This month, we are stoked to welcome a guest contributor to our And That Was… series: the man behind the Instagram feed Rubble City (@rubblecity), Gavin Fantastic. The idea of this series is to cover a wide selection of what’s happening in Christchurch’s urban art scenes, so it was natural to throw our net wider and make use of those people, like Gavin, with their fingers, and cameras, on the pulse. Rubble City is a go-to feed for fresh, and often highly temporary, pieces of art across Christchurch. So, what has been on Gavin’s radar in April? Read on to find out…
Hambone
Local artist Hambone is certainly setting the scene alight lately with his neo-trad style characters. From pumas with snakes to gorillas armed with bananas, the characters are certainly eye-catching.
Go Hard or Go Home
As the nights get longer the ability to lurk in the shadows also increases for those smashing the scene.
Two artists who have been dropping nasty steez are V-Rod and Vesyl. It has been interesting watching the style of these two artists evolve over the last couple of years from tags and rollers, to the next level pieces seen this April.
International Visitors
Our walls have been graced with additions by painters from afar this month. Showing how the other side of the world gets down were two of Europe’s finest. Resr47 was throwing down snow-capped letters from the Swiss Alps, while Desur managed to fit in a couple of Hamburg burners during his stint at local tattoo studio Otautahi Tattoo.
Jacob Yikes Pop-Up
Situated next to World on High Street, Yikes’ pop-up shop hit my Insta feed (and my wallet!) this month. The man from DTR is selling both originals and prints in a space that is occupied for the next few months selling eclectic furniture. Check it out and support your local artist!
RIP Jungle
As featured in the ‘And that was … March’ blog post, we saw the passing of local O.G. Jungle. Tributes have been popping up all over Christchurch City and around the world. I’ll sign off with a tribute piece from two other 03 O.Gs – Yikes & Ikarus.
Follow Gavin on Instagram (@rubblecity), and keep an eye out for more guest contributors in the coming months…
So, after kicking off this recap series last month, it became apparent how fast each iteration would come around! Luckily there has been plenty to keep us going, with good weather, a number of spots and new initiatives, February 2019 saw Christchurch’s urban art scene keep up appearances, from the return of a big name, to the return of an important event, it was a good month…
Jenna Lyn Brown with Porta and Dr Suits – Viva New Brighton
A fun addition to the seaside village (along with a spattering of new paintings throughout the mall) the text-based painting on the old Couplands building deftly co-exists with Auckland artist Berst’s dynamic piece, with shared echoes of colour, albeit in contrasting styles. The declaration ‘Viva New Brighton’ becomes a proud celebration of the community’s rebellious spirit…
Style Walls 2019
In early February, the local institution Style Walls returned, once again pitting an array of talented artists against each other in a battle format. Utilising the giant cans as the canvasses, Style Walls 2019 focussed on characters rather than letters, and the hand-picked line-up were allocated four hours to impress the judges. Ysek7 came out on top, beating out Kieos, Dove, Daken and Sewer. Stay tuned for an interview with the champion, and some further insight into Style Walls with co-founder Ikarus…
Black Book sessions
While not strictly a February event, we just had to shout out the Black Book sessions that have been running for several months now, encouraging graffiti artists of all ages and levels to commune and create. Established by Wongi ‘Freak’ Wilson, Emma Wilson and Ikarus, the sessions are held weekly on Thursday afternoon/evening at the Youth Space on Manchester and Lichfield corner. See their Facebook page for more details…
Who is that Lurq-ing?
It is always good when local legends leave their mark, so seeing a number of pieces around the city by Lurq deserves a mention for the month of February, that recognisable style featured in a number of productions in different spots…
Dove and Wongi – Bode tribute
Definitely a personal favourite, the tribute colab by Dove and Wongi ‘Freak’ Wilson in Hereford Street combines the stylistic flair of each artist while celebrating a seminal influence on graffiti culture. The underground comic artist has been a massive inspiration on a number of graffiti writers, and his iconic Bode Lizards and Cheech Wizards have been included alongside pieces and in productions across the globe.
