic for a cold winter evening, beers and chats in an intimate environment with fresh art to explore. Perfect.

What made your list for June 2022? let us know in the comments!

Exploring Aerosol – A Masterclass Workshop with Wongi Wilson

Back in June, we were lucky enough to work with local aerosol legend Wongi ‘Freak’ Wilson, Toi Ōtautahi and the Ministry of Culture and Heritage to deliver the free masterclass workshop Exploring Aerosol. Hosted at the iconic CoCA on Gloucester Street, where the white-walled upper gallery provided a stunning setting, attendees were given the chance to learn from Wongi’s mass of accumulated knowledge. Learning about the building blocks of graffiti as a gateway to can control, from the simple tag to the more developed three-dimensional effects of a larger piece, guests were let loose to explore techniques as Wongi presented his insights. The afternoon session dived into Wongi’s approach realism, from landscapes to his mastery of hands, the crowd in silent appreciation of how his images came together.

The free workshop was one of the first of a series of classes targeting practicing artists and providing the chance to expand technical skills. In developing Exploring Aerosol, the goal was to enable artists to develop aerosol techniques while also exploring how the spray can might be used for a variety of forms and styles, elevating the tool to a broader perception. With an energetic response (with limited spaces, not every applicant was able to attend), we hope this was just the first of future workshops that might explore the toolbox of urban art…

We want to hear from more people interested in these types of workshops and initiatives – let us know in the comments or via email to [email protected]