Well, January flew by, right? We thought that since life is so hectic, and the worlds of urban art are often so fleeting and ephemeral, it would be helpful to recap each month with a kind of top five list, you know, like in the Nick Hornby book High Fidelity (or the John Cusack movie adaptation, where Jack Black steals the show, take your pick), or a truncated Letterman Top Ten. We will list five things that we loved during the previous month – from new works, big or small, to events and exhibitions, or even just general talking points. And of course, we would love to hear what you think, so jump in and comment, or send us a suggestion for our upcoming lists…
So, without further delay, here, in no particular order, is the inaugural ‘And that was…’ list for January 2019 (drum roll please…):
Face Value @ Fiksate Gallery
The team at Fiksate followed up the Jacob Yikes exhibition, Bad Company, with another impressive showing – the second incarnation of the Face Value: an exploration of portraiture, figuration, faces and characters through the lens of urban art. The show featured a range of talent, from emerging and established locals, to big names from wider Aotearoa and further abroad, such as Anthony Lister, Elliot O’Donnell (AskewOne) and Tom Gerrard (Aeon). Highlights included O’Donnell’s monochromatic apparition Chloe (Beta), the collective strength found in the juxtaposition of local artist Meep (Kophie Hulsbosch)’s bold self-portrait and the works of Auckland’s Erica Pearce, the elegant chaos of Lister’s Ballet Dancer, and Koe One’s typography-laced black and white portrait of urban youth.
The Giant Cans get a makeover…
While five cans remain a constant open platform, the three cans that stand aside are designated as semi-permanent. Initially painted by Wongi ‘Freak’ Wilson, Ikarus and Jacob Yikes, in mid-January, the three metal sentinels were re-painted by Ikarus, Wongi and Fluro (Holly Ross), giving them some fresh evening wear for 2019. With Ikarus’ slick letterforms, Fluro’s elegant typography, and Wilson’s photorealism (with some nostalgic cartoon fun thrown in as well), the cans represent a variety of approaches and styles.
Macadam Monkey chills in North Beach
French artist Macadam Monkey spent several weeks in the city in late December and January, and he made the most of his time here. Hitting a few spots with his almost Art Deco-styled, elegant females as well as more traditional lettering, our favourite was probably his appropriately titled ‘North Beach and Chill’ wall beachside in North New Brighton. The refined (and recurring) colour palette of black \, grey, yellow and white added to the chilled vibe and the work itself seems to have the potential to be something of a small-scale landmark for the area (although time will tell of course…).
Juse1, VRod and Torch in New Brighton
It was something of a meeting of generations and locations when Wellington legend Juse1 visited Christchurch. He spent time painting with local writers VRod (who hails from Auckland but is based in Christchurch) and Torch, and while the Hereford Street spot was a blink and you’ll miss it deal (in fact there have been a number of pieces there that could have made this list, shout out to Tepid, Lurq, Ikarus, Dove and more), their sprawling production in New Brighton has shown more legs. The pieces add to a vibrant setting, and Juse’s iconic B-Boy character adds a perfect nod to hip hop culture, as if it is straight off a New York subway train circa 1982, albeit still fresh to death…
Jonny Waters, Dizney Dreamz @ Anchorage
Dunedin-based artist Jonny Waters goes by a few names, but one thing is always consistent: his playful, twisted aesthetic, which was on full display in Dizney Dreamz at The Anchorage on Walker Street. Presented by Kin Art, the show featured a new series of Waters’ cut-out characters, this time iconic (and several overlooked) players from the world of Disney cartoons (his previous works have taken on Looney Tunes, Rugrats, Sonic the Hedgehog and The Simpsons). While the silhouettes are familiar and intend to invoke a feeling of nostalgia, the details take the viewer on an unexpected trip; eyes where they shouldn’t be, limbs and heads protruding from fresh wounds. All these features are accompanied by a fine technical detail, with layered sections, perfectly imperfect lines and a use of various media.